28167 books match the query 'History' and 1583 start with m

cover of Mutant Ecologies: Manufacturing Life in the Age of Genomic Capital

Mutant Ecologies

Manufacturing Life in the Age of Genomic Capital

Erica Borg

Pluto Press, 2022

How capitalism is reconfiguring the very texture of life

Mutant Ecologies traces the spinning of new synthetic threads into the web of life. It is a critical cartography of the shifting landscapes of capital accumulation conjured by recent developments in genomic science, genome editing, and the biotech industry.

CRISPR crops, fast-growing salmons, heat-resistant Slick™ cows, Friendly™ Mosquitoes, humanized mice, pigs growing human organs – these are but a few of the dazzling new life-forms that have recently emerged from corporate and university laboratories around the world, all promising to lubricate the circuits of capital accumulation in distinct ways. The deliberate induction of genetic mutations is increasingly central to business operations in a number of sectors, from agriculture to pharmaceuticals.

While the Nobel Committee recently proclaimed the life sciences to have entered 'a new epoch', the authors show how these technological innovations continue to operate within a socio-historical context defined by the iron rules of capitalist competition and exploitation. Capital no longer contents itself by simply appropriating the living bodies of plants and animals. It purposefully designs its internal metabolism, and in that way, it redesigns the countless living vectors that constitute the global biosphere. It is driving a biological revolution, which will ripple through the everyday lives of people everywhere.

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cover of Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal

Mutants and Mystics

Science Fiction, Superhero Comics, and the Paranormal

Jeffrey J. Kripal

University of Chicago Press, 2011

In many ways, twentieth-century America was the land of superheroes and science fiction. From Superman and Batman to the Fantastic Four and the X-Men, these pop-culture juggernauts, with their "powers and abilities far beyond those of mortal men," thrilled readers and audiences—and simultaneously embodied a host of our dreams and fears about modern life and the onrushing future.

But that's just scratching the surface, says Jeffrey Kripal. In Mutants and Mystics, Kripal offers a brilliantly insightful account of how comic book heroes have helped their creators and fans alike explore and express a wealth of paranormal experiences ignored by mainstream science. Delving deeply into the work of major figures in the field—from Jack Kirby’s cosmic superhero sagas and Philip K. Dick’s futuristic head-trips to Alan Moore’s sex magic and Whitley Strieber’s communion with visitors—Kripal shows how creators turned to science fiction to convey the reality of the inexplicable and the paranormal they experienced in their lives. Expanded consciousness found its language in the metaphors of sci-fi—incredible powers, unprecedented mutations, time-loops and vast intergalactic intelligences—and the deeper influences of mythology and religion that these in turn drew from; the wildly creative work that followed caught the imaginations of millions. Moving deftly from Cold War science and Fredric Wertham's anticomics crusade to gnostic revelation and alien abduction, Kripal spins out a hidden history of American culture, rich with mythical themes and shot through with an awareness that there are other realities far beyond our everyday understanding.

A bravura performance, beautifully illustrated in full color throughout and brimming over with incredible personal stories, Mutants and Mystics is that rarest of things: a book that is guaranteed to broaden—and maybe even blow—your mind.
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cover of Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry

Mute Dreams, Blind Owls, and Dispersed Knowledges

Persian Poesis in the Transnational Circuitry

Michael M. J. Fischer

Duke University Press, 2004

Over the past decade Iranian films have received enormous international attention, garnering both critical praise and popular success. Combining his extensive ethnographic experience in Iran and his broad command of critical theory, Michael M. J. Fischer argues that the widespread appeal of Iranian cinema is based in a poetics that speaks not only to Iran’s domestic cultural politics but also to the more general ethical dilemmas of a world simultaneously torn apart and pushed together. Approaching film as a tool for anthropological analysis, he illuminates how Iranian filmmakers have incorporated and remade the rich traditions of oral, literary, and visual media in Persian culture.

Fischer reveals how the distinctive expressive idiom emerging in contemporary Iranian film reworks Persian imagery that has itself been in dialogue with other cultures since the time of Zoroaster and ancient Greece. He examines a range of narrative influences on this expressive idiom and imagery, including Zoroastrian ritual as it is practiced in Iran, North America, and India; the mythic stories, moral lessons, and historical figures written about in Iran’s national epic, the Shahnameh; the dreamlike allegorical world of Persian surrealism exemplified in Sadeq Hedayat’s 1939 novella The Blind Owl; and the politically charged films of the 1960s and 1970s. Fischer contends that by combining Persian traditions with cosmopolitan influences, contemporary Iranian filmmakers—many of whom studied in Europe and America—provide audiences around the world with new modes of accessing ethical and political experiences.

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cover of Muting Israeli Democracy: How Media and Cultural Policy Undermine Free Expression

Muting Israeli Democracy

How Media and Cultural Policy Undermine Free Expression

Amit M. Schejter

University of Illinois Press, 2009

The result of years of critical analysis of Israeli media law, this book argues that the laws governing Israeli electronic media are structured to limit the boundaries of public discourse. Amit M. Schejter posits the theory of a "mute democracy," one in which the media are designed to provide a platform for some voices to be heard over others. While Israel's institutions may be democratic, and while the effect of these policies may be limited, this book contends that free speech in Israel is institutionally muted to ensure the continued domination of the Jewish majority and its preferred interpretation of what Israel means as a Jewish-democratic state. Analyzing a wide range of legal documents recorded in Israel from 1961 to 2007, Muting Israeli Democracy demonstrates in scrupulous detail how law and policy are used to promote the hegemonic national culture through the constraints and obligations set on electronic media.
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cover of Muzzled Oxen: Reaping Cotton and Sowing Hope in 1920s Arkansas

Muzzled Oxen

Reaping Cotton and Sowing Hope in 1920s Arkansas

Genevieve Grant Sadler

Butler Center for Arkansas Studies, 2014

In the 1920s Genevieve Sadler left her home in California for what she thought would be a short visit to the Arkansas farm where her husband grew up. The visit lasted seven years, and Sadler’s life was changed forever in the time she spent among the cotton farms near Dardanelle in Yell County, Arkansas, on the eve of the Great Depression. Based on her long and detailed letters to her mother, she wrote this engaging memoir with its rich portrait of a small town and its inhabitants, many of whom were poor cotton farmers working on shares.
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cover of My Blue Heaven: Life and Politics in the Working-Class Suburbs of Los Angeles, 1920-1965

My Blue Heaven

Life and Politics in the Working-Class Suburbs of Los Angeles, 1920-1965

Becky M. Nicolaides

University of Chicago Press, 2002

In the 1920s, thousands of white migrants settled in the Los Angeles suburb of South Gate. Six miles from downtown and adjacent to Watts, South Gate and its neighboring communities served as L.A.'s Detroit, an industrial belt for mass production of cars, tires, steel, and other durable goods. Blue-collar workers built the suburb literally from the ground up, using sweat equity rather than cash to construct their own homes.

