3745 books match the query 'Europe' and 307 start with m

cover of Mediterranean Crossings: The Politics of an Interrupted Modernity

Mediterranean Crossings

The Politics of an Interrupted Modernity

Iain Chambers

Duke University Press, 2008

The cultural theorist Iain Chambers is known for his historically grounded, philosophically informed, and politically pointed inquiries into issues of identity, alterity, and migration, and the challenge postcolonial studies poses to conventional Western thought. With Mediterranean Crossings, he challenges insufficient prevailing characterizations of the Mediterranean by offering a vibrant interdisciplinary and intercultural interpretation of the region’s culture and history. The “Mediterranean” as a concept entered the European lexicon only in the early nineteenth century. As an object of study, it is the product of modern geographical, political, and historical classifications. Chambers contends that the region’s fundamentally fluid, hybrid nature has long been obscured by the categories and strictures imposed by European discourse and government.

In evocative and erudite prose, Chambers renders the Mediterranean a mutable space, profoundly marked by the linguistic, literary, culinary, musical, and intellectual dissemination of Arab, Jewish, Turkish, and Latin cultures. He brings to light histories of Mediterranean crossings—of people, goods, melodies, thought—that are rarely part of orthodox understandings. Chambers writes in a style that reflects the fluidity of the exchanges that have formed the region; he segues between major historical events and local daily routines, backwards and forwards in time, and from one part of the Mediterranean to another. A sea of endlessly overlapping cultural and historical currents, the Mediterranean exceeds the immediate constraints of nationalism and inflexible identity. It offers scholars an opportunity to rethink the past and present and to imagine a future beyond the confines of Western humanistic thought.

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cover of Memoir of Hungary: 1944-1948

Memoir of Hungary

1944-1948

Sándor Márai

Central European University Press, 1996

This scathing, at times humorous, and always insightful memoir by exiled Hungarian novelist Sándor Márai, provides one of the most poignant and human portraits of life in Hungary between the German occupation in 1944 and the solidification of communist power in 1948. Both a fervent anti-fascist and anti-communist, Márai draws a vivid portrait of the Hungarian peasantry and middle-class during this period, while delivering a telling indictment of the communist system from which he fled. Witty, aphoristic and psychologically clear-sighted, this memoir depicts the tragedy and pathos of a crucial period in the post-war history of a nation which has been 'central' to both the communists and the post-communist history of our times.

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cover of Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898

Memoir of My Youth in Cuba

A Soldier in the Spanish Army during the Separatist War, 1895–1898

Dolores J. Walker

University of Alabama Press, 2017

A historically significant memoir offering a firsthand perspective on life, identity, and cultural transformation in nineteenth-century Cuba.

Memoir of My Youth in Cuba: A Soldier in the Spanish Army during the Separatist War, 1895–1898 is a translation of the memoir Memorias de mi juventud en Cuba: Un soldado del ejército español en la guerra separatista (1895–1898) by Josep Conangla. The English edition is based on the Spanish version edited by Joaquín Roy, who found the memoir and was given access to the Conangla family archives. Conangla’s memoir, now available in English, is an important addition to the accounts of Spanish and Cuban soldiers who served in Cuba’s second War of Independence.

Spaniard Josep Conangla was conscripted at the age of twenty and sent to Cuba. In the course of his time there, he reaffirmed his pacifism and support of Cuban independence. The young man was a believer who unfailingly connected his view of events to the Christian humanitarianism on which he prided himself. Conangla’s advanced education and the influence of well-placed friends facilitated his assignment to safe bureaucratic positions during the war, ensuring that he would not see combat. From his privileged position, he was a keen observer of his surroundings. He described some of the decisions he made—which at times put him at odds with the military bureaucracy he served—along with what he saw as the consequences of General Valeriano Weyler’s decree mandating the reconcentración, an early version of concentration camps. What Conangla saw fueled his revulsion at the collusion of the Spanish state and its state-sponsored religion in that policy. “Red Mass,” published six years after the War of Independence and included in his memoir, is a vivid expression in verse of his abhorrence.

