775 books match the query 'Germany' and 26 start with n

cover of NATO and Germany: A Study in the Sociology of Supranational Relations

NATO and Germany

A Study in the Sociology of Supranational Relations

Stanford Lyman

University of Arkansas Press, 1995

Focusing on the Cold War years, thismonograph examines the processes, problems, and policies through which the Federal Republic of Germany was formed and admitted into the North Atlantic Treaty Organization (NATO). The author compares the situation of Weimar Germany during its short-lived postwar decade with that of the Federal Republic by applying geopolitical concepts and theory, illustrating Germany’s territorial uniqueness and how that special aspect of its place on the European continent in?uenced the nation’s diplomacy in both eras.

During the late 1940s and the 1950s, the problem presented by Germany to the other NATO allies was how to secure and maintain the Federal Republic’s allegiance to the anticommunist alliance without eliminating the country’s desire to be reunited with its Soviet-dominated eastern section. How both NATO and Germany managed to maintain themselves in a state of dynamic equilibrium throughout the era of the Cold War illustrates the concept of international organization called “cooptation,” which Lyman helped to de?ne and expand.

The epilogue explores the larger issues that the case study illuminates: global space, national territorialization, collective identity, and ethnocentrism. Considering the current con?ict in the Balkans as it relates to the new Germany and the role of NATO, this far-reaching book is especially rel­evant with its suggestions for a basic supranational sociology.

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cover of Nails in the Wall: Catholic Nuns in Reformation Germany

Nails in the Wall

Catholic Nuns in Reformation Germany

Amy Leonard

University of Chicago Press, 2005

During the Protestant Reformation, Martin Luther instituted new ideologies addressing gender, marriage, chastity, and religious life that threatened Catholic monasticism. Yet many living in cloistered religious communities, particularly women, refused to accept these new terms and were successful in their opposition to the new Protestant culture.

Focusing primarily on a group of Dominican nuns in Strasbourg, Germany, Amy Leonard's Nails in the Wall outlines the century-long battle between these nuns and the Protestant city council. With savvy strategies that employed charm, wealth, and political and social connections, the nuns were able to sustain their Catholic practices. Leonard's in-depth archival research uncovers letters about and records of the nuns' struggle to maintain their religious beliefs and way of life in the face of Protestant reforms. She tells the story of how they worked privately to keep Catholicism alive-continuing to pray in Latin, smuggling in priests to celebrate Mass, and secretly professing scores of novices to ensure the continued survival of their convents. This fascinating and heartening study shows that, far from passively allowing the Protestants to dismantle their belief system, the women of the Strasbourg convents were active participants in the battle over their vocation and independence.
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cover of Nassau Plantation: The Evolution of a Texas-German Slave Plantation

Nassau Plantation

The Evolution of a Texas-German Slave Plantation

James C. Kearney

University of North Texas Press, 2010

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cover of Nationalism and Sexuality: Middle-Class Morality and Sexual Norms in Modern Europe

Nationalism and Sexuality

Middle-Class Morality and Sexual Norms in Modern Europe

George L. Mosse, With a critical introduction by Mary Louise Roberts

University of Wisconsin Press, 2020

This landmark work by George L. Mosse, first published in 1985, examines the history of sexuality through the lens of bourgeois respectability and nationalism. Using a daring breadth of German and English sources, Nationalism and Sexuality pioneered the use of gender stereotypes as a methodology for studying the history of sexuality in mainstream European history. Mosse’s innovative inquiries on gender remain central to discussions about modern constructions of national belonging and the workings of the state. This edition of Mosse’s classic volume includes a new critical introduction by Mary Louise Roberts, whose books include What Soldiers Do: Sex and the American GI in World War II France.
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cover of Nazi Culture: Intellectual, Cultural, and Social Life in the Third Reich

Nazi Culture

Intellectual, Cultural, and Social Life in the Third Reich

George L. Mosse

University of Wisconsin Press, 2003

What was life like under the Third Reich? What went on between parents and children?  What were the prevailing attitudes about sex, morality, religion? How did workers perceive the effects of the New Order in the workplace? What were the cultural currents—in art, music, science, education, drama, and on the radio?