As Becky M. Nicolaides shows in My Blue Heaven, this ethic of self-reliance and homeownership formed the core of South Gate's identity. With post-World War II economic prosperity, the community's emphasis shifted from building homes to protecting them as residents tried to maintain their standard of living against outside threats—including the growing civil rights movement—through grassroots conservative politics based on an ideal of white homeowner rights. As the citizens of South Gate struggled to defend their segregated American Dream of suburban community, they fanned the flames of racial inequality that erupted in the 1965 Watts riots.
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cover of My Bondage and My Freedom

My Bondage and My Freedom

Frederick Douglass

University of Illinois Press, 1988

This is the first annotated edition of a work Eric J. Sundquist has called "a classic text of the American Renaissance." As Henry Louis Gates, Jr., has pointed out, My Bondage and My Freedom has been largely ignored by critics, in part because it is longer and less accessible than Narrative of the Life of Frederick Douglass but also because it has not up to now been "read" by a sensitive critic. "The latter reason is paramount and urgently needed to be addressed, and William Andrews is just the person to introduce Douglass's second autobiography to our generation of readers. He has few peers in nineteenth-century black criticism."
 
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cover of My Brother's Keeper: George McGovern and Progressive Christianity

My Brother's Keeper

George McGovern and Progressive Christianity

Mark A. Lempke

University of Massachusetts Press, 2017

George McGovern is chiefly remembered for his landslide loss to Richard Nixon in 1972. Yet at the time, his candidacy raised eyebrows by invoking the prophetic tradition, an element of his legacy that is little studied. In My Brother's Keeper, Mark A. Lempke explores the influence of McGovern's evangelical childhood, Social Gospel worldview, and conscientious Methodism on a campaign that brought antiwar activism into the mainstream.

McGovern's candidacy signified a passing of the torch within Christian social justice. He initially allied with the ecumenical movement and the mainline Protestant churches during a time when these institutions worked easily with liberal statesmen. But the senator also galvanized a dynamic movement of evangelicals rooted in the New Left, who would dominate subsequent progressive religious activism as the mainline entered a period of decline. My Brother's Keeper argues for the influential, and often unwitting, role McGovern played in fomenting a “Religious Left” in 1970s America, a movement that continues to this day. It joins a growing body of scholarship that complicates the dominant narrative of that era's conservative Christianity.

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cover of My Cocaine Museum

My Cocaine Museum

Michael Taussig

University of Chicago Press, 2004

In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years.

Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine.

This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.
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cover of My Culture, My Color, My Self: Heritage, Resilience, and Community in the Lives of Young Adults

My Culture, My Color, My Self

Heritage, Resilience, and Community in the Lives of Young Adults

Toby S. Jenkins

Temple University Press, 2013

Understanding our cultural heritage and sharing a cultural community's history helps motivate individuals to take agency and create change within their communities. But are today's youth appreciative of their culture, or apathetic towards it?

In her vibrant ethnography My Culture, My Color, My Self, Toby Jenkins provides engrossing, in-depth interviews and poignant snapshots of young adults talking about their lives and culture. She recounts D'Leon's dream to become a positive example for African American men, and Francheska describing how her late mother inspired her appreciation of her Boricua heritage. In these and other portraits, Jenkins considers the role that cultural education and engagement plays in enhancing educational systems, neighborhood programs, and community structures.

My Culture, My Color, My Self also features critical essays that focus on broader themes such as family bonds, education, and religion. Taken together, Jenkins shows how people of color use their culture as both a politic of social survival and a tool for social change.

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cover of My Daughter, the Teacher: Jewish Teachers in the New York City Schools

My Daughter, the Teacher

Jewish Teachers in the New York City Schools

Markowitz, Ruth Jacknow

Rutgers University Press, 1993

'My son, the doctor' and 'my daughter, the teacher' were among the most cherished phrases of Jewish immigrant parents," writes Ruth Markowitz in recounting this story of Jewish women who taught school in New York. Teaching was an attractive profession to the daughters of immigrants. It provided status, security, was compatible with marriage, and licenses did not require expensive training. In the interwar years, Jewish women in New York entered teaching in large and unprecedented numbers. In fact, by 1960 the majority of all New York teachers were Jewish women. By interviewing sixty-one retired teachers, Ruth Markowitz re-created their lives and the far-reaching influence they had on public education.These women faced many barriers--from lack of parental and financial support to discrimination--as they pursued their educations. Those women who completed their training still had difficulty finding teaching positions, especially during the Depression. Once hired, the teachers' days were filled with overcrowded classes, improperly maintained facilities, enormous amounts of paperwork, few free periods, and countless extracurricular obligations. They also found themselves providing social services; Markowitz finds a large number of teachers who took a special interest in minority children.The teachers Markowitz interviewed often agree with the assessment others have made that the 1930s were in their own way a golden age in the schools. The retired teachers remember the difficult times, but also their love of teaching and the difference they made in the classrooms. Their energy, initiative, and drive will help inspire teachers today, who face the serious problems of drugs, teenage pregnancy, and violence in their classrooms.
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cover of My Dearest Angel: A Virginia Family Chronicle 1895–1947

My Dearest Angel

A Virginia Family Chronicle 1895–1947

Katie Letcher Lyle

Ohio University Press, 2002

She was the daughter of a circuit judge and state senator. He was the youngest son of Virginia’s Civil War governor and was a state legislator himself at the age of nineteen. Their courtship and marriage stands as a portrait of a bygone way of life unique to the American South during the first half of the twentieth century. My Dearest Angel is their story, told through their faithful correspondence over the course of their fifty years together.

Piecing together the voluminous letters, their granddaughter, noted author Katie Letcher Lyle, has succeeded in giving us an intimate panorama of the full and oftentimes wrenching lives led by Greenlee and Katie Letcher. Domestic life, family secrets, and visiting luminaries are part of their story. But the abiding appeal of My Dearest Angel is the maturation of a lifelong relationship built on the crest of a changing world.

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cover of My Diary: August 30th to November 5th, 1874

My Diary

August 30th to November 5th, 1874

By Cornelia Adair. Introduction by Montagu K. Brown, Illustrations by Malcolm Thurgood

University of Texas Press, 1965

Cornelia Wadsworth Adair’s ancestors had pioneered in western New York, where they opened and developed large, palatial estates; and the life they lived was elegant and aristocratic. Adair too was discreetly cultured; yet she took great personal pleasure in the rough and primitive land of her famed JA Ranch in north Texas. Because of physical discomfort and noisy passengers, she detested traveling by railroad coach; yet she could ride all day on horseback and lie down to sleep on a makeshift cot by a waterhole or on an Indian’s flea-infested buffalo rug. She was a lady of interesting contradictions.

This little Diary is her lively account of a two-month trip which she and her husband made into the western part of the United States in 1874. The ostensible purpose of the trip was to hunt buffalo; however, these large beasts actually play a very small part in the journal. Rather, the book is an interesting and often amusing account, by an observant woman, of the long journey from her husband’s estate in Ireland to New York, to Chicago and on into upper Michigan, across Lake Superior to Minnesota, down the Mississippi for several days, out to the buffalo-hunting grounds in Nebraska, then to Denver and the wonders of the Rocky Mountains, and finally back to New York and the Europe-bound ship.