Conangla’s recollections of the contacts between Spaniards and Cubans in the areas to which he was assigned reveal his ability to forge friendships even with Creole opponents of the insurrection. As an aspiring poet and writer, Conangla included material on fellow writers, Cuban and Spanish, who managed to meet and exchange ideas despite their circumstances. His accounts of the Spanish defeat, the scene in Havana around the end of the war, along with his return to Spain, are stirring.

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cover of Memoirs

Memoirs

Marie Mancini and Hortense Mancini

University of Chicago Press, 2008

The memoirs of Hortense (1646–1699) and of Marie (1639–1715) Mancini, nieces of the powerful Cardinal Mazarin and members of the court of Louis XIV, represent the earliest examples in France of memoirs published by women under their own names during their lifetimes. Both unhappily married—Marie had also fled the aftermath of her failed affair with the king—the sisters chose to leave their husbands for life on the road, a life quite rare for women of their day.

Through their writings, the Mancinis sought to rehabilitate their reputations and reclaim the right to define their public images themselves, rather than leave the stories of their lives to the intrigues of the court—and to their disgruntled ex-husbands. First translated in 1676 and 1678 and credited largely to male redactors, the two memoirs reemerge here in an accessible English translation that chronicles the beginnings of women’s rights to personal independence within the confines of an otherwise circumscribed early modern aristocratic society.
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cover of Memoirs Of A Cold War Son

Memoirs Of A Cold War Son

Post, Gaines, Jr.

University of Iowa Press, 2000

In 1951 Gaines Post was a gangly, bespectacled, introspective teenager preparing to spend a year in Paris with his professorial father and older brother; his mother, who suffered from extreme depression, had been absent from the family for some time. Ten years later, now less gangly but no less introspective, he was finishing a two-year stint in the army in West Germany and heading toward Oxford on a Rhodes scholarship, having narrowly escaped combat in the Berlin crisis of 1961. His quietly intense coming-of-age story is both self-revealing and reflective of an entire generation of young men who came to adulthood before the Cuban Missile Crisis and the Vietnam War.

Post's experiences in high school in Madison, Wisconsin, and Paris, his Camus-influenced undergraduate years at Cornell University, and his army service in Germany are set very effectively against the events of the Cold War. McCarthyism and American crackdowns on dissidents, American foreign and military policy in Western Europe in the nuclear age, French and German life and culture, crises in Paris and Berlin that nearly bring the West to war and the Post family to dissolution—these are the larger scenes and subjects of his self-disclosure as a contemplative, conflicted "Cold War agnostic."

His intelligent, talented mother and her fragile health hover over Post's narrative, informing his hesitant relationships with women and his acutely questioning sense of self-worth. His story is strongly academic and historical as well as political and military; his perceptions and judgments lean toward no ideological extreme but remain true to the heroic ideals of his boyhood during the Second World War.

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cover of Memoirs of a Fortunate Jew: An Italian Story

Memoirs of a Fortunate Jew

An Italian Story

Dan Vittorio Segre

University of Chicago Press, 2008

“I was probably less than five years old when my father fired a shot at my head.” From this first line, Dan Vittorio Segre’s memoir moves from one startling turning point to the next. The child of aristocratic parents, Segre fled Fascist Italy and Mussolini’s anti-Semitic laws only to be thrust into the pioneering culture of Palestine, completely unprepared for the dangers of life in Israel during World War II. Beautifully narrated, Memoirs of a Fortunate Jew is an ironic, philosophical meditation on the historical reverberations of the twentieth century.
 
