2285 books match the query 'Women' and 46 start with n

cover of NURSE-MIDWIFERY: THE BIRTH OF A NEW AMERICAN PROFESSION

NURSE-MIDWIFERY

THE BIRTH OF A NEW AMERICAN PROFESSION

Laura E. Ettinger

The Ohio State University Press, 2006

During the twentieth century modern births in America came to involve mostly male physicians, hospitals, technological interventions, and quick, routine procedures. In a unique and detailed historical study, Nurse-Midwifery: The Birth of a New American Profession, Laura E. Ettinger fills a void with the first book-length documentation of the emergence of American nurse-midwifery. This occupation developed in the 1920s involving nurses who took advanced training in midwifery. In Nurse-Midwifery, Ettinger shows how nurse-midwives in New York City; eastern Kentucky; Santa Fe, New Mexico; and other places both rebelled against and served as agents of a nationwide professionalization of doctors and medicalization of childbirth. Nurse-Midwifery reveals the limitations that nurses, physicians, and nurse-midwives placed on the profession of nurse-midwifery from the outset because of the professional interests of nursing and medicine. The book argues that nurse-midwives challenged what scholars have called the “male medical model” of childbirth, but the cost of the compromises they made to survive was that nurse-midwifery did not become the kind of independent, autonomous profession it might have been.

Today, nurse-midwives have assumed a larger role in mainstream health care than before, yet they are still marginalized. As in the past, nurse-midwives’ futures will depend on continuing changes in American attitudes about childbirth, health care, and women professionals as well as on their own ability to adapt to the changes. The history of the profession suggests that nurse-midwives will continue to navigate in difficult waters in a middle space between the mainstream and the margins of medicine and between the nursing profession and midwifery traditions.
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cover of Naked Agency: Genital Cursing and Biopolitics in Africa

Naked Agency

Genital Cursing and Biopolitics in Africa

Naminata Diabate

Duke University Press, 2020

Across Africa, mature women have for decades mobilized the power of their nakedness in political protest to shame and punish male adversaries. This insurrectionary nakedness, often called genital cursing, owes its cultural potency to the religious belief that spirits residing in women's bodies can be unleashed to cause misfortune in their targets, including impotence, disease, and death. In Naked Agency, Naminata Diabate analyzes these collective female naked protests in Africa and beyond to broaden understandings of agency and vulnerability. Drawing on myriad cultural texts from social media and film to journalism and fiction, Diabate uncovers how women create spaces of resistance during socio-political duress, including such events as the 2011 protests by Ivoirian women in Côte d’Ivoire and Paris as well as women's disrobing in Soweto to prevent the destruction of their homes. Through the concept of naked agency, Diabate explores fluctuating narratives of power and victimhood to challenge simplistic accounts of African women's helplessness and to show how they exercise political power in the biopolitical era.
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cover of Naked in the Woods: My Unexpected Years in a Hippie Commune

Naked in the Woods

My Unexpected Years in a Hippie Commune

Margaret Grundstein

Oregon State University Press, 2015

In 1970, Margaret Grundstein abandoned her graduate degree at Yale and followed her husband, an Indonesian prince and community activist, to a commune in the backwoods of Oregon. Together with ten friends and an ever-changing mix of strangers, they began to build their vision of utopia.

Naked in the Woods chronicles Grundstein’s shift from reluctant hippie to committed utopian—sacrificing phones, electricity, and running water to live on 160 acres of remote forest with nothing but a drafty cabin and each other.  Grundstein, (whose husband left, seduced by “freer love”) faced tough choices. Could she make it as a single woman in man’s country? Did she still want to? How committed was she to her new life? Although she reveled in the shared transcendence of communal life deep in the natural world, disillusionment slowly eroded the dream. Brotherhood frayed when food became scarce. Rifts formed over land ownership. Dogma and reality clashed.

Many people, baby boomers and millennials alike, have romantic notions about the 1960s and 70s. Grundstein’s vivid account offers an unflinching, authentic portrait of this iconic and often misreported time in American history. Accompanied by a collection of distinctive photographs she took at the time, Naked in the Woods draws readers into a period of convulsive social change and raises timeless questions: how far must we venture to find the meaning we seek, and is it ever far out enough to escape our ingrained human nature?
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cover of Narrating Infertility in Spain

Narrating Infertility in Spain

Catherine Bourland Ross

Bucknell University Press, 2026

The drop in Spanish birth rates in 1998 to their lowest level of 1.1 births per woman was accompanied by a boom in publishing about motherhood. New narrative forms, ranging from blogs to diaries to comics, expressed women’s experiences, including ambivalence about motherhood in the face of societal pressures. Narrating Infertility in Spain, the first study of infertility in post-2008 female-authored texts, analyzes discussions of adoption, assisted reproduction, egg and sperm donation, and the decision not to have children due to economic or social instability. By examining the work of writers and vocal activists Silvia Nanclares, Raquel Sánchez-Silva, Samanta Villar, Laura Freixas, and Diana López Varela, Ross situates infertility in Spain within the cultural context of the Great Recession, while considering it as a business, a crisis, a stigma, and a class issue, and offering broader understandings of contemporary fertility challenges in Spain and beyond.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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cover of Narrating Love and Violence: Women Contesting Caste, Tribe, and State in Lahaul, India

Narrating Love and Violence

Women Contesting Caste, Tribe, and State in Lahaul, India

Bhattacharya, Himika

Rutgers University Press, 2017

Narrating Love and Violence is an ethnographic exploration of women’s stories from the Himalayan valley of Lahaul, in the region of Himachal Pradesh, India, focusing on how both, love and violence emerge (or function) at the intersection of gender, tribe, caste, and the state in India. Himika Bhattacharya privileges the everyday lives of women marginalized by caste and tribe to show how state and community discourses about gendered violence serve as proxy for caste in India, thus not only upholding these social hierarchies, but also enabling violence.
 
