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The neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. 
 
Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. 
 
Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.

At a time when most serious drama being written and produced for the American stage aspires only to mainstream acceptance and high-toned mediocrity, an innovative new generation of playwrights based in New York City has emerged, crafting works that challenge and undermine the conventional structure, language, and characterization of commercial theater while rejecting outdated notions of the avant-garde. New Downtown Now brings together ten new works that exemplify the playfulness, excitement, and possibilities of the theater. Characterized by fragmenting structure, hypnotic rhythms, kaleido-scopic imagery, unpredictable characters, and lyrical language, these plays resemble puzzles from which the writers are teasing revelations. Though disparate in subject matter and style, with characters ranging from a sushi chef to a soldier and settings from a taxicab to a live television broadcast, these highly original plays share a commitment to formal experimentation that places them beyond the psychological clichés of the majority and the cold condescension of postmodernism. The anthology includes Interim by Barbara Cassidy; Tragedy: a tragedy by Will Eno; Nine Come by Elana Greenfield; Shufu-Sachiko and Enoshima Island by Madelyn Kent; The Appeal by Young Jean Lee; The Vomit Talk of Ghosts by Kevin Oakes; Ajax (por nobody) by Alice Tuan; Apparition, an uneasy play of the underknown by Anne Washburn; Demon Baby by Erin Courtney.Mac Wellman is the author of numerous plays and the recipient of three Obie awards, most recently in 2003 for lifetime achievement. He is professor of playwriting at Brooklyn College. Young Jean Lee is a playwright and director, and member of the Obie award-winning company 13P. Jeffrey M. Jones is a playwright and curator of the Obie award-winning Little Theater at Tonic in New York.