“Taut and illuminating . . . memorable . . . written with the humility of he who confesses himself and with the honesty of he who bore witness.”—Primo Levi
 
“The writing of memoirs is a difficult art that Dan Segre fully possesses. Under his pen, history and psychology merge in one captivating narrative which illuminates the turmoils, fears and triumphs of his generation.”—Elie Wiesel
 
“Beautifully written. . . . [A] labyrinthine, spell-binding autobiography, full of passionate tenderness.”—New York Review of Books
 
“An unusually attractive book—attractive in its irony, its energy and its moral insight. Mr. Segre had some rich material to work with, and he has done it justice.”—New York Times 
 

 
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cover of Memory Battles of the Spanish Civil War: History, Fiction, Photography

Memory Battles of the Spanish Civil War

History, Fiction, Photography

Sebastiaan Faber

Vanderbilt University Press, 2017

The ability to forget the violent twentieth-century past was long seen as a virtue in Spain, even a duty. But the common wisdom has shifted as increasing numbers of Spaniards want to know what happened, who suffered, and who is to blame. Memory Battles of the Spanish Civil War shows how historiography, fiction, and photography have shaped our views of the 1936-39 war and its long, painful aftermath.

Faber traces the curious trajectories of iconic Spanish Civil War photographs by Robert Capa, Gerda Taro, and David Seymour; critically reads a dozen recent Spanish novels and essays; interrogates basic scholarly assumptions about history, memory, and literature; and interviews nine scholars, activists, and documentarians who in the past decade and a half have helped redefine Spain's relationship to its past. In this book Faber argues that recent political developments in Spain--from the grassroots call for the recovery of historical memory to the indignados movement and the foundation of Podemos--provide an opportunity for scholars in the humanities to engage in a more activist, public, and democratic practice.
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cover of Memory Crash: Politics of History in and around Ukraine, 1980s–2010s

Memory Crash

Politics of History in and around Ukraine, 1980s–2010s

Georgiy Kasianov

Central European University Press, 2022

This account of historical politics in Ukraine, framed in a broader European context, shows how social, political, and cultural groups have used and misused the past from the final years of the Soviet Union to 2020. Georgiy Kasianov details practices relating to history and memory by a variety of actors, including state institutions, non-governmental organizations, political parties, historians, and local governments. He identifies the main political purposes of these practices in the construction of nation and identity, struggles for power, warfare, and international relations.

Kasianov considers the Ukrainian case in the context of a global increase in the politics of history and memory, with particular emphasis on a distinctive East-European variety. He pays special attention to the use and abuse of history in relations between Ukraine, Russia, and Poland.

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cover of Memory's Library: Medieval Books in Early Modern England

Memory's Library

Medieval Books in Early Modern England

Jennifer Summit

University of Chicago Press, 2008

In Jennifer Summit’s account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey’s famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory’s Library revises the history of the modern library by focusing on its origins in medieval and early modern England.

Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory’s Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

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cover of Men at the Center: Redemptive Governance under Louis IX

Men at the Center

Redemptive Governance under Louis IX

William Chester Jordan

Central European University Press, 2012

Taking Professor Natalie Zemon Davis’ fascinating biographical studies of three Women on the Margins in the seventeenth century as an inspiration, the author of this book offers three portraits of men who were at the very center of governance in thirteenth-century France, men who strove in the shadow of King Louis IX (Saint Louis) to impose a redemptive regime on the realm. Professor Jordan treats them as individuals, but in a sense they are also types: Robert of Sorbon, a churchman; Etienne Boileau, a bourgeois; and Simon de Nesle, an aristocrat. Robert was the founder of the Sorbonne; Boileau was the prévôt or royal administrator of Paris; and Simon was twice co-regent of the kingdom. Thinking about them and their relations with Louis IX opens up a new and altogether sobering vista for exploring the nature of the king’s rule and the impact of his rule on his subjects.

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cover of Men in Black

Men in Black

John Harvey

University of Chicago Press, 1995

Mr. Pink:
"Why can't we pick out our own color?"

Joe:
"I tried that once, it don't work. You get four guys fighting over who's gonna be Mr. Black."

—Quentin Tarantino, Reservoir Dogs

Men's clothes went black in the nineteenth century. Dickens, Ruskin and Baudelaire all asked why it was, in an age of supreme wealth and power, that men wanted to dress as if going to a funeral. The answer is in this history of the color black. Over the last 1000 years there have been successive expansions in the wearing of black—from the Church to the Court, from the Court to the merchant class. Though black as fashion was often smart and elegant, its growth as a cultural marker was fed by several currents in Europe's history—in politics, asceticism, religious warfare. Only in the nineteenth century, however, did black fully come into its own as fashion, the most telling witnesses constantly saw connections between the taste for black and the forms of constraint with which European society regimented itself.

Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the 15th century, through 16th-century Venice, 17th-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes.

Although in the twentieth century tastes have moved toward new colors, black has retained its authority as well as its associations with strength and cruelty. At the same time black is still smart, and fashion keeps returning to black. It is, perhaps, the color that has come to acquire the greatest, most significant range of meaning in history.
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cover of Men of Terror: A Comprehensive Analysis of Viking Combat

Men of Terror

A Comprehensive Analysis of Viking Combat

William R. Short and Reynir A. Óskarson

Westholme Publishing, 2027

An Interdisciplinary Study of Viking Martial Culture that Dispels Myths and Expands Our Understanding of the Medieval Norse World
Sometime near the end of the tenth century, a man named Fraði died in Sweden. His kinsmen raised a granite runestone to his memory in Denmark. The carved message appears to tell us that Fraði was “first among all Vikings” and that he was the “terror of men.” Known sources about the Vikings revolve around the constant threat of violence: literary and artistic sources from both inside and outside Viking lands, including poetry, myths, stories, and artwork; law codes; burial practices; weapons; even their ship and house architecture. 
    Based on nearly two decades of research, Men of Terror: A Comprehensive Analysis of Viking Combat is a richly illustrated interdisciplinary study of the heart of Viking society: weapons and combat. Relying on a vast array of sources from a wide range of fields, research scientist William R. Short and independent scholar and martial arts instructor Reynir A. Óskarson dig deep into the culture of men like Fraði to better understand the mindset and performance of Viking warriors that led them to venerate and praise acts of violence and aggression. In the process they have painstakingly reverse-engineered Viking combat to account for the archaeology we have. Along the way, they answer questions such as: Were there women warriors? Why were acts such as raiding held in such high esteem? What mundane object was the king of Viking weapons and how was it used? Could bowstrings of human hair really work? Through their comprehensive research, the authors present a holistic picture of this society from what previously had only been disparate and intriguing parts. By the end of the book, the reader will understand the importance of combat to Viking society, the nature of that combat, and the code of these “men of terror.”
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cover of Menachem Kipnis: Yiddish Folklore and Photographs from Interwar Poland

Menachem Kipnis

Yiddish Folklore and Photographs from Interwar Poland

Sheila E. Jelen

Rutgers University Press, 2026

Menachem Kipnis (1878–1942) was one of the early twentieth-century’s greatest Jewish eastern European ethnomusicologists, folklorists, and photographers. He had a weekly column in the Warsaw Yiddish newspaper Haynt, retelling humorous old folk stories about the fictional Polish town of Chelm, populated exclusively by fools. At the same time, his photographs of Jewish life in eastern Europe regularly appeared in the Forverts (Forward), the most popular Yiddish daily newspaper in the United States. Now, for the first time, Kipnis’s stories and photographs are published together in a single book.

Menachem Kipnis brings these photographs and stories into dialogue with one another, bridging the Jewish communities in Poland and in America during the interwar period. This dialogue, between image and text, between European metropolis and American metropolis, captures a key historical moment when American Jews sought to imagine the lives of their coreligionists in the “Old Country” and eastern European urban Jews sought to distinguish themselves from their Jewish compatriots who were still living in the shtetl. Including an introductory essay, annotations, and an epilogue by Sheila E. Jelen, Menachem Kipnis suggests new ways of understanding both visual and literary depictions of eastern European Jewish culture between the two world wars.