Adair writes with an easy fluency; and her eye for picturesque detail, her taste for amusing incongruities, her romanticist’s delight in Nature, and her instinct for a “good tale” combine to make her Diary pleasant and entertaining reading, while her powers of keen observation provide valuable insight into life as it was then in the West. First printed for private circulation in 1918, the original book is now a rare collector’s item of Western Americana. Mrs. Adair said that she was allowing its publication for two reasons. First, she was afraid that her grandchildren and young friends would remember her only as “an old lady who sat in an armchair, and whose stick had to be looked for”; she wanted them to know that she had once been “a very lively person . . . [who] did all sorts of exciting things.” Second, she felt it worthwhile to record her experiences because “the world is changing so quickly, ways of travelling especially so . . . and I think it may be interesting to compare what was done in 1874 with what will be done by the time the children are able to travel. No doubt they will do their journeys by air, and do many, many things that I have not been able to do; but they can never see the prairies of America in their wild uncivilised state, or hunt buffalo over them, nor can they pow-wow with the Red Indians in a camp on the Platte River. So every time has its own special joys, and the great thing is to miss as little as possible, and to share as much.”

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cover of My Eighty Years in Texas

My Eighty Years in Texas

By William Physick Zuber

University of Texas Press, 1971

Almost a century and a half went into the making of My Eighty Years in Texas. It began as a diary, kept by fifteen-year-old William Physick Zuber after he joined Sam Houston’s Texas army in 1836, hoping he could emulate the heroism of American Revolutionary patriots. Although his hopes were never realized, Zuber recorded the privations, victories, and defeats of armies on the move during the Texas Revolution, the Indian campaigns, and, as he styled it, the Confederate War.

In 1910, at the age of ninety, Zuber began the enormous task of transcribing his diaries and his memories for publication. After his death in 1913, the handwritten manuscript, 1, was placed in the Texas State Archives, where it was used as a reference source by students and scholars of Texas history. Over a half century after Zuber’s death, Janis Boyle Mayfield finally brought his publication plans to fruition.

Zuber details his early zest for learning and his laborious methods of self-education. He tells of the trials of organizing and teaching schools in the sparsely populated plains. He recalls the day-by-day happenings of a private soldier in the Texas army of 1836, the Texas Militia, and the Confederate army—including the mishaps of army life and the encounters with enemies from San Jacinto to Cape Girardeau. After the Civil War, his interest turns to the politics of Reconstruction, the veterans’ pension, and the founding of the Texas Veterans Association.

This is the story of and by an outspoken Texian, complete with his attitudes, principles, and moralizings, and the nineteenth-century style and flavor of his writing.

Included as an appendix is “An Escape from the Alamo,” the account of Moses Rose for which Zuber, who was a prolific writer, was best known. A historiography of the Rose story, a bibliography of Zuber’s published and unpublished writings, annotation, and an introduction are provided by Llerena Friend.

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cover of My Ever Dear Daughter, My Own Dear Mother: The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

My Ever Dear Daughter, My Own Dear Mother

The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

Katherine R. Morgan

University of Iowa Press, 1996

In 1868 twenty-two-year-old Mary Julia Towne left her farm in Topsfield, Massachusetts, for Chicago in search of better health and an opportunity to support herself. Soon she was teaching, first in night school and then in grammar schools, finding satisfaction and independence in this profession. Over the next fourteen years she wrote home to her mother, Julia Stone Towne; these letters and Julia's letters back to her—the only published collection of sustained correspondence between a nineteenth-century American mother and daughter—create a deep and rich world filled with the ideas, affection, advice, and comfort that each woman gave to the other. Now, more than a hundred years later, Julia and Mary Towne give us new insights into the complexities of life of women in the nineteenth century, into both the interdependence and the autonomy of mothers and daughters, and into the links between their lives and ours.
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cover of My Fair Ladies: Female Robots, Androids, and Other Artificial Eves

My Fair Ladies

Female Robots, Androids, and Other Artificial Eves

Wosk, Julie

Rutgers University Press, 2015

Runner-up for the 2015 Science Fiction and Technoculture Studies Book Prize 

The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. 
 
My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. 
 
Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation. 
 
 
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cover of My Family's Role in the World Revolution: and Other Prose

My Family's Role in the World Revolution

and Other Prose

Bora Cosic

Northwestern University Press, 1997

Bora Ćosić's My Family's Role in the World Revolution enjoyed a successful run as a play, but the film version was closed immediately and ultimately caused Ćosić's publications to be for over four years.

During the German occupation of Belgrade, a family—including an alarmist mother, an eternally drunk father, two young aunts who swoon over American movie stars, and a playboy uncle—attempt to find any kind of work they can do at home. When the postwar Socialist society is being ushered in after the war, the narrator becomes the slogan-spouting ideological leader of the household, while his family tries—and often fails miserably—to take part in the "great change."

This volume also includes several Ćosić short stories, and recent essays on the war in the former Yugoslavia.
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cover of My Father Said Yes: A White Pastor in Little Rock School Integration

My Father Said Yes

A White Pastor in Little Rock School Integration

Dunbar H. Ogden

Vanderbilt University Press, 2008

On September 4, 1957, the group of African American high school students who became known as the Little Rock Nine walked up to the front of Central High to enroll in school. They were turned away by the National Guard, who had been called out by Arkansas Governor Orval Faubus. "Blood will run in the streets," said Faubus, "if Negro pupils should attempt to enter Central High School." A mob seethed out front. The man who led the Nine up to the lines of the National Guard on that fateful morning was the author's father, a white Presbyterian pastor.



My Father Said Yes is the untold story of the Reverend Dunbar Ogden, who became the pro-integration leader in Little Rock's white community. He responded to a call for support from Daisy Bates, co-owner of the town's black newspaper. Both faced fierce opposition from within as well as from outside. Reverend Ogden lost his church and Daisy Bates lost her newspaper.



This memoir is also a moving father-son story. In this frank account, the author discusses the depression his father battled for most of his life, as well as the family tragedy of his brother's suicide.

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cover of My Father's Name: A Black Virginia Family after the Civil War

My Father's Name

A Black Virginia Family after the Civil War

Lawrence P. Jackson

University of Chicago Press, 2012

Armed with only early boyhood memories, Lawrence P. Jackson begins his quest by setting out from his home in Baltimore for Pittsylvania County, Virginia, to try to find his late grandfather’s old home by the railroad tracks in Blairs. My Father’s Name tells the tale of the ensuing journey, at once a detective story and a moving historical memoir, uncovering the mixture of anguish and fulfillment that accompanies a venture into the ancestral past, specifically one tied to the history of slavery.
After asking around in Pittsylvania County and carefully putting the pieces together, Jackson finds himself in the house of distant relations. In the pages that follow, he becomes increasingly absorbed by the search for his ancestors and increasingly aware of how few generations an African American needs to map back in order to arrive at slavery, “a door of no return.” Ultimately, Jackson’s dogged research in libraries, census records, and courthouse registries enables him to trace his family to his grandfather’s grandfather, a man who was born or sold into slavery but who, when Federal troops abandoned the South in 1877, was able to buy forty acres of land. In this intimate study of a black Virginia family and neighborhood, Jackson vividly reconstructs moments in the lives of his father’s grandfather, Edward Jackson, and great-grandfather, Granville Hundley, and gives life to revealing narratives of Pittsylvania County, recalling both the horror of slavery and the later struggles of postbellum freedom.
My Father’s Name is a family story full of twists and turns—and one of haunting familiarity to many Americans, who may question whether the promises of emancipation have ever truly been fulfilled. It is also a resolute look at the duties that come with reclaiming and honoring Americans who survived slavery and a thoughtful meditation on its painful and enduring history.
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cover of My Father's War: A True Story of Nazism and Treason

