4038 books match the query 'Social aspects' and 230 start with m

cover of Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture

Manifest Technique

Hip Hop, Empire, and Visionary Filipino American Culture

Mark R. Villegas

University of Illinois Press, 2021

An obscured vanguard in hip hop

Filipino Americans have been innovators and collaborators in hip hop since the culture’s early days. But despite the success of artists like Apl.de.Ap of the Black Eyed Peas and superstar producer Chad Hugo, the genre’s significance in Filipino American communities is often overlooked. Mark R. Villegas considers sprawling coast-to-coast hip hop networks to reveal how Filipino Americans have used music, dance, and visual art to create their worlds. Filipino Americans have been exploring their racial position in the world in embracing hip hop’s connections to memories of colonial and racial violence. Villegas scrutinizes practitioners’ language of defiance, placing the cultural grammar of hip hop within a larger legacy of decolonization.

An important investigation of hip hop as a movement of racial consciousness, Manifest Technique shows how the genre has inspired Filipino Americans to envision and enact new ideas of their bodies, their history, and their dignity.  

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cover of Manifesting Violence: White Terrorism, Digital Culture, and the Rhetoric of Replacement

Manifesting Violence

White Terrorism, Digital Culture, and the Rhetoric of Replacement

Casey Ryan Kelly and William Joseph Sipe

University of Alabama Press, 2025

When communication becomes the engine of white supremacist violence.

Manifesting Violence: White Terrorism, Digital Culture, and the Rhetoric of Replacement by Casey Ryan Kelly and William Joseph Sipe is a compelling exploration of how the digital world has become a fertile ground for white supremacist ideology. Through an in-depth analysis of white supremacist manifestos, online rhetoric, and the myth of “white genocide,” Kelly and Sipe uncover the disturbing ways in which digital culture facilitates the spread of racist ideology and the radicalization of individuals. By examining the language of white nationalism—calls to defend the white race, family, and children—Kelly and Sipe reveal how these messages, often disguised as entertainment or humor, gradually transform passive consumers into active participants in a dangerous ideology.

Manifesting Violence sheds light on the alarming shift from organized white supremacist groups to a decentralized digital arena where hate speech is disguised as humor and online conversations foster a culture of violence. Kelly and Sipe’s thorough investigation of this growing digital ecosystem offers a chilling glimpse into the dark underbelly of online extremism. A must-read for anyone seeking to understand the growing threat of hate-motivated violence and the urgent need to address its roots in digital culture, Kelly and Sipe offer rich insights to readers, researchers, academics, and policymakers concerned about extremism, online radicalization, and white supremacy.

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cover of Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood

Manufacturing Celebrity

Latino Paparazzi and Women Reporters in Hollywood

Vanessa Diaz

Duke University Press, 2020

In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars.
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cover of Manufacturing Discontent: The Trap of Individualism in Corporate Society

Manufacturing Discontent

The Trap of Individualism in Corporate Society

Michael Perelman

Pluto Press, 2005

Corporate power has a huge impact on the rights and privileges of individuals—as workers, consumers, and citizens. This book explores the myth of individualism, which makes people perceive themselves as having choices, when in fact most peoples' options are very limited.



Perelman describes the manufacture of unhappiness—the continual generation of dissatisfaction with products people are encouraged to purchase and quickly discard—and the complex techniques corporations employ to avoid responsibility and accountability to their workers, consumers and the environment. He outlines ways in which individuals can surpass individualism and instead work together to check the growing power of corporations.



While other books have surveyed the corporate landscape, or decried modern consumerism, Perelman, a professor of economics, places these ideas within a proper economic and historical context. He explores the limits of corporate accountability and responsibility, and investigates the relation between a wide range of phenomena such as food, fear and terrorism. Highly readable, Manufacturing Discontent will appeal to anyone with an interest in the way society works—and what really determines the rights of individuals in a corporate society.



Michael Perelman, Professor of Economics at California State University, Chico, received his Ph.D. from the University of California, Berkeley. He is the author of several books on economics and economic thought, including Railroading Economics (Routledge, 2006); Class Warfare in the Information Age (Palgrave Macmillan, 2000); The Invention of Capitalism (Duke University Press, 2000) and The Perverse Economy (Palgrave Macmillan, 2003).

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cover of Many Mirrors: Body Image and Social Relations

Many Mirrors

Body Image and Social Relations

Edited by Nicole Sault

Rutgers University Press, 1994

“We've needed a book like Many Mirrors for a long time. In the veritable explosion of new scholarship on the human body, this book stands out in its focus on empirical research. Many Mirrors will move . . . the Anthropology of the Body a giant step forward.”--C. H. Browner, University of California at Los Angeles

In every society, people define and change their physical appearance in response to their relationships to others: we add clothes and masks, remove them, build up our muscles, perforate our flesh, cut parts away, comb our hair, and modify our diets. In rural Jamaica, fat women are considered desirable; in American suburbia, teenage girls are obsessed with thinness. Bedouin women use tattoos to express their secret longings; Asian American women undergo cosmetic surgery to conform to internalized western standards of beauty. Even with mirrors to see ourselves, we rely on the reactions of others to learn how we look and who we are.

Where contemporary Western culture sees the body as a concrete thing with an objective, observable reality, separate from the self, many other societies regard the person as an integrated whole that includes the mind, the body, and the spirit.  Through the contributors' studies of individual cultures and through the editor’s unifying “body image system”, this volume gives us a new conceptual framework for understanding how women and men in any society perceive, describe, and alter their bodies.

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cover of Mapping Crisis: Participation, Datafication and Humanitarianism in the Age of Digital Mapping

Mapping Crisis

Participation, Datafication and Humanitarianism in the Age of Digital Mapping

Edited by Doug Specht

University of London Press, 2020

The digital age throws questions of representation, participation, and humanitarianism back to the fore, as machine learning, algorithms, and big data centers take over the process of mapping the subjugated and subaltern. Mapping Crisis questions whether it is the map itself that is in crisis. This book brings together critical perspectives on the role that mapping people, knowledges, and data now plays in humanitarian work, both in cartographic terms and through data visualizations. Since the rise of Google Earth in 2005, there has been an explosion in the use of mapping tools to quantify and assess the needs of the poor, including those affected by climate change and the wider neo-liberal agenda. Yet, while there has been a huge upsurge in the data produced around these issues, the representation of people remains questionable. Some have argued that representation has diminished as people are increasingly reduced to data points. In turn, this data has become ever more difficult to analyze without vast computing power, leading to a dependency on the old colonial powers to refine the data of the poor, before selling it back to them.
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cover of Mapping Racial Literacies: College Students Write about Race and Segregation

Mapping Racial Literacies

College Students Write about Race and Segregation

Sophie R. Bell

Utah State University Press, 2020

Early college classrooms provide essential opportunities for students to grapple and contend with the racial geographies that shape their lives. Based on a mixed methods study of students’ writing in a first-year-writing course themed around racial identities and language varieties at St. John’s University, Mapping Racial Literacies shows college student writing that directly confronts lived experiences of segregation—and, overwhelmingly, of resegregation.
 