Professor Mosse’s extensive analysis of Nazi culture—groundbreaking upon its original publication in 1966—is now offered to readers of a new generation. Selections from newspapers, novellas, plays, and diaries as well as the public pronouncements of Nazi leaders, churchmen, and professors describe National Socialism in practice and explore what it meant for the average German.

By recapturing the texture of culture and thought under the Third Reich, Mosse’s work still resonates today—as a document of everyday life in one of history’s darkest eras and as a living memory that reminds us never to forget.

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cover of Nazi Film Melodrama

Nazi Film Melodrama

Laura Heins

University of Illinois Press, 2013

Cultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich.
 
Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.

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cover of Nazi Ideology before 1933: A Documentation

Nazi Ideology before 1933

A Documentation

Introduced and translated by Barbara Miller Lane and Leila J. Rupp

University of Texas Press, 1978

This volume brings together a hitherto scattered and inaccessible body of material crucial to the understanding of the evolution of Nazi political thought. Before the publication of this volume, scholars had virtually ignored the extensive writings and programs published by leading Nazi ideologues before 1933. Barbara Miller Lane and Leila J. Rupp have collected the political writings of Nazi theorists—Dietrich Eckart, Alfred Rosenberg, Gottfried Feder, Joseph Goebbels, Gregor and Otto Strasser, Heinrich Himmler, and Richard Walther Darré—during the period before the National Socialists came to power. The Strassers are given considerable space because of their great intellectual importance within the party before 1933. In commentary by the editors, the significance of each Nazi theorist is weighed and evaluated at each stage of the history of the party.

Lane and Rupp conclude that Nazi ideology, before 1933 at least, was not a consistent whole but a doctrine in the process of rapid development to which new ideas were continually introduced. By the time the Nazis came to power, however, a group of interrelated assertions and official promises had been made to party followers and to the public. Hitler and the Third Reich had to accommodate this ideology, even when not implementing it. Hitler’s role in the development of Nazi ideology, interpreted here as a very permissive one, is thoroughly assessed. His own writings, however, have been omitted since they are readily available elsewhere.

The twenty-eight documents included in this book illustrate themes and phases in Nazi ideology which are discussed in the introduction and the detailed prefatory notes. Long selections, as often as possible full-length, are provided to allow the reader to follow the arguments. Each selection is accompanied by an introductory note and annotations which clarify its relationship to other works of the author and other writings of the period. Also included are original translations of the “Twenty-Five Points” and a number of little-known official party statements.

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cover of Nazi Psychoanalysis V1: Volume I: Only Psychoanalysis Won the War

Nazi Psychoanalysis V1

Volume I: Only Psychoanalysis Won the War

Laurence A. Rickels

University of Minnesota Press, 2002

A revolutionary new approach to the place of Nazi ideology in twentieth-century thought

Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.

Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence—one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.
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cover of Nazi Psychoanalysis V2: Volume II: Crypto-Fetishism

Nazi Psychoanalysis V2

Volume II: Crypto-Fetishism

Laurence A. Rickels

University of Minnesota Press, 2002

A revolutionary new approach to the place of Nazi ideology in twentieth-century thought

Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.

Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger; and in works as different as Der Golem, Civilization and Its Discontents,Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence—one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances—can be adequately understood without a thorough consideration of its Nazi component.
[more]
cover of Nazi Psychoanalysis V3: Volume III: Psy Fi

Nazi Psychoanalysis V3

Volume III: Psy Fi

Laurence A. Rickels

University of Minnesota Press, 2002

A revolutionary new approach to the place of Nazi ideology in twentieth-century thought

Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.

Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger; and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence-one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances—can be adequately understood without a thorough consideration of its Nazi component.
[more]
cover of Nazi-Looted Jewish Archives in Moscow: A Guide to Jewish Historical and Cultural Collections in the Russian State Military Archive

Nazi-Looted Jewish Archives in Moscow

A Guide to Jewish Historical and Cultural Collections in the Russian State Military Archive

Edited by David E. Fishman, Mark Kupovetsky, and Vladimir Kuzelenkov

University of Scranton Press, 2010

During their ascendency and subsequent occupation of much of Europe, the Nazis plundered the documents and cultural treasures of Jewish organizations as well as other groups and individuals they deemed to be enemies of the Reich. When the Nazis were crushed, many of these looted collections, as well as records of Nazi state agencies that persecuted and murdered Jews, were discovered by the Soviet Army, then transferred to Moscow and held for decades in closed, secret archives. This catalog and guide supplies the first comprehensive, collection-by-collection English-language description of this historical and cultural documentation, which the Nazis meant to be among the only vestiges of the millions of victims they annihilated.  Scholars and lay researchers will find this reference a unique and indispensable guide to the invaluable remains of a rich world brutally destroyed.
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cover of Nefertiti: The Making of a Global Icon

Nefertiti

The Making of a Global Icon

Sebastian Conrad

University of Chicago Press, 2026

Charts the global resonance of the image of Nefertiti over the past century. 

