Results by title
2706 books match the query 'European' and 238 start with m
Middle English Dictionary
S.7Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1988
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
S.8Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1988
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
S.9Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1988
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.1Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1993
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.10Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1997
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
[more]
Middle English Dictionary
T.2Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1993
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.3Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1994
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.4Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1994
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.5Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1995
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.6Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1995
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
T.7Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1996
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
[more]
Middle English Dictionary
T.8Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1996
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
[more]
Middle English Dictionary
T.9Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1997
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in the late-1990s. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Published volumes include all fascicles from A.1 through T.10, plus the Plan and Bibliography.
[more]
Middle English Dictionary
U.1Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1997
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles U.1, U.2, and U.3 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles U.1, U.2, and U.3 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
[more]
Middle English Dictionary
U.2Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1998
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles U.1, U.2, and U.3 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
The Middle English Dictionary is a monumental scholarly endeavor that began more than fifty years ago and is expected to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles U.1, U.2, and U.3 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
[more]
Middle English Dictionary
U.4Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1998
The most important modern reference work for Middle English studies
[more]
Middle English Dictionary
VRobert E. Lewis, Editor-in-Chief
University of Michigan Press, 1999
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years, it will have produced about 15,000 pages.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
[more]
Middle English Dictionary
W.1Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1999
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years, it will have produced about 15,000 pages.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
[more]
Middle English Dictionary
W.2Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 1999
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years, it will have produced about 15,000 pages.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
The Middle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is scheduled to be completed in 2001. The task of the editors compiling the dictionary is to document the English language from just after the Norman Conquest to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles V.1, W.1, and W.2 are the most recent additions to this ongoing undertaking. Published volumes include all fascicles from A.1 through U.3, plus the Plan and Bibliography.
[more]
Middle English Dictionary
W.3Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 2000
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
[more]
Middle English Dictionary
W.5Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 2000
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
[more]
Middle English Dictionary
W.6Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 2000
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
[more]
Middle English Dictionary
W.7Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 2001
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
[more]
Middle English Dictionary
W.8Robert E. Lewis, Editor-in-Chief
University of Michigan Press, 2001
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicle X/Y/Z is the final addition to this incredible undertaking. Published volumes include all fascicles from A.1 through X/Y/Z, plus the Plan and Bibliography.
[more]
Middle English Dictionary
X/Y/ZRobert E. Lewis, Editor-in-Chief
University of Michigan Press, 2001
The goal of the Middle English Dictionary is to include all meanings, grammatical forms, and spellings of all the words identified by its extensive reading program. When completed, it will represent what has been called the greatest achievement in medieval scholarship in America and the most important single project in English historical lexicography being carried out anywhere today. After sixty-five years it will have produced about 15,000 pages.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles W.9 and X/Y/Z will be the final additions to this incredible undertaking. Published volumes include all fascicles from A.1 through W.8, plus the Plan and Bibliography.
TheMiddle English Dictionary, a monumental scholarly endeavor that began more than fifty years ago, is completed with the publication of these remaining fascicles. The task of the editors compiling the dictionary is to document theE nglish language from just after the Norman Conquest up to the introduction of the printing press at the end of the 1400s. With that innovation the language became more or less standardized, but during the Middle Ages the language was evolving under the stress of events and social change, particularly as French culture was absorbed into the language. These were truly the formative years of the English language, and they present major challenges to lexicographers.
Fascicles W.9 and X/Y/Z will be the final additions to this incredible undertaking. Published volumes include all fascicles from A.1 through W.8, plus the Plan and Bibliography.
[more]
Midwife to the Queen of France
Diverse ObservationsLouise Bourgeois
Iter Press, 2017
Diverse Observations is a groundbreaking book available for the first time in English. Written by a midwife committed to improving the care of women and newborns, it records the evolution of Bourgeois’s practice and beliefs, comments on changing attitudes related to reproductive health, and critiques the gendered elitism of the early modern medical hierarchy
[more]
Migration and Identity in Nordic Literature
Edited by Martin Humpál and Helena Brezinová
Karolinum Press, 2022
An examination of representations of human migration in three centuries of Northern European literature.
