3703 books match the query '19th century' and 200 start with m

cover of Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930

Money in the Air

Art Dealers and the Making of a Transatlantic Market, 1880–1930

Gail Feigenbaum

J. Paul Getty Trust, The, 2024

This volume explores the crucial role of art dealers in creating a transatlantic art market in the late nineteenth and early twentieth centuries.

“There was money in the air, ever so much money,” wrote Henry James in 1907, reflecting on the American appetite for art acquisitions. Indeed, collectors such as Henry Clay Frick and Andrew W. Mellon are credited with bringing noteworthy European art to the United States, with their collections forming the backbone of major American museums today. But what of the dealers, who possessed the expertise in art and recognized the potential of developing a new market model on both sides of the Atlantic?

Money in the Air investigates the often-overlooked role of these dealers in creating an international art world. Contributors examine the histories of well-known international firms like Duveen Brothers, M. Knoedler & Co., and Goupil & Cie and their relationships with American clients, as well as accounts of other remarkable dealers active in the transatlantic art market. Drawing on dealer archives, scholars reveal compelling findings, including previously unknown partnerships and systems of cooperation. This volume offers new perspectives on the development of art collections that formed the core of American art museums, such as the National Gallery of Art, the Metropolitan Museum of Art, and the Frick Collection.
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cover of Money, Marriage, and Madness: The Life of Anna Ott

Money, Marriage, and Madness

The Life of Anna Ott

Kim E. Nielsen

University of Illinois Press, 2020

Anna Ott died in the Wisconsin State Hospital for the Insane in 1893. She had enjoyed status and financial success first as a physician's wife and then as the only female doctor in Madison. Throughout her first marriage, attempts to divorce her abusive second husband, and twenty years of institutionalization, Ott determinedly shaped her own life.

Kim E. Nielsen explores a life at once irregular and unexceptional. Historical and institutional structures, like her whiteness and laws that liberalized divorce and women's ability to control their property, opened up uncommon possibilities for Ott. Other structures, from domestic violence in the home to rampant sexism and ableism outside of it, remained a part of even affluent women's lives. Money, Marriage, and Madness tells a forgotten story of how the legal and medical cultures of the time shaped one woman—and what her life tells us about power and society in nineteenth century America.

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cover of Monstrosities: Bodies And British Romanticism

Monstrosities

Bodies And British Romanticism

Paul Youngquist

University of Minnesota Press, 2003

A surprising evaluation of the role of the physical body in the construction of British identity

Eighteenth-century medicine used the word “monstrosities” to describe physically deformed bodies—those irreducible to the “proper body” in their singular, sometimes startling difference. Considering British society in confrontation with such monstrosities, Paul Youngquist reveals the cultural politics of embodiment in Britain during the late eighteenth and early nineteenth centuries. Drawing on the histories of medicine, economics, liberalism, and nationalism, his work shows that bodies are not simply born but rather built by cultural practices directed toward particular social ends.

Among the phenomena Youngquist treats are the science of comparative anatomy, the annual festivity of Bartholomew Fair, the social status of black Britons, opium habitués, pregnant women, and wounded war veterans. The authors he engages include John Locke, William Blake, Olaudah Equiano, Samuel Taylor Coleridge, Thomas De Quincey, Mary Wollstonecraft, Lord Byron, and Mary Shelley. Uniquely interdisciplinary, formidably researched, and replete with curious illustrations, this remarkable book should be of interest to anyone concerned with the historical and cultural fate of bodies in liberal society—and with the importance of deviance in determining that fate.
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cover of Montana Vigilantes 1863–1870: Gold,Guns and Gallows

Montana Vigilantes 1863–1870

Gold,Guns and Gallows

Mark C. Dillon

Utah State University Press, 2016

 Historians and novelists alike have described the vigilantism that took root in the gold-mining communities of Montana in the mid-1860s, but Mark C. Dillon is the first to examine the subject through the prism of American legal history, considering the state of criminal justice and law enforcement in the western territories and also trial procedures, gubernatorial politics, legislative enactments, and constitutional rights.

Using newspaper articles, diaries, letters, biographies, invoices, and books that speak to the compelling history of Montana’s vigilantism in the 1860s, Dillon examines the conduct of the vigilantes in the context of the due process norms of the time. He implicates the influence of lawyers and judges who, like their non-lawyer counterparts, shaped history during the rush to earn fortunes in gold.

Dillon’s perspective as a state Supreme Court justice and legal historian uniquely illuminates the intersection of territorial politics, constitutional issues, corrupt law enforcement, and the basic need of citizenry for social order. This readable and well-directed analysis of the social and legal context that contributed to the rise of Montana vigilante groups will be of interest to scholars and general readers interested in Western history, law, and criminal justice for years to come.
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cover of Monumental Anxieties: Homoerotic Desire and Feminine Influence in 19-th Century U.S. Literature

Monumental Anxieties

Homoerotic Desire and Feminine Influence in 19-th Century U.S. Literature

Derrick, Scott S

Rutgers University Press, 1997

Scott Derrick has written an original book that contributes significantly to current revisions of the nineteenth-century American literary tradition's representation of gender and sexuality. His interpretation of feminist, lesbian-feminist, and gay issues in nineteenth-century American literature as complementary enlarges our historical understanding and helps build the coalition politics needed in these areas."-John Carlos Rowe, University of California, Irvine

Recent gender-based scholarship on nineteenth-century American literature has established male authors' crucial awareness of the competition from popular women writers. And critical work in gay studies and queer theory has stressed the importance in canonical American literature of homoerotic relations between men, even before "homosexuality" became codified at the end of the century. Scott Derrick draws on these insights to explore the ways in which male authors struggle to refigure literature-historically devalued as feminine-as a masculine and heterosexual enterprise. Derrick focuses on scenes of compositional crisis that reveal how male identity itself is at risk in the perils and possibilities of being a male author in a feminized literary marketplace.

He suggests that traditionally valued texts by Hawthorne, Poe, James, Sinclair, and Crane have at their core combustible four-sided conflicts between feminine identifications and masculine distancings, homoerotic longings and homophobic dreads, conflicts which are largely determined by domestic ideals of male and female roles within the nineteenth-century family. The negotiation of such conflicts is controlled by the nature of fiction writing, which both frees the imagination to explore forbidden fantasies and harnesses the imagination to public understandings of the proper form and content of fiction. Thus Monumental Anxieties also contributes to recent debates about the social shaping of contemporary homosexuality and to the history of American masculinity.

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cover of Monumental Lies: Early Nevada Folklore of the Wild West

Monumental Lies

Early Nevada Folklore of the Wild West

Ronald M. James

University of Nevada Press, 2023

A playful embrace of tall tales and exaggeration, Monumental Lies explores the evolution of folklore in the Wild West.