This textual ethnography embeds early college students’ writing in deep historical and theoretical contexts and looks for new ways that their writing contributes to and reshapes contemporary understandings of how US and global citizens are thinking about race. The book is a teaching narrative, tracing a teaching journey that considers student writing not only in the moments it is assigned but also in continual revisions of the course, making it a useful tool in helping college-age students see, explore, and articulate the role of race in determining their life experiences and opportunities.
 
Sophie Bell’s work narrates the experiences of a white teacher making mistakes in teaching about race and moving forward through those mistakes, considering that process valuable and, in fact, necessary. Providing a model for future scholars on how to carve out a pedagogically responsive identity as a teacher, Mapping Racial Literacies contributes to the scholarship on race and writing pedagogy and encourages teachers of early college classes to bring these issues front and center on the page, in the classroom, and on campus.
 
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cover of Mapping Society: The Spatial Dimensions of Social Cartography

Mapping Society

The Spatial Dimensions of Social Cartography

Laura Vaughan

University College London, 2018

From a rare map of yellow fever in eighteenth-century New York to Charles Booth’s famous maps of poverty in nineteenth-century London, an Italian racial zoning map of early twentieth-century Asmara, and a map of wealth disparities in the banlieues of twenty-first-century Paris, Mapping Society traces the evolution of social cartography over the past two centuries. In this richly illustrated book, Laura Vaughan examines maps of ethnic or religious difference, poverty, and health inequalities, demonstrating how they not only serve as historical records of social enquiry but also constitute inscriptions of social patterns that have been etched deeply on the surface of cities. The book covers themes such as the use of visual rhetoric to change public opinion, the evolution of sociology as an academic practice, changing attitudes to physical disorder, and the complexity of segregation as an urban phenomenon. While the focus is on historical maps, the narrative carries the discussion of the spatial dimensions of social cartography forward to the present day, showing how disciplines such as public health, criminology, and urban planning chart spatial data in their current practice.
 
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cover of Mapping the Stars: Celebrity, Metonymy, and the Networked Politics of Identity

Mapping the Stars

Celebrity, Metonymy, and the Networked Politics of Identity

Claire Sisco King

The Ohio State University Press, 2023

Often dismissed as trivial or even “trash,” celebrity culture offers a unique way of considering what it means to be human. In Mapping the Stars, Claire Sisco King shows how close analysis of the complex and sometimes contradictory forms of celebrity culture can challenge dominant ideas about selfhood. In particular, as a formation that develops across time, mediums, and texts, celebrity is useful for demonstrating how humanness is defined by relationality, contingency, and even vulnerability.

King considers three stars with popular and controversial personas: Norman Rockwell, Will Smith, and Kim Kardashian. Working in very different contexts and with very different public images, these figures nonetheless share a consistent, if not conspicuous, interest in celebrity as a construct. Offering intertextual readings of their public images across such sites as movie posters, magazines, cinema, and social media—and deploying rhetorical theories of metonymy (a linguistic device linking signifiers by shared associations)—King argues that these stars’ self-reflexive attention to the processes by which celebrity is created and constrained creates opportunities for reframing public discourse about what it means to be famous and what it means to be a person.
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cover of Maras: Gang Violence and Security in Central America

Maras

Gang Violence and Security in Central America

Edited by Thomas C. Bruneau, Lucía Dammert, and Elizabeth Skinner

University of Texas Press, 2011

Sensational headlines have publicized the drug trafficking, brutal violence, and other organized crime elements associated with Central America's mara gangs, but there have been few clear-eyed analyses of the history, hierarchies, and future of the mara phenomenon. The first book to look specifically at the Central American gang problem by drawing on the perspectives of researchers from different disciplinary backgrounds, Maras: Gang Violence and Security in Central America provides much-needed insight.

These essays trace the development of the gangs, from Mara Salvatrucha to the 18th Street Gang, in Los Angeles and their spread to El Salvador, Honduras, Guatemala, and Nicaragua as the result of members' deportation to Central America; there, they account for high homicide rates and threaten the democratic stability of the region. With expertise in areas ranging from political science to law enforcement and human rights, the contributors also explore the spread of mara violence in the United States. Their findings comprise a complete documentation that spans sexualized violence, case studies of individual gangs, economic factors, varied responses to gang violence, the use of intelligence gathering, the limits of state power, and the role of policy makers.

Raising crucial questions for a wide readership, these essays are sure to spark productive international dialogues.

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cover of Marching West: The Los Angeles Civil Rights Movement in Photographs

Marching West

The Los Angeles Civil Rights Movement in Photographs

Karin L. Stanford

J. Paul Getty Trust, The, 2026

This volume presents the first visual history of the people and organizations that led the fight for change during the civil rights era in Los Angeles.

During a 1963 speech to a crowd of nearly forty thousand at Wrigley Field in Los Angeles, Dr. Martin Luther King Jr. addressed the question of how Angelenos could contribute to the civil rights movement: “The most important thing that you can do is to set Los Angeles free, because you have segregation and discrimination here, and police brutality.”

Marching West illuminates the dynamic history of civil rights activism in Los Angeles and explores how the medium of photography both witnessed and advanced the fight for Black equality. Over one hundred images, some of which have never been previously published, reveal connections between the local and national movements and document the actions of Western coalitions, religious leaders, Hollywood stars, and concerned citizens. Drawn from the Tom & Ethel Bradley Center at California State University, Northridge (CSUN), the Getty Research Institute, and other Southern California collections—including prints by Harry Adams, Howard Bingham, Charles Brittin, Joe Flowers, Vera Jackson, and Charles Williams—this unprecedented volume presents less familiar but essential stories about American progress toward social justice.

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cover of Marginal People in Deviant Places: Ethnography, Difference, and the Challenge to Scientific Racism

Marginal People in Deviant Places

Ethnography, Difference, and the Challenge to Scientific Racism

Janice M. Irvine

University of Michigan Press, 2022

Marginal People in Deviant Places revisits twentieth-century ethnographic studies of deviance, arguing that ethnographies that focus on marginal subcultures—ranging from Los Angeles hoboes to men who have sex with other men in St. Louis bathrooms, to taxi dancers in Chicago, to elderly Jews in Venice, California—produce new ways of thinking about social difference more broadly in the United States. Irvine demonstrates how the social scientists who told the stories of these marginalized groups offered an early challenge to then-dominant narratives of scientific racism and then offers a social history of certain American outsiders and a prehistory of the academic fields of ethnic studies and sexuality studies. Through the stories Irvine recounts in this book, she identifies an American paradox represented in a simultaneous desire for and rejection of outsiders and describes the rise of an outsider capitalism that integrates difference into American society by marketing it.