My Father's War

A True Story of Nazism and Treason

by Bjørn Westlie, translated by Dean Krouk

University of Wisconsin Press, 2023

My Father’s War is simultaneously a history of the Nazi occupation of Norway in World War II and a son’s sincere attempt to understand the silences, motivations, and experiences of an estranged father. In this carefully researched book, combining family memoir and historical retelling, Bjørn Westlie uncovers his father’s actions as a volunteer soldier for the Waffen-SS, the military wing of the infamous Schutzstaffel (SS), in the invasion of the Soviet Union. Balancing his role as both son and critical investigator, Westlie unflinchingly interrogates his father’s fascist convictions, which speak to the appeal Hitler’s ideology held for a small, disgraced segment of Norway’s mid-century population. A story of collaboration, tragedy, and treason, My Father’s War reveals the little-known history of Norway's frontkjempere (front fighters), the atrocities the Waffen-SS committed against Ukrainian Jews, and the complex legacies of ethnonationalism in Norway. 

With an insightful introduction from translator Dean Krouk, My Father’s War is a contemporary classic of war literature. Committed to genuine understanding without falling into undue sympathizing, this sober and reflective book presents an eye-opening, moving, intense, and necessary account of the allure of fascism in a world at war—and its personal costs.
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cover of My Father's War: Fighting with the Buffalo Soldiers in World War II

My Father's War

Fighting with the Buffalo Soldiers in World War II

Carolyn Ross Johnston

University of Alabama Press, 2012

A compelling story of a unit of Buffalo Soldiers and their white commander fighting on the Italian front during World War II.

The 92nd Division of the Fifth Army was the only African American infantry division to see combat in Europe during 1944 and 1945, suffering more than 3,200 casualties. Members of this unit, known as Buffalo Soldiers, endured racial violence on the home front and experienced racism abroad. Engaged in combat for nine months, they were under the command of southern white infantry officers like their captain, Eugene E. Johnston. 

Carolyn Ross Johnston draws on her father’s account of the war and her extensive interviews with other veterans of the 92nd Division to describe the experiences of a naïve southern white officer and his segregated unit on an intimate level. During the war, the protocol that required the assignment of southern white officers to command black units, both in Europe and in the Pacific theater, was often problematic, but Johnston seemed more successful than most, earning the trust and respect of his men at the same time that he learned to trust and respect them. Gene Johnston and the African American soldiers were transformed by the war and upon their return helped transform the nation.

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cover of My Father’s Books

My Father’s Books

Luan Starova; Translated by Christina E. Kramer

University of Wisconsin Press, 2012

In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture.
    Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.

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cover of My Father’s Closet

My Father’s Closet

Karen McClintock

The Ohio State University Press, 2017

“Karen McClintock reconstructs the details of her father’s double life with novelistic flair, keen psychological insight, and graceful compassion.” —Alison Bechdel

Thirty years after her father’s death, Karen McClintock sets out to find the gay father she never really knew. As we follow the unraveling family secret, we find ourselves drawn into her story as they stumble into infidelity, grieve heartbreaking losses, and remain loyal in love.

Set in Columbus, Ohio, My Father’s Closet tells the story of how just before the war, McClintock’s parents fell in love and married, while overseas in Germany the man whom she believes became her father’s lover was concealing his Jewish and gay identities in order to escape to America. A set of her father’s journals, letters her parents sent to each other during the Second World War, and a mysterious painting all lead her toward the truth about her gay father. McClintock weaves a complex secret into the fabric of lives we truly care about. And in the process, she leads us out of her father’s closet.

This gripping memoir captures the longing children feel for a distant or hidden parent and taps into the complexity of human connection and abandonment. The characters are resilient and vibrant. The hidden lovers, the nosey neighbors, and surprise lovers all show up. In the end, this extraordinary family finds ways to connect and freedom to love. Anyone who grew up with a family secret will appreciate the dynamics afoot in this fast-paced and compelling story. 

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cover of My Germany: A Jewish Writer Returns to the World His Parents Escaped

My Germany

A Jewish Writer Returns to the World His Parents Escaped

Lev Raphael

University of Wisconsin Press, 2009

Haunted by his parents’ horrific suffering and traumatic losses under Nazi rule, Lev Raphael grew up loathing everything German. Those feelings shaped his Jewish identity, his life, and his career. While researching his mother’s war years after her death, he discovers a distant relative living in the very city where she had worked in a slave labor camp, found freedom, and met his father. Soon after, Raphael is launched on book tours in Germany and, in the process, redefines himself as someone unafraid to face the past and let it go.

Bookmarks, “Top Ten Nonfiction Titles of 2009”

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cover of My Girlhood Among Outlaws

My Girlhood Among Outlaws

Lily Klasner

University of Arizona Press, 1972

Lily Klasner learned the harsh realities of frontier life at an early age. Born in Texas in 1862, she was only five when her family lost most of their provisions in an Indian raid while trekking to New Mexico; their ranch on the Pecos became a stopover for outlaws; and she assumed leadership of the family at thirteen when her father was murdered.

In My Girlhood Among Outlaws, Lily recalls her experiences with Billy the Kid and other desperadoes, and sets the record straight on popular misrepresentations of events. Of particular interest to historians is her preservation of the diary of famous cattleman and family friend John Chisum.
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cover of My Grandfather's Prison: A Story of Death and Deceit in 1940s Kansas City

My Grandfather's Prison

A Story of Death and Deceit in 1940s Kansas City

Richard A. Serrano

University of Missouri Press, 2009

James Patrick Lyons abandoned his family for a life on Kansas City’s skid row. A town drunk, he was arrested eighty times for public intoxication. On the night of his last arrest, he was taken to the city jail and held in solitary confinement. The next morning he was dead. Officials said it was natural causes—yet they could not explain his broken neck.
            When Richard Serrano learned of the grandfather he had never known, the longtime journalist embarked upon a search that led him deep into the city’s wide-open and ignoble past. He stumbled upon his maternal grandfather’s death certificate from 1948 and discovered that the evidence pointed to murder in that basement cell. That revelation triggered a blizzard of questions for Serrano and provided the impetus for this engrossing story.
Part memoir, part historical mystery, My Grandfather’s Prison takes readers back to a crossroads year for Kansas City. The Great Depression and World War II were over, yet vestiges still lingered from the corrupt Pendergast political machine. The city jail itself was a throwback to the old lockups and rock piles of popular fiction, while the sheriff’s office was dishonest and inept—and tried to cover up the death.
Much has been written about Tom Pendergast and the iron hand with which he ruled Kansas City until his fall. Serrano’s personal journey into that time takes the story further into those crucial years when the city tried to shake off the yoke of machine politics and political corruption and step into a new era of reform.
In his quest to uncover the details of his grandfather’s life, Serrano re-creates the flavor of mid-twentieth-century Kansas City. He shows us real-life characters who broaden our understanding of the city’s history: sheriffs and deputies, political bosses and coroners. And he also discovers a city filled with lost souls like James Lyons: the denizens of Kansas City’s skid row, a neglected area near the river bottom that once housed the city’s gilded community but now was home to derelicts and drunks.
As Serrano gradually comes to terms with the darker side of his family history, he traces a parallel reconciliation of the city with its own sordid past. James Lyons died just as the old ways of the city were dying, and this spellbinding account shows how one town in one time struggled with its past to find a brighter future.
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cover of My Heart Is Bound Up with Them: How Carlos Montezuma Became the Voice of a Generation