Monumental Lies: Early Nevada Folklore of the Wild West opens the door to understanding how legends and traditions emerged during the first decades following the “Rush to Washoe,” which transformed the region beginning in 1859. During this Wild West period, there was widespread celebration of deceit, manifesting in tall tales, burlesque lies, practical jokes, and journalistic hoaxes. Humor was central to these endeavors and practitioners easily found themselves scorned if they failed to be adequately funny. This ethos became central to the way folklore emerged during the formative years of the Nevada territory and state.
 
The tens of thousands of people who came to the West, attracted by gold and silver mining, brought distinct cultural legacies. The interaction of diverse perspectives, even while new stories and traditions coalesced or simply appeared, was a complex process. Author Ronald M. James addresses how the fluidity of the region affected new expressions of folklore as they took root.
 
Mark Twain, often a go-to source for collections of early tall tales of this region, cannot be overlooked, but his interaction with local traditions was specific and narrow. More importantly, William Wright—publishing as Dan De Quille—arose as a key collector of legends, a counterpart of early European folklorists. With a bedrock understanding of what unfolded in the nineteenth century, it is possible to consider 
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cover of Moontrap

Moontrap

Don Berry

Oregon State University Press, 1962

Winner of the Western Writers of America Spur Award for best historical novel, Moontrap is a book of remarkable beauty and power about a man caught between his vivid past and an uncertain future.

The year is 1850, a transitional period in the new Oregon Territory, with settlers and lawmakers working to subdue the untamed region. Johnson Monday, a former mountain man, has been living on a bend of the Willamette River near Oregon City for seven years with his Shoshone Indian wife, struggling to make a place in settled society. One day, Webster T. Webster, a raucous, unrepentant trapper, arrives for an unexpected visit. With his earthy humor and stubborn adherence to the simple life, "Webb" leads Monday through adventures that flirt dangerously close to lawlessness, while helping him to rediscover his moral center. Through defiance, triumph, and tragedy, Moontrap follows Johnson Monday as he realizes that relinquishing the stark honesty of mountain life for the compromises of civilization may be too high a price to pay.

Following Trask in Don Berry's trilogy of novels set in the Oregon Territory, Moontrap offers a richly comic and intensely poignant portrayal of pioneer life.

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cover of Moral Enterprise: Literature and Education in Antebellum America

Moral Enterprise

Literature and Education in Antebellum America

Derek Pacheco

The Ohio State University Press, 2013

Moral Enterprise: Literature and Education in Antebellum America, by Derek Pacheco,investigates an important moment in the history of professional authorship. Pacheco uses New England “literary reformers” Horace Mann, Nathaniel Hawthorne, Elizabeth Peabody, and Margaret Fuller to argue that writers came to see in educational reform, and the publication venues emerging in connection with it, a means to encourage popular authorship while validating literary work as a profession. Although today’s schools are staffed by systematically trained and institutionally sanctioned teachers, in the unregulated, decentralized world of antebellum America, literary men and women sought the financial stability of teaching while claiming it as moral grounds for the pursuit of greater literary fame.
Examining the ethically redemptive and potentially lucrative definition of antebellum author as educator, this book traces the way these literary reformers aimed not merely at social reform through literature but also at the reform of literature itself by employing a wide array of practices—authoring, editing, publishing, and distributing printed texts—brought together under the aegis of modern, democratic education. Moral Enterprise identifies such endeavors by their dual valence as bold, reformist undertakings and economic ventures, exploring literary texts as educational commodities that might act as entry points into, and ways to tame, what Mann characterized as the “Alexandrian library” of American print culture.
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cover of Morality and Architecture Revisited

Morality and Architecture Revisited

David Watkin

University of Chicago Press, 2001

When Morality and Architecture was first published in 1977, it received passionate praise and equally passionate criticism. An editorial in Apollo, entitled "The Time Bomb," claimed that "it deserved to become a set book in art school and University art history departments," and the Times Literary Supplement savaged it as an example of "that kind of vindictiveness of which only Christians seem capable."

Here, for the first time, is the story of the book's impact. In writing his groundbreaking polemic, David Watkin had taken on the entire modernist establishment, tracing it back to Pugin, Viollet-le-Duc, Corbusier, and others who claimed that their chosen style had to be truthful and rational, reflecting society's needs. Any critic of this style was considered antisocial and immoral. Only covertly did the giants of the architectural establishment support the author. Watkin gives an overview of what has happened since the book's publication, arguing that many of the old fallacies still persist. This return to the attack is a revelation for anyone concerned architecture's past and future.

Morality and Architecture Revisited contains the entire text of the book Morality and Architecture , plus additonal material by David Wakin on the controversy that the the book created. 
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cover of Morality and the Mail in Nineteenth-Century America

Morality and the Mail in Nineteenth-Century America

Wayne E. Fuller

University of Illinois Press, 2003

Morality and the Mail in Nineteenth-Century America explores the evolution of postal innovations that sparked a communication revolution in nineteenth-century America. Wayne E. Fuller examines how evangelical Protestants, the nation’s dominant religious group, struggled against those transformations in American society that they believed threatened to paganize the Christian nation they were determined to save.

Drawing on House and Senate documents, postmasters general reports, and the Congressional Record, as well as sermons, speeches, and articles from numerous religious and secular periodicals, Fuller illuminates the problems the changed postal system posed for evangelicals, from Sunday mail delivery and Sunday newspapers to an avalanche of unseemly material brought into American homes via improved mail service and reduced postage prices. Along the way, Fuller offers new perspectives on the church and state controversy in the United States as well as on publishing, politics, birth control, the lottery, censorship, Congress’s postal power, and the waning of evangelical Protestant influence.
 
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cover of Morbid Cravings: Appetite and Addiction in the Nineteenth Century

Morbid Cravings

Appetite and Addiction in the Nineteenth Century

Hannah Markley

The Ohio State University Press, 2027

Traces the comorbidity of eating disorders and drug addiction in nineteenth-century British literature and culture, as a product of and contributor to colonial expansion.

Morbid Cravings is the first book toexamine how eating disorders and drug addiction developed in the nineteenth century as entwined psychosocial responses to imperial-driven cultural demands that Britons regulate their appetites. Through close readings of Jane Austen, Thomas De Quincey, Sydney Whiting, and Arthur Conan Doyle, Hannah Markley explores the comorbidity of these disorders in relation to imperial trade and colonial conquest, applying a postcolonial lens to show us how emerging, separate diagnostic categories were in fact structured by the same social and economic systems.