The women in this book tell their stories through love, articulated as rejection, redefinition and reproduction of notions of violence and solidarity. Himika Bhattacharya centers the women’s narratives as a site of knowledge—beyond love and beyond violence. This book shows how women on the margins of tribe and caste know both, love and violence, as agents wishing to re-shape discourses of caste, tribe and community.
 
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cover of Narrating Trauma: Victorian Novels and Modern Stress Disorders

Narrating Trauma

Victorian Novels and Modern Stress Disorders

Gretchen Braun

The Ohio State University Press, 2022

Neurasthenia, rail shock, hysteria. In Narrating Trauma, Gretchen Braun traces the nineteenth-century prehistory of those mental and physical responses that we now classify as post-traumatic stress and explores their influence on the Victorian novel. Engaging dialogues between both present-day and nineteenth-century mental science and literature, Braun examines novels that show the development of the mental dysfunction known as nervous disorder, positing that it was understood not as a failure of reason but instead as an organically based, crippling disjunction between the individual mind and its social context—with sufferers inhabiting spaces between sanity and madness. Spanning from the early Victorian period to the fin de siècle and encompassing realist, Gothic, sentimental, and sensation fiction, Narrating Trauma studies trauma across works of fiction by Charlotte Brontë, Emily Jolly, Wilkie Collins, George Eliot, Charles Dickens, and Thomas Hardy. In doing so, Braun brings both nineteenth-century science and current theories of trauma to bear on the narrative patterns that develop around mentally disordered women and men feminized by nervous disorder, creating a framework for novelistic critique of modern lifestyles, stressors, and institutions.
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cover of Natalija: Life in the Balkan Powder Keg, 1880-1956

Natalija

Life in the Balkan Powder Keg, 1880-1956

Natalija Matic-Zrnic

Central European University Press, 2009

The life story of a Serbian woman over a period of more than 70 years, preserved in memoirs, letters and mostly diaries, recounts the triumphs and tragedies of a life that takes place against the backdrop of extraordinary turbulence in the Balkans. It covers more than half a century, five wars (including the two world wars), and four ideologies. This is a time of excitement in Serbia as its leaders carve an independent state out of the Ottoman Empire and attempt to modernize a largely rural and “backward” corner of Europe. A time of opportunity for many who join in the effort to build the infrastructure of a modern economy, as well as the growing number of middle class families who send their children, in rare cases even girls, to the emerging system of state schools. Above all, a time of war, as the expanding Serbian state comes into conflict with its neighbors and, ultimately, the Great Powers of Europe. Accompanied by an introductory study, Natalija’s diary provides a rich background to understanding the on-going conflict in the Balkans today.
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cover of National Liberation and the Political Life of Exile: Sex, Gender, and Nation in the Struggle Against Apartheid

National Liberation and the Political Life of Exile

Sex, Gender, and Nation in the Struggle Against Apartheid

Rachel Sandwell

Ohio University Press, 2025

The first book-length study to reveal how women in exile shaped South Africa’s antiapartheid movement

This groundbreaking book explores the often-overlooked role of women in South Africa’s liberation movements, particularly within the African National Congress during its years in exile from 1960 to 1990. It examines how transformations in gender roles—though contested—were central to imagining a postapartheid South Africa.

Through an analysis of women’s diplomatic work and their advocacy for policies on sexual education, birth control, family life, and childcare, Rachel Sandwell challenges traditional narratives that have ignored or minimized women’s contributions. She highlights how South African women played a crucial role in connecting exiles to left-wing international organizations like the Women’s International Democratic Federation, positioning women as key figures in global anticolonial politics.

The book also explores how gender transformation was at the heart of the exiled antiapartheid movement’s vision for a free South Africa. Women fought for recognition beyond the role of “mothers of the nation,” sparking internal debates over revolutionary morality, the compatibility of motherhood with military service, and responses to sexual and domestic violence within the movement. These struggles mirrored broader ideological conflicts over nation building, belonging, and political identity as the African National Congress sought legitimacy as a government-in-exile.

Ultimately, National Liberation and the Political Life of Exile asks how we write histories of revolutionary movements—especially those that, despite their transformative ambitions, did not fully realize their goals. A vital contribution to feminist history, anticolonial studies, and the history of global liberation struggles, this book reshapes our understanding of gender and politics in the antiapartheid movement.