Place plays a crucial role in this work as Irvine examines its role in shaping ethnographies about outsiders and therefore understandings of social difference. Irvine has visited the sites of each of the ethnographies about which she writes, collecting photos, videos, and archival materials that will help readers understand the importance of place in the generation of particular ethnographic stories. The open-access online edition of this book is richly illustrated to help convey the deep sense of emplacement of the ethnographies discussed in this book and includes a series of interviews with sociologists about how they conduct their work and understand their forebears.
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cover of Market Day in Provence

Market Day in Provence

Michèle de La Pradelle

University of Chicago Press, 2006

At farmers’ markets, we expect to see fruit bursting with juicy sweetness and vegetables greener than a golf course. For Michèle de La Pradelle these expectations are mostly the result of a show performed by merchants and sustained by our propensity to see what we want to see there. Hailed upon its release in France, the award-winning Market Day in Provence lays bare the mechanisms of the contemporary outdoor market by providing a definitive account of the centuries-old institution at Carpentras, a city near Avignon in the south of France famous for its quintessential public street market.

The renewal and celebration of the outdoor market culture in recent years, argues de La Pradelle, artfully masks a fierce commitment to modern-day free-market economics. Responding to consumer desire for an experience that recalls a time before impersonal supermarket chains and mass-produced products, buyers and sellers alike create an atmosphere built on various fictions. Vendors at the market at Carpentras, for example, oblige patrons by acting like lifelong acquaintances of those whom they’ve only just met as they dispense free samples and lively, witty banter. Likewise, going to the market to look for “freshness” becomes a way for the consumer to signify the product’s relation to nature—a denial of the workaday reality of growing melons under plastic sheets, then machine-sorting, crating, and transporting them.
Offering captivating descriptions of goods and the friendly and occasionally piquant exchanges between buyers and sellers, Market Day in Provence will be devoured by any reader with an interest in areas as diverse as food, ethnography, globalization, modernity, and French culture.
 

 
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cover of Marks of Distinctions: Christian Perceptions of Jews in the High Middle Ages

Marks of Distinctions

Christian Perceptions of Jews in the High Middle Ages

Irven M. Resnick

Catholic University of America Press, 2012

Through the use of several illustrations from illuminated manuscripts and other media, Resnick engages readers in a discussion of the later medieval notion of Jewish difference.
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cover of Marriage, Gender and Refugee Migration: Spousal Relationships among Somali Muslims in the United Kingdom

Marriage, Gender and Refugee Migration

Spousal Relationships among Somali Muslims in the United Kingdom

Natasha Carver

Rutgers University Press, 2021

Winner of the 2022 BSA Philip Abrams Memorial Prize​

This ethical and poetic ethnography analyses the upheavals to gender roles and marital relationships brought about by Somali refugee migration to the UK. Unmoored from the socio-cultural norms that made them men and women, being a refugee is described as making "everything" feel "different, mixed up, upside down." Marriage, Gender and Refugee Migration details how Somali gendered identities are contested, negotiated, and (re)produced within a framework of religious and politico-national discourses, finding that the most significant catalysts for challenging and changing harmful gender practices are a combination of the welfare system and Islamic praxis. Described as “an important and urgent monograph," this book will be a key text relevant to scholars of migration, transnational families, personal life, and gender. Written in a beautiful and accessible style, the book voices the participants with respect and compassion, and is also recommended for scholars of qualitative social research methods.

 
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cover of Martin Scorsese and the American Dream

Martin Scorsese and the American Dream

Jim Cullen

Rutgers University Press, 2021

More than perhaps any other major filmmaker, Martin Scorsese has grappled with the idea of the American Dream. His movies are full of working-class strivers hoping for a better life, from the titular waitress and aspiring singer of Alice Doesn’t Live Here Anymore to the scrappy Irish immigrants of Gangs of New York. And in films as varied as Casino, The Aviator, and The Wolf of Wall Street, he vividly displays the glamour and power that can come with the fulfillment of that dream, but he also shows how it can turn into a nightmare of violence, corruption, and greed.  
 
This book is the first study of Scorsese’s profound ambivalence toward the American Dream, the ways it drives some men and women to aspire to greatness, but leaves others seduced and abandoned. Showing that Scorsese understands the American dream in terms of a tension between provincialism and cosmopolitanism, Jim Cullen offers a new lens through which to view such seemingly atypical Scorsese films as The Age of Innocence, Hugo, and Kundun. Fast-paced, instructive, and resonant, Martin Scorsese and the American Dream illuminates an important dimension of our national life and how a great artist has brought it into focus.
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cover of Marvelous Possessions: The Wonder of the New World

Marvelous Possessions

The Wonder of the New World

Stephen Greenblatt

University of Chicago Press, 1991

Marvelous Possessions is a study of the ways in which Europeans of the late Middle Ages and the early modern period represented non-European peoples and took possession of their lands, in particular the New World.

In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was cunningly yoked by Columbus and others to the service of colonial appropriation. He argues that the traditional symbolic actions and legal rituals through which European sovereignty was asserted were strained to the breaking point by the unprecedented nature of the discovery of the New World. But the book also shows that the experience of the marvelous is not necessarily an agent of empire: in writers as different as Herodotus, Jean de Léry, and Montaigne—and notably in Mandeville's Travels, the most popular travel book of the Middle Ages—wonder is a sign of a remarkably tolerant recognition of cultural difference.

Marvelous Possession is not only a collection of the odd and exotic through which Stephen Greenblatt powerfully conveys a sense of the marvelous, but also a highly original extension of his thinking on a subject that has occupied him throughout his career. The book reaches back to the ancient Greeks and forward to the present to ask how it is possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder from being poisoned?

"A marvellous book. It is also a compelling and a powerful one. Nothing so original has ever been written on European responses to 'The wonder of the New World.'"—Anthony Pagden, Times Literary Supplement

"By far the most intellectually gripping and penetrating discussion of the relationship between intruders and natives is provided by Stephen Greenblatt's Marvelous Possessions."—Simon Schama, The New Republic

"For the most engaging and illuminating perspective of all, read Marvelous Possessions."—Laura Shapiro, Newsweek
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cover of Marvelous Possessions: The Wonder of the New World

Marvelous Possessions

The Wonder of the New World

Stephen Greenblatt

University of Chicago Press, 2017

A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind, Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?
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cover of Marx and Digital Machines: Alienation, Technology, Capitalism

Marx and Digital Machines

Alienation, Technology, Capitalism

Mike Healy

University of Westminster Press, 2020

“Healy closes his marvellous book by saying that ‘alienation is a constant feature and is experienced as a norm rather than as an aberration’.” - https://marxandphilosophy.org.uk/reviews/19718_marx-and-digital-machines-alienation-technology-capitalism-by-mike-healy-reviewed-by-thomas-klikauer/

This book explores the fundamental contradiction at the heart of the digital environment: technology offers all manner of promises, yet habitually fails to deliver. This failure often arises from numerous problems: the proficiency of the technology or end-user, policy failure at various levels, or a combination of these. Solutions such as better technology and more effective end-user education are often put into place to solve these failures. 

