Results by title

A collection of narrative essays on femininity, sexuality, community, and belonging

Miss Southeast explores the strange, often contradictory cultural circumstances of being queer and female in the American South and beyond. Born and raised in North Carolina, the youngest in a family of precocious daughters, Rogers spends her teenage years as a half-closeted lesbian desperate to escape the South, convinced the rest of the United States must be “more enlightened than our cow-dotted corner of the county.”

Adulthood takes Rogers to Ohio, New York, Louisiana, Arkansas, Washington, DC, and China, but each essay finds her reckoning with participation in and resistance to rigid cultural institutions—whether a coming-out story set at a high school beauty pageant or a meditation on swimming pools as emblems of racial divides across the South. In lyric prose enlivened by a poet’s sense of musicality, Miss Southeast considers how both place and our layered identities shape our sense of belonging.

In the spring of 1983, a North American couple who were hoping to adopt a child internationally received word that if they acted quickly, they could become the parents of a boy in an orphanage in Honduras. Layers of red tape dissolved as the American Embassy there smoothed the way for the adoption. Within a few weeks, Margaret Ward and Thomas de Witt were the parents of a toddler they named Nelson—an adorable boy whose prior life seemed as mysterious as the fact that government officials in two countries had inexplicably expedited his adoption.

In Missing Mila, Finding Family, Margaret Ward tells the poignant and compelling story of this international adoption and the astonishing revelations that emerged when Nelson's birth family finally relocated him in 1997. After recounting their early years together, during which she and Tom welcomed the birth of a second son, Derek, and created a family with both boys, Ward vividly recalls the upheaval that occurred when members of Nelson's birth family contacted them and sought a reunion with the boy they knew as Roberto. She describes how their sense of family expanded to include Nelson's Central American relatives, who helped her piece together the lives of her son's birth parents and their clandestine activities as guerrillas in El Salvador's civil war. In particular, Ward develops an internal dialogue with Nelson's deceased mother Mila, an elusive figure whose life and motivations she tries to understand.

Acclaimed children’s book author Cornelia Maude Spelman’s memoir of her family springs from a meeting and subsequent friendship with the late, legendary New Yorker editor William MaxwellIn the 1920s, he and her parents had been friends as undergraduates at the University of Illinois at Urbana-Champaign. When Spelman hints at what she thinks of as the failure of her parents’ lives, he counters that “in a good novel one doesn’t look for a success story, but for a story that moves one with its human drama and richness of experience.”

At their final meeting, Maxwell encourages her to tell her mother’s story. Missing is Spelman’s response to Maxwell’s wisdom. With the pacing of the mystery novels her mother loved, and using everything from letters and interviews to the family’s quotidian paper trail—medical records, telegrams, and other oft-overlooked clues to a family’s history—Spelman reconstructs her mother’s life and untimely death. Along the way, she unravels mysteries of her family, including the fate of her long lost older brother.

Spelman skillfully draws the reader into the elation and sorrow that accompany the discovery of a family’s past. A profoundly loving yet honest elegy, Missing is, like the woman it memorializes, complex and beautiful.

Ever since Protestant missionaries from the United States first reached Hawai'i in 1820, they have inspired conflicting passions. In evangelical circles, the missionaries are praised for Christianizing Hawai'i, transforming Hawaiian into a written language, and inoculating the islanders against smallpox. But this celebratory assessment is rejected by modern-day Hawaiian nationalists, who excoriate the missionaries as advance agents of U.S. imperialism. 

In this biography of pioneer missionaries Peter and Fanny Gulick, Clifford Putney offers a balanced view of their contributions. He says the nationalists are right to credit the missionaries with drawing Hawai'i into America's political orbit, but argues that the missionary enterprise helped in some ways to preserve key elements of Hawaiian culture.