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cover of Mennonites, Politics, and Peoplehood: 1525 to 1980

Mennonites, Politics, and Peoplehood

1525 to 1980

James Urry

University of Manitoba Press, 2006

Mennonites and their forebears are usually thought to be a people with little interest or involvement in politics. Mennonites, Politics, and Peoplehood reveals that since their early history, Mennonites have, in fact, been active participants in worldly politics. From western to eastern Europe and through different migrations to North America, James Urry’s meticulous research traces Mennonite links with kingdoms, empires, republics, and democratic nations in the context of peace, war, and revolution. He stresses a degree of Mennonite involvement in politics not previously discussed in literature, including Mennonite participation in constitutional reform and party politics, and shows the polarization of their political views from conservatism to liberalism and even revolutionary activities. Using a wide variety of sources, Mennonite, Politics, and Peoplehood combines an inter-disciplinary approach to reveal that Mennonites, far from being the “Quiet in the Land,” have deep roots in politics.
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cover of Merchant Class of Medieval London: 1300-1500

Merchant Class of Medieval London

1300-1500

Sylvia L. Thrupp

University of Michigan Press, 1948

The Merchant Class of Medieval London by Sylvia L. Thrupp explores the social context in which London merchants operated, focusing on their economic, political, and social roles. This book delves into the merchants' dominant position in the city, their control over municipal government, and their national impact. It examines their wealth, standards of living, family life, education, and religious attitudes, providing a comprehensive view of their lifestyle and values. The text also addresses the social mobility within the merchant class, noting the constant movement in and out of the class and the factors influencing this dynamic. Thrupp utilizes a wide variety of sources, including deeds, wills, court records, and personal documents, to create a detailed portrait of medieval London's merchant culture. This work is essential for understanding the intricacies of medieval urban life and the significant role merchants played in shaping the economy and society of the time.
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cover of Merchants of Medicines: The Commerce and Coercion of Health in Britain’s Long Eighteenth Century

Merchants of Medicines

The Commerce and Coercion of Health in Britain’s Long Eighteenth Century

Zachary Dorner

University of Chicago Press, 2020

The period from the late seventeenth to the early nineteenth century—the so-called long eighteenth century of English history—was a time of profound global change, marked by the expansion of intercontinental empires, long-distance trade, and human enslavement. It was also the moment when medicines, previously produced locally and in small batches, became global products. As greater numbers of British subjects struggled to survive overseas, more medicines than ever were manufactured and exported to help them. Most historical accounts, however, obscure the medicine trade’s dependence on slave labor, plantation agriculture, and colonial warfare.

In Merchants of Medicines, Zachary Dorner follows the earliest industrial pharmaceuticals from their manufacture in the United Kingdom, across trade routes, and to the edges of empire, telling a story of what medicines were, what they did, and what they meant. He brings to life business, medical, and government records to evoke a vibrant early modern world of London laboratories, Caribbean estates, South Asian factories, New England timber camps, and ships at sea. In these settings, medicines were produced, distributed, and consumed in new ways to help confront challenges of distance, labor, and authority in colonial territories. Merchants of Medicines offers a new history of economic and medical development across early America, Britain, and South Asia, revealing the unsettlingly close ties among medicine, finance, warfare, and slavery that changed people’s expectations of their health and their bodies.
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cover of Merchants, Pirates, and Smugglers: Criminalization, Economics, and the Transformation of the Maritime World (1200–1600)

Merchants, Pirates, and Smugglers

Criminalization, Economics, and the Transformation of the Maritime World (1200–1600)

Edited by Thomas Heebøll-Holm, Philipp Höhn, and Gregor Rohmann

Campus Verlag, 2019

Maritime history tends to draw stark lines between legal and illegal trading practices, with the naval and commercial vessels of sovereign states on one side and rogue pirates and smugglers on the other. This book reveals how, in the centuries before the emergence of the nation-state, maritime societies were shaped equally by both sanctioned and illicit trade—and that the line between the two was much less defined than it is now. The kind of high-seas activity now called piracy was often viewed in the early modern period as, at worst, a disruption of established distribution channels, but just often, it was viewed as simply another legitimate economic stream. Depending on one’s perspective, the same person could be seen as a bandit or an entrepreneur. Merchants, Pirates, and Smugglers tells the story of how these individuals came to be labelled as criminals as a way to enforce the codified economic and political positions that arose from sustained European state-building between the thirteenth and seventeenth centuries.
 