From the moment that the bust of Nefertiti was uncovered after over three thousand years and shown at its first exhibition in Berlin in 1924, it rapidly became an iconic image. Today, the silhouette alone of this powerful ancient Egyptian queen is recognized and admired around the world.

In Nefertiti: The Making of a Global Icon, historian Sebastian Conrad tracks the full story of the world’s embrace and appropriation of this famous visage. Starting with the discovery of the bust and Germany’s claims to its possession, Conrad shows how it became a contested object, tracing Egypt’s efforts to call for its restitution from 1924 to the present. He also canvasses the uses to which Nefertiti’s image has been put and the causes with which it has been associated: for cosmetic ads and beauty clinics; by advocates for European unity; by drag queens and the queer community; by National Socialists; by nationalists in Egypt and Bengal; by Afro-Brazilian communities; and by important Black figures from Elijah Muhammad to Beyoncé. Against a global backdrop, Conrad showcases the stunning object’s fame and the often-controversial issues and debates in which it has been embroiled. He also argues that the story of Nefertiti’s trajectory offers insights into the changing shape of globalization from the era of imperialism to the present.

This accessible, deeply researched book reveals both how much is at stake in the life of objects and how Nefertiti’s arresting likeness continues to challenge us today.

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cover of Negotiated Reform: The Multilevel Governance of Financial Regulation

Negotiated Reform

The Multilevel Governance of Financial Regulation

Edited by Renate Mayntz

Campus Verlag, 2016

Multilevel structures are becoming increasingly characteristic of the world in which we live. This book is a unique study of policy making in a multilevel political system extending from the national to the international level. Taking as its subject the process of financial market reforms that took place following the recent financial crisis, it brings together an international group of renowned social scientists to explore the interplay between international organizations, European authorities, and regulators in the United States, the United Kingdom, and Germany in global financial decision making. Contributors thoroughly explore a small set of reform issues—including bank structure, bank capital, resolution, and over-the-counter trading of derivatives—to provide a detailed view of the vertical and horizontal interactions between these actors as related to a set of key questions: Are those states affected by the crisis adopting internationally negotiated regulations? Or are they instead determining the European and international reform agenda? Are the agreed upon policies contributing to greater harmonization of financial regulation in a multilevel political system? Or is the process being dominated by differing national interests?
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cover of Neither German nor Pole: Catholicism and National Indifference in a Central European Borderland

Neither German nor Pole

Catholicism and National Indifference in a Central European Borderland

James E. Bjork

University of Michigan Press, 2009

"This is a fascinating local story with major implications for studies of nationalism and regional identities throughout Europe more generally."
---Dennis Sweeney, University of Alberta

"James Bjork has produced a finely crafted, insightful, indeed, pathbreaking study of the interplay between religious and national identity in late nineteenth-century Central Europe."
---Anthony Steinhoff, University of Tennessee at Chattanooga

Neither German nor Pole examines how the inhabitants of one of Europe's most densely populated industrial districts managed to defy clear-cut national categorization, even in the heyday of nationalizing pressures at the turn of the twentieth century. As James E. Bjork argues, the "civic national" project of turning inhabitants of Upper Silesia into Germans and the "ethnic national" project of awakening them as Poles both enjoyed successes, but these often canceled one another out, exacerbating rather than eliminating doubts about people's national allegiances. In this deadlock, it was a different kind of identification---religion---that provided both the ideological framework and the social space for Upper Silesia to navigate between German and Polish orientations. A fine-grained, microhistorical study of how confessional politics and the daily rhythms of bilingual Roman Catholic religious practice subverted national identification, Neither German nor Pole moves beyond local history to address broad questions about the relationship between nationalism, religion, and modernity.