Based primarily on letters, journals, and other archival materials, Putney's book provides readers with a detailed portrait of the lives of Peter and Fanny Gulick. Inspired by America's Second Great Awakening to spread the Gospel overseas, the Gulicks voyaged to Hawai'i in 1828 and lived there for the next forty-six years, actively proselytizing and working to change the islands. On Kaua'i, they helped to ensure the success of Hawai'i's first sugar plantation and acquainted Hawaiians with inventions such as the wagon. On Moloka'i (later the site of a leper colony) the couple struggled merely to survive. And on O'ahu, they took up ranching and helped to found Punahou School, the alma mater of President Barack Obama.

While laboring in Hawai'i, the Gulicks interacted with kings, queens, and other historically important figures, and Putney chronicles those relationships. He also explores issues of race and gender, and sheds new light on the democratization of government, the spread of capitalism, and the privatization of land. From these last two developments, a number of missionaries grew immensely rich, but the Gulicks did not, and neither did their descendants. A group that includes influential missionaries, educators, and physical fitness experts, the descendants of Peter and Fanny have had numerous books written about them, but Putney is the first to write extensively about the progenitors of the Gulick clan.

In a career that took him from the cotton fields of East Texas to the concert stage at Carnegie Hall and beyond, Lightnin’ Hopkins became one of America’s greatest bluesmen, renowned for songs whose topics effortlessly ranged from his African American roots to space exploration, the Vietnam War, and lesbianism, performed in a unique, eccentric, and spontaneous style of guitar playing that inspired a whole generation of rock guitarists. Hopkins’s music directly and indirectly influenced an amazing range of artists, including Jimi Hendrix, Stevie Ray Vaughan, Miles Davis, John Coltrane, Tom Waits, and Bob Dylan, as well as bands such as the Grateful Dead, Jefferson Airplane, and ZZ Top, with whom Hopkins performed.

Mojo Hand follows Lightin’ Hopkins’s life and music from the acoustic country blues that he began performing in childhood, through the rise of 1950s rock ’n’ roll, which nearly derailed his career, to his reinvention and international success as a pioneer of electric folk blues from the 1960s to the 1980s. The authors draw on 130 vivid oral histories, as well as extensive archival and secondary sources, to provide the fullest account available of the development of Hopkins’s music; his idiosyncratic business practices, such as shunning professional bookers, managers, and publicists; and his durable and indelible influence on modern roots, blues, rock ’n’ roll, singer-songwriter, and folk music. Mojo Hand celebrates the spirit and style, intelligence and wit, and confounding musical mystique of a bluesman who shaped modern American music like no one else.

“The mourning never stops, it just changes.” (Edward Albee)

For Claude Monet (1840–1926), the founder of French Impressionist painting, these words are a fitting testament to his lifelong relationship with the female muse, most notably—and most hauntingly—with his first wife, the model Camille Doncieux.

For the esteemed clinical psychologist and art historian Mary Mathews Gedo, Monet and His Muse represents a project twenty years in the making. Artfully interweaving biographical insight with psychoanalytic criticism, Gedo takes us on an exploration of Claude Monet’s conflicted relationships with women, complete with exquisitely researched material never before understood about one of our most popular—and inimitable—artists. Beginning with Monet’s childhood, Gedo delves into his relationships with a distant, unreliable father and his beloved, doting mother—whose death when Monet was just sixteen, the author establishes, inspired a lifetime preoccupation with the sea, its lushly imagined flora, and the figurative landscapes Monet painted to such acclaim.

And then—Camille. Entering Monet’s life when he was still a young man, becoming first his model and then mistress and then—finally—his wife, Camille Doncieux always fulfilled the function of muse, even after her life had ended, as Monet not only painted her one last time on her deathbed, but preserved her memory through the gardens he planted at his home in Giverny. Demonstrating how Monet’s connections with women were exceedingly complex, fraught with abusive impulses and infantile longing, Gedo sensitively uses Monet and Camille as exemplars in order to explore links between artists and muses in our modern age.

One city. One war. A story of transformation at home and abroad.