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cover of Merton College Library

Merton College Library

Julia C. Walworth

Bodleian Library Publishing, 2020

The Merton library is rightly known for its antiquity, its beautiful medieval and early modern architecture and fittings, and its remarkable collection of manuscripts and rare books. However, a nineteenth-century plan to tear the medieval library down and replace it was only narrowly prevented. This brief history of Europe’s oldest surviving academic library begins with its origins in the thirteenth century, when a new type of community of scholars was first being set up, and follows through to the present day and its multiple functions as a working college library, a unique resource for researchers, and a delight for curious visitors.

​Drawing on the remarkable wealth of documentation in the college’s archives, this is the first history of the library to explore collections, buildings, readers, and staff across more than seven hundred years. The story is told in part through stunning color images that depict not only exceptional treasures but also the library furnishings and decorations, and which show manuscripts, books, bindings, and artifacts of different periods in their changing contexts. Featuring a historical timeline and a floor plan of the college, this book will be of interest to historians, alumni, and tourists alike.
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cover of Mesmerized: Powers of Mind in Victorian Britain

Mesmerized

Powers of Mind in Victorian Britain

Alison Winter

University of Chicago Press, 1998

Across Victorian Britain, apparently reasonable people twisted into bizarre postures, called out in unknown languages, and placidly bore assaults that should have caused unbearable pain all while they were mesmerized. Alison Winter's fascinating cultural history traces the history of mesmerism in Victorian society. Mesmerized is both a social history of the age and a lively exploration of the contested territory between science and pseudo-science.

"Dazzling. . . . This splendid book . . . gives us a new form of historical understanding and a model for open and imaginative reading."—James R. Kinkaid, Boston Globe

"A landmark in the history of science scholarship."—John Sutherland, The Independent

"It is difficult to imagine the documentary side of the story being better done than by Winter's well-researched and generously illustrated study. . . . She is a lively and keen observer; and her book is a pleasure to read purely for its range of material and wealth of detail. . . . Fruitful and suggestive."—Daniel Karlin, Times Literary Supplement

"An ambitious, sweeping and fascinating historical study. . . . Beautifully written, thoroughly researched, and well-illustrated."—Bernard Lightman, Washington Times
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cover of Messengers of Disaster: Raphael Lemkin, Jan Karski, and Twentieth-Century Genocides

Messengers of Disaster

Raphael Lemkin, Jan Karski, and Twentieth-Century Genocides

Annette Becker, Translated by Käthe Roth

University of Wisconsin Press, 2021

Leading up to World War II, two Polish men witnessed the targeted extermination of Jews under Adolf Hitler and the German Reich before the reality of the Holocaust was widely known. Raphael Lemkin, a Jewish lawyer who coined the term "genocide," and Jan Karski, a Catholic member of the Polish resistance, independently shared this knowledge with Winston Churchill and Franklin D. Roosevelt. Having heard false rumors of wartime atrocities before, the leaders met the messengers with disbelief and inaction, leading to the eventual murder of more than six million people.

Messengers of Disaster draws upon little-known texts from an array of archives, including the International Committee of the Red Cross in Geneva and the International Tracing Service in Bad Arolsen. Carrying the knowledge of disaster took a toll on Lemkin and Karski, but their work prepared the way for the United Nations to unanimously adopt the first human rights convention in 1948 and influenced the language we use to talk about genocide today. Annette Becker's detailed study of these two important figures illuminates how distortions of fact can lead people to deny knowledge of what is happening in front of their own eyes.
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cover of Metaromanticism: Aesthetics, Literature, Theory

Metaromanticism

Aesthetics, Literature, Theory

Paul Hamilton

University of Chicago Press, 2003

This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself.

Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.
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cover of Metternich's Diplomacy at its Zenith, 1820-1823: Austria and the Congresses of Troppau, Laibach, and Verona

Metternich's Diplomacy at its Zenith, 1820-1823

Austria and the Congresses of Troppau, Laibach, and Verona

By Paul W. Schroeder

University of Texas Press, 1962

What Metiernich wanted at the peak of his career, why he wanted it, and the methods by which he achieved his goals are questions brilliantly answered in this survey and analysis of the Austrian chancellor's diplomacy during the period when he was the pre-eminent figure in European politics.