Mike Healy argues that such approaches are inherently faulty drawing upon qualitative research informed by Marx’s theory of alienation. Using Marx’s theory, he considers participants in three distinct settings: the workplace of information and communications technology (ICT) professionals; university scholars researching the ethical and societal implications of our digital environment; and a group of pensioners living in South London, UK, undertaking ICT training. By delving beneath the surface of how digital technologies are created, researched and experienced, this study illustrates the contradictory nature of our digital lives, as they directly arise from the needs of capitalism. 

The book also places Marx’s theory in contrast to the mainstream approaches derived from Seaman and Blauner. In researching and comprehending ICT, this book reaffirms the superior explanatory power of Marx’s theory of alienation.

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cover of Marx and the Robots: Networked Production, AI, and Human Labour

Marx and the Robots

Networked Production, AI, and Human Labour

Florian Butollo

Pluto Press, 2022

Marxist discourse around automation has recently become waylaid with breathless techno-pessimist dystopias and fanciful imaginations of automated luxury communism. This collection of essays by both established veterans of the field and new voices is a refreshingly sober materialist reflection on recent technological developments within capitalist production.

It covers a broad range of digital aspects now proliferating across our work and lives, including chapters on the digitalization of agriculture, robotics in the factory and the labor process on crowdworking platforms. It looks to how 20th century Marxist predictions of the 'workerless factory' are, or are not, coming true, and how 'Platform Capitalism' should be understood and critiqued.

Through rich empirical, theoretical and historical material, this book is necessary reading for those wanting a clear overview of our digital world.
[more]
cover of Marx and the Robots: Networked Production, AI, and Human Labour

Marx and the Robots

Networked Production, AI, and Human Labour

Florian Butollo

Pluto Press, 2022

Marxist discourse around automation has recently become waylaid with breathless techno-pessimist dystopias and fanciful imaginations of automated luxury communism. This collection of essays by both established veterans of the field and new voices is a refreshingly sober materialist reflection on recent technological developments within capitalist production.

It covers a broad range of digital aspects now proliferating across our work and lives, including chapters on the digitalization of agriculture, robotics in the factory and the labor process on crowdworking platforms. It looks to how 20th century Marxist predictions of the 'workerless factory' are, or are not, coming true, and how 'Platform Capitalism' should be understood and critiqued.

Through rich empirical, theoretical and historical material, this book is necessary reading for those wanting a clear overview of our digital world.
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cover of Marxism and Media Studies: Key Concepts and Contemporary Trends

Marxism and Media Studies

Key Concepts and Contemporary Trends

Mike Wayne

Pluto Press, 2003

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cover of Mascot Nation: The Controversy over Native American Representations in Sports

Mascot Nation

The Controversy over Native American Representations in Sports

Andrew C. Billings, Jason Edward Black

University of Illinois Press, 2018

The issue of Native American mascots in sports raises passions but also a raft of often-unasked questions. Which voices get a hearing in an argument? What meanings do we ascribe to mascots? Who do these Indians and warriors really represent? Andrew C. Billings and Jason Edward Black go beyond the media bluster to reassess the mascot controversy. Their multi-dimensional study delves into the textual, visual, and ritualistic and performative aspects of sports mascots. Their original research, meanwhile, surveys sports fans themselves on their thoughts when a specific mascot faces censure. The result is a book that merges critical-cultural analysis with qualitative data to offer an innovative approach to understanding the camps and fault lines on each side of the issue, the stakes in mascot debates, whether common ground can exist and, if so, how we might find it.
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cover of Mashed Up: Music, Technology, and the Rise of Configurable Culture

Mashed Up

Music, Technology, and the Rise of Configurable Culture

Aram Sinnreich

University of Massachusetts Press, 2010

From ancient times to the present day, writers and thinkers have remarked on the unique power of music to evoke emotions, signal identity, and bond or divide entire societies, all without the benefit of literal representation. Even if we can't say precisely what our favorite melody means, we know very well what kind of effect it has on us, and on our friends and neighbors.

According to Aram Sinnreich, this power helps to explain why music has so often been regulated in societies around the globe and throughout history. Institutional authorities ranging from dynastic China's “Office to Harmonize Sounds” to today's copyright collecting societies like BMI and ASCAP leverage the rule of law and the power of the market to make sure that some musical forms and practices are allowed and others are prohibited.

Yet, despite the efforts of these powerful regulators, musical cultures consistently devise new and innovative ways to work around institutional regulations. These workarounds often generate new styles and traditions in turn, with effects far beyond the cultural sphere.

Mashed Up chronicles the rise of “configurability,” an emerging musical and cultural moment rooted in today's global, networked communications infrastructure. Based on interviews with dozens of prominent DJs, attorneys, and music industry executives, the book argues that today's battles over sampling, file sharing, and the marketability of new styles such as “mash-ups” and “techno” presage social change on a far broader scale. 

Specifically, the book suggests the emergence of a new ethic of configurable collectivism; an economic reunion of labor; a renegotiation of the line between public and private; a shift from linear to recursive logic; and a new “DJ consciousness,” in which the margins are becoming the new mainstream. Whether these changes are sudden or gradual, violent or peaceful, will depend on whether we heed the lessons of configurability, or continue to police and punish the growing ranks of the mashed up.

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cover of Masking Inequality with Good Intentions: Systemic Bias, Counterspies, and Discourse Acquisition in STEM Education

Masking Inequality with Good Intentions

Systemic Bias, Counterspies, and Discourse Acquisition in STEM Education

Heather M. Falconer

University Press of Colorado, 2023

In Masking Inequality with Good Intentions, Heather M. Falconer examines the impact of systemic bias on disciplinary discourse acquisition and identity development by asking “How do the norms and expectations of higher education and STEM, specifically, impact the development of scientific identity and discursive skill?” and “What role do societal markers like race and gender play in the negotiation of identity in STEM learning environments?”

Drawing on the experiences and writings of six students from historically underrepresented backgrounds in STEM, each participating in an undergraduate research program, Falconer discusses how programmatic and pedagogical choices can work to either further marginalize students and disrupt their writing and identity development as scientists or create counterspaces—spaces where students can thrive and push back against dominant, oppressive forces. Practical applications for pedagogy, curriculum, and program design are included.

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cover of Mass Performance: Systems and Citizens

Mass Performance

Systems and Citizens

Kimberly Jannarone

University of Michigan Press, 2025

Mass Performance: Systems and Citizens examines mass performance systems from the first major festival of the French Revolution through the democratic and socialist movements of the nationalizing nineteenth and twentieth centuries in Europe, to totalitarian communist and socialist regimes in the twentieth century, ending with contemporary North Korea. While other scholars have studied specific mass performances, this study synthesizes the phenomenon across centuries and countries, focusing on its systemization. Modern nations defining or redefining their identities not only organized mass performances, but also planned to make those performances a permanent component of nationhood. Kimberly Jannarone reveals that mass performance systems, including synchronized gymnastics to choreographed rallies, encapsulate ideals and debates within emerging nations about the relationship of citizens to each other and to their leaders, playing a generative and reflective role in the culture and politics of the modern era. Mass Performance analyzes the specifics of performance choreography and design, the organizational planning and thinking behind the systems, the material circumstances of each system’s emergence, and the broader intellectual milieu in which they developed. 