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cover of Natural Allies: Women's Associations in American History

Natural Allies

Women's Associations in American History

Anne Firor Scott

University of Illinois Press, 1991

America's female benevolent societies took root in the 1790s. Initially founded on notions of Christian duty and hope of heavenly reward, these groups produced volunteers dedicated to providing aid to unfortunates in general and women and children in particular. Anne Frior Scott explores the history of these aid societies and how they allowed women to influence America's social agenda and make inroads into politics long before they could vote. Scott reveals how women from all corners of society took part; examines their changing role in the midst of tumultuous times and during the rise of the welfare state; assesses the overlooked accomplishment of black women's organizations from the early days of the republic; and looks at the kinds of enduring community institutions women's organizations founded and maintained.
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cover of Negotiating Boundaries of Southern Womanhood: Dealing with the Powers That Be

Negotiating Boundaries of Southern Womanhood

Dealing with the Powers That Be

Edited & Intro by Janet L. Coryell, Thomas Appleton, Anastatia Sims, & Sandra Treadway

University of Missouri Press, 2000

In a time when most Americans never questioned the premise that women should be subordinate to men, and in a place where only white men enjoyed fully the rights and privileges of citizenship, many women learned how to negotiate societal boundaries and to claim a share of power for themselves in a male-dominated world.

Covering the early nineteenth through the early twentieth centuries, Negotiating Boundaries of Southern Womanhood describes the ways southern women found to advance their development and independence and establish their own identities in the context of a society that restricted their opportunities and personal freedom.

They confronted, cooperated with, and sometimes were co-opted by existing powers: the white and African American elite whose status was determined by wealth, family name, gender, race, skin color, or combinations thereof. Some women took action against established powers and, in so doing, strengthened their own communities; some bowed to the powers and went along to get along; some became the powers, using status to ensure their prosperity as well as their survival. All chose their actions based on the time and place in which they lived.

In these thought-provoking essays, the authors illustrate the complex intersections of race, class, and gender as they examine the ways in which southern women dealt with "the powers that be" and, in some instances, became those powers. Elitism, status, and class were always filtered through a prism of race and gender in the South, and women of both races played an important role in maintaining as well as challenging the hierarchies that existed.

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cover of Negotiating Pharmaceutical Uncertainty: Women's Agency in a South African HIV Prevention Trial

Negotiating Pharmaceutical Uncertainty

Women's Agency in a South African HIV Prevention Trial

Eirik Saethre

Vanderbilt University Press, 2017

Telling the story of a clinical trial testing an innovative gel designed to prevent women from contracting HIV, Negotiating Pharmaceutical Uncertainty provides new insight into the complex and contradictory relationship between medical researchers and their subjects. Although clinical trials attempt to control and monitor participants' bodies, Saethre and Stadler argue that the inherent uncertainty of medical testing can create unanticipated opportunities for women to exercise control over their health, sexuality, and social relationships. Combining a critical analysis of the social production of biomedical knowledge and technologies with a detailed ethnography of the lives of female South African trial participants, this book brings to light issues of economic exclusion, racial disparity, and spiritual insecurity in Johannesburg's townships. Built on a series of tales ranging from strategy sessions at the National Institutes of Health to witchcraft accusations against the trial, Negotiating Pharmaceutical Uncertainty illuminates the everyday social lives of clinical trials.

As embedded anthropologists, Saethre and Stadler provide a unique and nuanced perspective of the reality of a clinical trial that is often hidden from view.
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cover of Negotiating Power and Privilege: Career Igbo Women in Contemporary Nigeria

Negotiating Power and Privilege

Career Igbo Women in Contemporary Nigeria

Philomina E. Okeke-Ihejirika

Ohio University Press, 2004

Even with a university education, the Igbo women of southeastern Nigeria face obstacles that prevent them from reaching their professional and personal potentials. Negotiating Power and Privilege is a study of their life choices and the embedded patriarchy and other obstacles in postcolonial Africa barring them from fulfillment. Philomina E. Okeke recorded life-history interviews and discussions during the 1990s with educated women of differing ages and professions. Her interviews expose both familiar and surprising aspects of the women’s experience—their victories and compromise—within their families, marriages, and workplaces. Okeke explores the many factors that have shaped women’s access to sponsorship and promotion in their quest to join men as partners in nation building. Negotiating Power and Privilege captures the voices of African female professionals and vividly portrays the women’s continuous negotiation as wives, mothers, single women, and workers. It shows the inherent limitations of contemporary policies in developing nations that often prescribe secondary and advanced education for women as a panacea for every social ill. It is also an original and important contribution to African studies, gender studies, development studies, education policy, and sociology. This engagingly written book will appeal to a wide audience, ranging from undergraduate students to scholars and professionals.
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cover of Negotiating a Perilous Empowerment: Appalachian Women’s Literacies

Negotiating a Perilous Empowerment

Appalachian Women’s Literacies

Erica Abrams Locklear

Ohio University Press, 2011

In many parts of Appalachia, family ties run deep, constituting an important part of an individual’s sense of self. In some cases, when Appalachian learners seek new forms of knowledge, those family ties can be challenged by the accusation that they have gotten above their raisings, a charge that can have a lasting impact on family and community acceptance. Those who advocate literacy sometimes ignore an important fact — although empowering, newly acquired literacies can create identity conflicts for learners, especially Appalachian women. In Negotiating a Perilous Empowerment, Erica Abrams Locklear explores these literacy-initiated conflicts, analyzing how authors from the region portray them in their fiction and creative nonfiction.

