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A nuanced portrait of one of the most complex figures of the Middle East, Gamal Abd al-Nasser.

More than fifty years after his death, Gamal Abd al-Nasser remains a towering figure in the Arab world. As one of the young officers who overthrew British-backed King Farouk in Egypt in 1952, Nasser rose to prominence as a charismatic visionary who challenged foreign dominance. At just thirty-six years old, he became the undisputed leader of Egypt in a presidency that would run from 1956 to 1970.

This insightful biography, in its second edition and featuring a new introduction from the author, delves into the life of Nasser, charting his rise to power, his nationalization of the Suez Canal, and his turbulent years as president. Many in the Arab World celebrate Nasser for his defiance of colonial rule and his dream of Arab unity. However, his legacy is not without its contradictions. Critics have alluded, for instance, to his autocratic rule and unfulfilled promises. In Nasser, Anne Alexander explores this tension between Nasser’s revolutionary ideas and the reality of his governance.

Although famous for his purported last words—“I only regret that I have but one life to lose for my country”—few people know the real Nathan Hale. M. William Phelps brings into focus the life of this famed patriot and first spy of the American Revolution, charting Hale’s rural childhood, his education at Yale, and his work as a schoolteacher. Like many young Americans, he was soon drawn into the colonies’ war for independence and became a captain in Washington’s army. When the general was in need of a spy, Hale willingly rose to the challenge, gathering intelligence behind British lines on Long Island, and in the end bravely sacrificing his life for the sake of American liberty. Using Hale’s own journals and letters as well as testimonies from his friends and contemporaries, Phelps depicts the Revolution as it was seen from the ground. From the confrontation in Boston to the battle for New York City, readers experience what life was like for an ordinary soldier in the struggling Continental Army. In this impressive, well-researched biography, Phelps separates historical fact from long-standing myth to reveal the truth about Nathan Hale, a young man who deserves to be remembered as an original American patriot.

Mario Brelich, a Hungarian author writing in Italian, was a superb ironist. In his three novels, of which this is the first, he explored central episodes of the Old and New Testaments with unsparing wit and intelligence. In Navigator of the Flood, Brelich's Noah is a man laboring under a burden of responsibility by a Lord who appears from time to time to "correct"--at man's expense--His own foreknowledge and omniscience. If Noah finds God's commands at times cruel or incomprehensible, if he still sees beauty in a life now under threat of extinction, and wonders why he and his family should be chosen to survive while all others are condemned to perish, he remains the dutiful and upright patriarch who submits to the role assigned to him.

The third installment in the landmark LAVIS (Language Variety in the South) series, New Perspectives on Language Variety in the South: Historical and Contemporary Approaches brings together essays devoted to the careful examination and elucidation of the rich linguistic diversity of the American South, updating and broadening the work of the earlier volumes by more fully capturing the multifaceted configuration of languages and dialects in the South.
 
Beginning with an introduction to American Indian languages of the Southeast, five fascinating essays discuss indigenous languages, including Caddo, Ofo, and Timucua, and evidence for the connection between the Pre-Columbian Southeast and the Caribbean.
 
Five essays explore the earlier Englishes of the South, covering topics such as the eighteenth century as the key period in the differentiation of Southern American English and the use of new quantitative methods to trace the transfer of linguistic features from England to America. They examine a range of linguistic resources, such as plantation overseers’ writings, modern blues lyrics, linguistic databases, and lexical and locutional compilations that reveal the region’s distinctive dialectal traditions.
 
New Perspectives on Language Variety in the South: Historical and Contemporary Approaches widens the scope of inquiry into the linguistic influences of the African diaspora as evidenced in primary sources and records. A comprehensive essay redefines the varieties of French in Louisiana, tracing the pathway from Colonial Louisiana to the emergence of Plantation Society French in a diglossic relationship with Louisiana Creole. A further essay maps the shift from French to English in family documents.
 
An assortment of essays on English in the contemporary South touch on an array of compelling topics from discourse strategies to dialectal emblems of identity to stereotypes in popular perception.
 
Essays about recent Latino immigrants to the South bring the collection into the twenty-first century, taking into account the dramatic increase in the population of Spanish speakers and illuminating the purported role of “Spanglish,” the bilingual lives of Spanish-speaking Latinos in Mississippi, and the existence of regional Spanish dialectal diversity.

Fleeing the Nazis in the months before World War II, the Korman family scattered from a Polish refugee camp with the hope of reuniting in America. The father sailed to Cuba on the ill-fated St. Louis; the mother left for the United States after sending her two sons on a Kindertransport. One of the sons was Gerd Korman, whose memoir follows his own path—from the family’s deportation from Hamburg, through his time with an Anglican family in rural England, to the family’s reunited life in New York City. His memoir plumbs the depths of twentieth-century history to rescue the remarkable life story of one of its survivors.

