775 books match the query 'Germany' and 26 start with n
Stanford Lyman
University of Arkansas Press, 1995
Focusing on the Cold War years, thismonograph examines the processes, problems, and policies through which the Federal Republic of Germany was formed and admitted into the North Atlantic Treaty Organization (NATO). The author compares the situation of Weimar Germany during its short-lived postwar decade with that of the Federal Republic by applying geopolitical concepts and theory, illustrating Germany’s territorial uniqueness and how that special aspect of its place on the European continent in?uenced the nation’s diplomacy in both eras.
During the late 1940s and the 1950s, the problem presented by Germany to the other NATO allies was how to secure and maintain the Federal Republic’s allegiance to the anticommunist alliance without eliminating the country’s desire to be reunited with its Soviet-dominated eastern section. How both NATO and Germany managed to maintain themselves in a state of dynamic equilibrium throughout the era of the Cold War illustrates the concept of international organization called “cooptation,” which Lyman helped to de?ne and expand.
The epilogue explores the larger issues that the case study illuminates: global space, national territorialization, collective identity, and ethnocentrism. Considering the current con?ict in the Balkans as it relates to the new Germany and the role of NATO, this far-reaching book is especially relevant with its suggestions for a basic supranational sociology.
Amy Leonard
University of Chicago Press, 2005
James C. Kearney
University of North Texas Press, 2010
George L. Mosse, With a critical introduction by Mary Louise Roberts
University of Wisconsin Press, 2020
George L. Mosse
University of Wisconsin Press, 2003
What was life like under the Third Reich? What went on between parents and children? What were the prevailing attitudes about sex, morality, religion? How did workers perceive the effects of the New Order in the workplace? What were the cultural currents—in art, music, science, education, drama, and on the radio?
Professor Mosse’s extensive analysis of Nazi culture—groundbreaking upon its original publication in 1966—is now offered to readers of a new generation. Selections from newspapers, novellas, plays, and diaries as well as the public pronouncements of Nazi leaders, churchmen, and professors describe National Socialism in practice and explore what it meant for the average German.
By recapturing the texture of culture and thought under the Third Reich, Mosse’s work still resonates today—as a document of everyday life in one of history’s darkest eras and as a living memory that reminds us never to forget.
Laura Heins
University of Illinois Press, 2013
Introduced and translated by Barbara Miller Lane and Leila J. Rupp
University of Texas Press, 1978
This volume brings together a hitherto scattered and inaccessible body of material crucial to the understanding of the evolution of Nazi political thought. Before the publication of this volume, scholars had virtually ignored the extensive writings and programs published by leading Nazi ideologues before 1933. Barbara Miller Lane and Leila J. Rupp have collected the political writings of Nazi theorists—Dietrich Eckart, Alfred Rosenberg, Gottfried Feder, Joseph Goebbels, Gregor and Otto Strasser, Heinrich Himmler, and Richard Walther Darré—during the period before the National Socialists came to power. The Strassers are given considerable space because of their great intellectual importance within the party before 1933. In commentary by the editors, the significance of each Nazi theorist is weighed and evaluated at each stage of the history of the party.
Lane and Rupp conclude that Nazi ideology, before 1933 at least, was not a consistent whole but a doctrine in the process of rapid development to which new ideas were continually introduced. By the time the Nazis came to power, however, a group of interrelated assertions and official promises had been made to party followers and to the public. Hitler and the Third Reich had to accommodate this ideology, even when not implementing it. Hitler’s role in the development of Nazi ideology, interpreted here as a very permissive one, is thoroughly assessed. His own writings, however, have been omitted since they are readily available elsewhere.
The twenty-eight documents included in this book illustrate themes and phases in Nazi ideology which are discussed in the introduction and the detailed prefatory notes. Long selections, as often as possible full-length, are provided to allow the reader to follow the arguments. Each selection is accompanied by an introductory note and annotations which clarify its relationship to other works of the author and other writings of the period. Also included are original translations of the “Twenty-Five Points” and a number of little-known official party statements.