My Heart Is Bound Up with Them

How Carlos Montezuma Became the Voice of a Generation

David Martínez

University of Arizona Press, 2023

Carlos Montezuma is well known as an influential Indigenous figure of the turn of the twentieth century. While some believe he was largely interested only in enabling Indians to assimilate into mainstream white society, Montezuma’s image as a staunch assimilationist changes dramatically when viewed through the lens of his Yavapai relatives at Fort McDowell in Arizona.

Through his diligent research and transcription of the letters archived in the Carlos Montezuma Collection at Arizona State University Libraries, David Martínez offers a critical new perspective on Montezuma’s biography and legacy. During an attempt to force the Fort McDowell Yavapai community off of their traditional homelands north of Phoenix, the Yavapai community members and leaders wrote to Montezuma pleading for help. It was these letters and personal correspondence from his Yavapai cousins George and Charles Dickens, as well as Mike Burns that sparked Montezuma’s desperate but principled desire to liberate his Yavapai family and community—and all Indigenous people—from the clutches of an oppressive Indian Bureau.

Centering historically neglected Indigenous voices as his primary source material, Martínez elevates Montezuma’s correspondence and interactions with his family and their community and shows how it influenced his advocacy. Martínez argues that Montezuma’s work in Arizona directly contributed to his national projects. For his Yavapai community, Montezuma set an example as a resistance fighter and advocate on behalf of his people and other Indigenous groups. Martínez offers a critical exploration of history, memory, the formation of archival collections, and the art of writing biography.
[more]
cover of My History, Not Yours: The Formation of Mexican American Autobiography

My History, Not Yours

The Formation of Mexican American Autobiography

Genaro M. Padilla

University of Wisconsin Press, 1994

    "I am willing to relate all I can remember, but I wish it clearly understood that it must be in my own way,  and at my own time.  I will not be hurried or dictated to.  It is my history and not yours I propose to tell.”—Mariano Guadelupe Vallejo, on “Recuerdos históricos y personales”  (1875)
    My History, Not Yours is a landmark study of the autobiographical writings of Mexican Americans in the century following the US-Mexican War of 1846-1848.  Some 75,000 inhabitants of what is now Texas, New Mexico, Arizona, Nevada, and California were suddenly foreigners on their own lands.  Faced with the deliberate obliteration of their history, culture, language, and personal experiences, these women and men set down the stories of their lives and their communities, as a means of both remembering and resisting.
    Genaro M. Padilla and other scholars have begun to uncover the huge store of literary materials forgotten in manuscript archives:  memoirs long out of print, others unpublished and unread, diaries, family histories, poetry, correspondence, and texts of corridos (ballads).  Padilla writes, “Lives are scattered on broken pages, faded, partially lost at the margins, suspended in language unread until there is a reader who opens the file and begins.  It is my intention to initiate a recovery of that autobiographical formation that emerged after a war of conquest.”
    In providing an overview of this rich literature, Padilla also points out the power relations embedded in the narratives, showing that the reconstruction of the Mexican past was not merely nostalgic idealization, but often an angry and deeply politicized recovery of a world ruptured by American domination.

[more]
cover of My House in Damascus: An Inside View of the Syrian Crisis

My House in Damascus

An Inside View of the Syrian Crisis

Diana Darke

Haus Publishing, 2014

How did Syria’s revolution reach this its current boiling point? And what’s next? This updated edition of My House in Damascus offers an insider’s view on these questions and the darker recesses of Syria’s history, politics, and society.

Diana Darke, a fluent Arabic speaker who moved to Damascus in 2004 after decades of regular visits, details how the Assad regime, and its relationship to the people, differs from the regimes in Egypt, Tunisia, and Libya—and why it was thus always less likely to collapse quickly, even in the face of widespread unrest and violence. Through the author’s firsthand experiences of buying and restoring a house in the old city of Damascus, which she later offered as a sanctuary to friends, Darke presents a clear picture of the realities of life on the ground and what hope there is for Syria’s future. Including additional material on topics like the advance of the Islamic State, as well as a new epilogue describing the current turmoil surrounding her house and the refugees she tried to help, this edition of My House in Damascus powerfully documents the human cost of the ongoing civil war.
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cover of My Journey: How One Woman Survived Stalin's Gulag

My Journey

How One Woman Survived Stalin's Gulag

Olga Adamova-Sliozberg

Northwestern University Press, 2011

This is the first English translation of Olga Adamova-Sliozberg’s mesmerizing My Journey​, which was not officially published in Russia until 2002. It is among the best known of Gulag memoirs and was one of the first to become widely available in underground samizdat circulation. Alexander Solzhenitsyn relied heavily upon it when writing Gulag Archipelago, and it remains the best account of the daily life of women in the Soviet prison camps.

Arrested along with her husband (who, she would much later learn, was shot the next day) in the great purges of the thirties, Adamova-Sliozberg decided to record her Gulag experiences a year after her arrest, and she “wrote them down in her head” (paper and pencils were not available to prisoners) every night for years. When she returned to Moscow after the war in 1946, she composed the memoir on paper for the first time and then buried it in the garden of the family dacha. After her re-arrest and seven more years of banishment to Kazakhstan, she returned to the dacha to dig up the buried memoir, but could not find it. She sat down and wrote it all over again.