From the author of the widely acclaimed Woman in Levi’s, this colorful autobiography follows a year in the lives of the lone woman rancher, her students, and their families in 1930s rural Southern Arizona.

Josef Erdman arrives in Maribor, Slovenia, on the eve of World War II. Though he claims to be a salesman, it soon becomes apparent that Josef has no purpose in the town--and that a newcomer can expect nothing but distrust from the townspeople. Against this backdrop he witnesses the fiery shimmer of the aurora borealis and imagines the town set aflame--an omen of the coming war.

Vividly revealing the challenges faced by a group of migrant workers who eventually formed the multiracial town of Randolph, Arizona, Not All Okies Are White is a brilliant, spellbinding celebration of the resilience and adaptability of people too often ignored by history texts.

Recognizing the black exodus to the American West as an overlooked but integral chapter in American history, Geta LeSeur fills the void by extending her research beyond the Mississippi River and the Mason-Dixon line, examining close-up the personal lives of third- and fourth-generation descendants of pre-Emancipation blacks. In this first full-length study to explore the migrant life of any nonwhite group within the United States and the first to focus specifically on a primarily black town in the Southwest, LeSeur deftly uncovers the stepping-stone pattern of black movement west of the Mississippi into Arkansas, Oklahoma, and Texas, and consequent migrations to Arizona and California imposed by economic and social conditions.

Not All Okies Are White recaptures the ways of life for black migrant workers, as well as Hispanics and Native Americans, in the first half of the century through richly detailed interviews of the families of Randolph's founders. Through the words of each narrator, these personal stories recount work experiences and survival strategies, offering new insights into the people's relationship to the land. The narratives reveal a creative tension between place and identity, movement and migration. LeSeur provides a historical, cultural, and literary context for the oral histories by incorporating news articles, information culled from historical society archives, analyses of films and novels, advertisements, and photographs.

An innovative blend of history telling and literary analysis, Not All Okies Are White describes LeSeur's acquaintance with and growing involvement in the lives of the residents of Randolph and surrounding farm communities. The result is a highly accessible cross-disciplinary study that will appeal to scholars and general readers interested in oral history, African American history, multicultural studies, and women's studies.

Winner of the Prix Franco-Européen

On the eve of D-Day, Isaac Levendel's mother left her hiding place on a farm in southern France and never returned. After 40 years of silence and torment, he returned to France in 1990 determined to find out what had happened. This is the story of how, with perseverance, luck, and official help, he gained access to secret wartime documents laying bare the details of French collaboration-and the truth about his mother's fate.

"A richly erudite history of measurement and an account of its current state in the social sciences—fascinating, informative, provocative." —James S. Coleman, Unversity of Chicago   "Wise and powerful." — American Journal of Sociology   "Personal and provocative—an excellent set of historical and critical ruminations from one of social measurement's greatest contributors." —Choice

Studies of adaptation from novels to film are common, but not as widely known are adaptations with the opposite relationship. In Novelization: From Film to Novel, Jan Baetens explores how transforming an original film or screenplay into a novel establishes a new genre and revises our understanding of narrative theory more broadly. A typical example of popular literature, novelization has remained an overlooked practice in spite of the cultural and commercial importance of the genre, which is as old as cinema itself.
  
Novelization offers a historical overview of the genre, focusing on the various formats that have been adopted since the first decades of the twentieth century until today: daily and weekly novelizations, cheap brochures, pocket books, and trade editions. It studies the specific features of the genre from various points of view: narrative style, illustrations, authorship, and marketing. By studying novelization from a broad historical perspective, Baetens reframes our understanding of adaptation and the relationship between cinema and literature. Rather than assume that cinematic adaptations either cannibalize or rejuvenate literature, Novelization ultimately offers the opportunity to rethink the adaptation paradigm of film and literary studies.

Daniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over the course of forty-five years, uniquely capture the life of England’s “great ordinary.” He has fashioned from his many encounters a nation’s story, challenging the status quo by working collaboratively.

This book includes important work from Meadows’s groundbreaking projects, drawing on the archives now held at the Bodleian Library. It follows the maverick documentarian as he ran a free portrait studio in Manchester’s Moss Side in 1972 and then traveled 10,000 miles to make a national portrait from his converted double-decker, the Free Photographic Omnibus, a project he revisited a quarter-of-a-century later. The book goes on to show how, at the turn of the millennium, Meadows adopted new “kitchen table” technologies to make digital stories, which he dubbed “multimedia sonnets from the people.” Through the unique voices of his subjects, Meadows has made and continues to make moving and insightful commentaries on life in Britain.