Laurence A. Rickels
University of Minnesota Press, 2002
A revolutionary new approach to the place of Nazi ideology in twentieth-century thought
Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.
Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger, and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence—one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances-can be adequately understood without a thorough consideration of its Nazi component.Laurence A. Rickels
University of Minnesota Press, 2002
A revolutionary new approach to the place of Nazi ideology in twentieth-century thought
Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.
Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger; and in works as different as Der Golem, Civilization and Its Discontents,Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence—one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances—can be adequately understood without a thorough consideration of its Nazi component.Laurence A. Rickels
University of Minnesota Press, 2002
A revolutionary new approach to the place of Nazi ideology in twentieth-century thought
Psychoanalysis was a symptom of everything the Nazis reviled: an intellectual assault on Kultur largely perpetrated by Jews. It was also, as this remarkable work shows, an inescapable symptom of modernity, practiced, transformed, and perpetuated by and within the Nazi regime. A sweeping, magisterial work by one of the most incisive and interesting scholars of modern philosophy, theory, and culture, Nazi Psychoanalysis studies the breadth of this phenomenon in order to clarify and deepen our understanding not only of psychoanalysis but of the twentieth century.
Tracing the intersections of psychoanalysis and Nazism, Laurence A. Rickels discovers startling conjunctions and continuities in writers as diverse as Adler and Adorno, Kafka and Goethe, Lacan, H. Rider Haggard, and Heidegger; and in works as different as Der Golem, Civilization and Its Discontents, Frankenstein, Faust, and Brave New World. In a richly allusive style, he writes of psychoanalysis in multifarious incarnations, of the concept and actual history of "insurance," of propaganda in theory and practice, of psychological warfare, Walt Disney, and the Frankfurt School debates—a dizzying tour of the twentieth century that helps us see how the "corridor wars" that arise in the course of theoretical, clinical, social, political, and cultural attempts to describe the human psyche are related to the world wars of the century in an intimate and infinitely complicated manner. Though some have used its appropriation by the Nazis to brand psychoanalysis with the political odium of fascism, Rickels instead finds an uncanny convergence-one that suggests far-reaching possibilities for both psychoanalysis and psychoanalytic criticism. His work, with its enormous intellectual and historical span, makes a persuasive argument that no element of modernity—not psychoanalysis any more than Marxism or deconstruction, cultural revolutions or technological advances—can be adequately understood without a thorough consideration of its Nazi component.Edited by David E. Fishman, Mark Kupovetsky, and Vladimir Kuzelenkov
University of Scranton Press, 2010

Sebastian Conrad
University of Chicago Press, 2026
Charts the global resonance of the image of Nefertiti over the past century.
From the moment that the bust of Nefertiti was uncovered after over three thousand years and shown at its first exhibition in Berlin in 1924, it rapidly became an iconic image. Today, the silhouette alone of this powerful ancient Egyptian queen is recognized and admired around the world.
In Nefertiti: The Making of a Global Icon, historian Sebastian Conrad tracks the full story of the world’s embrace and appropriation of this famous visage. Starting with the discovery of the bust and Germany’s claims to its possession, Conrad shows how it became a contested object, tracing Egypt’s efforts to call for its restitution from 1924 to the present. He also canvasses the uses to which Nefertiti’s image has been put and the causes with which it has been associated: for cosmetic ads and beauty clinics; by advocates for European unity; by drag queens and the queer community; by National Socialists; by nationalists in Egypt and Bengal; by Afro-Brazilian communities; and by important Black figures from Elijah Muhammad to Beyoncé. Against a global backdrop, Conrad showcases the stunning object’s fame and the often-controversial issues and debates in which it has been embroiled. He also argues that the story of Nefertiti’s trajectory offers insights into the changing shape of globalization from the era of imperialism to the present.
This accessible, deeply researched book reveals both how much is at stake in the life of objects and how Nefertiti’s arresting likeness continues to challenge us today.