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cover of New German Dance Studies

New German Dance Studies

Edited by Susan Manning and Lucia Ruprecht

University of Illinois Press, 2012

New German Dance Studies offers fresh histories and theoretical inquiries that resonate across fields of the humanities. Sixteen essays range from eighteenth-century theater dance to popular contemporary dances in global circulation. In an exquisite trans-Atlantic dialogue that demonstrates the complexity and multilayered history of German dance, American and European scholars and artists elaborate on definitive performers and choreography, focusing on three major thematic areas: Weimar culture and its afterlife, the German Democratic Republic, and recent conceptual trends in theater dance.
 
Contributors are Maaike Bleeker, Franz Anton Cramer, Kate Elswit, Susanne Franco, Susan Funkenstein, Jens Richard Giersdorf, Yvonne Hardt, Sabine Huschka, Claudia Jeschke, Marion Kant, Gabriele Klein, Karen Mozingo, Tresa Randall, Gerald Siegmund, and Christina Thurner.
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cover of Nietzsche

Nietzsche

Lou Salomé

University of Illinois Press, 1988

This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salomé, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting.
 
Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works.
 
Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche."
 
Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart.
 
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cover of Nietzsche's Kisses: A Novel

Nietzsche's Kisses

A Novel

Lance Olsen

University of Alabama Press, 2006

Nietzsche's Kisses is the story of Friedrich Nietzsche's last mad night on earth. Locked in a small room on the top floor of a house in Weimar, the most radical and influential of nineteenth-century German philosophers hovers between dream and wakefulness, memory and hallucination, the first person, second, and third, past and present, reliving his brief love affair with feminist Lou Salome, his stormy association with Richard Wagner, and his conflicted relationship with Lisbeth, his radibly anti-Semitic sister. Here is an authoritative portrait of the Nietzsche we know and the Nietzsche we don't. His titantic ego, suppressed, squelched, and sealed up within him, all but unknown to his acquaintances, creates a maniacal and raging giant inside his own skull that is mysterious and unnerving. Both stylistically and formally innovative, the prose in Nietzsche's Kisses is surprising and rich. The result is a vivid, complex experience of Nietzsche's final hours.


 

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cover of Nietzsche's Philosophical Context: An Intellectual Biography

Nietzsche's Philosophical Context

An Intellectual Biography

Thomas Brobjer

University of Illinois Press, 2007

Friedrich Nietzsche was immensely influential and, counter to most expectations, also very well read. An essential new reference tool for those interested in his thinking, Nietzsche’s Philosophical Context identifies the chronology and huge range of philosophical books that engaged him. Rigorously examining the scope of this reading, Thomas H. Brobjer consulted over two thousand volumes in Nietzsche’s personal library, as well as his book bills, library records, journals, letters, and publications. This meticulous investigation also considers many of the annotations in his books. In arguing that Nietzsche’s reading often constituted the starting point for, or counterpoint to, much of his own thinking and writing, Brobjer’s study provides scholars with fresh insight into how Nietzsche worked and thought; to which questions and thinkers he responded; and by which of them he was influenced. The result is a new and much more contextual understanding of Nietzsche's life and thinking.
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cover of Nietzsche's Sister and the Will to Power: A Biography of Elisabeth Förster-Nietzsche

Nietzsche's Sister and the Will to Power

A Biography of Elisabeth Förster-Nietzsche

Carol Diethe

University of Illinois Press, 2002

A penetrating study of the sister who betrayed and endangered her famous brother's legacy

In 1901, a year after her brother Friedrich's death, Elisabeth Förster-Nietzsche published The Will to Power, a hasty compilation of writings he had never intended for print. In Nietzsche's Sister and the Will to Power, Carol Diethe contends that Förster-Nietzsche's own will to power and her desire to place herself--not her brother--at the center of cultural life in Germany are centrally responsible for Nietzsche's reputation as a belligerent and proto-Fascist thinker.