Migration is a frequent topic of many debates nowadays, whether it concerns refugees from war-torn areas or the economic pros and cons of the mobility of multinational corporations and their employees. Yet such migration has always been a part of the human experience, and its dimensions—with its shifting nature, manifestations, and consequences—were often greater than we can imagine today.
In this book, ten scholars from Czechia, Denmark, the Netherlands, Norway, Poland, and Sweden focus on how migration has manifested itself in literature and culture through the nineteenth, twentieth, and early twenty-first centuries in Denmark, Norway, Sweden, Finland, and Iceland. Examining the theme of migration as it relates to questions of identity, both national and individual, the authors argue that migration almost always leads to a disturbance of identity and creates a potential for conflicts between individuals and larger groups. The book digs deep into such cases of disturbance, disruption, and hybridization of identity as they are represented in three centuries of literary works from the European North.
Migration is a frequent topic of many debates nowadays, whether it concerns refugees from war-torn areas or the economic pros and cons of the mobility of multinational corporations and their employees. Yet such migration has always been a part of the human experience, and its dimensions—with its shifting nature, manifestations, and consequences—were often greater than we can imagine today.
In this book, ten scholars from Czechia, Denmark, the Netherlands, Norway, Poland, and Sweden focus on how migration has manifested itself in literature and culture through the nineteenth, twentieth, and early twenty-first centuries in Denmark, Norway, Sweden, Finland, and Iceland. Examining the theme of migration as it relates to questions of identity, both national and individual, the authors argue that migration almost always leads to a disturbance of identity and creates a potential for conflicts between individuals and larger groups. The book digs deep into such cases of disturbance, disruption, and hybridization of identity as they are represented in three centuries of literary works from the European North.
[more]
Migration and Multiculturalism in Scandinavia
Edited by Eric Einhorn, Sherrill Harbison, and Markus Huss
University of Wisconsin Press, 2022
Scandinavian societies have historically, and problematically, been understood as homogeneous, when in fact they have a long history of ethnic and cultural pluralism due to colonialism and territorial conquest. After World War II, Sweden, Denmark, and Norway all became destinations for an increasingly diverse stream of migrants and asylum seekers from war-torn countries around the globe, culminating in the 2015–16 “refugee crisis.” This multidisciplinary volume opens with an overview of how the three countries’ current immigration policies developed and evolved, then expands to address how we might understand the current contexts and the social realities of immigration and diversity on the ground.
Drawing from personal experiences and theoretical perspectives in such varied fields as sociology, political science, literature, and media studies, nineteen scholars assess recent shifts in Scandinavian societies and how they intertwine with broader transformations in Europe and beyond. Chapters explore a variety of topics, including themes of belonging and identity in Norway, the experiences and activism of the Nordic countries’ Indigenous populations, and parallels between the racist far-right resurgence in Sweden and the United States.
Contributors: Ellen A. Ahlness, Julie K. Allen, Grete Brochmann, Eric Einhorn, Sherrill Harbison, Anne Heith, Markus Huss, Peter Leonard, Barbara Mattsson, Kelly McKowen, Andreas Önnerfors, Elisabeth Oxfeldt, Tony Sandset, Carly Elizabeth Schall, Ryan Thomas Skinner, Admir Skodo, Benjamin R. Teitelbaum, Sayaka Osanami Törngren, Ethelene Whitmire
Drawing from personal experiences and theoretical perspectives in such varied fields as sociology, political science, literature, and media studies, nineteen scholars assess recent shifts in Scandinavian societies and how they intertwine with broader transformations in Europe and beyond. Chapters explore a variety of topics, including themes of belonging and identity in Norway, the experiences and activism of the Nordic countries’ Indigenous populations, and parallels between the racist far-right resurgence in Sweden and the United States.