During the seventeenth and eighteenth centuries, the influx of sugar, tea, coffee, opium, chocolate, and tobacco began to transform British diets and nervous systems, creating dependence on not only these substances but on the colonial systems that delivered them. In turn, medicine attempted to curtail these appetites by promoting restrictive dietary practices. By focusing on how anorexia nervosa, opium-eating, dyspepsia, and compulsive injection emerged in relation to attempts to regulate British appetites for colonial substances, Markley argues that the medico-ideological imperative to restrict appetites produced interrelated representations of eating disorders and addictions that ultimately enacted the voracious logic of British racial capitalism.
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cover of More Real Courage: Transforming Honor at the Early Naval Academy

More Real Courage

Transforming Honor at the Early Naval Academy

Samuel Limneos

University of Alabama Press, 2026

How discipline and conscience displaced anger and reputation in the early US Navy’s crucible of leadership

More Real Courage: Transforming Honor at the Early Naval Academy is a work of narrative history that traces a hard-fought moral transformation within the United States Navy’s officer corps. Samuel J. Limneos reveals an institutional struggle between competing ideals of courage, as traditional notions of offense, reputation, and aggression collided with emerging values of restraint, loyalty, and duty. Through intensely human stories of conflict, discipline, and conscience, the book shows how honor was contested, defended, and ultimately reshaped into a standard grounded in moral courage and professional responsibility.

Set across three pivotal decades at the Naval Academy, the study examines how midshipmen learned to navigate a culture inherited from European martial traditions while serving a rapidly changing republic. Limneos illuminates the professionalization of naval officers during the mid-nineteenth century, demonstrating how commitment, longsuffering, and performance of duty gradually displaced volatile codes of personal honor. Bridging social, cultural, and institutional history, More Real Courage fills a significant gap in naval historiography and speaks directly to enduring debates over character, leadership, and education in the armed forces. The book offers enduring moral lessons for naval historians, military professionals, and readers seeking to understand how national character is forged amid conflict, reform, and cultural change.
 

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cover of Mormon Battalion: United States Army of the West, 1846-1848

Mormon Battalion

United States Army of the West, 1846-1848

Norma Baldwin Ricketts

Utah State University Press, 1997

Few events in the history of the American Far West from 1846 to 1849 did not involve the Mormon Battalion. The Battalion participated in the United States conquest of California and in the discovery of gold, opened four major wagon trails, and carried the news of gold east to an eager American public. Yet, the battalion is little known beyond Mormon history. This first complete history of the wide-ranging army unit restores it to its central place in Western history, and provides descendants a complete roster of the Battalion's members.
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cover of Mormon Envoy: The Diplomatic Legacy of Dr. John Milton Bernhisel

Mormon Envoy

The Diplomatic Legacy of Dr. John Milton Bernhisel

Bruce W. Worthen

University of Illinois Press, 2023

For more than twenty years, John Milton Bernhisel negotiated with the federal government on behalf of the Church of Jesus Christ of Latter-day Saints. Bruce W. Worthen illuminates the life and work of the man whose diplomacy steered the Church’s relationship with Washington, D.C. from its early period of dangerous conflict to a peaceful and pragmatic coexistence.

Having risen from a Pennsylvania backcountry upbringing to become a respected member of the upper class, Bernhisel possessed a personal history that allowed him to reach common ground with politicians and other outsiders. He negotiated for Joseph Smith’s life and, after the Church’s relocation to the Utah Territory, took on the task of rehabilitating the public image of the Latter-day Saints. Brigham Young’s defiance of the government undermined Bernhisel’s work, but their close if sometimes turbulent relationship ultimately allowed Bernhisel to make peace with Washington, secure a presidential pardon for Young, and put Utah and the Latter-day Saints on the road to formally joining the United States.

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cover of Mormon Sisters: Women In Early Utah

Mormon Sisters

Women In Early Utah

Claudia Bushman

Utah State University Press, 1997

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cover of Mormon Vanguard Brigade Of 1847: Norton Jacob's Record

Mormon Vanguard Brigade Of 1847

Norton Jacob's Record

edited by Ronald O. Barney

Utah State University Press, 2005

There are no historical events that have more iconic significance for the people of Utah than the trek of the vanguard company of Mormons west in 1847. Its meaning may vary, but overall, the march has a highly symbolic and seminal historical importance for virtually all Utahns. While the journey has been widely celebrated, memorialized, and even sanctified and various books have been written about it, there is more that can be said and understood about the migration's place in western history; about its context, including events preceding and following it; and about the real experiences of its participants. Particularly lacking in most published accounts are the stories of the rank and file members, the individuals who, in contrast to the well-known leadership, with Brigham Young at the top, might fittingly be called foot soldiers. The 1847 company had a military-like organization, which is captured by Ronald Barney's term brigade in the title. Norton Jacob was such a man of the ranks in 1847. He had no special status in the Mormon Church, and there was little to make him stand out in the historical record than that he left what is regarded by many trail historians as one of the best and most informative journals of the early Mormon emigration. While the heart of Jacob's record concerns the 1847 journey, there is much more to it. The diary published here begins in 1844, the year of church founder Joseph Smith's murder. It continues through the crisis events that followed: the Mormons' flight from Nauvoo, their trudging journey across Iowa to Winter Quarters, and the beginnings of mass migration to Utah. After the apex of 1847, the arc of the narrative moves through accounts of Jacob's return to Nauvoo late that year and of the much larger Mormon emigration in 1848. It reaches denouement in a short record of his first years in Salt Lake Valley.
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cover of Mormons and Cowboys, Moonshiners and Klansman: Federal Law Enforcement in the South and West, 1870-1893

Mormons and Cowboys, Moonshiners and Klansman

Federal Law Enforcement in the South and West, 1870-1893

Stephen Cresswell

University of Alabama Press, 1991

A critical study of the expansion of federal law enforcement across the post-Civil War American South and frontier West.

In the decades immediately following the Civil War, the United States expanded rapidly. As the nation grew, so too did federal law, moving into areas of citizens’ lives previously regulated by local custom and state and territorial statutes.

Drawing on contemporary accounts and the letters that flowed between the Washington office of the Justice Department and its attorneys and marshals throughout the states and territories, Cresswell uses a case-study approach to explore the enforcement of federal law in four regions. In northern Mississippi, the rights of freedmen to vote clashed with established rules of relations between blacks and whites. In Utah Territory, Mormon polygamy and economic dominance challenged the aspirations of non-Mormon settlers. In eastern Tennessee, desperate poverty lent enchantment to the easy money of moonshining. In Arizona Territory, frontier greed and violence threatened the lives of people and the chances of early admission to the Union of states.

Mormons and Cowboys, Moonshiners and Klansmen moves beyond these local case studies to illuminate larger questions, including the evolution of the American criminal justice system, the relationship of the South and the West to the rest of the nation, the workings of the 19th-century American bureaucracy, and conflict of the local, state, and federal governments.

Out of the efforts of these early federal marshals came the modern federal justice system, with its firm policy guidelines, its Federal Bureau of Investigation, and its broader powers over the country as a whole.