Offering a new look at Nietzsche's sister from a feminist perspective, this spirited and erudite biography examines why Elisabeth Förster-Nietzsche recklessly consorted with anti-Semites, from her own husband to Hitler himself, out of convenience and a desire for revenge against a brother whose love for her waned after she caused the collapse of his friendship with Lou Salomé. The book also examines their family dynamics, Nietzsche's dismissal of his sister's early writing career, and the effects of limited education on intelligent women. Diethe concludes by detailing Förster-Nietzsche's brief marriage and her subsequent colonial venture in Paraguay, maintaining that her sporadic anti-Semitism was, like most things in her life, an expedient tool for cultivating personal success and status.

A volume in the series International Nietzsche Studies, edited by Richard Schacht

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cover of Nightingales in Berlin: Searching for the Perfect Sound

Nightingales in Berlin

Searching for the Perfect Sound

David Rothenberg

University of Chicago Press, 2019

A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art.
But have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in?
As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.
 
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cover of No Storm, Just Weather

No Storm, Just Weather

Judith Kuckart

Seagull Books, 2023

An engaging exploration of romance focusing on disparate ages of lovers.

Sunday evening, Tegel Airport, Berlin: A woman strikes up a conversation with a man, Robert Sturm, who is thirty-six years old and eighteen years her junior. He is on his way to Siberia and will return the following Saturday. She cannot wait . . .

In 1981 she came to West Berlin as an eighteen-year-old to study medicine and met Viktor, who was twice her age. Though he opened the world up to her, he remained closed himself. At the turn of the millennium and thirty-six, she meets Johann. He is thirty-six too. They try to make a life together, but their jobs aren’t the only things that are precarious. Saturday morning, Tegel Airport again: For six days, her everyday life and her memories have become entwined. Why are the men in her life always thirty-six? Is she still the person she remembers? Or, being someone who knows their way around the mind, is she in fact what she has forgotten?
 
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cover of Not Straight from Germany: Sexual Publics and Sexual Citizenship since Magnus Hirschfeld

Not Straight from Germany

Sexual Publics and Sexual Citizenship since Magnus Hirschfeld

Michael Thomas Taylor, Annette F. Timm, and Rainer Herrn, Editors

University of Michigan Press, 2017

Magnus Hirschfeld’s Institute for Sexual Science was founded in Berlin in 1919 as a place of research, political advocacy, counseling, and public education. Inspired by the world’s first gay rights organizations, it was closely allied with other groups fighting for sexual reform and women’s rights, and was destroyed in 1933 as the first target of the Nazi book burnings. Not Straight from Germany examines the legacy of that history, combining essays and a lavish array of visual materials. Scholarly essays investigate the ways in which sex became public in early 20th-century Germany, contributing to a growing awareness of Hirschfeld’s influence on histories of sexuality while also widening the perspective beyond the lens of identity politics.
 
Two visual sourcebooks and catalog essays on an exhibition of contemporary artists’ responses to the Hirschfeld historical materials interrogate the modes of visual representation that Hirschfeld employed by re-imagining the public visibility of his institute from a contemporary perspective. The archival material includes stunning, never-before-published images from Hirschfeld’s institute that challenge many received ideas, while the scholarly and art catalog essays explore collaboration and dialogue as methods of research and activism that resonate beyond the academy to pressing issues of public concern.

 
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cover of Not Without Honor: The Nazi POW Journal of Steve Carano; With Accounts by John C. Bitzer and Bill Blackmon

Not Without Honor

The Nazi POW Journal of Steve Carano; With Accounts by John C. Bitzer and Bill Blackmon

Kay Sloan

University of Arkansas Press, 2008

Not Without Honor threads together the stories of three American POWs—Carano; his buddy Bill Blackmon, who was also at Stalag 17 b; and John C. Bitzer, who survived the brutal “Death March” from northern Germany to liberation in April 1945. At times the journal reads like a thriller as he records air battles and escape attempts. Yet in their most gripping accounts, these POWs ruminate on psychological survival. The sense of community they formed was instrumental to their endurance. This compelling book allows the reader to journey with these young men as they bore firsthand witness to the best and worst of human nature.
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cover of Notebooks, Volume 1, 1998-99

Notebooks, Volume 1, 1998-99

Anselm Kiefer

Seagull Books, 2015

“For a long time, it was not clear if I would become a writer or an artist,” says Anselm Kiefer, whose paintings and sculptures have made him one of the most significant and influential artists of our time. Since he was awarded the Peace Prize by the German Book Trade in 2008, his essays, speeches, and lectures have gradually received more attention, but until now his diary accounts have been almost completely unknown. The power in Kiefer’s images, however, is rivaled by his writings on nature and history, literature and antiquity, and mysticism and mythology.

