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397 books match the query 'Rome' and 3 start with n

cover of New Perspectives on Etruria and Early Rome

New Perspectives on Etruria and Early Rome

Sinclair Bell

University of Wisconsin Press, 2009

This impressive collection brings to light the works of international scholars, some previously unavailable to an English-language audience. With new information and assessments about the art, architecture, and archaeology of one of the most dynamic periods in the history of the ancient world—the transition between pre-Roman and Roman Italy—these scholars focus on ancient Italy and the wider Mediterranean. Shedding new light on the evidence of well-known and recently excavated sites and the objects they have yielded—their iconography, manufacturing techniques, and afterlives—this collection follows the first archaeological traces of the rise of ancient Italy to its rediscovery in the Renaissance and its reinvention in contemporary fiction, offering a vibrant contribution to classical studies.
    Paying tribute to Richard Daniel De Puma, a scholar who has made significant and influential contributions to Etruscan and Roman studies, the contributors to this collection echo the ambition and creativity of his work while offering an up-to-date survey of contemporary Etruscan scholarship. In surveying new developments in both fields, the work collected here represent the diverse, interdisciplinary interests of De Puma as well as areas of recent groundbreaking research.  
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cover of News and Frontier Consciousness in the Late Roman Empire

News and Frontier Consciousness in the Late Roman Empire

Mark W. Graham

University of Michigan Press, 2006

Prior to the third century A.D., two broad Roman conceptions of frontiers proliferated and competed: an imperial ideology of rule without limit coexisted with very real and pragmatic attempts to define and defend imperial frontiers. But from about A.D. 250-500, there was a basic shift in mentality, as news from and about frontiers began to portray a more defined Roman world—a world with limits—allowing a new understanding of frontiers as territorial and not just as divisions of people. This concept, previously unknown in the ancient world, brought with it a new consciousness, which soon spread to cosmology, geography, myth, sacred texts, and prophecy. The “frontier consciousness” produced a unified sense of Roman identity that transcended local identities and social boundaries throughout the later Empire.

Approaching Roman frontiers with the aid of media studies as well as anthropological and sociological methodologies, Mark W. Graham chronicles and documents this significant transition in ancient thought, which coincided with, but was not necessarily dependent on, the Christianization of the Roman world.


Mark W. Graham is Assistant Professor of History at Grove City College.
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cover of Non-Lyric and Lyric in Horace's Odes: The Poetics of Disguise and Infiltration

Non-Lyric and Lyric in Horace's Odes

The Poetics of Disguise and Infiltration

Kenneth Draper

University of Michigan Press, 2026

Kenneth Draper’s new volume investigates genre, gender, and self-presentation in Horace’s first collection of Odes. It examines how Horace uses non-lyric genres—elegy, epic, invective, and philosophical discourse—to define his lyric project, responding to the rhetorical challenge of writing in the wake of civil war. It shows how Horace employs a “poetics of disguise and infiltration” in his engagement with these other genres. At times, he assimilates his lyric persona to an elegiac one, claiming to share elegy’s effeminacy and disinterest in politics. Similarly, he draws on philosophical discourse to present himself as too modest for heavy political themes. In both cases, he turns to clothing metaphors to identify the slight persona as a disguise that he may assume or discard as needed. Through this disingenuous self-presentation, he disavows interest in the masculine modes of epic and invective. Read as reflections on Horace’s own infiltration of epic territory, the examined scenes give clues about his motivations: focusing on the characters’ self-preservation amid dangers, he reminds readers of the risks and audacity of his project.

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