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An engaging look at the encounter between Jane Addams, Hull House settlement co-founder and Progressive reformer, and Alderman Johnny Powers.
 
Jane Addams was full of courage and goodwill when she opened Hull House in Chicago’s Nineteenth Ward in 1889. However, she failed to understand that her immigrant neighbors had been well-organized around mostly Catholic churches and schools for decades before her arrival. Her ultimate political rival, Johnny Powers, grew up in this culture but was no ethnic hero or deep political thinker. Nearly Neighbors is the first book to provide a contextualized history of their encounter, embedding it in the social and political culture and structures of Chicago and the Nineteenth Ward in the 1890s.

Terrence J. McDonald provides a crucial analysis of two pivotal figures in Chicago’s political history, in part by providing the first detailed assessment of Powers’s life and practices, but also by demonstrating Addams’s misconception of him and her neighbors—and why it matters for understanding her Progressive work overall. In both her political work and writings, Addams saw her ethnic neighbors as bundles of economic need, rather than bearers of ethnic culture. At the same time, she was recruited by elite allies into causes that appeared to be opposed by her neighbors. These views and practices permitted Powers to win in their climactic political battle in 1898 simply by claiming to be the neighborhood defender against Addams and her “downtown” allies. Nearly Neighbors offers a new way of understanding Addams and the complicated legacy of her famous political work and writings. 
 

A Chicagoan’s coming-of-age memoir finds courage in the face of immense loss

In her early twenties, Maggie Andersen was a founding ensemble member of Chicago’s storied Gift Theatre with her then-boyfriend, Michael Patrick Thornton. But after a series of spinal strokes left Thornton paralyzed, Andersen made the heart-wrenching decision to leave him, along with their growing company and, later, her beloved city. No Stars in Jefferson Park alternates between two narratives: the energy and excitement of making art in Chicago’s thriving storefront theater scene and the devastating day-to-day realities of rehabilitation and rebuilding—and somewhere in the middle finding the courage to choose yourself.

Over the past twenty-plus years, the Gift—now performing in the working-class neighborhood of Portage Park—has become one of the most vital storefront theaters in Chicago, with Thornton’s career taking him to Hollywood and Broadway. But Andersen’s story has brought her back home. No Stars in Jefferson Park is a testament to lifelong friendship, a love letter to Chicago, and a profound coming-of-age story about the pain and necessity of putting yourself first.

A loyal partisan and highly principled public official whose career overlapped with those of many legends of Illinois politics-including Mayor Richard J. Daley, Governor James Thompson, and Illinois House Speaker Michael Madigan-Democrat Philip J. Rock served twenty-two years in the Illinois Senate. Fourteen of those years were spent as senate president, the longest tenure anyone has served in that position. This nuanced political biography, which draws on dozens of interviews conducted by Ed Wojcicki to present the longtime senate president's story in his own words, is also a rare insider's perspective on Illinois politics in the last three decades of the twentieth century. 

A native of Chicago's West Side, Rock became one of the most influential politicians in Illinois during the 1970s and 1980s. As a senator in the 1970s and senate president from 1979 to 1993, he sponsored historic legislation to assist abused and neglected children and victims of domestic violence, ushered the state through difficult income tax increases and economic development decisions, shepherded an unruly and fragmented Democratic senate caucus, and always was fair to his Republican counterparts. Covering in great detail a critical period in Illinois political history for the first time, Rock explains how making life better for others drove his decisions in office, while also espousing the seven principles he advocates for effective leadership and providing context for how he applied those principles to the legislative battles of the era. 

Unlike many Illinois politicians, Rock, a former seminarian, was known for having a greater interest in issues than in partisan politics. Considered a true statesman, he also was known as a skilled orator who could silence a busy floor of legislators with his commentary on important issues and as a devoted public servant who handled tens of thousands of bills and sponsored nearly five hundred of them himself. 

Nobody Calls Just to Say Hello, which takes its title from the volume of calls and visits to elected officials from constituents in need of help, perfectly captures Rock's profound reverence for the institutions of government, his respect for other government offices, and his reputation as a problem solver who, despite his ardent Democratic beliefs, disavowed political self-preservation to cross party lines and make government work for the people. Taking readers through his legislative successes, bipartisan efforts, and political defeats-including a heartbreaking loss in the U.S. Senate primary to Paul Simon in 1984-Rock passionately articulates his belief that government's primary role is to help people, offering an antidote to the current political climate with the simple legislative advice, "Just try to be fair, give everyone a chance, and everything else comes after that."

An engaging account of social reformer Jack Robbins, the Boys’ Brotherhood Republic, and their legacy.

In 1914, social reformer Jack Robbins and a group of adolescent boys in Chicago founded the Boys’ Brotherhood Republic, an unconventional and unusual institution. During a moral panic about delinquent boys, Robbins did not seek to rehabilitate and/or punish wayward youths. Instead, the boys governed themselves, democratically and with compassion for one another, and lived by their mantra “So long as there are boys in trouble, we too are in trouble.” For nearly thirty years, Robbins was their “supervisor,” and the will he drafted in the late 1950s suggests that he continued to care about forgotten boys, even as the political and legal contexts that shaped children’s lives changed dramatically.
 
Nobody’s Boy and His Pals is a lively investigation that challenges our ideas about the history of American childhood and the law. Scouring the archives for traces of the elusive Jack Robbins, Hendrik Hartog examines the legal histories of Progressive reform, childhood, criminality, repression, and free speech. The curiosity of Robbins’s story is compounded by the legal challenges to his will, which wound up establishing the extent to which last wishes must conform to dominant social values. Filled with persistent mysteries and surprising connections, Nobody’s Boy and His Pals illuminates themes of childhood and adolescence, race and ethnicity, sexuality, wealth and poverty, and civil liberties, across the American Century.