Although not a comprehensive study of such events, Jannarone’s analysis of the selected mass performance systems yields new theoretical perspectives on these phenomena, a central focus of her study being how political leaders find ways to create a physically coordinated mass body politic, even during times of hardship and war. By interpreting and historicizing mass assemblies of bodies, this study analyzes the choreographies and organizations that brought thousands of people together as an ensemble and kept them together in meaning-making motion.
 
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cover of Masters of the Sabar: Wolof Griot Percussionists of Senegal

Masters of the Sabar

Wolof Griot Percussionists of Senegal

Patricia Tang

Temple University Press, 2006

Masters of the Sabar is the first book to examine the music and culture of Wolof griot percussionists, masters of the vibrant sabar drumming tradition. Based on extensive field research in Senegal, this book is a biographical study of several generations of percussionists in a Wolof griot (géwël) family, exploring and documenting their learning processes, repertories, and performance contexts—from life-cycle ceremonies to sporting events and political meetings. Patricia Tang examines the rich history and changing repertories of sabar drumming, including dance rhythms and bàkks, musical phrases derived from spoken words. She notes the recent shift towards creating new bàkks which are rhythmically more complex and highlight the virtuosity and musical skill of the percussionist. She also considers the burgeoning popular music genre called mbalax. The compact disc that accompanies the book includes examples of the standard sabar repertory, as well as bàkks composed and performed by Lamine Touré and his family drum troupe.
[more]
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Material Culture of Writing

edited by Cydney Alexis and Hannah J. Rule

University Press of Colorado, 2022

The Material Culture of Writing opens up avenues for understanding writing through scholarship in material culture studies. Contributors to this volume each interrogate an object, set of objects, or writing environment to reveal the sociomaterial contexts from which writing emerges. The artifacts studied are both contemporary and historical, including ink, a Victorian hotel visitors’ book, Moleskine notebooks, museum conservators’ files, an early twentieth-century baby book, and a college campus makerspace. Close study of such artifacts not only enriches understanding of what counts as writing but also offers up the potential for rich current and historical inquiry into writing artifacts and environments.
 
The collection features scholars across the disciplines—such as art, art history, English, museum studies, and writing studies—who work as teachers, historians, museum curators/conservators, and faculty. Each chapter features methods and questions from contributors’ own disciplines while at the same time speaking to writing studies’ interest in writers, writing identity, and writing practice. The authors in this volume also work with a variety of methodologies, including literary analysis, archival research, and qualitative research, providing models for the types of research possible using a material culture studies framework. The collection is organized into three sections—Writing Identity, Writing Work, Writing Genre—each with a contextualizing introduction from the editors that introduces the chapters themselves and imagines possible directions for writing studies research facilitated by material culture studies.
 
The Material Culture of Writing serves as an accessible introduction to work in material culture studies for writing studies scholars, graduate students, and undergraduates, especially as it makes a distinctive contribution to writing studies in its material culture studies approach. Because of the interdisciplinarity of material culture studies and this volume’s contributors, this collection will appeal to a wide range of scholars and readers, including those interested in writing studies, the history of the book, print culture, genre studies, archival methods, and authorship studies.
 
Contributors: Cydney Alexis, Debby Andrews, Diane Ehrenpreis, Keri Epps, Desirée Henderson, Kevin James, Jenny Krichevsky, Anne Mackay, Emilie Merrigan, Laura R. Micciche, Hannah J. Rule, Kate Smith
 
 
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Matterphorics

On the Laws of Theory

Daniela Gandorfer

Duke University Press, 2026

In Matterphorics, Daniela Gandorfer challenges modernist legal theory’s separation of concepts from matter, developing a mode of theory attuned to indeterminacy, relationality, and material entanglement. Gandorfer offers a method for generating legal concepts that respond to ontological complexity rather than reducing the world to fixed categories or representational entities. Through a range of recent case studies ranging from outer space exploration and Red Bull’s high-altitude freefalls to seabed mining, cryonics, and the copyrighting of DNA, she shows how law is unsettled when confronted with technological frontiers and planetary transformations. Instead of treating law as an abstract system, she proposes it as a creative and situated practice—one that must continually reimagine its concepts in response to shifting relations between matter, technology, and thought. In so doing, Gandorfer formulates legal theory as a creative and situated response to planetary and technological transformation.
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cover of Matters of Gravity: Special Effects and Supermen in the 20th Century

Matters of Gravity

Special Effects and Supermen in the 20th Century

Scott Bukatman

Duke University Press, 2003

The headlong rush, the rapid montage, the soaring superhero, the plunging roller coaster—Matters of Gravity focuses on the experience of technological spectacle in American popular culture over the past century. In these essays, leading media and cultural theorist Scott Bukatman reveals how popular culture tames the threats posed by technology and urban modernity by immersing people in delirious kinetic environments like those traversed by Plastic Man, Superman, and the careening astronauts of 2001: A Space Odyssey and The Right Stuff. He argues that as advanced technologies have proliferated, popular culture has turned the attendant fear of instability into the thrill of topsy-turvydom, often by presenting images and experiences of weightless escape from controlled space.

Considering theme parks, cyberspace, cinematic special effects, superhero comics, and musical films, Matters of Gravity highlights phenomena that make technology spectacular, permit unfettered flights of fantasy, and free us momentarily from the weight of gravity and history, of past and present. Bukatman delves into the dynamic ways pop culture imagines that apotheosis of modernity: the urban metropolis. He points to two genres, musical films and superhero comics, that turn the city into a unique site of transformative power. Leaping in single bounds from lively descriptions to sharp theoretical insights, Matters of Gravity is a deft, exhilarating celebration of the liberatory effects of popular culture.

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Meat Makes People Powerful

A Global History of the Modern Era

Wilson J. Warren

University of Iowa Press, 2018

From large-scale cattle farming to water pollution, meat— more than any other food—has had an enormous impact on our environment. Historically, Americans have been among the most avid meat-eaters in the world, but long before that meat was not even considered a key ingredient in most civilizations’ diets. Labor historian Wilson Warren, who has studied the meat industry for more than a decade, provides this global history of meat to help us understand how it entered the daily diet, and at what costs and benefits to society.

Spanning from the nineteenth century to current and future trends, Warren walks us through the economic theory of food, the discovery of protein, the Japanese eugenics debate around meat, and the environmental impact of livestock, among other topics. Through his comprehensive, multifaceted research, he provides readers with the political, economic, social, and cultural factors behind meat consumption over the last two centuries. With a special focus on East Asia, Meat Makes People Powerful reveals how national governments regulated and oversaw meat production, helping transform virtually vegetarian cultures into major meat consumers at record speed.