Edited by Renate Mayntz
Campus Verlag, 2016
James E. Bjork
University of Michigan Press, 2009
"This is a fascinating local story with major implications for studies of nationalism and regional identities throughout Europe more generally."
---Dennis Sweeney, University of Alberta
"James Bjork has produced a finely crafted, insightful, indeed, pathbreaking study of the interplay between religious and national identity in late nineteenth-century Central Europe."
---Anthony Steinhoff, University of Tennessee at Chattanooga
Neither German nor Pole examines how the inhabitants of one of Europe's most densely populated industrial districts managed to defy clear-cut national categorization, even in the heyday of nationalizing pressures at the turn of the twentieth century. As James E. Bjork argues, the "civic national" project of turning inhabitants of Upper Silesia into Germans and the "ethnic national" project of awakening them as Poles both enjoyed successes, but these often canceled one another out, exacerbating rather than eliminating doubts about people's national allegiances. In this deadlock, it was a different kind of identification---religion---that provided both the ideological framework and the social space for Upper Silesia to navigate between German and Polish orientations. A fine-grained, microhistorical study of how confessional politics and the daily rhythms of bilingual Roman Catholic religious practice subverted national identification, Neither German nor Pole moves beyond local history to address broad questions about the relationship between nationalism, religion, and modernity.
Edited by Susan Manning and Lucia Ruprecht
University of Illinois Press, 2012

Lou Salomé
University of Illinois Press, 1988
Lance Olsen
University of Alabama Press, 2006
Thomas Brobjer
University of Illinois Press, 2007
Carol Diethe
University of Illinois Press, 2002
In 1901, a year after her brother Friedrich's death, Elisabeth Förster-Nietzsche published The Will to Power, a hasty compilation of writings he had never intended for print. In Nietzsche's Sister and the Will to Power, Carol Diethe contends that Förster-Nietzsche's own will to power and her desire to place herself--not her brother--at the center of cultural life in Germany are centrally responsible for Nietzsche's reputation as a belligerent and proto-Fascist thinker.
Offering a new look at Nietzsche's sister from a feminist perspective, this spirited and erudite biography examines why Elisabeth Förster-Nietzsche recklessly consorted with anti-Semites, from her own husband to Hitler himself, out of convenience and a desire for revenge against a brother whose love for her waned after she caused the collapse of his friendship with Lou Salomé. The book also examines their family dynamics, Nietzsche's dismissal of his sister's early writing career, and the effects of limited education on intelligent women. Diethe concludes by detailing Förster-Nietzsche's brief marriage and her subsequent colonial venture in Paraguay, maintaining that her sporadic anti-Semitism was, like most things in her life, an expedient tool for cultivating personal success and status.
A volume in the series International Nietzsche Studies, edited by Richard Schacht
David Rothenberg
University of Chicago Press, 2019
Judith Kuckart
Seagull Books, 2023
Michael Thomas Taylor, Annette F. Timm, and Rainer Herrn, Editors
University of Michigan Press, 2017
Kay Sloan
University of Arkansas Press, 2008
Anselm Kiefer
Seagull Books, 2015
Darcy C. Buerkle
University of Michigan Press, 2013
Charlotte Salomon's (1917-43) fantastical autobiography, Life? or Theater?, consists of 769 sequenced gouache paintings, through which the artist imagined the circumstances of the eight suicides in her family, all but one of them women. But Salomon's focus on suicide was not merely a familial idiosyncrasy. Nothing Happened argues that the social history of early-twentieth-century Germany has elided an important cultural and social phenomenon by not including the story of German Jewish women and suicide. This absence in social history mirrors an even larger gap in the intellectual history of deeply gendered suicide studies that have reproduced the notion of women's suicide as a rarity in history. Nothing Happened is a historiographic intervention that operates in conversation and in tension with contemporary theory about trauma and the reconstruction of emotion in history.
William Arctander O Brien
Duke University Press, 1994