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cover of Mormons in Paris: Polygamy on the French Stage, 1874-1892

Mormons in Paris

Polygamy on the French Stage, 1874-1892

Corry Cropper

Bucknell University Press, 2021

Winner of the 2021 Best International Book Award from the Mormon History Association

In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Moses and the Monster and Miss Anne

Moses and the Monster and Miss Anne

Carole C. Marks

University of Illinois Press, 2008

This engaging history presents the extraordinary lives of Patty Cannon, Anna Ella Carroll, and Harriet Tubman, three "dangerous" women who grew up in early-nineteenth-century Maryland and were vigorously enmeshed in the social and political maelstrom of antebellum America. The "monstrous" Patty Cannon was a reputed thief, murderer, and leader of a ruthless gang who kidnapped free blacks and sold them back into slavery, whereas Miss Anna Ella Carroll, a relatively genteel unmarried slaveholder, foisted herself into state and national politics by exerting influence on legislators and conspiring with Governor Thomas Holliday Hicks to keep Maryland in the Union when many state legislators clamored to join the Confederacy. And, of course, Harriet Tubman--slave rescuer, abolitionist, and later women's suffragist--was both hailed as "the Moses of her people" and hunted as an outlaw with a price on her head worth at least ten thousand dollars.

All three women lived for a time in close proximity on the Eastern Shore of Maryland, an isolated region that thrived on tobacco and then lost it, procured slaves and then lost them, and produced strong-minded women and then condemned them. Though they never actually met, and their backgrounds and beliefs differed drastically, these women's lives converged through their active experiences of the conflict over slavery in Maryland and beyond, the uncertainties of economic transformation, the struggles in the legal foundation of slavery and, most of all, the growing dispute in gender relations in America.

Throughout this book, Carole C. Marks gleans historical fact and sociological insight from the persistent myths and exaggerations that color the women's legacies, and she investigates the common roots and motivations of three remarkable figures who bucked the era's expectations for women. She also considers how each woman's public identity reflected changing ideas of domesticity and the public sphere, spirituality, and legal rights and limitations. Cannon, Carroll, and Tubman, each in her own way, passionately fought for the future of Maryland and the United States, and from these unique vantage points, Moses and the Monster and Miss Anne portrays the intersecting and conflicting forces of race, economics, and gender that threatened to rend a nation apart.

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cover of Mother of Detective Fiction: The Life and Works of Anna Katharine Green

Mother of Detective Fiction

The Life and Works of Anna Katharine Green

Patricia D. Maida

University of Wisconsin Press, 1989

When The Leavenworth Case, Anna Katharine Green’s first novel, was published in 1878, it quickly became a bestseller as well as a seminal work of detective fiction. Critics were to perceive Green’s work as the link to Edgar Allan Poe in the American line of classic detective fiction. But the development of serial detectives is perhaps her greatest achievement. (Ebenezer Gryce of the New York Metropolitan Police, who makes his first appearance in 1878, precedes Sherlock Holmes by almost a decade.)
    In examining the life and works of Anna Katharine Green, one discovers a slice of American life: in the social events of New York City, in the plight of young working women, in the moral dilemmas of upright citizens pursuing the American dream.
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cover of Mothers and Daughters: Women of the Intelligentsia in Nineteenth-Century Russia

Mothers and Daughters

Women of the Intelligentsia in Nineteenth-Century Russia

Barbara Alpern Engel

Northwestern University Press, 2000

The first psychosocial study of the female intelligentsia in Russia, Mothers and Daughters explains how and why women radicals of the nineteenth century diverged from their male counterparts, describes the forces that led women to rebel, and discusses their legacy to future generations. Throughout, Engel brings nineteenth-century women to life, humanizing history as she presents a case study of how the personal became political in a time and place different from our own.
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cover of Mothers and Medicine: A Social History of Infant Feeding, 1890–1950

Mothers and Medicine

A Social History of Infant Feeding, 1890–1950

Rima D. Apple

University of Wisconsin Press, 1987

In the nineteenth century, infants were commonly breast-fed; by the middle of the twentieth century, women typically bottle-fed their babies on the advice of their doctors.  In this book, Rima D. Apple discloses and analyzes the complex interactions of science, medicine, economics, and culture that underlie this dramatic shift in infant-care practices and women’s lives.
    As infant feeding became the keystone of the emerging specialty of pediatrics in the twentieth century, the manufacture of infant food became a lucrative industry.  More and more mothers reported difficulty in nursing their babies.  While physicians were establishing themselves and the scientific experts and the infant-food industry was hawking the scientific bases of their products, women embraced “scientific motherhood,” believing that science could shape child care practices.  The commercialization and medicalization of infant care established an environment that made bottle feeding not only less feared by many mothers, but indeed “natural” and “necessary.”  Focusing on the history of infant feeding, this book clarifies the major elements involved in the complex and sometimes contradictory interaction between women and the medical profession, revealing much about the changing roles of mothers and physicians in American society.

“The strength of Apple’s book is her ability to indicate how the mutual interests of mothers, doctors, and manufacturers led to the transformation of infant feeding. . . . Historians of science will be impressed with the way she probes the connections between the medical profession and the manufacturers and with her ability to demonstrate how medical theories were translated into medical practice.”—Janet Golden, Isis
 

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cover of Moving Encounters: Sympathy and the Indian Question in Antebellum Literature

Moving Encounters

Sympathy and the Indian Question in Antebellum Literature

Laura L. Mielke

University of Massachusetts Press, 2008

An old Indian woman comforts two young white children she finds lost in the woods and lovingly carries them back to their eager parents. A frontiersman sheds tears over the grave of a Mohican youth, holding hands with the mourning father. According to Laura L. Mielke, such emotionally charged scenes between whites and Indians paradoxically flourished in American literature from 1820 to 1850, a time when the United States government developed and applied a policy of Indian removal. 

Although these “moving encounters,” as Mielke terms them, often promoted the possibility of mutual sympathy between Native Americans and Euro-Americans, they also suggested that these emotional links were inherently unstable, potentially dangerous, and ultimately doomed. At the same time, the emphasis on Indian-white sympathy provided an opportunity for Indians and non-Native activists to voice an alternative to removal and acculturation, turning the language of a sentimental U.S. culture against its own imperial impulse. Mielke details not only how such writers as James Fenimore Cooper and Henry Rowe Schoolcraft forecast the inevitable demise of Indian-white sympathy, but also how authors like Lydia Maria Child and William Apess insisted that a language of feeling could be used to create shared community or defend American Indian sovereignty. In this way, Moving Encounters sheds new light on a wide range of texts concerning the “Indian Question” by emphasizing their engagement with popular sentimental forms and by challenging the commonly held belief that all Euro-American expressions of sympathy for American Indians in this period were fundamentally insincere. While portraits of Indian-white sympathy often prompted cynical rejoinders from parodists, many never lost faith in the power of emotion to overcome the greed and prejudice fueling the dispossession of American Indians.