Abrams Locklear blends literacy studies with literary criticism to analyze the central female characters in the works of Harriette Simpson Arnow, Linda Scott DeRosier, Denise Giardina, and Lee Smith. She shows how these authors deftly overturn stereotypes of an illiterate Appalachia by creating highly literate characters, women who not only cherish the power of words but also push the boundaries of what literacy means.

Negotiating a Perilous Empowerment includes in-depth interviews with Linda Scott DeRosier and Lee Smith, making this an insightful study of an important literary genre.

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cover of Neither Separate Nor Equal

Neither Separate Nor Equal

edited by Barbara Ellen Smith

Temple University Press, 1999

When she began work on this collection, Barbara Ellen Smith was asked, "Why work on a book about women in the South? Nobody writes books about women in the Midwest." In an era of intensified globalization, when populations, cultures, and capital move across the boundaries of nation-states in multiple forms and directions, the concept of a subnational region seems parochial and out of date. "But," Smith argues, "it is precisely because of the historical construction of the secessionist South as an embattled region when all manners of social problems tend to be blamed on poor women and children and those whose skin is anything but white, that the experiences of racially diverse women in a region legendary for both white supremacy and male supremacy are important to explore."

Collecting in one volume the work of such well-known scholars on Appalachia and the South as Carl Stack, Mab Segrest, and Sally Maggard, among others, Neither Separate Nor Equal analyzes the complex and dramatic developments in the lives of contemporary Southern women. Case studies vividly portray women's diverse circumstances activities: from rural African American women in the Mississippi Delta taking on new roles as community builders to female textile workers in North Carolina contending with automation and reorganization of the mills.

Focusing on the South's historical legacies as they are manifested and contested in the lives of women today, including the tensions between long-lasting patterns of regional distinctiveness and the disruptions of globalizations, this collection approaches differences of race and class not as forms of separation among women, but as social -- be they often contentious, difficult, or exploitive -- relationships. Unifying around a theme of relationally, Neither Separate Nor Equal offers searching empirical studies of Southern women and a conceptual model for feminist scholarship as a whole.
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cover of Nell's Story: A Woman from Eagle River

Nell's Story

A Woman from Eagle River

Nell Peters, with Robert Peters

University of Wisconsin Press, 1995

With its desperate acts and dire consequences, Nell Peters's tale of a woman's life in northern Wisconsin is a remarkable story, full of the sense and sound and flavor of a time and place rarely visited in books. Nell's tomboy childhood, her businesslike initiation into sex on the eve of her departure for the WACs in 1951, her resulting pregnancy and return home to a life sharply at odds with small-town conventions, her struggle to keep her twin sons, and her disastrous sexual liaisons with men and women alike are recounted in this funny, gritty, and wildly candid book.
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cover of Never Seen the Moon: THE TRIALS OF EDITH MAXWELL

Never Seen the Moon

THE TRIALS OF EDITH MAXWELL

Sharon Hatfield

University of Illinois Press, 2004

Never Seen the Moon carefully yet lucidly recreates a young woman's wild ride through the American legal system. In 1935, free-spirited young teacher Edith Maxwell and her mother were indicted for murdering Edith's conservative and domineering father, Trigg, late one July night in their Wise County, Virginia, home. Edith claimed her father had tried to whip her for staying out late. She said that she had defended herself by striking back with a high-heeled shoe, thus earning herself the sobriquet "slipper slayer."
 
Immediately granted celebrity status by the powerful Hearst press, Maxwell was also championed as a martyr by advocates of women's causes. National news magazines and even detective magazines picked up her story, Warner Brothers created a screen version, and Eleanor Roosevelt helped secure her early release from prison. Sharon Hatfield's brilliant telling of this true-crime story transforms a dusty piece of history into a vibrant thriller. Throughout the narrative, she discusses yellow journalism, the inequities of the jury system, class and gender tensions in a developing region, and a woman's right to defend herself from family violence.
 
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cover of New Media Futures: The Rise of Women in the Digital Arts

New Media Futures

The Rise of Women in the Digital Arts

Edited by Donna J. Cox, Ellen Sandor, and Janine Fron

University of Illinois Press, 2018

Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.
 
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cover of New Observations on the French Language, with Praises of Illustrious Learned Women

New Observations on the French Language, with Praises of Illustrious Learned Women

Marguerite Buffet

Iter Press, 2023

Two volumes by a seventeenth-century French gentlewoman and teacher, published in English for the first time.
 
According to the few historical records that mention Marguerite Buffet, she lived her entire life in seventeenth-century Paris where she taught French to aristocratic women. Buffet’s vivid example of proper language use in New Observations on the French Language offers a rare glimpse into the life, habits, and culture of seventeenth-century France. She describes common errors in contemporary language use and gives examples of correct expressions for speaking and writing all the while encouraging women to aspire to higher levels of intellectual achievement.
 
