2285 books match the query 'Women' and 107 start with m

cover of My Life's Travels and Adventures: An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland

My Life's Travels and Adventures

An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland

Regina Salomea Pilsztynowa

Iter Press, 2020

In her never-finished My Life’s Travels and Adventures, the eighteenth-century Polish doctor Regina Salomea Pilsztynowa plays a myriad of roles, including child bride, wife, mother, lover, adventuress, slave trader, writer, and home-taught physician. She successfully carved out a viable niche for herself, navigating the multicultural, multiethnic, and varied religious environment of Europe’s eastern periphery. Despite limited expectations for female professionals, she became a highly sought after and well-respected practitioner of the medical arts and rose to the position of court physician to Turkish pashas and Hungarian princes, and even to Sultan Mustafa III. My Life’s Travels and Adventures—part memoir, part autobiography, and part travelogue—provides a view into eighteenth-century social, professional, and gender interactions and weaves a rich narrative replete with vignettes of love, travel, and popular superstitions important to our historical, ethnographic, and religious understanding of the era.

This edition brings the entirety of this personal and idiosyncratic memoir to English for the first time.
 
[more]
cover of My Oceans: Essays of Water, Whales, and Women

My Oceans

Essays of Water, Whales, and Women

Christina Rivera

Northwestern University Press, 2025

An urgent exploration of caring and mothering on a planet in crisis
 
In a swell of sea-linked essays, Christina Rivera explores the kinship between marine animals, humans, and Earth’s blue womb. Rivera’s investigative questions begin with the toxic burden of her body and spiral out—to a grieving orca, a hunted manta ray, a pregnant sea turtle, a spawning salmon, an “endling” porpoise, and the “mother culture” of sperm whales—as she redefines what it means to mother and defend a collective future.

Braiding memoir with embodied climate science, Rivera challenges that it’s not anthropomorphism to feel deep connection to nonhuman species and proposes that gathering in collective grief is essential amid the sixth mass extinction. For ecofeminists, fans of Rachel Carson and Terry Tempest Williams—and for anyone who feels themself disintegrate in the presence of the sea—My Oceans offers a timely and wondrous descent into the deep waters of interconnection in which we swim.
[more]
cover of My Private Lennon: Explorations from a Fan Who Never Screamed

My Private Lennon

Explorations from a Fan Who Never Screamed

Sibbie O'Sullivan

The Ohio State University Press, 2020

My Private Lennon: Explorations from a Fan Who Never Screamed offers a new point of view from which to consider the Beatles’ impact on society and on the individual. In a series of linked autobiographical essays that explore the musical, cultural, and personal aspects of intense music fandom, Sibbie O’Sullivan dismantles the grand narrative of the fifteen-year-old hysterical female Beatles fan and replaces it with an introspective and often humorous tale about how the band shaped her intellectual and artistic development.
 
My Private Lennon charts the author’s realization that the Beatles, especially John Lennon, were a crucial force in her development. A radical departure from other books written by Beatles fans, My Private Lennon invites its readers to consider subjects not usually found in works about Lennon and the band, such as the constraints of memory, the male body, grief, the female breast, race, cultural issues, and the importance of privacy in our over-mediated world. In pieces that engage cultural issues and historical contexts, My Private Lennon creates a witty and provocative intimacy with readers who value the power of art to change one’s life and who love John Lennon and the Beatles.
 
[more]
cover of My Sister's Continent: A Novel

My Sister's Continent

A Novel

Gina Frangello, Lidia Yuknavitch

Northwestern University Press, 2026

A new edition of Frangello’s explosive retelling of Freud’s infamous “Dora” case study

Kirby is a young woman attempting to come to terms with a failed bout of therapy and the truth about her identical twin, Kendra. Since girlhood, Kirby both idolized and envied Kendra, a fearless and charismatic ballet dancer who commanded the attention of everyone in their orbit. In the aftermath of tragedy, Kirby is sent a case study by a former psychiatrist intent on publishing a distorted version of her family’s secrets. She responds by using Kendra’s private and revealing journals to reconstruct their final months together, as well as her own “disastrous” time in therapy, to voice her own truth. 
 