As more and more Americans pay attention to the sources of the meat they consume, Warren’s compelling study will help them not only better understand the industry, but also make more informed personal choices. Providing an international perspective that will appeal to scholars and nutritionists alike, this timely examination will forever change the way you see the food on your plate.

[more]
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Meat!

A Transnational Analysis

Sushmita Chatterjee and Banu Subramaniam, editors

Duke University Press, 2021

What is meat? Is it simply food to consume, or a metaphor for our own bodies? Can “bloody” vegan burgers, petri dish beef, live animals, or human milk be categorized as meat? In pursuing these questions, the contributors to Meat! trace the shifting boundaries of the meanings of meat across time, geography, and cultures. In studies of chicken, fish, milk, barbecue, fake meat, animal sacrifice, cannibalism, exotic meat, frozen meat, and other manifestations of meat, they highlight meat's entanglements with race, gender, sexuality, and disability. From the imperial politics embedded in labeling canned white tuna as “the chicken of the sea” to the relationship between beef bans, yoga, and bodily purity in Hindu nationalist politics, the contributors demonstrate how meat is an ideal vantage point from which to better understand transnational circuits of power and ideology as well as the histories of colonialism, ableism, and sexism.

Contributors. Neel Ahuja, Irina Aristarkhova, Sushmita Chatterjee, Mel Y. Chen, Kim Q. Hall, Jennifer A. Hamilton, Anita Mannur, Elspeth Probyn, Parama Roy, Banu Subramaniam, Angela Willey, Psyche Williams-Forson
[more]
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Media Backends

Digital Infrastructures and Sociotechnical Relations

Edited by Lisa Parks, Julia Velkova, and Sander de Ridder

University of Illinois Press, 2023

Exploring how we make, distribute, and consume today’s media systems

Media backends--the electronics, labor, and operations behind our screens--significantly influence our understanding of the sociotechnical relations, economies, and operations of media. Lisa Parks, Julia Velkova, and Sander De Ridder assemble essays that delve into the evolving politics of the media infrastructural landscape. Throughout, the contributors draw on feminist, queer, and intersectional criticism to engage with infrastructural and industrial issues. This focus reflects a concern about the systemic inequalities that emerge when tech companies and designers fail to address workplace discrimination and algorithmic violence and exclusions. Moving from smart phones to smart dust, the essayists examine topics like artificial intelligence, human-machine communication, and links between digital infrastructures and public service media alongside investigations into the algorithmic backends at Netflix and Spotify, Google’s hyperscale data centers, and video-on-demand services in India.

A fascinating foray into an expanding landscape of media studies, Media Backends illuminates the behind-the-screen processes influencing our digital lives. 

Contributors: Mark Andrejevic, Philippe Bouquillion, Jonathan Cohn, Faithe J. Day, Sander De Ridder, Fatima Gaw, Christine Ithurbide, Anne Kaun, Amanda Lagerkvist, Alexis Logsdon, Stine Lomborg, Tim Markham, Vicki Mayer, Rahul Mukherjee, Kaarina Nikunen, Lisa Parks, Vibodh Parthasarathi, Philipp Seuferling, Ranjit Singh, Jacek Smolicki, Fredrik Stiernstedt, Matilda Tudor, Julia Velkova, and Zala Volcic

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Media Capital

Architecture and Communications in New York City

Aurora Wallace

University of Illinois Press, 2012

In a declaration of the ascendance of the American media industry, nineteenth-century press barons in New York City helped to invent the skyscraper, a quintessentially American icon of progress and aspiration. Early newspaper buildings in the country's media capital were designed to communicate both commercial and civic ideals, provide public space and prescribe discourse, and speak to class and mass in equal measure. This book illustrates how the media have continued to use the city as a space in which to inscribe and assert their power.
 
With a unique focus on corporate headquarters as embodiments of the values of the press and as signposts for understanding media culture, Media Capital demonstrates the mutually supporting relationship between the media and urban space. Aurora Wallace considers how architecture contributed to the power of the press, the nature of the reading public, the commercialization of media, and corporate branding in the media industry. Tracing the rise and concentration of the media industry in New York City from the mid-nineteenth century to the present, Wallace analyzes physical and discursive space, as well as labor, technology, and aesthetics, to understand the entwined development of the mass media and late capitalism.

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Media Constrained by Context

International Assistance and Democratic Media Transition in the Western Balkans

Kristina Irion

Central European University Press, 2018

This books draws a comparative balance of twenty years' international media assistance in the five countries of the Western Balkans. The central question was what happens to imported models when they are transposed onto the newly evolving media systems of transitional societies. Albania, Bosnia-Herzegovina, Kosovo, Macedonia and Serbia undertook a range of media reforms to conform with accession requirements of the European Union and the standards of the Council of Europe, among others. The essays explore the nexus between the democratic transformation of the media and international media assistance. The cross-national analysis concludes that the effects of international assistance are highly constrained by the local context. From today's vantage point it becomes obvious, that scaling media assistance does not necessarily improve outcomes. The experiences in the region suggest that imported solutions have not been very cognitive in all aspects of local conditions but international strategies tent to be rather schematic and lacked strategic approaches to promote media policy stability, credible media reform and implementation. The book offers valuable insights into the nature and effects of media assistance and the strategies deployed by international aid agencies, local political forces, media professionals, civil society organizations and other actors.
[more]
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Media Freedom

The Contradictions of Communications in the Age of Modernity

Richard Barbrook

Pluto Press, 1995

[more]
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Media Heterotopias

Digital Effects and Material Labor in Global Film Production

Jean Hye Chung

Duke University Press, 2018

In Media Heterotopias Hye Jean Chung challenges the widespread tendency among audiences and critics to disregard the material conditions of digital film production. Drawing on interviews with directors, producers, special effects supervisors, and other film industry workers, Chung traces how the rhetorical and visual emphasis on seamlessness masks the social, political, and economic realities of global filmmaking and digital labor. In films such as Avatar (2009), Interstellar (2014), and The Host (2006)—which combine live action footage with CGI to create new hybrid environments—filmmaking techniques and "seamless" digital effects allow the globally dispersed labor involved to go unnoticed by audiences. Chung adapts Foucault's notion of heterotopic spaces to foreground this labor and to theorize cinematic space as a textured, multilayered assemblage in which filmmaking occurs in transnational collaborations that depend upon the global movement of bodies, resources, images, and commodities. Acknowledging cinema's increasingly digitized and globalized workflow, Chung reconnects digitally constructed and composited imagery with the reality of production spaces and laboring bodies to highlight the political, social, ethical, and aesthetic stakes in recognizing the materiality of collaborative filmmaking.
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Media Hot and Cold

Nicole Starosielski

Duke University Press, 2021

In Media Hot and Cold Nicole Starosielski examines the cultural dimensions of temperature to theorize the ways heat and cold can be used as a means of communication, subjugation, and control. Diving into the history of thermal media, from infrared cameras to thermostats to torture sweatboxes, Starosielski explores the many meanings and messages of temperature. During the twentieth century, heat and cold were broadcast through mass thermal media. Today, digital thermal media such as bodily air conditioners offer personalized forms of thermal communication and comfort. Although these new media promise to help mitigate the uneven effects of climate change, Starosielski shows how they can operate as a form of biopower by determining who has the ability to control their own thermal environment. In this way, thermal media can enact thermal violence in ways that reinforce racialized, colonial, gendered, and sexualized hierarchies. By outlining how the control of temperature reveals power relations, Starosielski offers a framework to better understand the dramatic transformations of hot and cold media in the twenty-first century.
[more]
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Media Theory in Japan

Marc Steinberg and Alexander Zahlten, editors

Duke University Press, 2017

Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.
 
Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
[more]
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Media and Management

Rutvica Andrijasevic

University of Minnesota Press, 2021

An essential account of how the media devices we use today inherit the management practices governing factory labor

This book argues that management is enabled by media forms, just as media gives life to management. Media technologies central to management have included the stopwatch, the punch card, the calculator, and the camera, while management theories are taught in printed and virtual textbooks and online through TED talks. In each stage of the evolving relationship between workers and employers, management innovations are learned through media, with media formats producing fresh opportunities for management.

Drawing on rich historical and ethnographic case studies, this book approaches key instances of the industrial and service economy—the legacy of Toyotism in today’s software industry, labor mediators in electronics manufacturing in Central and Eastern Europe, and app-based food-delivery platforms in China—to push media and management studies in new directions. Media and Management offers a provocative insight on the future of labor and media that inevitably cross geographical boundaries.

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Media and Values

Intimate Transgressions in a Changing Moral and Cultural Landscape

David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress

Intellect Books, 2007

Media and Values investigates the moral performance of the media. Based on an exhaustive number of focus groups, surveys, and interviews with senior media staffers in the United Kingdom and Europe, this book charts the changing status of the media as a moral voice. The authors argue that television has lost the authority to espouse a single vision of the proper way to live, and instead reflects the norms of a variety of social groups.  This groundbreaking volume addresses the lack of moral certainty reflected both in television programs and their audiences.
 
“There are great riches here: from the interviews with senior media executives . . . to the discussion of popular television culture's celebration of celebrity.”—John Lloyd, Prospect
 
“This profoundly original and learned book creatively illuminates citizens’ moral reasoning about the media, culture, and government. A tour de force of nuanced interdisciplinary scholarship, Media & Values offers wide-ranging insights into the responsibilities of the communication industry, the justifications and consequences of telecoms regulation—and the nature of the good society itself.”—Robert M. Entman, J. B. and M. C. Shapiro Professor of Media & Public Affairs, George Washington University
 
“This is a very important book—a ‘must read.’ The intellectual scope is astonishing: the problem it addresses is quite crucial—namely the moral incoherence of the contemporary world and the way that this shows up in empirical research into individual attitudes/opinions/tastes/judgements. It is clearly a cumulative critical reassessment of the implications of research going back to the sixties. It’s original, powerful, thoughtful and spot-on as a diagnosis of the times and the very real issues we confront today. A major piece of work.”—Paddy Scannell, Department of Communication Studies, University of Michigan
 
 
 
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Media and the Affective Life of Slavery

Allison Page

University of Minnesota Press, 2022

How media shapes our actions and feelings about race
 

Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas about how our feelings about race are governed and normalized by our media landscape. Allison Page examines U.S. media from the 1960s to today, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism.

From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media not only as a system of representation but also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. 

Media and the Affective Life of Slavery delivers compelling, provocative material and includes a wealth of archival research into such realms as news, entertainment, television, curricula, video games, and digital apps, providing new and innovative scholarship where none currently exists. 

[more]
cover of Media, Culture, and Decolonization: Re-righting the Subaltern Histories of Ghana

Media, Culture, and Decolonization

Re-righting the Subaltern Histories of Ghana

Wunpini Fatimata Mohammed

Rutgers University Press, 2026

Media, Culture, and Decolonization: Re-righting the Subaltern Histories of Ghana invites us to look at media and culture from a decolonial perspective. Through Dagbaŋ epistemologies and knowledge systems, this book examines media by highlighting how African languages, cultures, and traditions can shift how we think of knowledge. It is an offering to anyone curious about the relationship between culture, language, and media. By focusing on African language media in Ghana such as film, television, and radio, the book emphasizes the importance of espousing a decolonial politic and praxis in the process of co-creating knowledge with Indigenous communities. It connects the struggles of global majority countries and demonstrates the ways in which (neo)colonialism and imperialism impede the work toward liberatory futures. This book demonstrates the potential that African language media hold as tools of cultural and epistemological decolonization.

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Media, Erotics, and Transnational Asia

Purnima Mankekar and Louisa Schein, eds.

Duke University Press, 2012

Drawing on methods and approaches from anthropology, media studies, film theory, and cultural studies, the contributors to Media, Erotics, and Transnational Asia examine how mediated eroticism and sexuality circulating across Asia and Asian diasporas both reflect and shape the social practices of their producers and consumers. The essays in this volume cover a wide geographic and thematic range, and combine rigorous textual analysis with empirical research into the production, circulation, and consumption of various forms of media.

Judith Farquhar examines how health magazines serve as sources of both medical information and erotic titillation to readers in urban China. Tom Boellstorff analyzes how queer zines produced in Indonesia construct the relationship between same-sex desire and citizenship. Purnima Mankekar examines the rearticulation of commodity affect, erotics, and nation on Indian television. Louisa Schein describes how portrayals of Hmong women in videos shot in Laos create desires for the homeland among viewers in the diaspora. Taken together, the essays offer fresh insights into research on gender, erotics, media, and Asia transnationally conceived.

Contributors. Anne Allison, Tom Boellstorff, Nicole Constable, Heather Dell, Judith Farquhar, Sarah L. Friedman, Martin F. Manalansan IV, Purnima Mankekar, Louisa Schein, Everett Yuehong Zhang

 

[more]
cover of Media, Geopolitics, and Power: A View from the Global South

Media, Geopolitics, and Power

A View from the Global South

Herman Wasserman

University of Illinois Press, 2018

The end of apartheid brought South Africa into the global media environment. Outside companies invested in the nation's newspapers while South African conglomerates pursued lucrative tech ventures and communication markets around the world. Many observers viewed the rapid development of South African media as a roadmap from authoritarianism to global modernity.