Contributors: Ellen A. Ahlness, Julie K. Allen, Grete Brochmann, Eric Einhorn, Sherrill Harbison, Anne Heith, Markus Huss, Peter Leonard, Barbara Mattsson, Kelly McKowen, Andreas Önnerfors, Elisabeth Oxfeldt, Tony Sandset, Carly Elizabeth Schall, Ryan Thomas Skinner, Admir Skodo, Benjamin R. Teitelbaum, Sayaka Osanami Törngren, Ethelene Whitmire
[more]
Milestones
A Bilingual EditionMarina Tsvetaeva, translated from the Russian by Robin Kemball
Northwestern University Press, 2003
Milestones is an apt title for this collection, for the eighty-four poems within show a poet passing from mere talent into mastery of her craft. Composed between January and December of 1916, these poems find the twenty-four year-old Tsvetaeva thirsting for the fullness of life while at the same time contemplating the inevitability of death—a theme she was to revisit many times in her career. Tsvetaeva's work of the time also reflects her knowledge of (and pride in) her native culture, especially the centrality of Moscow as the ultimate destination of all Russians. Throughout the verse she opens up to the sensual wonders of nature—sky, forest, wind, and not least her beloved daughter Alya, who would come to figure greatly in the work and legacy of her mother.
Milestones lays out a sensual feast of moods, themes, styles, and rhythms—all the ingredients that would in time reveal Tsvetaeva as one of the most daring and original poets of her time.
Milestones lays out a sensual feast of moods, themes, styles, and rhythms—all the ingredients that would in time reveal Tsvetaeva as one of the most daring and original poets of her time.
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Milosz and the Problem of Evil
Lukasz Tischner; Translated from the Polish by Stanley Bill
Northwestern University Press, 2015
While scholars have chronicled Czesław Miłosz’s engagement with religious belief, no previous book-length treatment has focused on his struggles with theodicy in both poetry and thought. Miłosz wrestled with the problem of believing in a just God given the powerful evidence to the contrary in the natural world as he observed it and in the horrors of World War II and its aftermath in Poland. Rather than attempt to survey Miłosz’s vast oeuvre, Łukasz Tischner focuses on several key works—The Land of Ulro, The World, The Issa Valley, A Treatise on Morals, A Treatise on Poetry, and From the Rising of the Sun—carefully tracing the development of Miłosz’s moral arguments, especially in relation to the key texts that influenced him, among them the Bible, the Gnostic writings, and the works of Blake, Hegel, Kierkegaard, and Schopenhauer. The result is a book that examines Miłosz as both a thinker and an artist, shedding new light on all aspects of his oeuvre.
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Milton Among Spaniards
Angelica Duran
University of Delaware Press, 2011
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
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Milton and This Pendant World
By George W. Whiting
University of Texas Press, 1958
Milton and This Pendant World is an interpretation of the great English poet “in an age increasingly skeptical, in a culture dominated by the assumptions of the natural and historical sciences and by the illusions of progress and enlightenment.”
Those are the words of the author of this book, George Wesley Whiting, an eminent and devoted Miltonian. Believing that Milton has a vital message for the modern world, Whiting has abandoned the usual pattern for examining a poet—study of versification, meter, and other poetic devices. Instead, he presents an exposition of the spiritual and moral meaning of Milton’s poetry, which can still have truth and beauty for this doubting age.
The literary image of the pendant world was familiar in Milton’s seventeenth century, but is meaningless to most people of our day. The comforting picture of the world hanging from heaven on a golden chain signifies God’s close watchfulness over humanity and the inseparable bond which links us to the spiritual kingdom.
The author declares that the search for God and the struggle to overcome the spiritual and material forces that impede the search represent the most vital of all human efforts; for unless this search is our primary motivation, life is without meaning, without final purpose.
Whiting also observes that true Christianity stands not for the impoverishment of humanity and our enslavement to the Deity, but rather for human moral health, harmonious development, and spiritual welfare. In order to save civilization from destruction at the hands of its friends—secularists, specialists, militarists, and politicians—we must have a renaissance of the spirit, a cultural synthesis in which a revitalized religion, enriched by philosophy and science, renews the ideals of Christianity.
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Milton's Epic Voice
The Narrator in Paradise LostAnne Ferry
University of Chicago Press, 1983
Although Paradise Lost is one of the greatest poems in the English language, it is also among the most difficult and intimidating, especially to unsophisticated readers. One of the most accessible critical studies of Paradise Lost—and one frequently recommended by those teaching Milton—is Anne Ferry's Milton's Epic Voice.