In addition, her Praises of Illustrious Learned Women, a catalog of biographies of women who displayed exemplary intellect, wit, and conversation, includes a number of the author’s contemporaries such as Anna Maria van Schurman and Madeleine de Scudéry. Buffet’s collected praises of these women, many of whom were connected to the court of Louis XIV, show her unique position as both a participant in and historian of the intellectual and social world of the French salon.
 
This volume presents Buffet’s work in its near entirety for the first time in English, bringing to light Buffet’s unique contribution to the centuries-long debate concerning the status of women known as the querelle des femmes.
 
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cover of New Perspectives on Environmental Justice: Gender, Sexuality, and Activism

New Perspectives on Environmental Justice

Gender, Sexuality, and Activism

Stein, Rachel

Rutgers University Press, 2004

Women make up the vast majority of activists and organizers of grassroots movements fighting against environmental ills that threaten poor and people of color communities. New Perspectives on Environmental Justice is the first collection of essays that pays tribute to the enormous contributions women have made in these endeavors.

The writers offer varied examples of environmental justice issues such as children's environmental health campaigns, cancer research, AIDS/HIV activism, the Environmental Genome Project, and popular culture, among many others. Each one focuses on gender and sexuality as crucial factors in women's or gay men's activism and applies environmental justice principles to related struggles for sexual justice. The contributors represent a wide variety of activist and scholarly perspectives including law, environmental studies, sociology, political science, history, medical anthropology, American studies, English, African and African American studies, women's studies, and gay and lesbian studies, offering multiple vantage points on gender, sexuality, and activism.

Feminist/womanist impulses shape and sustain environmental justice movements around the world, making an understanding of gender roles and differences crucial for the success of these efforts.

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cover of New World Courtships: Transatlantic Alternatives to Companionate Marriage

New World Courtships

Transatlantic Alternatives to Companionate Marriage

Melissa M. Adams-Campbell

Dartmouth College Press, 2015

Feminist literary critics have long recognized that the novel’s marriage plot can shape the lives of women readers; however, they have largely traced the effects of this influence through a monolithic understanding of marriage. New World Courtships is the first scholarly study to recover a geographically diverse array of eighteenth- and nineteenth-century novels that actively compare marriage practices from the Atlantic world. These texts trouble Enlightenment claims that companionate marriage leads to women’s progress by comparing alternative systems for arranging marriage and sexual relations in the Americas. Attending to representations of marital diversity in early transatlantic novels disrupts nation-based accounts of the rise of the novel and its relation to “the” marriage plot. It also illuminates how and why cultural differences in marriage mattered in the Atlantic world—and shows how these differences might help us to reimagine marital diversity today. This book will appeal to scholars of literature, women’s studies, and early American history.
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cover of Newly Born Woman

Newly Born Woman

Helene Cixous

University of Minnesota Press, 1986

Published in France as La jeune née in 1975, and found here in its first English translation, The Newly Born Woman is a landmark text of the modern feminist movement. In it, Hélène Cixous and Catherine Clément put forward the concept of écriture feminine, exploring the ways women’s sexuality and unconscious shape their imaginary, their language, and their writing. Through their readings of historical, literary, and psychoanalytic accounts, Cixous and Clément explore what is hidden and repressed in culture, revealing the unconscious of history.
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cover of News from the Midell Regions and Calthorpe’s Chapel

News from the Midell Regions and Calthorpe’s Chapel

Dorothy Calthorpe

Iter Press, 2022

An introduction to a new early modern woman writer that makes her manuscripts available in print for the first time.
 
This first print edition of two extant manuscripts by Dorothy Calthorpe (1648–1693) introduces a new seventeenth-century woman writer to the growing canon of early modern female authors. The edition provides transcriptions of the manuscripts and Calthorpe’s will, as well as a hefty apparatus that features a comprehensive introduction to Calthorpe, her family, and her work; a glossary of persons who figured in her writing and her life; and two genealogical charts. Calthorpe’s writings (including both prose and verse and ranging from Petrarchan love poems to roman à clef and devotional verse), and the thoughtfully constructed and illustrated volumes in which her texts appear, demonstrate the rich intellectual life of a previously unknown female writer and provide a compelling example of Restoration manuscript production.
 
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cover of Newspaperwoman of the Ozarks: The Life and Times of Lucile Morris Upton

Newspaperwoman of the Ozarks

The Life and Times of Lucile Morris Upton

Susan Croce Kelly

University of Arkansas Press, 2023

Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.

Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.

Winner, 2024 Missouri Literary Award
First Place, 2024 Missouri Professional Communicators Communications Contest
Finalist, Society of Midland Authors Book Award

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cover of Nietzsche's Sister and the Will to Power: A Biography of Elisabeth Förster-Nietzsche

Nietzsche's Sister and the Will to Power

A Biography of Elisabeth Förster-Nietzsche

Carol Diethe

University of Illinois Press, 2002

A penetrating study of the sister who betrayed and endangered her famous brother's legacy

In 1901, a year after her brother Friedrich's death, Elisabeth Förster-Nietzsche published The Will to Power, a hasty compilation of writings he had never intended for print. In Nietzsche's Sister and the Will to Power, Carol Diethe contends that Förster-Nietzsche's own will to power and her desire to place herself--not her brother--at the center of cultural life in Germany are centrally responsible for Nietzsche's reputation as a belligerent and proto-Fascist thinker.