The first volume of Notebooks spans the years 1998-1999 and traces the origins and creative process of Kiefer’s visual works during this period. In this volume, Kiefer returns constantly to his touchstones: sixteenth-century alchemist Robert Fludd, German romantic poet Novalis, Martin Heidegger, Ingeborg Bachmann, Robert Musil, and many other writers and thinkers. The entries reveal the process by which his artworks are informed by his reading—and vice versa—and track the development of the works he created in the late 1990s. Translated into English for the first time by Tess Lewis, the diaries reveal Kiefer’s strong affinity for language and let readers witness the process of thoughts, experiences, and adventures slowly transcending the limits of art, achieving meaning in and beyond their medium.
 
Praise for Kiefer

 “His works recall, in this sense, the grand tradition of history painting, with its notion about the elevated role of art in society, except that they do not presume moral certainty. What makes Kiefer’s work so convincing . . . is precisely its ambiguity and self-doubt, its rejection of easy solutions, historical amnesia, and transcendence.”—New York Times

“Wordiness for Kiefer is painterliness. The library and the gallery, the book and the frame inseparable, even interchangeable, in his monumental archive of human memory. Not since Picasso’s Guernica have pictures demanded so urgently that we studiously reflect and recollect in their presence.”—Simon Schama
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cover of Nothing Happened: Charlotte Salomon and an Archive of Suicide

Nothing Happened

Charlotte Salomon and an Archive of Suicide

Darcy C. Buerkle

University of Michigan Press, 2013

Charlotte Salomon's (1917-43) fantastical autobiography, Life? or Theater?, consists of 769 sequenced gouache paintings, through which the artist imagined the circumstances of the eight suicides in her family, all but one of them women. But Salomon's focus on suicide was not merely a familial idiosyncrasy. Nothing Happened argues that the social history of early-twentieth-century Germany has elided an important cultural and social phenomenon by not including the story of German Jewish women and suicide. This absence in social history mirrors an even larger gap in the intellectual history of deeply gendered suicide studies that have reproduced the notion of women's suicide as a rarity in history. Nothing Happened is a historiographic intervention that operates in conversation and in tension with contemporary theory about trauma and the reconstruction of emotion in history.

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cover of Novalis: Signs of Revolution

Novalis

Signs of Revolution

William Arctander O Brien

Duke University Press, 1994

Novalis traces the meteoric career of one of the most striking—and most strikingly misunderstood—figures of German Romanticism. Although Friedrich von Hardenberg (better known by his pseudonym, Novalis) published scarcely eighty pages of writings in his lifetime, his considerable fame and influence continued to spread long after his death in 1801. His posthumous reputation, however, was largely based on the myth manufactured by opportunistic editors, as Wm. Arctander O’Brien reveals in this book, the first to extract Hardenberg from the distortions of history.
A member of the generation of the 1770s that included Hegel, Hölderlin, and Schelling, Hardenberg was an avid follower of the French Revolution, a semiotician avant la lettre, and a prescient critic of religion. Yet in 1802, only a year after his death, the writer who had scandalized the Prussian court was marketed to a nation at war as a reactionary patriot, a sweet versifier of Idealism, and a morbid mystic. Identifying the break between Hardenberg’s own early Romanticism and the late Romanticism that falsified it, Novalis shows us a writer fully engaged in revolutionary politics and examines his semiotic readings of philosophy and of the political, scientific, and religious institutions of the day. Drawing on the full range of Novalis’s writings, including his poetry, notebooks, novels, and journals, O’Brien situates his semiotics between those of the eighteenth century and those of the twentieth and demonstrates the manner in which a concern for signs and language permeated all aspects of his thought.
The most extensive study of Hardenberg available in English, Novalis makes this revolutionary theoretician visible for the first time. Mining a crucial chapter in the history of semiotics and social theory, it suggests fruitful, sometimes problematic connections between semiotic, historical, "deconstructive," and philological practices as it presents a portrait of one of the most complex figures in literary history. Indispensable for scholars of German Romanticism, Novalis will also be of interest to students of comparative literature and European intellectual history.
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