A renowned scholar compares America's three global cities. "Abu-Lughod nicely characterizes the distinctive feel and experience of the three cities. She works her way through the history, the statistics, and the economic forces, but she ends up on the sidewalk, marveling at the complexity that has been created by an extraordinary history, and enamored of it. What is most urgent about her book is not so much her analysis of the urban condition as her devotion to cities. The city has been under attack by theorists and sprawlers for a long time now, but this fine book provides necessary examples of how the city may be intelligently loved." --Nathan Glazer in The New Republic "In a pathbreaking analysis, Abu-Lughod demonstrates the historical roots of what is usually described as a contemporary phenomenon." --MultiCultural Review "Substantial, in-depth comparison of more than one large city by a single urban scholar, while not unprecedented, is a difficult project to execute competently. Abu-Lughod has done a commendable job. One can only hope that others will follow her pioneering work and provide comparative and historical analyses of other global cities." --Urban Geography "For those of us who are interested in historical-geographical approaches to comparative urbanization, Janet Abu-Lughod's new work, New York, Chicago, Los Angeles: America's Global Cities, comes as a welcome relief. This impressive volume provides a comprehensive, readable, and lively interpretation of the three leading U.S. metropolitan areas. Although Abu-Lughod is a trained urban sociologist, she has a keen sensitivity to historical, spatial, economic, political, and cultural considerationsits real strengths lie in an exhaustive review of empirical evidence from the three metropolises and a rich illustration of points with abundant maps, tables, and figures. Abu-Lughod excels in profiling the trajectories of America's three largest city-regions. I find the book to be a tour de force, the worthwhile result of many years of study and observation. Happily, the book presents the material in a straightforward way and is remarkably free of the jargon that sometimes plagues global-city studies. I hope the book receives wide circulation. Abu-Lughod, after a long scholarly career in urban studies, may have achieved her magnum opus in this ambitious study of America's three preeminent global cities." --Geographical Review "Janet Abu-Lughod's book is both a fascinating history of New York, Chicago, and Los Angeles and a history of the United States from a new perspective. The stories of the three cities are beautifully overlapped but consistent in themselves, related to one another but self-sufficient. This is a very American book-despite the author's wealth of experience abroad. Her forte is the new narrative she weaves from existing research. The book provides a remarkably systematic and organized narrative of urbanization in the 19th and 20th centuries. It is also replete with a collection of individual anecdotal evidence and an impressive multitude of single conceptual and metaphorical observations that are often hidden in the empirical material presented throughout the book. This book represents an outstanding achievement. It will be-and deserves to be-an instant classic. Abu-Lughod's major opus is expressive of a life's work among the great American urbanists and planners of the 20th century. Abu-Lughod is a living example of what the best of urbanism can produce in a largely suburban America. In this sense, the book gives planners a giant source of inspiration: the big picture in long waves. The city lives despite itself." --Roger Keil, Journal of the American Planning Association "Janet L. Abu-Lughod's book is the first to compare these cities in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global state." --Bulletin of Science, Technology & Society New York, Chicago, and Los Angeles--for all their differences, they are quintessentially American cities. They are also among the handful of cities in the world that can truly be called "global." Janet L. Abu-Lughod's book is the first to compare them in an ambitious in-depth study that takes into account each city's unique history, following their development from their earliest days to their current status as players on the global stage. Unlike most other global cities, New York, Chicago, and Los Angeles all quickly grew from the nearly blank slate of the American landscape to become important beyond the nation's borders early in their histories. As a result, Abu-Lughod is able to show the effect of globalization on each city's development from its beginnings. While all three are critical to global economics and the spread of American culture to the farthest reaches of an increasingly interlinked world, their influence reflects their individual histories and personalities. In a masterful synthesis of historical and economic information, Abu-Lughod clarifies how each city's global role is--and will be--affected by geography, ethnicity of population, political institutions, and tradition of governance. New York, Chicago, and Los Angeles are more than global players: they are also home to forty million people. Abu-Lughod closes the book with a set of vignettes that captures the cities' differences as perceived by one who has lived in them. Bringing together the local and the global in thoroughly unexpected and enlightening ways, this important volume offers fascinating insight into these vital urban centers. "Comparative urbanism has few practitioners as distinguished as Janet L. Abu-Lughod. In this monumental study, Professor Abu-Lughod rescues Los Angeles from eccentricity by placing it in comparative context alongside the two most accepted urban paradigms of the United States: New York and Chicago. In doing so, she has added a new city--the City of Angels--to the front ranks of American cities and has significantly enhanced our understanding of New York and Chicago as well." --Kevin Starr, State Librarian of California "This breathtaking tour through the history of the three largest cities of the United States synthesizes the essentials of their varied history in a readable, lively form. New York, Chicago, Los Angeles is the first book I have seen by a single author who has lived in and become intimately knowledgeable about each of the cities, has plumbed their history, examined statistics, and pulled together a comparison that places the data and accounts in the context of personal experience. Abu-Lughod concludes the book with a set of human vignettes that captures differences and similarities among the cities, in the lived experience of a user and employer of each of the cities." --Peter Marcuse, Columbia University "A masterful comparative history of the three cities. Abu-Lughod's scholarship is impeccable and her book extremely well written." --John Friedmann, Professor Emeritus, UCLA, author of Endangered Dreams: The Great Depression and California and The Dream Endures: California Enters the 1940s. Janet L. Abu-Lughod, professor emerita of sociology of Northwestern University and the Graduate Faculty of the New School for Social Research, has been writing about and studying cities for more than fifty years. Her books include From Urban Village to East Village: The Battle for New York's Lower East Side; Changing Cities: Urban Sociology; Before European Hegemony: The World System A.D. 1250-1350; Rabat: Urban Apartheid in Morocco; and Cairo: 1001 Years of the City Victorious, among many other publications. In 1999 she received the Robert and Helen Lynd Award (American Sociological Association, Section on Community and Urban Sociology) for distinguished lifetime contributions to the study of cities.

Although Puerto Rican artists have always been central figures in contemporary American and international art worlds, they have largely gone unrecognized and been excluded from art history canons. Nuyorican and Diasporican Visual Art provides a critical survey of Puerto Rican art production in the United States from the 1960s to the present. The contributors assert the importance and contemporaneity of the Nuyorican art movement by tracing its emergence alongside other American vanguardist movements, highlighting its innovations, and exploring it as an expression of Puerto Rican culture beyond New York to include cities such as Chicago, Philadelphia, and Orlando. They also foreground the contributions and radical aesthetics of female, Black, and queer Puerto Rican artists. Following the expansion and decentralization of the Puerto Rican diaspora and its artistic output, this volume is a call to action for scholars, curators, and artists to address the historical inequalities that have marginalized Diasporican artists and reassess the presence of Puerto Rican artists.

With: Néstor David Pastor, Gabriel Magraner, and Nikki Myers

Contributors. Joseph Anthony Cáceres, Taína Caragol, Arnaldo M. Cruz-Malavé, Deborah Cullen-Morales, Arlene Dávila, Kerry Doran, Elizabeth Ferrer, Yomaira C. Figueroa-Vásquez, Al Hoyos-Twomey, Teréz Iacovino, Johnny Irizarry, Johana Londoño, Urayoán Noel, Néstor David Pastor, Yasmin Ramirez, Melissa M. Ramos Borges, Raquel Reichard, Rojo Robles, Abdiel D. Segarra Ríos, Wilson Valentín-Escobar