Herman Wasserman analyzes the debates surrounding South Africa's new media presence against the backdrop of rapidly changing geopolitics. His exploration reveals how South African disputes regarding access to, and representation in, the media reflect the domination and inequality in the global communication sphere. Optimists see post-apartheid media as providing a vital space that encourages exchanges of opinion in a young democracy. Critics argue the public sphere mirrors South Africa's past divisions and privileges the viewpoints of the elite. Wasserman delves into the ways these simplistic narratives obscure the country's internal tensions, conflicts, and paradoxes even as he charts the diverse nature of South African entry into the global arena.

[more]
cover of Media, Technology, and Society: Theories of Media Evolution

Media, Technology, and Society

Theories of Media Evolution

W. Russell Neuman

University of Michigan Press, 2010

"This book is the perfect primer for understanding media in the digital age. We are in an era when newspaper, radio, and television are fast becoming archeological concepts. Herein are the reasons why."
---Nicholas Negroponte, founder and chairman of One Laptop per Child and cofounder of the MIT Media Laboratory

"Congratulations to Neuman and colleagues for a fascinating exploration of how previous new media were constructed, whether things could have been otherwise, and what can be learned for future media."
---Sonia Livingstone, Department of Media and Communications, the London School of Economics and Political Science

In Media, Technology, and Society, some of the most prominent figures in media studies explore the issue of media evolution. Focusing on a variety of compelling examples in media history, ranging from the telephone to the television, the radio to the Internet, these essays collectively address a series of notoriously vexing questions about the nature of technological change. Is it possible to make general claims about the conditions that enable or inhibit innovation? Does government regulation tend to protect or thwart incumbent interests? What kinds of concepts are needed to address the relationship between technology and society in a nonreductive and nondeterministic manner? To what extent can media history help us to understand and to influence the future of media in constructive ways? The contributors' historically grounded responses to these questions will be relevant to numerous fields, including history, media and communication studies, management, sociology, and information studies.

W. Russell Neuman is John Derby Evans Professor of Media Technology and Research Professor, Center for Political Studies, Institute for Social Research, at the University of Michigan.

DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library

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cover of Mediating America: Black and Irish Press and the Struggle for Citizenship, 1870-1914

Mediating America

Black and Irish Press and the Struggle for Citizenship, 1870-1914

Brian Shott

Temple University Press, 2019

Until recently, print media was the dominant force in American culture. The power of the paper was especially true in minority communities. African Americans and European immigrants vigorously embraced the print newsweekly as a forum to move public opinion, cohere group identity, and establish American belonging.

Mediating America explores the life and work of T. Thomas Fortune and J. Samuel Stemons as well as Rev. Peter C. Yorke and Patrick Ford—respectively two African American and two Irish American editor/activists in the late nineteenth and early twentieth centuries. Historian Brian Shott shows how each of these “race men” (the parlance of the time) understood and advocated for his group’s interests through their newspapers. Yet the author also explains how the newspaper medium itself—through illustrations, cartoons, and photographs; advertisements and page layout; and more—could constrain editors’ efforts to guide debates over race, religion, and citizenship during a tumultuous time of social unrest and imperial expansion. 

Black and Irish journalists used newspapers to recover and reinvigorate racial identities. As Shott proves, minority print culture was a powerful force in defining American nationhood.

[more]
cover of Mediating Culture in the Seventeenth-Century German Novel: Eberhard Werner Happel, 1647-1690

Mediating Culture in the Seventeenth-Century German Novel

Eberhard Werner Happel, 1647-1690

Gerhild Scholz Williams

University of Michigan Press, 2014

Eberhard Happel, German Baroque author of an extensive body of work of fiction and nonfiction, has for many years been categorized as a “courtly-gallant” novelist. In Mediating Culture in the Seventeenth-Century German Novel, author Gerhild Scholz Williams argues that categorizing him thus is to seriously misread him and to miss out on a fascinating perspective on this dynamic period in German history.

Happel primarily lived and worked in the vigorous port city of Hamburg, which was a “media center” in terms of the access it offered to a wide library of books in public and private collections. Hamburg’s port status meant it buzzed with news and information, and Happel drew on this flow of data in his novels. His books deal with many topics of current interest—national identity formation, gender and sexualities, Western European encounters with neighbors to the East, confrontations with non-European and non-Western powers and cultures—and they feature multiple media, including news reports, news collections, and travel writings. As a result, Happel’s use of contemporary source material in his novels feeds our current interest in the impact of the production of knowledge on seventeenth-century narrative. Mediating Culture in the Seventeenth-Century German Novel explores the narrative wealth and multiversity of Happel’s work, examines Happel’s novels as illustrative of seventeenth-century novel writing in Germany, and investigates the synergistic relationship in Happel’s writings between the booming print media industry and the evolution of the German novel.

[more]
cover of Mediating Morality: The Politics of Teen Pregnancy in the Post-Welfare Era

Mediating Morality

The Politics of Teen Pregnancy in the Post-Welfare Era

Clare Daniel

University of Massachusetts Press, 2017

The approach the United States has taken to addressing teen pregnancy—a ubiquitous concern in teen education and perennial topic in popular culture—has changed dramatically over the past few decades. Specifically since the radical overhaul of welfare policy in 1996, Clare Daniel argues, teen pregnancy, previously regarded as a social problem requiring public solutions, is seen as an individual failure on the part of the teens involved.

Daniel investigates coordinated teen pregnancy prevention efforts within federal political discourse, along with public policy, popular culture, national advocacy, and local initiatives, revealing the evidence of this transformation. In the 1970s and 1980s, political leaders from both parties used teen pregnancy to strengthen their attacks on racialized impoverished communities. With a new welfare policy in 1996 that rhetoric moved toward blaming teen pregnancy—seemingly in a race- and class-neutral way—on the teens who engaged in sex prematurely and irresponsibly. Daniel effectively illustrates that the construction of teen pregnancy as an individual's problem has been a key component in a neoliberal agenda that frees the government from the responsibility of addressing systemic problems of poverty, lack of access to education, ongoing structural racism, and more.
[more]
cover of Mediating the Uprising: Narratives of Gender and Marriage in Syrian Television Drama

Mediating the Uprising

Narratives of Gender and Marriage in Syrian Television Drama

Rebecca Joubin

Rutgers University Press, 2020

Mediating the Uprising: Narratives of Gender and Marriage in Syrian Television Drama shows how gender and marriage metaphors inform post-uprising Syrian drama for various forms of cultural and political critique. These narratives have become complicated since the uprising due to the Syrian regime’s effort to control the revolutionary discourse. As Syria’s uprising spawned more terrorist groups, some drama creators became nostalgic for pre-war days.
 
While for some screenwriters a return to pre-2011 life would be welcome after so much bloodshed, others advocated profound cultural and social transformation, instead. They employed marriage and gender metaphors in the stories they wrote to engage in political critique, even at the risk of creating marketing difficulties for the shows or they created escapist stories such as transnational adaptations and Old Damascus tales. Serving as heritage preservation, Mediating the Uprising underscores that television drama creators in Syria have many ways of engaging in protest, with gender and marriage at the heart of the polemic. 
 
[more]