Offering a new look at Nietzsche's sister from a feminist perspective, this spirited and erudite biography examines why Elisabeth Förster-Nietzsche recklessly consorted with anti-Semites, from her own husband to Hitler himself, out of convenience and a desire for revenge against a brother whose love for her waned after she caused the collapse of his friendship with Lou Salomé. The book also examines their family dynamics, Nietzsche's dismissal of his sister's early writing career, and the effects of limited education on intelligent women. Diethe concludes by detailing Förster-Nietzsche's brief marriage and her subsequent colonial venture in Paraguay, maintaining that her sporadic anti-Semitism was, like most things in her life, an expedient tool for cultivating personal success and status.

A volume in the series International Nietzsche Studies, edited by Richard Schacht

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cover of Nine Months Is a Year: At Baboquívari School

Nine Months Is a Year

At Baboquívari School

Eulalia Bourne

University of Arizona Press, 1968

From the author of the widely acclaimed Woman in Levi’s, this colorful autobiography follows a year in the lives of the lone woman rancher, her students, and their families in 1930s rural Southern Arizona.
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cover of Niobes: Antiquity, Modernity, Critical Theory

Niobes

Antiquity, Modernity, Critical Theory

Edited by Mario Telò and Andrew Benjamin

The Ohio State University Press, 2024

A marginalized but persistent figure of Greek tragedy, Niobe, whose many children were killed by Apollo and Artemis, embodies yet problematizes the philosophically charged dialectics between life and death, mourning and melancholy, animation and inanimation, silence and logos. The essays in Niobes present her as a set of complex figurations, an elusive mythical character but also an overdetermined figure who has long exerted a profound influence on various modes of modern thought, especially in the domains of aesthetics, ethics, psychoanalysis, and politics. As a symbol of both exclusion and resistance, Niobe calls for critical attention at a time of global crisis. Reconstructing the dialogues of Phillis Wheatley, G. W. F. Hegel, Walter Benjamin, Aby Warburg, and others with Niobe as she appears in Aeschylus, Sophocles, Ovid, and the visual arts, a collective of major thinkers—classicists, art historians, and critical theorists—reflect on the space that she can occupy in the humanities today. Inspiring new ways of connecting the classical tradition and ancient tragic discourse with crises and political questions relating to gender, race, and social justice, Niobe insists on living on. Contributors: Barbara Baert, Andrew Benjamin, drea brown, Adriana Cavarero, Rebecca Comay, Mildred Galland-Szymkowiak, John T. Hamilton, Paul A. Kottman, Jacques Lezra, Andres Matlock, Ben Radcliffe, Victoria Rimell, Mario Telò, Mathura Umachandran, Daniel Villegas Vélez
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cover of No Alternative: Childbirth, Citizenship, and Indigenous Culture in Mexico

No Alternative

Childbirth, Citizenship, and Indigenous Culture in Mexico

By Rosalynn A. Vega

University of Texas Press, 2018

Recent anthropological scholarship on “new midwifery” centers on how professional midwives in various countries are helping women reconnect with “nature,” teaching them to trust in their bodies, respecting women’s “choices,” and fighting for women’s right to birth as naturally as possible. In No Alternative, Rosalynn A. Vega uses ethnographic accounts of natural birth practices in Mexico to complicate these narratives about new midwifery and illuminate larger questions of female empowerment, citizenship, and the commodification of indigenous culture, by showing how alternative birth actually reinscribes traditional racial and gender hierarchies.

Vega contrasts the vastly different birthing experiences of upper-class and indigenous Mexican women. Upper-class women often travel to birthing centers to be delivered by professional midwives whose methods are adopted from and represented as indigenous culture, while indigenous women from those same cultures are often forced by lack of resources to use government hospitals regardless of their preferred birthing method. Vega demonstrates that women’s empowerment, having a “choice,” is a privilege of those capable of paying for private medical services—albeit a dubious privilege, as it puts the burden of correctly producing future members of society on women’s shoulders. Vega’s research thus also reveals the limits of citizenship in a neoliberal world, as indigeneity becomes an object of consumption within a transnational racialized economy.

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cover of No Hand Held Mine: Stories — "Granny Wild Goose" and "The Root's Tale"

No Hand Held Mine

Stories — "Granny Wild Goose" and "The Root's Tale"

Kim Soom

Rutgers University Press, 2026

An elderly Korean woman talking about being forced into sexual slavery during World War II. A modern Korean woman extricating herself from a failing relationship with an artist. Award-winning South Korean writer Kim Soom presents us with portraits of two women who couldn’t be more different but who both show resilience and compassion. No Hand Held Mine: Stories, containing one non-fiction piece and one short story, demonstrates the power and breadth of Kim’s writing. “Granny Wild Goose” uses former Comfort Woman Gil Won-Ok’s own words, recorded during conversations with Kim, to tell her life story of brutality, betrayal, and survival. In “The Root’s Tale,” the female protagonist comes to understand the strength of solitary women. Both devastating and reaffirming, No Hand Held Mine shows why Kim Soom has received every major literary award in Korea. Joon-Li Kim and Doo-Sun Ryu’s sensitive translation maintains Kim’s lyricism and exquisite imagery.