Metternich's single-minded objective during 1820–1823 was to preserve the Austrian hegemony he had gained in Central Europe after long wars, enormous effort, and great sacrifice. If the internal security and international-power position secured by Austria at the Congress of Vienna were to be defended against the impact of widespread revolution in Europe, it was imperative that peace in Europe and the status quo be maintained. This required an unyielding opposition to all political movements that might disturb the equilibrium, especially French chauvinism and the spread of French constitutional ideas.

A one-man distillate of the doctrine of absolute monarchy, Metternich was the relentless foe of any cause, just or unjust, that threatened European repose. Hence, when the revolution in Naples seriously menaced Austrian hegemony in Italy, Metternich determined that the constitutional regime in Naples must be overthrown by an Austrian armed force, an absolute monarchy restored, and an Austrian army of occupation kept there. Nor did he scruple to use duplicity, secret negotiation, trickery, or deceit against ally and adversary alike in his effort to enlist them in the common cause of all thrones. At the Congress of Troppau, Metternich succeeded not only in defeating Russian ideas for peaceful intervention and a moderate constitution at Naples, but also in converting Tsar Alexander to thoroughly conservative views, thereby making Russia a powerful supporter of Austrian policies and knowingly alienating England, formerly Austria's closest ally.

Paul W. Schroeder brings to this bookexceptional scholarship and an objectivity hard to attain when dealing with a personality. Although Metternich, as Schroeder sees him, doubtless helped to maintain European peace and order, his real greatness consisted not in his European principles, but in his ability to defend Austrian interests under the guise of European principles. The evidence, gathered from documentary material in the Haus Hof- und Staatsarchiv in Vienna, has forced the author to the conclusion that Metternich was no real statesman. The very qualities that distinguished him as a brilliant diplomat—keen vision, cogent analysis, fertility of expedients, farsightedness, flexibility, and firmness of purpose—were converted into those of blindness to reality, superficial analysis, sterility of expedients, dogmatism, and failure of will when confronted with fundamental problems of state and society.

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cover of Michelangelo’s Sculpture: Selected Essays

Michelangelo’s Sculpture

Selected Essays

Leo Steinberg

University of Chicago Press, 2018

Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading.
 
For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.”
 
Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
 
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cover of Middle English Dictionary: A.1

Middle English Dictionary

A.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1956

The most important modern reference work for Middle English studies
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cover of Middle English Dictionary: A.2

Middle English Dictionary

A.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1956

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: A.3

Middle English Dictionary

A.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1956

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: A.4

Middle English Dictionary

A.4

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1957

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: B.1

Middle English Dictionary

B.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1957

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: B.2

Middle English Dictionary

B.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1957

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: B.3

Middle English Dictionary

B.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1957

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: B.4

Middle English Dictionary

B.4

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1958

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: B.5

Middle English Dictionary

B.5

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1958

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.1

Middle English Dictionary

C.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1959

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.2

Middle English Dictionary

C.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1959

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.3

Middle English Dictionary

C.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1959

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.4

Middle English Dictionary

C.4

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1960

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.5

Middle English Dictionary

C.5

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1960

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: C.6

Middle English Dictionary

C.6

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1960

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: D.1

Middle English Dictionary

D.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1961

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: D.2

Middle English Dictionary

D.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1961

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: D.3

Middle English Dictionary

D.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1961

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: D.4

Middle English Dictionary

D.4

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1962

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: D.5

Middle English Dictionary

D.5

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1962

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: E.1

Middle English Dictionary

E.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1952

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: E.2

Middle English Dictionary

E.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1953

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: E.3

Middle English Dictionary

E.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1953

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: F.1

Middle English Dictionary

F.1

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1953

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: F.2

Middle English Dictionary

F.2

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1954

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: F.3

Middle English Dictionary

F.3

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1954

The most important modern reference work for Middle English studies
[more]
cover of Middle English Dictionary: F.4

Middle English Dictionary

F.4

Robert E. Lewis, Editor-in-Chief

University of Michigan Press, 1954

The most important modern reference work for Middle English studies
[more]