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Milton’s Moving Bodies
Marissa Greenberg and Rachel Trubowitz
Northwestern University Press, 2024
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries
This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
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Mimesis, Desire, and the Novel
Rene Girard and Literary CriticismPierpaolo Antonello
Michigan State University Press, 2015
Fifty years after its publication in English, René Girard’s Deceit, Desire, and the Novel (1965) has never ceased to fascinate, challenge, inspire, and sometimes irritate, literary scholars. It has become one of the great classics of literary criticism, and the notion of triangular desire is now part of the theoretical parlance among critics and students. It also represents the genetic starting point for what has become one of the most encompassing, challenging, and far-reaching theories conceived in the humanities in the last century: mimetic theory. This book provides a forum for new generations of scholars and critics to reassess, challenge, and expand the theoretical and hermeneutical reach of key issues brought forward by Girard’s book, including literary knowledge, realism and representation, imitation and the anxiety of influence, metaphysical desire, deviated transcendence, literature and religious experience, individualism and modernity, and death and resurrection. It also provides a more extensive and detailed historical understanding of the representation of desire, imitation, and rivalry within European and world literature, from Dante to Proust and from Dickens to Jonathan Littell.
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Mimesis, Masochism, and Mime
The Politics of Theatricality in Contemporary French ThoughtTimothy Murray, Editor
University of Michigan Press, 1997
In the first collection of its kind, Timothy Murray brings together writing by leading French thinkers on the political effects of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the collection features English translations of essays by Althusser, Derrida, Durand, Fanon, Féral, Foucault, Girard, Green, Irigaray, Kristeva, Lacoue-Labarthe, Lyotard, and Marin.
Mimesis, Masochism, & Mime provides a welcome theoretical contribution to recent theories of performance and to the development of French cultural studies. Its emphasis on the politics of theatricality lends unprecedented focus to French theorizations of the body, gender, sight, screen, voice, territoriality, otherness, and diversity. In so doing, the volume provides an intellectual context and theoretical blueprint for future work in the cultural study of mimesis, masochism, and mime. The collection highlights the importance of theatricality to the theory and practice of aesthetics as well as to French debates over patriarchy, absolutism, and metaphysics. In turn, wide-ranging analyses provide a range of approaches to the politics of identity, feminism, marginality, and postcoloniality. Timothy Murray's introduction makes clear the theoretical context of the volume, and situates the book in relation to recent Anglo-American debates over realism, multiculturalism, and identity politics.
The contributors are especially helpful in linking varying political accounts of ideology, philosophy, and psychoanalysis to historical and contemporary work in performance, film, and video. Astute commentaries on Sophocles, Shakespeare, and Artaud are combined with fascinating analyses of more recent mixed-media performance, from the European stage (Duras, Théâtre du Soleil, Bene, and Strehler), to the site of North American performance (Snow, Mabou Mines, Wilson, and Rainer).
Mimesis, Masochism, & Mime provides a stunning account of the political importance of theatricality to contemporary French thought and will be welcomed by readers in French studies, theory, theater, cultural studies, film, women's studies, aesthetics, and psychoanalysis.
"The essays . . .are judiciously chosen, accurately justified, wide in range within the dispensation of post-structuralist thought--that is, they touch on everything from the question of origins to the libidinal economy of performance to post- Brechtian staging to the ineliminable shadow play of tragedy through its ideological demystification by schizoanalysis to feminism in the theater." --Herbert Blau, University of Wisconsin, Milwaukee
Timothy Murray is Professor of English at Cornell University and former Editor of Theatre Journal. He is the author of Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France and Like a Film: Ideological Fantasy on Screen, Camera, and Canvas.
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Mimetic Lives
Tolstoy, Dostoevsky, and Character in the NovelChloë Kitzinger
Northwestern University Press, 2021
What makes some characters seem so real? Mimetic Lives: Tolstoy, Dostoevsky, and Character in the Novel explores this question through readings of major works by Leo Tolstoy and Fyodor Dostoevsky. Working at the height of the Russian realist tradition, Tolstoy and Dostoevsky each discovered unprecedented techniques for intensifying the aesthetic illusion that Chloë Kitzinger calls mimetic life—the reader’s sense of a character’s autonomous, embodied existence. At the same time, both authors tested the practical limits of that illusion by extending it toward the novel’s formal and generic bounds: philosophy, history, journalism, theology, myth.
Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change.
Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields.
Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces a productive tension between mimetic characterization and the author’s ambition to transform the reader. She shows how Tolstoy and Dostoevsky create lifelike characters and why the dream of carrying the illusion of “life” beyond the novel consistently fails. Mimetic Lives challenges the contemporary truism that novels educate us by providing enduring models for the perspectives of others, with whom we can then better empathize. Seen close, the realist novel’s power to create a world of compelling fictional persons underscores its resources as a form for thought and its limits as a direct source of spiritual, social, or political change.
Drawing on scholarship in Russian literary studies as well as the theory of the novel, Kitzinger’s lucid work of criticism will intrigue and challenge scholars working in both fields.
[more]
Minor Creatures
Persons, Animals, and the Victorian NovelIvan Kreilkamp
University of Chicago Press, 2018
In the nineteenth century, richly-drawn social fiction became one of England’s major cultural exports. At the same time, a surprising companion came to stand alongside the novel as a key embodiment of British identity: the domesticated pet. In works by authors from the Brontës to Eliot, from Dickens to Hardy, animals appeared as markers of domestic coziness and familial kindness. Yet for all their supposed significance, the animals in nineteenth-century fiction were never granted the same fullness of character or consciousness as their human masters: they remain secondary figures. Minor Creatures re-examines a slew of literary classics to show how Victorian notions of domesticity, sympathy, and individuality were shaped in response to the burgeoning pet class. The presence of beloved animals in the home led to a number of welfare-minded political movements, inspired in part by the Darwinian thought that began to sprout at the time. Nineteenth-century animals may not have been the heroes of their own lives but, as Kreilkamp shows, the history of domestic pets deeply influenced the history of the English novel.
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Minotaur, Parrot, and the SS Man
Essays on Jorge de SenaGeorge Monteiro
Tagus Press, 2021
An undisputed giant of twentieth-century Portuguese letters, writer and literary critic Jorge de Sena (1919–1978) spent the most productive decades of his life away from Portugal, teaching at the University of Wisconsin–Madison and the University of California, Santa Barbara. In the essays gathered in this collection, George Monteiro deftly weaves together his readings of Sena's poetry and prose, both literary and critical, with evidence drawn from the deep well of Sena's biographical archive, focusing in particular on his Brazilian and U.S. years. This expansive overview of Sena's unparalleled career, intended to commemorate the centenary of the writer's birth, is also a tribute to Monteiro's own remarkably voluminous and far-reaching body of work on the intersection of Portuguese and Anglo-American literary studies.
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Mirabile Dictu
Representations of the Marvelous in Medieval and Renaissance EpicDouglas Biow
University of Michigan Press, 1996
Mirabile Dictu covers in six separate chapters the works of Virgil, Dante, Boccaccio, Ariosto, Tasso, and Spenser. Its broad aim is to provide a select cross-section of works in the Middle Ages and Renaissance in order systematically to examine and compare for the first time the marvelous in the light of epic genre, of literary and critical theory (both past and present), and of historically and culturally determined representational practices.
Douglas Biow organizes this volume around the literary topos of the bleeding branch through which a metamorphosed person speaks. In each chapter the author takes this "marvellous event" as his starting point for a broad-ranging comparison of the several poets who employed the image; he also investigates the ways in which a period's notion of "history" underpins its representations of the marvelous. This method offers a controlled yet flexible framework within which to develop readings that engage a multiplicity of theories and approaches.
Mirabile Dictu offers not only an insightful survey of the literary connections among this group of important poets, but also a useful point of departure for scholars and students intrigued by the reuse of epic conventions, by the peculiar role of "marvellous" events in dramatic poetry, and by the later history of classical literature.
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Miracles and Machines
A Sixteenth-Century Automaton and Its LegendElizabeth King
J. Paul Getty Trust, The, 0
An abundantly illustrated narrative that draws from the history of art, science, technology, artificial intelligence, psychology, religion, and conservation in telling the extraordinary story of a Renaissance robot that prays.
This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.
In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
This volume tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.
In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.
[more]
Mirror in Parchment
The Luttrell Psalter and the Making of Medieval EnglandMichael Camille
University of Chicago Press, 1998
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny.
The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real.
In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real.
