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A surreal story in verse that follows a woman facing the outbreak of the COVID-19 pandemic alongside ecological crisis and crumbling social norms.
 
Jennifer Hasegawa’s NAOMIE ANOMIE: A Biography of Infinite Desire, is an experimental poetic take on biography, growing increasingly surreal as it follows the truths behind its unreliable narrator through paradoxes rendered in luxurious detail. This book is a portrait of a flawed life, a call for attention to the looming ecological crisis, and a lyrical experiment in truth-telling.
 
Feeling ever-increasing existential strain leading up to the COVID-19 pandemic and culminating in her decision to no longer venture outside of her apartment, Naomie is not surprised to find her name is an anagram for anomie, a term for the breakdown of social norms. In these pages is a meticulous account of everything that went wrong in Naomie’s five decades of life. We find retellings of a life’s most significant moments—not because they are sources of pride, but because they stand as the only decipherable moments of humanity amid a world of static. This story in verse acts as a survival guide, romance novel, liberation handbook, pulp thriller, and jokebook for those who will live through ongoing plagues, environmental change, total AI integration, water wars, and cyberattacks and who will come out the other side ready to restart.
 

When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.

How the medieval study of ancient bronzes influenced the production of knowledge and the making of things in East Asia.
 
This book opens in eleventh-century China, where scholars were the first in world history to systematically illustrate and document ancient artifacts. As Jeffrey Moser argues, the visual, technical, and conceptual mechanisms they developed to record these objects laid the foundations for methods of visualizing knowledge that scholars throughout early modern East Asia would use to make sense of the world around them.
 
Of the artifacts these scholars studied, the most celebrated were bronze ritual vessels that had been cast nearly two thousand years earlier. While working to make sense of the relationship between the bronzes’ complex shapes and their inscribed glyphs, they came to realize that the objects were “nominal things”—objects inscribed with names that identified their own categories and uses. Eleventh-century scholars knew the meaning of these glyphs from hallowed Confucian writings that had been passed down through centuries, but they found shocking disconnects between the names and the bronzes on which they were inscribed. Nominal Things traces the process by which a distinctive system of empiricism was nurtured by discrepancies between the complex materiality of the bronzes and their inscriptions. By revealing the connections between the new empiricism and older ways of knowing, the book explains how scholars refashioned the words of the Confucian classics into material reality.
 

Today Vietnam is one of America’s strongest international partners, with a thriving economy and a population that welcomes American visitors. How that relationship was formed is a twenty-year story of daring diplomacy and a careful thawing of tensions between the two countries after a lengthy war that cost nearly 60,000 American and more than two million Vietnamese lives.
 
Ted Osius, former ambassador during the Obama administration, offers a vivid account, starting in the 1990s, of the various forms of diplomacy that made this reconciliation possible. He considers the leaders who put aside past traumas to work on creating a brighter future, including senators John McCain and John Kerry, two Vietnam veterans and ideological opponents who set aside their differences for a greater cause, and Pete Peterson—the former POW who became the first U.S. ambassador to a new Vietnam. Osius also draws upon his own experiences working first-hand with various Vietnamese leaders and traveling the country on bicycle to spotlight the ordinary Vietnamese people who have helped bring about their nation’s extraordinary renaissance. 
 
With a foreword by former Secretary of State John Kerry, Nothing Is Impossible tells an inspiring story of how international diplomacy can create a better world.