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cover of Moving Home: Gender, Place, and Travel Writing in the Early Black Atlantic

Moving Home

Gender, Place, and Travel Writing in the Early Black Atlantic

Sandra Gunning

Duke University Press, 2021

In Moving Home, Sandra Gunning examines nineteenth-century African diasporic travel writing to expand and complicate understandings of the Black Atlantic. Gunning draws on the writing of missionaries, abolitionists, entrepreneurs, and explorers whose work challenges the assumptions that travel writing is primarily associated with leisure or scientific research. For instance, Yoruba ex-slave turned Anglican bishop Samuel Ajayi Crowther played a role in the Christianization of colonial Nigeria. Sarah Forbes Bonetta, a formerly enslaved girl "gifted" to Queen Victoria, traveled the African colonies as the wife of a prominent colonial figure and under the protection of her benefactress. Alongside Nancy Gardiner Prince, Martin R. Delany, Robert Campbell, and others, these writers used their mobility as African diasporic and colonial subjects to explore the Atlantic world and beyond while they negotiated the complex intersections between nation and empire. Rather than categorizing them as merely precursors of Pan-Africanist traditions, Gunning traces their successes and frustrations to capture a sense of the historical and geographical specificities that shaped their careers.
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cover of Moving Stones: About the Art of Edmonia Lewis

Moving Stones

About the Art of Edmonia Lewis

Jennifer DeVere Brody

Duke University Press, 2026

Moving Stones explores the extraordinary life and work of Edmonia Lewis, the Black and Ojibwe sculptor who rose to international fame in the nineteenth century. Blending biography, history, and theory, Jennifer DeVere Brody approaches Lewis’s legacy through a Black feminist and queer lens, illuminating how her sculptures and self-fashioning challenged constraints of her time. Living much of her life in Rome as a free Afro-Native woman, Lewis used neoclassical forms to carve out a life in art. Brody considers how Lewis’s works were viewed historically and how they resonate with postmodern artists, engaging themes of race, materiality, sexuality, and embodiment. Rethinking one of the most important sculptors of her era, Moving Stones shows how Lewis’s art continues to inspire contemporary artists and scholars today.
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cover of Mr. Dooley in Peace and in War

Mr. Dooley in Peace and in War

Finley Peter Dunne

University of Illinois Press, 1988

Welcome to Mr. Dooley's place, a neighborhood saloon in the working-class community of Bridgeport, located on Chicago's near southwest side. Here matters of the gravest import are perused with homespun philosophy and good cheer. Covering the waterfront from Mack's (President McKinley's) foreign policies and political appointments to the Alaskan gold rush and juvenile delinquency, Martin T. Dooley holds forth from behind the bar, benevolently dispensing equal portions of wisdom and comical misunderstanding.

As Charlie McCarthy is to Edgar Bergen, so is Martin T. Dooley to newspaper humorist Finley Peter Dunne. Mr. Dooley in Peace and in War, originally published in 1898, collects brief, humorous pieces Dunne wrote for the Chicago Evening Post and the Chicago Journal. In an Irish-American dialect as thick as the foam on a pint of stout, Mr. Dooley and his friends discuss the military "sthrateejy" for American action in Cuba, "iliction" day shenanigans, Queen Victoria's jubilee, the "new woman," and the strange American sport of football, in which a player puts "a pair iv matthresses on his legs, a pillow behind, [and] a mask over his nose" and tries to kill his fellow men. Through his tall tales and speculations, Mr. Dooley reveals the pleasure and pain of being Irish in Chicago at the turn of the twentieth century.

Clothed in the charming hyperbole and mislocution of the unflappable Mr. Dooley, Dunne's incisive social criticism flies unerringly to the target, exposing prejudice, hypocrisy, insensitivity, and plain old-fashioned humbug.

[more]
cover of Mr. Jefferson and the Giant Moose: Natural History in Early America

Mr. Jefferson and the Giant Moose

Natural History in Early America

Lee Alan Dugatkin

University of Chicago Press, 2009

In the years after the Revolutionary War, the fledgling republic of America was viewed by many Europeans as a degenerate backwater, populated by subspecies weak and feeble. Chief among these naysayers was the French Count and world-renowned naturalist Georges-Louis Leclerc de Buffon, who wrote that the flora and fauna of America (humans included) were inferior to European specimens.

Thomas Jefferson—author of the Declaration of Independence, U.S. president, and ardent naturalist—spent years countering the French conception of American degeneracy. His Notes on Virginia systematically and scientifically dismantled Buffon’s case through a series of tables and equally compelling writing on the nature of his home state. But the book did little to counter the arrogance of the French and hardly satisfied Jefferson’s quest to demonstrate that his young nation was every bit the equal of a well-established Europe. Enter the giant moose.

The American moose, which Jefferson claimed was so enormous a European reindeer could walk under it, became the cornerstone of his defense. Convinced that the sight of such a magnificent beast would cause Buffon to revise his claims, Jefferson had the remains of a seven-foot ungulate shipped first class from New Hampshire to Paris. Unfortunately, Buffon died before he could make any revisions to his Histoire Naturelle, but the legend of the moose makes for a fascinating tale about Jefferson’s passion to prove that American nature deserved prestige.

In Mr. Jefferson and the Giant Moose, Lee Alan Dugatkin vividly recreates the origin and evolution of the debates about natural history in America and, in so doing, returns the prize moose to its rightful place in American history.

[more]
cover of Mrs. Goodfellow: The Story of America's First Cooking School

Mrs. Goodfellow

The Story of America's First Cooking School

Becky Libourel Diamond

Westholme Publishing, 2012

Recovering the Life and Influence of the “Mother of American Cooking,” the Woman Who Changed the Way We Learn How to Prepare Meals

In Philadelphia during the first decades of the nineteenth century, a widow, Mrs. Elizabeth Goodfellow, ran a popular bakery and sweet shop. In addition to catering to Philadelphia’s wealthy families and a reputation of having the finest desserts and sweet dishes in the young country, her business stood out from every other establishment in another way: she ran a small school to learn the art of cooking, the first of its kind in America. Despite her fame—references to her cooking as a benchmark abound in the literature of the period—we know very little about who she was. Since she did not keep a journal and never published any of her recipes, we have to rely on her students, most notably Eliza Leslie, who fortunately recorded many of Goodfellow’s creations and techniques. Goodfellow is known to have made the first lemon meringue pie and for popularizing regional foods, such as Indian (corn) meal. Her students also recall that Mrs. Goodfellow stressed using simple wholesome ingredients that were locally grown, presaging modern culinary fashion.