In her later years she also added a collection of stories about her family. Concluding on a hopeful note—Adamova-Sliozberg’s record is cleared, she re-marries a fellow former-prisoner, and she is reunited with her children—this story is a stunning account of perseverance in the face of injustice and unimaginable hardship. This vital primary source continues to fascinate anyone interesting in the tumultuous history of Russia and the Soviet Union in the twentieth century.
[more]
cover of My Life As A Revolutionary: Reflections Of A Former Guerrillera

My Life As A Revolutionary

Reflections Of A Former Guerrillera

Maria Eugenia Vasquez Perdomo

Temple University Press, 2005

In My Life as a Colombian Revolutionary, María Eugenia Vásquez Perdomo presents a gripping account of her experiences as a member of M-19, one of the most successful guerrilla movements in Colombia's tumultuous modern history. Vásquez's remarkable story opens with her happy childhood in a middle-class provincial household in which she was encouraged to be adventurous and inquisitive. As an eighteen-year-old university student in Bogotá, María Eugenia embraced radical politics and committed herself to militant action to rid her country of an abusive government. Dedicated and daring, Vásquez took part in some of the M-19's boldest operations in the 1970s and 1980s and became one of its leaders. She was able to avoid detection for nearly twenty years in the movement because she was both clever and considered too attractive to be a guerrillera. Her vivid narrative brings to life the men and women who were her comrades and conveys their anxiety and exhilaration as they carried out their actions. When she tells of her love affairs with some of M-19's top leaders, she cannot separate romance from camaraderie or escape a sense of impending tragedy. If Vásquez gave us only a rare insider's account of youth culture and a guerrilla movement in a Latin American country, this would be a book well worth reading. But she also gives us an unsparing analysis of what it meant to be a woman in the movement and how much her commitment to radical politics cost her.
[more]
cover of My Life On Mountain Railroads

My Life On Mountain Railroads

William Gould

Utah State University Press, 1995

In 1917, Gilbert Gould achieved his dream to be an engineer, and began running engines for the Denver & Rio Grande and later for the Utah Railway. He was a natural storyteller, and his recollections are entertaining and historically rewarding.

[more]
cover of My Life as a Filmmaker

My Life as a Filmmaker

Yamamoto Satsuo; Translated, Annotated, and with an Introduction by Chia-ning Chang

University of Michigan Press, 2017

In his posthumous autobiography, Watakushi no eiga jinsei (1984), Yamamoto reflects on his career and legacy: beginning in the prewar days as an assistant director in a well-established film company under the master Naruse Mikio, to his wide-ranging experiences as a filmmaker, including his participation in the tumultuous Toho Labor Upheaval soon after Japan’s defeat in World War II and his struggles as an independent filmmaker in the 1950s and 1960s before returning to work within the mainstream industry.  In the process, he established himself as one of the most prominent and socially engaged film artists in postwar Japan.  Imbued with vibrant social realism and astute political commentary, his filmic genres ranged widely from melodramas, period films from the Tokugawa era, samurai action jidaigeki, social satires, and antiwar films. Providing serious insights into and trenchant critique of the moral corruption in Japanese politics, academe, industry, and society, Yamamoto at the same time produced highly successful films that offered drama and entertainment for Japanese and international moviegoers.  His considerable artistic distinction, strong social and political consciousness, and filmic versatility have earned him a unique and distinguished position among Japan’s world-class film directors.
 
In addition to detailed annotations of the autobiography, translator Chia-ning Chang offers a comprehensive introduction to the career and the significance of Yamamoto and his works in the context of Japanese film history.  It contextualizes Yamamoto’s life and works in the historical and cultural zeitgeist of prewar, wartime, and postwar Japan before scrutinizing the unique qualities of his narrative voice and social conscience as a film artist.

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cover of My Life as a Spy: Investigations in a Secret Police File

My Life as a Spy

Investigations in a Secret Police File

Katherine Verdery

Duke University Press, 2018

As Katherine Verdery observes, "There's nothing like reading your secret police file to make you wonder who you really are." In 1973 Verdery began her doctoral fieldwork in the Transylvanian region of Romania, ruled at the time by communist dictator Nicolae Ceausescu. She returned several times over the next twenty-five years, during which time the secret police—the Securitate—compiled a massive surveillance file on her. Reading through its 2,781 pages, she learned that she was "actually" a spy, a CIA agent, a Hungarian agitator, and a friend of dissidents: in short, an enemy of Romania. In My Life as a Spy she analyzes her file alongside her original field notes and conversations with Securitate officers. Verdery also talks with some of the informers who were close friends, learning the complex circumstances that led them to report on her, and considers how fieldwork and spying can be easily confused. Part memoir, part detective story, part anthropological analysis, My Life as a Spy offers a personal account of how government surveillance worked during the Cold War and how Verdery experienced living under it.
[more]
cover of My Life in Paper: Adventures in Ephemera

My Life in Paper

Adventures in Ephemera

Beth Kephart

Temple University Press, 2023

Paper both shapes and defines us. Baby books, diaries, sewing patterns, diplomas, resumes, letters, death certificates—we find our stories in them. My Life in Paper is Beth Kephart’s memoiristic exploration of the paper legacies we forge and leave.

Kephart’s obsession with paper began in the wake of her father’s death, when she began to handcraft books and make and marble paper in his memory. But it was when she read My Life with Paper, an autobiography by the late renowned paper hunter and historian Dard Hunter, that she felt she had found a kindred spirit, someone to whom she might address a series of one-sided letters about life and how we live it. Remembering and crafting, wanting and loving, doubting and forgetting—the spine and weave of My Life in Paper came into view.

Paper, for Kephart, provides proof of our yearning, proof of our failure, proof of the people who loved us and the people we have lost. It offers, too, a counterweight to the fickle state of memory.

My Life in Paper, illustrated by the author herself, is an intimate and poignant meditation on life’s most pressing questions.
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cover of My Life in the PLO: The Inside Story of the Palestinian Struggle

My Life in the PLO

The Inside Story of the Palestinian Struggle

Shafiq Al-Hout

Pluto Press, 2011

This is the inside story of the Palestine Liberation Organisation (PLO), from its beginnings in 1964 to the signing of the Oslo agreement in 1993.

For over three decades, the main goal of the PLO was to achieve a just peace in the Arab-Israeli conflict, and to build a democratic state in Palestine for all its citizens. Shafiq Al-Hout, a high ranking PLO official until his resignation in 1993, provides previously unavailable details on the key events in its history such as its recognition by the UN and the Oslo peace negotiations. Taking us right to the heart of the decision making processes, this book explains the personalities and internal politics that shaped the PLO's actions and the Palestinian experience of the twentieth century.

Although he was an insider, Al-Hout's book does not shy from analysing and criticising decisions and individuals, including Yasser Arafat. This book is an essential piece of history that sheds new light on the significance of the PLO in the Palestinian struggle for justice.

[more]
cover of My Life with Literacy: The Continuing Education of a Historian

My Life with Literacy

The Continuing Education of a Historian

Harvey J. Graff

University Press of Colorado, 2025

Calling My Life With Literacy a “new intersectionality,” Harvey J. Graff explores both overarching and underlying patterns that connected his development and lived experience from childhood to and through his retirement from the academy. He considers the inextricable interconnections of personal experiences and relationships; the political, broadly defined to include life-shaping contexts and historical events, influences, values, commitments, and experiences; the social, intellectual, and political dimensions of academics and scholarship—a life of learning and using literacy and literacies; and the circumstances of living in six major cities and studying and then teaching in five universities. Graff’s pioneering scholarship in the history of literacy and literacy studies provides both the frame and the foundation for his work in the history of children and youth; the history of cities; higher education past, present, and future; and interdisciplinarity itself.
[more]
cover of My Life with President Kennedy

My Life with President Kennedy

Christopher Clausen

University of Iowa Press, 1994

As its title implies, this book reflects in varying ways the experiences and attitudes of one who came of age in the first half of that now mythical decade, the 1960s. In an unusual combination of history, criticism, and autobiography, one of our best literary and cultural critics explores life and death in the late twentieth century and some of the older worlds that made American culture what it is today.