In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
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Mirror of the Indies
A History of Dutch Colonial LiteratureRob Nieuwenhuys
University of Massachusetts Press, 1982
This book is the definitive literary history of the colonial Dutch East Indies and is partially distinguished from its predecessors by its discussion of materials ranging from natural history and religious sermons to pamphlets and the accounts of travelers from the seventeenth through the twentieth centuries. What emerges from this comprehensive approach is an unusually thorough and sensitive account of the manifold encounters of the Dutch with the East Indian societies that they conquered, tried to understand, and, finally, had to relinquish under the inevitable pressures of change and the desire for independence. This history records how a hybrid literature emerges from that of the colonial culture to become a distinct literature of its own and why the concepts derived from European cultural history--such as baroque or neoclassicism--are totally inapplicable to the works discussed here.
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Mirtilla, A Pastoral
A Bilingual EditionIsabella Andreini
Iter Press, 2018
Isabella Andreini was the most famous actress of the Italian Renaissance, the darling of dukes and kings, as well as of less-moneyed theatergoers. As a founding member with her husband, Francesco, of the Compagnia dei Gelosi, she performed ceaselessly throughout Italy and France, and was prized for the new role she invented for women on stage, that of the ingénue with a comic bent. She was also a playwright; in fact, the first woman to publish a pastoral. This modern edition and translation subtly captures the novelty, as well as the imaginative pyrotechnics, of a brilliant, self-made virtuosa of the stage.
The Other Voice in Early Modern Europe - The Toronto Series: Volume 62
The Other Voice in Early Modern Europe - The Toronto Series: Volume 62
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Miscellaneous Verdicts
Writings on WritersAnthony Powell
University of Chicago Press, 1992
Miscellaneous Verdicts represents the best of Anthony Powell's critical writing over a period of four decades. Drawn from his regular reviews for the Daily Telegraph, from his occasional humorous pieces for Punch, and from his more sustained pieces of critical and anecdotal writing on writers, this collection is as witty, fresh, surprising, and entertaining as one would expect from the author of Dance to the Music of Time.
Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu.
"An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer
"An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph
Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu.
"An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer
"An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph
Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
[more]
Mission Accomplished
On Founding Constitutional Adjudication in Central EuropeRadoslav Procházka
Central European University Press, 2002
Examines constitutional jurisdiction in the so-called Visegrad Four: Poland, Hungary, the Czech Republic and Slovakia. The creation of constitutional courts was one of the major milestones in the re-creation of the democratic system in these countries. In Europe constitutional courts exert much of the functions of the Supreme Court of the US. However, the immediate western European samples showed marked differences, which is why besides similarities, the theory and practice of constitutional law show differences in these four countries. Procházka analyses and explains these similarities and differences.
Mission Accomplished contributes to the literature on comparative constitutional law by offering insights into the constitutional discourses that go beyond the discussion of notorious cases and events in these four countries. Procházka argues that the various historical, cultural, socio-psychological, political and institutional contexts have translated into different modes of constitutional adjudication and interpretation.
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Missionary Cosmopolitanism in Nineteenth-Century British Literature
Winter Jade Werner
The Ohio State University Press, 2020
Missionary Cosmopolitanism in Nineteenth-Century British Literature explores the notion that missionaries, often perceived as only evangelically motivated in the British imperial project, were also spurred on by cosmopolitan ideals. Winter Jade Werner makes this surprising connection in order to write against standard understandings of missionary work as well as typical understandings of cosmopolitanism as a deeply secular project.
Missionary Cosmopolitanism identifies the nineteenth-century novel as thematically and formally attuned to the tension between missionaries’ cosmopolitan values and the moral impoverishment of their imperialist and expansionist practices. Werner’s chapters interact with canonical works such as Charlotte Brontë’s Jane Eyre and Charles Dickens’s Bleak House, along with lesser-known works by Robert Southey and Sydney Owenson. Ultimately, Missionary Cosmopolitanism demonstrates that nineteenth-century literature both illustrated and helped define missionary discourses regarding cosmopolitan ideas, showing how global evangelicalism continues to tap into the “new cosmopolitanisms” of today.