Using newspaper accounts, interviews, letters, journals, and his own memory of the time, Wesley Newton reconstructs wartime-era Montgomery, Alabama--a sleepy southern capital that was transformed irreversibly during World War II.

The war affected every segment of Montgomery society: black and white, rich and poor, male and female, those who fought in Europe and the Pacific and those who stayed on the home front. Newton follows Montgomerians chronologically through the war from Pearl Harbor to Hiroshima as they experience patriotism, draft and enlistment, rationing, scarcity drives, and the deaths of loved ones. His use of small vignettes based on personal recollections adds drama and poignancy to the story. 

Montgomery in the Good War is an important reminder that wars are waged at home as well as abroad and that their impact reverberates well beyond those who fight on the front lines. Those who came of age during the war will recognize themselves in this moving volume. It will also be enlightening to those who have lived in times of relative peace.

Winner of the Evans Biography Award, the Mormon History Association Best Book Award, and the John Whitmer Association (RLDS) Best Book Award.

Mormon Enigma is the bestselling biography of Emma Hale Smith, wife of the Mormon prophet Joseph Smith. It was Joseph Smith who announced that an angel of the Lord had commanded him to introduce a 'new order of marriage.' And it was Emma Hale Smith who confronted the practice of polygamy head on.

As the authors note in their introduction, "Early leaders in Utah castigated Emma from their pulpits for opposing Brigham Young and the practice of polygamy, and for lending support to the Reorganization. As these attitudes filtered down through the years, Emma was virtually written out of official Utah histories. In this biography, we have attempted to reconstruct the full story of this remarkable and much misunderstood woman's experiences.

Having risen from a Pennsylvania backcountry upbringing to become a respected member of the upper class, Bernhisel possessed a personal history that allowed him to reach common ground with politicians and other outsiders. He negotiated for Joseph Smith’s life and, after the Church’s relocation to the Utah Territory, took on the task of rehabilitating the public image of the Latter-day Saints. Brigham Young’s defiance of the government undermined Bernhisel’s work, but their close if sometimes turbulent relationship ultimately allowed Bernhisel to make peace with Washington, secure a presidential pardon for Young, and put Utah and the Latter-day Saints on the road to formally joining the United States.

All three women lived for a time in close proximity on the Eastern Shore of Maryland, an isolated region that thrived on tobacco and then lost it, procured slaves and then lost them, and produced strong-minded women and then condemned them. Though they never actually met, and their backgrounds and beliefs differed drastically, these women's lives converged through their active experiences of the conflict over slavery in Maryland and beyond, the uncertainties of economic transformation, the struggles in the legal foundation of slavery and, most of all, the growing dispute in gender relations in America.

Throughout this book, Carole C. Marks gleans historical fact and sociological insight from the persistent myths and exaggerations that color the women's legacies, and she investigates the common roots and motivations of three remarkable figures who bucked the era's expectations for women. She also considers how each woman's public identity reflected changing ideas of domesticity and the public sphere, spirituality, and legal rights and limitations. Cannon, Carroll, and Tubman, each in her own way, passionately fought for the future of Maryland and the United States, and from these unique vantage points, Moses and the Monster and Miss Anne portrays the intersecting and conflicting forces of race, economics, and gender that threatened to rend a nation apart.

A compelling biography of General William C. Gorgas, the US Army doctor's campaign against mosquito-borne disease reshaped public health, military medicine, and U. S. power on the world stage. 

Mosquito Warrior tells the engrossing story of General William C. Gorgas (1854–1920), the once-renowned pioneer in tropical disease research and public health. His fascinating life illuminates vast transformations in the United States, including the end of the Civil War and the industrialization of the US military and economy, the emergence of germ theory and the modernization of the public health system, and the rise of the United States as a world power.