By assembling the many parts of this puzzle from old recipe books, advertisements, letters, diaries, genealogical records, and other primary sources, researcher and writer Becky Diamond has been able to provide a more complete portrait of this influential figure in cooking history. Mrs. Goodfellow: The Story of America’s First Cooking School begins with what we know about Elizabeth Goodfellow—where she was born, her husbands, her children, where her shop was located. We then travel back in time to discover the kinds of foods that would have been available to Goodfellow and how she may have used them. The book next turns to the rise of both commercial eating establishements and books of recipes. From here, the author explains the rapid expansion of cooking schools, such as the New York Cooking Academy and the Boston Cooking School, made famous through its association with Fannie Farmer, and ends with a discussion of the role of celebrity chefs. Thoroughly researched and including a range of authentic recipes, Mrs. Goodfellow is a delicious exploration of the life and legacy of one of America’s most influential cooks.

[more]
cover of Mugwumps, Morals and Politics 1884-1920

Mugwumps, Morals and Politics 1884-1920

Gerald W. McFarland

University of Massachusetts Press, 1975

Differing significantly from previous studies, McFarland's approach to the Mugwumps provides a balanced portrait of these Yankee reformers and their campaigns against boss rule in cities, corruption in national affairs, and American imperialism abroad.

The conventional approach has been to concentrate on only a dozen or so of the best known Mugwumps and to trace their careers no further than 1900. In contrast, McFarland greatly extends the number of individuals whose activities must be considered reflections of the movement, discussing a sample of hundreds of active Mugwumps, and traces their careers well into the twentieth century.

Mugwump orthodoxy is demonstrated by an examination of their largely negative goals in the anti-Blaine bolt of 1884, their narrow political program during the late 1880s, and their politically disastrous loyalty to Grover Cleveland. But their innovative side is also highlighted by a searching analysis of their successes, including their participation in the movement to professionalize such occupations as law, medicine, and higher education, and their contributions to urban, political, and social reform.
[more]
cover of Mugwumps: Public Moralists of the Gilded Age

Mugwumps

Public Moralists of the Gilded Age

David M. Tucker

University of Missouri Press, 1998

A spirited reevaluation of the public moralists who shaped public policy in nineteenth-century America, Mugwumps: Public Moralists of the Gilded Age provides a refreshing look at a group of Americans whose importance to the history of our country has commonly been dismissed.

A public interest group that labeled the generation following the American Civil War as the "Gilded Age," Mugwumps were college-educated individuals who lived the lessons of their moral philosophy—Christian values, republican virtue, and classical liberalism. Tracing Mugwump values back before the term was commonly used, Tucker defines these liberals as benevolent and altruistic, active campaigners against slavery and imperialism, and for sound money, lower tariffs, and civil service reform. The earliest Mugwumps took on the self-assigned task of advocating public principles over private interests.

Evaluations of these public moralists during the 1950s and 1960s, however, did not paint the Mugwumps in so positive a light. Awash in the popular New Deal public policies that advocated positive government intervention and regulation in the economy, these studies dismissed Mugwump liberalism as outdated. More specifically, the reformers were criticized as being self-interested failures.

Tucker obliges readers to look beyond such dismissals to the history and accomplishments of Mugwumps as a whole. Unlike previous historians, Tucker examines the antebellum roots of the Mugwumps and follows their ever-increasing participation in American government throughout the nineteenth century. Tucker portrays Mugwumps not as selfish agents of the middle class but as fascinating practitioners of eighteenth-century public virtue and nineteenth-century social science.

This book forcefully challenges previous studies on the Mugwumps and restores these public moralists to the mainstream of nineteenth-century American history. Their concerns for morality and free-market economics are again fashionable in contemporary politics and deserving of fresh attention from both the general reader and the scholar.

[more]
cover of Murder in Their Hearts: The Fall Creek Massacre

Murder in Their Hearts

The Fall Creek Massacre

David Thomas Murphy

Indiana Historical Society Press, 2010

In March 1824 a group of angry and intoxicated settlers brutally murdered nine Indians camped along a tributary of Fall Creek. The carnage was recounted in lurid detail in the contemporary press, and the events that followed sparked a national sensation. Murder in Their Hearts: The Fall Creek Massacre tells that, although violence between settlers and Native Americans was not unusual during the early nineteenth century, in this particular incident the white men responsible for the murders were singled out and hunted down, brought to trial, convicted by a jury of their neighbors, and, for the first time under American law, sentenced to death and executed for the murder of Native Americans.
[more]
cover of Murder on the Largo: Henry Coleman and New Mexico's Last Frontier

Murder on the Largo

Henry Coleman and New Mexico's Last Frontier

Eleanor Williams

University of North Texas Press, 2024

[more]
cover of Murder on the Mountain: Crime, Passion, and Punishment in Gilded Age New Jersey

Murder on the Mountain

Crime, Passion, and Punishment in Gilded Age New Jersey

Peter J. Wosh

Rutgers University Press, 2022

Margaret Klem and John Meierhofer were Bavarian immigrants who arrived in New Jersey in the 1850s, got married, and started a small farm in West Orange. When John returned from the Civil War, he was a changed man, neglecting his work and beating his wife. Margaret was left to manage the farm and endure the suspicion of neighbors, who gossiped about her alleged affairs. Then one day in 1879, John turned up dead with a bullet in the back of his head. Margaret and her farmhand, Dutch immigrant Frank Lammens, were accused of the crime, and both went to the gallows, making Margaret the last woman to be executed by the state of New Jersey. 
 
Was Margaret the calculating murderess and adulteress portrayed by the press? Or was she a battered wife pushed to the edge? Or was she, as she claimed to the end, innocent? Murder on the Mountain considers all sides of this fascinating and mysterious true crime story. In turn, it examines why this murder trial became front-page news, as it resonated with public discussions about capital punishment, mental health, anti-immigrant sentiment, domestic violence, and women’s independence. This is a gripping and thought-provoking study of a murder that shocked the nation.
[more]
cover of Musashino in Tuscany: Japanese Overseas Travel Literature, 1860–1912

Musashino in Tuscany

Japanese Overseas Travel Literature, 1860–1912

Susanna Fessler

University of Michigan Press, 2004

By the late Meiji period Japanese were venturing abroad in great numbers, and some of those who traveled kept diaries and wrote formal travelogues. These travelogues reflected a changing view of the West and changing artistic sensibilities in the long-standing Japanese literary tradition of travel writing (kikoōbungaku). This book shows that overseas Meiji-period travel writers struck out to create a dynamic new type of travel literature, one that had a solid foundation in traditional Japanese kikōbungaku yet also displayed influence from the West.
Musashino in Tuscany specifically examines the poetic imagery and allusion in these travelogues and reveals that when Japanese traveled to the West in the mid-nineteenth century, the images they wrote about tended to be associated not with places initially discovered by the Japanese traveler but with places that already existed in Western fame and lore. And unlike imagery from Japanese traveling in Japan, which was predominantly nature based, Japanese overseas travel imagery was often associated with the manmade world.
[more]
cover of Muscle Works: Physical Culture and the Performance of Masculinity

Muscle Works

Physical Culture and the Performance of Masculinity

Broderick D. V. Chow

Northwestern University Press, 2024

Men’s fitness as a performance—from nineteenth-century theatrical exhibitions to health and wellness practices today
 
This book recounts the story of fitness culture from its beginnings as spectacles of strongmen, weightlifters, acrobats, and wrestlers to its legitimization in the twentieth-century in the form of competitive sports and health and wellness practices. Broderick D. V. Chow shows how these modes of display contribute to the construction and deconstruction of definitions of masculinity.
 