Freud’s “Dora,” a young woman whose mysterious symptoms he contentiously chalked up to “hysteria,” appears at turns in the faces of each twin as they navigate a world of sexuality, familial dysfunction, and possibly-psychosomatic ailments. Reissued with a new foreword by Lidia Yuknavitch, Frangello’s groundbreaking early novel brings “Dora” into a new era. 
 
[more]
cover of My Sisters Telegraphic: Women in the Telegraph Office, 1846–1950

My Sisters Telegraphic

Women in the Telegraph Office, 1846–1950

Thomas C. Jepsen

Ohio University Press, 2000

The role of the telegraph operator in the mid-nineteenth century was like that of today’s software programmer/analyst, according to independent scholar Tom Jepsen, who notes that in the “cyberspace” of long ago, male operators were often surprised to learn that the “first-class man” on the other end of the wire was a woman.

Like the computer, the telegraph caused a technological revolution. The telegraph soon worked synergistically with the era’s other mass-scale technology, the railroad, to share facilities as well as provide communications to help trains run on time.

The strategic nature of the telegraph in the Civil War opened opportunities for women, but tension arose as men began to return from military service. However, women telegraphers did not affect male employment or wage levels. Women kept their jobs after the war with support from industry—Western Union in particular—and because they defended and justified their role.

“Although women were predominantly employed in lower-paying positions and in rural offices, women who persisted and made a career of the profession could work up to managerial or senior technical positions that, except for wage discrimination, were identical to those of their male counterparts,” writes Jepsen. “Telegraphy as an occupation became gendered, in the sense that we understand today, only after the introduction of the teletype and the creation of a separate role for women teletype operators.”

My Sisters Telegraphic is a fresh introduction to this pivotal communications technology and its unsung women workers, long neglected by labor and social historians.

[more]
cover of My Song is My Own: 100 Women's Songs

My Song is My Own

100 Women's Songs

Kathy Henderson

Pluto Press, 1979

A collection of powerful, evocative and hilarious songs collected in the 1970s, My Song is My Own takes the reader on a musical journey of courtship, desire and sex, marriage, motherhood,childhood and work from the last five centuries.

With full sheet music for every song, and accompanying lyrics, this is perfect for singers as well as readers. Each section is introduced with a a brief thematic history, showing how the music has developed over time.

From ballads to industrial songs written for the mine and factory, from folk revivals to children's songs for the street and playground, this book reveals the hidden culture and history of women for us today.
[more]
cover of My Three Dads: Patriarchy on the Great Plains

My Three Dads

Patriarchy on the Great Plains

Jessa Crispin

University of Chicago Press, 2022

Sharp and thought-provoking, this memoir-meets-cultural criticism upends the romanticism of the Great Plains and the patriarchy at the core of its ideals.
 
For many Americans, Kansas represents a vision of Midwestern life that is good and wholesome and evokes the American ideals of god, home, and country. But for those like Jessa Crispin who have grown up in Kansas,  the realities are much harsher. She argues that the Midwestern values we cling to cover up a long history of oppression and control over Native Americans, women, and the economically disadvantaged.

Blending personal narrative with social commentary, Crispin meditates on why the American Midwest still enjoys an esteemed position in our country's mythic self-image. Ranging from The Wizard of Oz to race, from chastity to rape, from radical militias and recent terrorist plots to Utopian communities, My Three Dads opens on a comic scene in a Kansas rent house the author shares with a (masculine) ghost. This prompts Crispin to think about her intellectual fathers, her spiritual fathers, and her literal fathers. She is curious to understand what she has learned from them and what she needs to unlearn about how a person should be in a family, as a citizen, and as a child of god—ideals, Crispin argues, that have been established and reproduced in service to hierarchy, oppression, and wealth.
 
Written in Crispin’s well-honed voice—smart, assured, comfortable with darkness—My Three Dads offers a kind of bleak redemption, the insight that no matter where you go, no matter how far from home you roam, the place you came from is always with you, “like it or not.”
 
[more]