Sixties survivors, as Christopher Clausen points out, do not necessarily hold more beliefs or tastes in common than any other group. Nevertheless they may be more likely than most people born earlier or later to consider the relations between public and private life—the political and the personal—a problem, sometimes even an unresolvable problem. While this is not primarily a book about the 1960s, most of it occupies the noisy crossroads where public worlds intersect the private, mysterious lives of individuals and families, where ordinary people pursue their own destinies and desires while submitting consciously or unconsciously to the pressures of the public sphere—a set of demands or aspirations common to people in a particular time and place.

In modern America, where most of these essays are set, any individual is likely to live in several worlds at any given moment, as well as to pass through several more over a lifetime. Because of rapid transitions in public life and culture while they were still at an impressionable age, members of the “Kennedy generation” became almost morbidly conscious of the persistence of the past in the present. The often unpredictable effect on individual lives of historical forces is the main subject of Clausen's fascinating account.

[more]
cover of My Life with the Green & Gold: Tales from 20 Years of Sportscasting

My Life with the Green & Gold

Tales from 20 Years of Sportscasting

Jessie Garcia

Wisconsin Historical Society Press, 2013

Ever wonder what it’s like to interview famous athletes and coaches? For twenty years, sportscaster Jessie Garcia has done just that. In My Life with the Green & Gold she brings fans to the sidelines at Lambeau Field, inside the locker room, aboard the Packers bus, and into the host’s chair at The Mike McCarthy Show.

A self-proclaimed “terrible athlete” born without sports in her blood, Garcia reported on Wisconsin’s beloved Green Bay Packers during the Holmgren, Rhodes, Sherman, and McCarthy years. She’s been a Packers sideline reporter for preseason games and covered the team during their Super Bowl showdowns against the Patriots, Broncos, and Steelers. She’s traveled with the team to Tokyo and the White House and to schools and retirement homes, where the gridiron heroes interacted with their fans. She’s visited the hometowns of players and coaches, she’s met their proud parents and their pets, she’s interviewed the team trainer about their strength exercises. My Life with the Green & Gold also features up-close and personal stories about other teams and athletes she’s covered, from the Badgers and Brewers to Wisconsin Olympians such as Bonnie Blair and Casey FitzRandolph.

Garcia’s expertise is capturing behind-the-scenes, human-interest stories. In My Life with the Green & Gold, she shares a personal and humorous insider’s look at many Wisconsin sports heroes from the perspective of a female sports journalist who has ridden the adrenaline rush to be on the air at 5:00 a.m., 10:00 p.m., and any hour in between, while also juggling the many demands of family life. Not many parents can say they’ve changed their child’s diaper in the tunnel at Lambeau, but Jessie Garcia can.

[more]
cover of My Life's Travels and Adventures: An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland

My Life's Travels and Adventures

An Eighteenth-Century Oculist in the Ottoman Empire and the European Hinterland

Regina Salomea Pilsztynowa

Iter Press, 2020

In her never-finished My Life’s Travels and Adventures, the eighteenth-century Polish doctor Regina Salomea Pilsztynowa plays a myriad of roles, including child bride, wife, mother, lover, adventuress, slave trader, writer, and home-taught physician. She successfully carved out a viable niche for herself, navigating the multicultural, multiethnic, and varied religious environment of Europe’s eastern periphery. Despite limited expectations for female professionals, she became a highly sought after and well-respected practitioner of the medical arts and rose to the position of court physician to Turkish pashas and Hungarian princes, and even to Sultan Mustafa III. My Life’s Travels and Adventures—part memoir, part autobiography, and part travelogue—provides a view into eighteenth-century social, professional, and gender interactions and weaves a rich narrative replete with vignettes of love, travel, and popular superstitions important to our historical, ethnographic, and religious understanding of the era.

This edition brings the entirety of this personal and idiosyncratic memoir to English for the first time.
 
[more]
cover of My Life, by Louis Kenoyer: Reminiscences of a Grand Ronde Reservation Childhood

My Life, by Louis Kenoyer

Reminiscences of a Grand Ronde Reservation Childhood

Louis Kenoyer

Oregon State University Press, 2017

Louis Kenoyer, born in 1868 at Grand Ronde reservation, Oregon, was the last known native speaker of Tualatin Northern Kalapuya. His autobiographical narrative was recorded in 1928 and 1936 and is archived in the Special Collections of the University of Washington Library. Kenoyer's autobiography is a rare, first-person narrative by a Native American discussing life on an Oregon reservation. To bring his compelling story to contemporary readers, Henry Zenk and Jedd Schrock have completed a translation of the original Tualatin narrative and prepared extensive annotations and commentary to supplement the text. The original Tualatin is presented alongside the English translation.
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cover of My Nerves Are Bad: Puerto Rican Women Managing Mental Illness and HIV Risk

My Nerves Are Bad

Puerto Rican Women Managing Mental Illness and HIV Risk

Sana Loue

Vanderbilt University Press, 2011

Over a two-year period, author Sana Loue and her research team followed the lives of fifty-three Puerto Rican women living with severe mental illness as they coped with daily challenges in the areas of family, romantic relationships, employment, social services, substance use, and health care. The team interviewed the women and shadowed them at their homes, churches, schools, physicians' offices, family events, and other occasions in order to understand how their mental illness, their gender, their language, and their culture affected their relationships with others, their understandings of their own situations, and their hopes for themselves and their families.

Sana Loue lets us see the remarkable strength of many of the women and hear in their own words about their efforts to survive, despite long histories of childhood physical and sexual abuse, partner violence, substance use, poverty, and severe mental illness. We also witness the violence that surrounds them and the HIV risk that becomes a part of their lives in their efforts to survive economically and emotionally.
[more]
cover of My Odyssey Through the Underground Press

My Odyssey Through the Underground Press

Michael Kindman

Michigan State University Press, 2011

In 1963, Michigan State University, the nation’s first land grant college, attracted a record number of National Merit Scholars by offering competitive scholarships. One of these exceptional students was Michael Kindman. After the beginning of the Free Speech Movement in Berkeley, Kindman, in line to be editor-in-chief of the official MSU student newspaper, felt compelled to seek a more radical forum of intellectual debate. In 1965, he dropped out of school and founded The Paper, one of the first five members of Underground Press Syndicate. This gripping autobiography follows Kindman’s inspiring journey of self-discovery, from MSU to Boston, where he joined the staff of Avatar, unaware that the large commune that controlled the paper was a charismatic cult. Five years later, he fled the commune’s outpost in Kansas and headed to San Francisco, where he came out as a gay man, changed his name to Mica, and continued his work as an activist and visionary.
[more]
cover of My Palestine: An Impossible Exile

My Palestine

An Impossible Exile

Mohammad Tarbush

Haus Publishing, 2025

A memoir that combines political and economic commentary with personal and national history.