A scion of Confederate elites, Gorgas came of age amidst war and disease and the politics of racial segregation. He followed his father into military service as an army medical officer, treating troops on America’s western frontier posts. During the US occupation of Cuba, Gorgas applied Walter Reed’s research on the theory of mosquito-borne disease transmission, ending centuries of yellow fever in Havana through the eradication of the deadly Aedes aegypti mosquito. Applying similar strategies on the isthmus of Panama against yellow fever and malaria, Gorgas enabled the completion of the Panama Canal, then the largest engineering project in the world. Hailed a hero, he pursued his fight against mosquito-borne disease throughout the tropics, expanding American interests as he went. Appointed as US Army surgeon general on the eve of World War I, Gorgas resumed work modernizing the army health care system, strengthening US medical and military authority on the world stage.

Celebrated in life, Gorgas’s reputation fell victim to competing political interests and jealousies after his death, a cautionary tale about historical memory and the politics of science and personality. Carol R. Byerly’s balanced and contemporary examination of Gorgas illuminates his complex legacy in medicine and public health, military history, and American ambitions at the dawn of US global ascendency.
 

The definitive biography of the founder of the Shaker movement, whose remarkable life is the subject of a new film, The Testament of Ann Lee.
 
This acclaimed, accessible, and thoroughly researched biography documents the life of Ann Lee, a controversial, religious leader and early feminist figure. Lee established the Shaker movement in 1770 in Manchester, England. The core principles of the Shakers were radical: in an era when wives were the possession of their husband, Lee proclaimed the equality of men and women. The Shakers were dedicated to beliefs in absolute pacifism, equality of the sexes, absolute celibacy, and the cleansing of sin through dancing and chanting to shake away the past.

The Shakers sought inner peace and harmony, but their unusual beliefs, including total abstinence from sex and their exhibitions of mystical ecstasy were considered suspect and led to the imprisonment of Lee and her followers. While jailed, Lee experienced a blinding, soul-splitting vision which reaffirmed her belief in celibacy and named her the second coming of Christ. Seeking religious freedom, she led her followers, known as the United Society of Believers in Christ’s Second Appearing, from England to settle in upstate New York, near Albany.

Mother Ann Lee died in 1784, but her movement continued to grow into the nineteenth century with at least eighteen utopian Shaker communities in Kentucky, Maine, Massachusetts, New Hampshire, New York, and Ohio. Today many of those Shaker settlements are museums. The last remaining Shaker community is at Sabbathday Lake Shaker Village near Poland, Maine. The Testament of Ann Lee, starring Amanda Seyfried, drew on this book among other sources to tell Lee’s story.

Mother of the Blues is the first substantive biography of Gertrude "Ma" Rainey, the pioneering blues vocalist that dominated blues in the 1920s. Through a comprehensive study of Rainey's remarkable career, Sandra R. Lieb analyzes how Rainey combined African American folk traditions with emerging blues styles to help establish and popularize the blues as a national musical phenomenon in the early twentieth century. With close attention to Rainey's recordings, performances, and cultural significance as a Black female artist, Lieb explores the impact of Ma Rainey distinctive deep-throated voice, mesmerizing presence, and songs of love, desire, sexuality, and society in American music history and blues culture. 

Powerful oral histories revealing the unique experiences of women during the Holocaust.

In Mothers, Sisters, Resisters, 25 survivors of the Holocaust furnish compelling and historically vital testimony that illuminates and explores Jewish women's experiences during that terrible period. In entries that preserve each voice, personality, and style, survivors describe their efforts to evade Nazi laws and subsequent dehumanization, protect their children and siblings, and maintain their Jewish identity.

Throughout each narrative, from Brandla Small's description of having her child dragged from her arms at Auschwitz, to Eva Schonbrun's remembrances of her sister who refused to leave her siblings and save herself, to Emilie Schindler's account of rescuing Jews left abandoned on a cattle car, we become intimately involved with each woman's struggle and eventual survival. We also gain a new appreciation and understanding of the Holocaust experiences unique to women.