Attending to its theatrical origins, Chow argues for a more nuanced understanding of fitness culture, one informed by the legacies of self-described Strongest Man in the World Eugen Sandow and the history of fakery in strongman performance; the philosophy of weightlifter George Hackenschmidt and the performances of martial artist Bruce Lee; and the intersections of fatigue, resistance training, and whiteness. Muscle Works: Physical Culture and the Performance of Masculinity moves beyond the gym and across the archive, working out techniques, poses, and performances to consider how, as gendered subjects, we inhabit and make worlds through our bodies.
[more]
cover of Museums and American Intellectual Life, 1876-1926

Museums and American Intellectual Life, 1876-1926

Steven Conn

University of Chicago Press, 1998

During the last half of the nineteenth century, many of the country's most celebrated museums were built. In this original and daring study, Steven Conn argues that Americans, endowed with the belief that knowledge resided in objects themselves, built these institutions with the confidence that they could collect, organize, and display the sum of the world's knowledge. Conn discovers how museums gave definition to different bodies of knowledge and how these various museums helped to shape America's intellectual history.

"Conn is an enthusiastic advocate for his subject, an appealing thinker, an imaginative researcher, a scholar at ease with theory and with empirical evidence." —Ann Fabian, Reviews in American History

"Steven Conn's masterly study of late-nineteenth century American museums transports the reader to a strange and wonderful intellectual universe. . . . At the end of the day, Conn reminds us, objects still have the power to fascinate, attract, evoke, and, in the right context, explain." —Christopher Clarke-Hazlett, Journal of American History
[more]
cover of Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture

Music Hall and Modernity

The Late-Victorian Discovery of Popular Culture

Barry J. Faulk

Ohio University Press, 2004

The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.”

In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated.

Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

[more]
cover of Music and the New Global Culture: From the Great Exhibitions to the Jazz Age

Music and the New Global Culture

From the Great Exhibitions to the Jazz Age

Harry Liebersohn

University of Chicago Press, 2019

Music listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
[more]
cover of Music and the Southern Belle: From Accomplished Lady to Confederate Composer

Music and the Southern Belle

From Accomplished Lady to Confederate Composer

Candace Bailey

Southern Illinois University Press, 2010

Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied.

The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose.

Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.   

[more]
cover of Music in the Present Tense: Rossini’s Italian Operas in Their Time

Music in the Present Tense

Rossini’s Italian Operas in Their Time

Emanuele Senici

University of Chicago Press, 2019

In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation.

Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.
[more]
cover of Music, Musicians, and the Saint-Simonians

Music, Musicians, and the Saint-Simonians

Ralph P. Locke

University of Chicago Press, 1986

The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day.

The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities.

Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."

 
[more]
cover of Music, Theater, and Cultural Transfer: Paris, 1830-1914

Music, Theater, and Cultural Transfer

Paris, 1830-1914

Edited by Annegret Fauser and Mark Everist

University of Chicago Press, 2009

Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.

The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.

[more]
cover of Muslim Land, Christian Labor: Transforming Ottoman Imperial Subjects into Bulgarian National Citizens, c. 1878-1939

Muslim Land, Christian Labor

Transforming Ottoman Imperial Subjects into Bulgarian National Citizens, c. 1878-1939

Anna M. Mirkova

Central European University Press, 2017

Focusing upon a region in Southern Bulgaria, a region that has been the crossroads between Europe and Asia for many centuries, this book describes how former Ottoman Empire Muslims were transformed into citizens of Balkan nation-states. This is a region marked by shifting borders, competing Turkish and Bulgarian sovereignties, rival nationalisms, and migration. Problems such as these were ultimately responsible for the disintegration of the dynastic empires into nation-states. Land that had traditionally belonged to Muslims—individually or communally—became a symbolic and material resource for Bulgarian state building and was the terrain upon which rival Bulgarian and Turkish nationalisms developed in the wake of the dissolution of the late Ottoman Empire and the birth of early republican Turkey and the introduction of capitalism. By the outbreak of World War II, Turkish Muslims had become a polarized national minority. Their conflicting efforts to adapt to post-Ottoman Bulgaria brought attention to the increasingly limited availability of citizenship rights, not only to Turkish Muslims, but to Bulgarian Christians as well.
[more]
cover of My Bondage and My Freedom

My Bondage and My Freedom

Frederick Douglass

University of Illinois Press, 1988

This is the first annotated edition of a work Eric J. Sundquist has called "a classic text of the American Renaissance." As Henry Louis Gates, Jr., has pointed out, My Bondage and My Freedom has been largely ignored by critics, in part because it is longer and less accessible than Narrative of the Life of Frederick Douglass but also because it has not up to now been "read" by a sensitive critic. "The latter reason is paramount and urgently needed to be addressed, and William Andrews is just the person to introduce Douglass's second autobiography to our generation of readers. He has few peers in nineteenth-century black criticism."
 