Mohammad Tarbush was born in British Mandate Palestine. As an infant, he and his family were forced to evacuate their village together with its entire population, after the Zionist victory that led to the establishment of the State of Israel. Then as landless refugees in the West Bank, the family sank into poverty. When, as a teenager, Tarbush left home one day under the pretext of visiting relatives in Jordan, he in fact set off on a year-long hitchhiking journey to Europe, where he would eventually become a highly successful international banker and a key behind-the-scenes promoter of the Palestinian cause. In My Palestine, Mohammad Tarbush combines a poignant personal memoir with incisive political and economic commentary on the tumultuous events that shaped the history of Israel, Palestine, and the modern Middle East.
 
[more]
cover of My Parents: Memoirs of New World Icelanders

My Parents

Memoirs of New World Icelanders

Birna Bjarnadottir

University of Manitoba Press, 2007

My Parents: Memoirs of New World Icelanders is a collection of essays written by second-generation Icelandic immigrants in North America, describing the lives of their parents. Originally collected in 1956 by Dr. Finnbogi Gumundsson, the first Chair of Icelandic at the University of Manitoba, seven of the fourteen memoirs are translated here from Icelandic to English. They offer a rare first-hand look into the lives of New World immigrants of the late nineteenth and early twentieth centuries. Readers are invited straight into the heart of these people’s lives, from social evenings spent reading poetry and the sagas, to the daily struggles to prepare the land and build homes. A prevailing sense of community emerges from the writers’ stories, showing how Icelandic culture and tradition sustained the immigrants through hardship, illness, and isolation. My Parents also details some of the genealogy of the New World Icelanders who settled in Manitoba, Saskatchewan, Alberta, Wisconsin, North Dakota, and Minnesota.
[more]
cover of My Remembers: A Black Sharecropper's Recollections of the Depression

My Remembers

A Black Sharecropper's Recollections of the Depression

Eddie Stimpson Jr.

University of North Texas Press, 1996

[more]
cover of My Seven Mothers: Making a Family in the Danish Women's Movement

My Seven Mothers

Making a Family in the Danish Women's Movement

Pernille Ipsen

University of Minnesota Press, 2025

Seven women raise a child together while redefining their place in society at the beginning of the Women’s Movement in Denmark in the 1970s


On New Year’s Eve in Copenhagen in 1972, seven women had a child together: one gave birth and six others attended. They had met a year earlier at a feminist women’s camp on a small island and now, with about twenty other women’s liberationists, they occupied three dilapidated apartment buildings in the center of Copenhagen. One became the country’s first Women’s House, the nerve center of the Women’s Movement in Denmark, and the other two were women-only communal living spaces that were Pernille Ipsen’s first home. In this intimate portrait of life during the exhilarating early days of women’s liberation in Scandinavia and dramatic social change around the globe, she tells the stories of these seven women, her seven mothers.

 

Recounting her mothers’ history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Ipsen captures the individuality of each of her mothers as well as the common experiences that drew them together. As she deftly reflects the practical and emotional realities of her mothers’ women-centered life, Ipsen presents an engrossing picture of intersecting lives that, half a century ago, raised questions we still grapple with today: What is a family? Who is a woman? And who gets to decide? 

 

A chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived, My Seven Mothers is an eye-opening account of the challenges and possibilities connected with liberation and radical social change during the 1970s. In this time of fierce struggles over family, sexuality, and child-rearing, it reminds us that new worlds are always possible.

[more]
cover of My Sister's Mother: A Memoir of War, Exile, and Stalin’s Siberia

My Sister's Mother

A Memoir of War, Exile, and Stalin’s Siberia

Donna Solecka Urbikas

University of Wisconsin Press, 2019

Donna Solecka Urbikas grew up in the Midwest during the golden years of the American century. But her Polish-born mother and half sister had endured dehumanizing conditions during World War II, as slave laborers in Siberia. War and exile created a profound bond between mother and older daughter, one that Donna would struggle to find with either of them.
            In 1940, Janina Ślarzynska and her five-year-old daughter Mira were taken by Soviet secret police (NKVD) from their small family farm in eastern Poland and sent to Siberia with hundreds of thousands of others. So began their odyssey of hunger, disease, cunning survival, desperate escape across a continent, and new love amidst terrible circumstances.
            But in the 1950s, baby boomer Donna yearns for a “normal” American family while Janina and Mira are haunted by the past. In this unforgettable memoir, Donna recounts her family history and her own survivor’s story, finally understanding the damaged mother who had saved her sister.

Finalist, Best Traditional Non-Fiction Book, Chicago Writers Association
[more]
cover of My Sisters Telegraphic: Women in the Telegraph Office, 1846–1950

My Sisters Telegraphic

Women in the Telegraph Office, 1846–1950

Thomas C. Jepsen

Ohio University Press, 2000

The role of the telegraph operator in the mid-nineteenth century was like that of today’s software programmer/analyst, according to independent scholar Tom Jepsen, who notes that in the “cyberspace” of long ago, male operators were often surprised to learn that the “first-class man” on the other end of the wire was a woman.

Like the computer, the telegraph caused a technological revolution. The telegraph soon worked synergistically with the era’s other mass-scale technology, the railroad, to share facilities as well as provide communications to help trains run on time.

The strategic nature of the telegraph in the Civil War opened opportunities for women, but tension arose as men began to return from military service. However, women telegraphers did not affect male employment or wage levels. Women kept their jobs after the war with support from industry—Western Union in particular—and because they defended and justified their role.

“Although women were predominantly employed in lower-paying positions and in rural offices, women who persisted and made a career of the profession could work up to managerial or senior technical positions that, except for wage discrimination, were identical to those of their male counterparts,” writes Jepsen. “Telegraphy as an occupation became gendered, in the sense that we understand today, only after the introduction of the teletype and the creation of a separate role for women teletype operators.”

My Sisters Telegraphic is a fresh introduction to this pivotal communications technology and its unsung women workers, long neglected by labor and social historians.

[more]
cover of My Stone of Hope: From Haitian Slave Child to Abolitionist

My Stone of Hope

From Haitian Slave Child to Abolitionist

By Jean-Robert Cadet

University of Texas Press, 2011

There are 27 million slaves living in the world today—more than at any time in history. Three hundred thousand of them are impoverished children in Haiti, who "stay with" families as unpaid and uneducated domestic workers, subject to physical, emotional, and sexual abuse. This practice, known locally as restavek ("staying with"), is so widespread that one in ten Haitian children is caught up in this form of slavery.

Jean-Robert Cadet was a restavek in Haiti from the late 1950s until the early 1970s. He told the harrowing story of his youth in Restavec: From Haitian Slave Child to Middle-Class American—a landmark book that exposed ongoing child slavery in Haiti. Now in My Stone of Hope, Cadet continues his story from his early attempts to adjust to freedom in American society to his current life mission of eliminating child slavery through advocacy and education. As he recounts his own struggles to surmount the psychological wounds of slavery, Cadet puts a human face on the suffering that hundreds of thousands of Haitians still endure daily. He also builds a convincing case that child slavery is not just one among many problems that Haiti faces as the Western Hemisphere's poorest nation. Rather, he argues that the systematic abuse of so many of its children is Haiti's fundamental problem, because it creates damaged adults who seem incapable of governing the country justly or managing its economy productively.

For everyone concerned about the fate of Haiti, the welfare of children, and the freedom of people around the globe, My Stone of Hope sounds an irresistible call to action.

[more]