This book is published with the support of The Daesan Foundation.
 

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cover of No Horizon Is So Far: Two Women and Their Historic Journey across Antarctica

No Horizon Is So Far

Two Women and Their Historic Journey across Antarctica

Liv Arnesen

University of Minnesota Press, 2019

The extraordinary story of the first two women to cross Antarctica


The fascinating chronicle of Liv Arnesen and Ann Bancroft’s dramatic journey as the first two women to cross Antarctica, No Horizon Is So Far follows the explorers from the planning of their expedition through their brutal trek from the Norwegian sector all the way to McMurdo Station as they walked, skied, and ice-sailed for almost three months in temperatures reaching as low as -35°F, all while towing their 250-pound supply sledges across 1,700 miles of ice full of dangerous crevasses. Through website transmissions and satellite phone calls, Ann and Liv, two former schoolteachers, were able to broadcast their expedition to more than three million students in sixty-five countries to teach geography, science, and the importance of following your dreams. 


 
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cover of No Longer Patient: Feminist Ethics and Health Care

No Longer Patient

Feminist Ethics and Health Care

Susan Sherwin

Temple University Press, 1992

[more]
cover of No Mexicans, Women, or Dogs Allowed: The Rise of the Mexican American Civil Rights Movement

No Mexicans, Women, or Dogs Allowed

The Rise of the Mexican American Civil Rights Movement

By Cynthia E. Orozco

University of Texas Press, 2009

Founded by Mexican American men in 1929, the League of United Latin-American Citizens (LULAC) has usually been judged according to Chicano nationalist standards of the late 1960s and 1970s. Drawing on extensive archival research, including the personal papers of Alonso S. Perales and Adela Sloss-Vento, No Mexicans, Women, or Dogs Allowed presents the history of LULAC in a new light, restoring its early twentieth-century context.

Cynthia Orozco also provides evidence that perceptions of LULAC as a petite bourgeoisie, assimilationist, conservative, anti-Mexican, anti-working class organization belie the realities of the group's early activism. Supplemented by oral history, this sweeping study probes LULAC's predecessors, such as the Order Sons of America, blending historiography and cultural studies. Against a backdrop of the Mexican Revolution, World War I, gender discrimination, and racial segregation, No Mexicans, Women, or Dogs Allowed recasts LULAC at the forefront of civil rights movements in America.

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cover of No More Patients: A Novel

No More Patients

A Novel

Sandra Cavallo Miller

University of Nevada Press, 2026

Dr. Norah Waters is approaching sixty-five and eager to retire, but complications keep disrupting her plans. New physicians in her practice aren’t acclimating well. Patients are going off the rails. Unwelcome exes and toxic former students reappear. And her ninety-one-year-old mother, Vivian Waters, has grown emotionally needy. 

Once a free spirit, Vivian celebrated at Woodstock in her thirties and Burning Man in her eighties. Now she spends her time feuding with Marianne Dunwitty, her new rival from the Scrabble Klub. To help resolve her identity crisis, Vivian begins recording reflections on her life, revealing a deep despair that drives her to take on the Klub members, scorn the new cloud-watching man next door, and snoop into a suspected neighborhood homicide. 

Norah and Vivian must find ways to deal with their out-of-balance lives, and—most importantly—each other. Picking up where Out of Patients left off, No More Patients is a heartfelt, humorous sequel that stands on its own, about the struggles of healing both patients and relationships alike.
[more]
cover of No More Patients: A Novel

No More Patients

A Novel

Sandra Cavallo Miller

University of Nevada Press, 2026

Dr. Norah Waters is approaching sixty-five and eager to retire, but complications keep disrupting her plans. New physicians in her practice aren’t acclimating well. Patients are going off the rails. Unwelcome exes and toxic former students reappear. And her ninety-one-year-old mother, Vivian Waters, has grown emotionally needy. 

Once a free spirit, Vivian celebrated at Woodstock in her thirties and Burning Man in her eighties. Now she spends her time feuding with Marianne Dunwitty, her new rival from the Scrabble Klub. To help resolve her identity crisis, Vivian begins recording reflections on her life, revealing a deep despair that drives her to take on the Klub members, scorn the new cloud-watching man next door, and snoop into a suspected neighborhood homicide. 

Norah and Vivian must find ways to deal with their out-of-balance lives, and—most importantly—each other. Picking up where Out of Patients left off, No More Patients is a heartfelt, humorous sequel that stands on its own, about the struggles of healing both patients and relationships alike.
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cover of No Place for a Lady: The Life Story of Archaeologist Marjorie F. Lambert

No Place for a Lady

The Life Story of Archaeologist Marjorie F. Lambert

Shelby Tisdale

University of Arizona Press, 2023

In the first half of the twentieth century, the canyons and mesas of the Southwest beckoned and the burgeoning field of archaeology thrived. Among those who heeded the call, Marjorie Ferguson Lambert became one of only a handful of women who left their imprint on the study of southwestern archaeology and anthropology.