[more]
cover of My Ever Dear Daughter, My Own Dear Mother: The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

My Ever Dear Daughter, My Own Dear Mother

The Correspondence of Julia Sonte Towne and Mary Julia Towne, 1868-1882

Katherine R. Morgan

University of Iowa Press, 1996

In 1868 twenty-two-year-old Mary Julia Towne left her farm in Topsfield, Massachusetts, for Chicago in search of better health and an opportunity to support herself. Soon she was teaching, first in night school and then in grammar schools, finding satisfaction and independence in this profession. Over the next fourteen years she wrote home to her mother, Julia Stone Towne; these letters and Julia's letters back to her—the only published collection of sustained correspondence between a nineteenth-century American mother and daughter—create a deep and rich world filled with the ideas, affection, advice, and comfort that each woman gave to the other. Now, more than a hundred years later, Julia and Mary Towne give us new insights into the complexities of life of women in the nineteenth century, into both the interdependence and the autonomy of mothers and daughters, and into the links between their lives and ours.
[more]
cover of My Father's Name: A Black Virginia Family after the Civil War

My Father's Name

A Black Virginia Family after the Civil War

Lawrence P. Jackson

University of Chicago Press, 2012

Armed with only early boyhood memories, Lawrence P. Jackson begins his quest by setting out from his home in Baltimore for Pittsylvania County, Virginia, to try to find his late grandfather’s old home by the railroad tracks in Blairs. My Father’s Name tells the tale of the ensuing journey, at once a detective story and a moving historical memoir, uncovering the mixture of anguish and fulfillment that accompanies a venture into the ancestral past, specifically one tied to the history of slavery.
After asking around in Pittsylvania County and carefully putting the pieces together, Jackson finds himself in the house of distant relations. In the pages that follow, he becomes increasingly absorbed by the search for his ancestors and increasingly aware of how few generations an African American needs to map back in order to arrive at slavery, “a door of no return.” Ultimately, Jackson’s dogged research in libraries, census records, and courthouse registries enables him to trace his family to his grandfather’s grandfather, a man who was born or sold into slavery but who, when Federal troops abandoned the South in 1877, was able to buy forty acres of land. In this intimate study of a black Virginia family and neighborhood, Jackson vividly reconstructs moments in the lives of his father’s grandfather, Edward Jackson, and great-grandfather, Granville Hundley, and gives life to revealing narratives of Pittsylvania County, recalling both the horror of slavery and the later struggles of postbellum freedom.
My Father’s Name is a family story full of twists and turns—and one of haunting familiarity to many Americans, who may question whether the promises of emancipation have ever truly been fulfilled. It is also a resolute look at the duties that come with reclaiming and honoring Americans who survived slavery and a thoughtful meditation on its painful and enduring history.
[more]
cover of My Friend, My Friend: The Story of Thoreau's Relationship with Emerson

My Friend, My Friend

The Story of Thoreau's Relationship with Emerson

Harmon Smith

University of Massachusetts Press, 1999

Henry David Thoreau was a twenty-year-old scholarship student at Harvard when he met Ralph Waldo Emerson in 1837. Emerson, fourteen years Thoreau's senior and independently wealthy, had recently shaken the intellectual world of New England with the publication of Nature. Despite the disparity in their circumstances, Thoreau and Emerson quickly formed a close relationship that lasted until Thoreau's death at the age of forty-four. This book tells the story of their friendship. Harmon Smith emphasizes their personal bond, but also shows how their relationship affected their thought and writing, and was in turn influenced by their careers.

Without Emerson's interest and support, it is unlikely that Thoreau could have expended the energy on writing that enabled him to achieve greatness. By inviting Thoreau into his home to live during two different periods in the 1840s, Emerson effectively made Thoreau “one of the family.” He provided him with work, lent him money, and allowed him to build a cabin on the shore of Walden Pond. Emerson also broadened Thoreau's horizon immeasurably by introducing him to an ever-widening circle of friends and colleagues.

Although the bond between Thoreau and Emerson was strong, their needs were often greatly at variance. While this led to a prolonged period of estrangement between them, they were ultimately able to reconcile their differences. Many years after Thoreau died, Emerson could look back over his long life and say that Henry had been his best friend. Since the thoughts and feelings of the two men are so well documented in their journals and letters, Smith is able to trace the pattern of their emotional involvement in great detail. What emerges is both a remarkable portrait of their relationship and an intimate look at the nature of friendship itself.

[more]
cover of My Victorian Novel: Critical Essays in the Personal Voice

My Victorian Novel

Critical Essays in the Personal Voice

Annette R. Federico

University of Missouri Press, 2020

The previously unpublished essays collected here are by literary scholars who have dedicated their lives to reading and studying nineteenth-century British fiction and the Victorian world. Each writes about a novel that has acquired personal relevance to them––a work that has become entwined with their own story, or that remains elusive or compelling for reasons hard to explain.
 
These are essays in the original sense of the word, attempts: individual and experiential approaches to literary works that have subjective meanings beyond social facts. By reflecting on their own histories with novels taught, studied, researched, and re-experienced in different contexts over many years, the contributors reveal how an aesthetic object comes to inhabit our critical, pedagogical, and personal lives.
 
By inviting scholars to share their experiences with a favorite novel without the pressure of an analytical agenda, the sociable essays in My Victorian Novel seek to restore some vitality to the act of literary criticism, and encourage other scholars to talk about the importance of reading in their lives and the stories that have enchanted and transformed them.

The novels in this collection include:
Jane Eyre by Charlotte Brontë
The Duke’s Children  by Anthony Trollope
The Adventures of Sherlock Holmes by Arthur Conan Doyle
The Newcomes by William Makepeace Thackeray
Middlemarch  by George Eliot
Daniel Deronda by George Eliot
The Return of the Native by Thomas Hardy
Vanity Fair by William Makepeace Thackeray
North and South by Elizabeth Gaskell
Bleak House by Charles Dickens
David Copperfield by Charles Dickens
New Grub Street by George Gissing
The Pickwick Papers by Charles Dickens
Dracula by Bram Stoker
Wuthering Heights by Emily Brontë
[more]
cover of My Victorians: Lost in the Nineteenth Century

My Victorians

Lost in the Nineteenth Century

Robert Clark

University of Iowa Press, 2019

My Victorians is a hybrid in both form and content, part memoir/extended lyric essay but also a work of biography, photography, and cultural, literary, and art history. This is a travelogue of writer Robert Clark’s attempt to work through a sudden and inexplicable five-year-long obsession focused on Victorian novelists, artists, architecture, and critics. He wends his way through England and Scotland, meticulously tracking down the haunts of Charles Dickens, George Gissing, John Millais, the Bloomsbury Group, and others, and documenting everything in ghostly photographs as he goes.

As Clark delves deeper into the Victorian world, he wonders: What can its artists offer a twenty-first century writer by way of insight into his own life and work? His obsession with Victoriana bleeds into all aspects of his life, even the seemingly incongruous world of online dating. My Victorians is in the spirit of Geoff Dyer’s Out of Sheer Rage and Rebecca Mead’s My Life in Middlemarch. This book considers what happens when heartbreak, eros, faith, and doubt drive us to take refuge in the past.
[more]
cover of Méliès Boots: Footwear and Film Manufacturing in Second Industrial Revolution Paris

Méliès Boots

Footwear and Film Manufacturing in Second Industrial Revolution Paris

Matthew Solomon

University of Michigan Press, 2022

Winner of the 2024 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award

Before he became an influential cinematic innovator, Georges Méliès (1861–1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist.  Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès’ career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre.  Solomon examines Méliès’ unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group’s relevance for Méliès, early cinema, and modernity.  By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès’ work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.

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