Missionary Cosmopolitanism identifies the nineteenth-century novel as thematically and formally attuned to the tension between missionaries’ cosmopolitan values and the moral impoverishment of their imperialist and expansionist practices. Werner’s chapters interact with canonical works such as Charlotte Brontë’s Jane Eyre and Charles Dickens’s Bleak House, along with lesser-known works by Robert Southey and Sydney Owenson. Ultimately, Missionary Cosmopolitanism demonstrates that nineteenth-century literature both illustrated and helped define missionary discourses regarding cosmopolitan ideas, showing how global evangelicalism continues to tap into the “new cosmopolitanisms” of today.
[more]
Mobility and Modernity
Panama in the Nineteenth-Century Anglo-American ImaginationRobert D. Aguirre
The Ohio State University Press, 2017
Mobility and Modernity: Panama in the Nineteenth-Century Anglo-American Imagination rewrites the history of the Panama Canal, assessing for the first time the literary culture of the preceding decades. In this period, U.S. and British writers and visual artists developed sophisticated languages of mobility, time, and speed to cast the isthmus as an in-between place, a point of connection to more important destinations. These discourses served an important role in their own day and laid the imaginative ground for the canal to come.
In this study, Robert D. Aguirre provides bold new interpretations of Anthony Trollope, John Lloyd Stephens, and Eadweard Muybridge and also recovers information about literary communities previously lost to history. Mobility and Modernity shows how Panama became defined as a site of incipient globalization and a crucial link of empire. Across this narrow strip of land people and things traveled, technology developed, and political forces erupted. The isthmus became a site of mobility that paradoxically produced varieties of immobility. Parting ways with histories that celebrate the canal as a mighty engineering feat, Mobility and Modernity reveals a more complex story of cultural conflict that began with the first gold rush news in the late 1840s and continued throughout the century.
In this study, Robert D. Aguirre provides bold new interpretations of Anthony Trollope, John Lloyd Stephens, and Eadweard Muybridge and also recovers information about literary communities previously lost to history. Mobility and Modernity shows how Panama became defined as a site of incipient globalization and a crucial link of empire. Across this narrow strip of land people and things traveled, technology developed, and political forces erupted. The isthmus became a site of mobility that paradoxically produced varieties of immobility. Parting ways with histories that celebrate the canal as a mighty engineering feat, Mobility and Modernity reveals a more complex story of cultural conflict that began with the first gold rush news in the late 1840s and continued throughout the century.
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Modern Odysseys
Cavafy, Woolf, Césaire, and a Poetics of IndirectionMichelle Zerba
The Ohio State University Press, 2021
Michelle Zerba’s Modern Odysseys explores three major writers in global modernism from the Mediterranean, Anglo-European Britain, and the Caribbean whose groundbreaking literary works have never been studied together before. Using language as an instrument of revolution and social change, C. P. Cavafy, Virginia Woolf, and Aimé Césaire gave expression to the forms of human experience we now associate with modernity: homoeroticism, transsexuality, and racial consciousness. More specifically, Zerba argues that Odyssean tropes of diffusion, isolation, passage, and return give form to works by these writers but in ways that invite us to reconsider and revise the basic premises of reception studies and intellectual history. Combining close readings of literary texts with the study of interviews, essays, diaries, and letters, Zerba advances a revisionary account of how to approach relationships between antiquity and modernity. Instead of frontal encounters with the Odyssey, Cavafy, Woolf, and Césaire indirectly—but no less significantly—engage with Homer’s epic poem. In demonstrating how such encounters operate, Modern Odysseys explores issues of race and sexuality that connect antiquity with the modern period.
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Modern Spanish Women as Agents of Change
Essays in Honor of Maryellen BiederSmith, Jennifer
Bucknell University Press, 2019
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and simultaneously honors Maryellen Bieder’s invaluable scholarly contribution to the field. The essays are innovative in their consideration of lesser-known women writers, focus on women as political activists, and use of post-colonialism, queer theory, and spatial theory to examine the period from the Enlightenment until World War II. The contributors study women as agents and representations of social change in a variety of genres, including short stories, novels, plays, personal letters, and journalistic pieces. Canonical authors such as Emilia Pardo Bazán, Leopoldo Alas “Clarín,” and Carmen de Burgos are considered alongside lesser known writers and activists such as María Rosa Gálvez, Sofía Tartilán, and Caterina Albert i Paradís. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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