In this delightful biography, we gain insight into a time when there were few women establishing full-time careers in anthropology, archaeology, or museums. Shelby Tisdale successfully combines Lambert’s voice from extensive interviews with her own to take us on a thought-provoking journey into how Lambert created a successful and satisfying professional career and personal life in a place she loved (the American Southwest) while doing what she loved.

Through Lambert’s life story we gain new insight into the intricacies and politics involved in the development of archaeology and museums in New Mexico and the greater Southwest. We also learn about the obstacles that young women had to maneuver around in the early years of the development of southwestern archaeology as a profession. Tisdale brings into focus one of the long-neglected voices of women in the intellectual history of anthropology and archaeology and highlights how gender roles played out in the past in determining the career paths of young women. She also highlights what has changed and what has not in the twenty-first century.

Women’s voices have long been absent throughout history, and Marjorie Lambert’s story adds to the growing literature on feminist archaeology.
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cover of No Stars in Jefferson Park: A Memoir

No Stars in Jefferson Park

A Memoir

Maggie Andersen

Northwestern University Press, 2026

A Chicagoan’s coming-of-age memoir finds courage in the face of immense loss

In her early twenties, Maggie Andersen was a founding ensemble member of Chicago’s storied Gift Theatre with her then-boyfriend, Michael Patrick Thornton. But after a series of spinal strokes left Thornton paralyzed, Andersen made the heart-wrenching decision to leave him, along with their growing company and, later, her beloved city. No Stars in Jefferson Park alternates between two narratives: the energy and excitement of making art in Chicago’s thriving storefront theater scene and the devastating day-to-day realities of rehabilitation and rebuilding—and somewhere in the middle finding the courage to choose yourself.

Over the past twenty-plus years, the Gift—now performing in the working-class neighborhood of Portage Park—has become one of the most vital storefront theaters in Chicago, with Thornton’s career taking him to Hollywood and Broadway. But Andersen’s story has brought her back home. No Stars in Jefferson Park is a testament to lifelong friendship, a love letter to Chicago, and a profound coming-of-age story about the pain and necessity of putting yourself first.

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cover of No Votes for Women: The New York State Anti-Suffrage Movement

No Votes for Women

The New York State Anti-Suffrage Movement

Susan Goodier

University of Illinois Press, 2013

No Votes for Women explores the complicated history of the suffrage movement in New York State by delving into the stories of women who opposed the expansion of voting rights to women. Susan Goodier finds that conservative women who fought against suffrage encouraged women to retain their distinctive feminine identities as protectors of their homes and families, a role they felt was threatened by the imposition of masculine political responsibilities. She details the victories and defeats on both sides of the movement from its start in the 1890s to its end in the 1930s, acknowledging the powerful activism of this often overlooked and misunderstood political force in the history of women's equality.

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cover of Not June Cleaver: Women and Gender in Postwar America, 1945-1960

Not June Cleaver

Women and Gender in Postwar America, 1945-1960

June Meyerowitz

Temple University Press, 1994

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cover of Not Just a Housewife: Women Strike for Peace and the Cold War Women's Peace Movement

Not Just a Housewife

Women Strike for Peace and the Cold War Women's Peace Movement

Jon Coburn

University of Massachusetts Press, 2025

Illuminating a powerful yet underappreciated force in the American peace and women’s movements

On November 1, 1961, thousands of middle-class white women took to the streets throughout the United States to demonstrate against atomic weapons. They were brought together by the group Women Strike for Peace (WSP), which grew from modest beginnings at a Georgetown cocktail party to become one of the most effective peace organizations in American history. Under the stewardship of children’s book illustrator Dagmar Wilson, and with indispensable support from figures such as Bella Abzug, a lawyer who would later help found the National Women’s Political Caucus and serve as US Representative for New York, WSP branches spread to cities and towns across the country, and the group influenced major arms-control treaties and successful antiwar efforts of the Cold War period. Single-handedly, WSP dismantled the McCarthyite House Un-American Activities Committee (HUAC), catalysed public support for the 1963 Nuclear Weapons Test Ban Treaty, and brokered unprecedented exchanges between American and Vietnamese women during the American War in Vietnam. WSP accomplished their political wins , in part, through a public image that stressed the inherent moral authority and sanctity of motherhood.

In Not Just a Housewife, Jon Coburn explores the fascinating story of WSP to argue that the group’s historic significance was much more complex than the maternal activism for which it is often remembered. He traces activists’ evolution through the Cold War’s cultural upheavals, uncovering the significance of forgotten episodes, such as the extraordinary self-immolation of 82-year-old Detroit activist Alice Herz and WSP’s unheralded contributions to the 1977 National Women’s Conference. In so doing, Coburn recovers WSP’s revolutionary politics and militant protests and contends that the organization fused this radical activism with the seeming respectability of motherhood. Through unprecedented access to organizational archives and oral histories, Not Just a Housewife details how WSP’s unique fusion of radicalism and respectability significantly shaped Cold War-era women’s peace movement history, as well as the broader American culture.
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cover of Not One More!: Feminicidio on the Border

Not One More!

Feminicidio on the Border

Nina Maria Lozano

The Ohio State University Press, 2019

Since 1993, more than 2,000 feminicidios have occurred in Ciudad Juárez, Mexico—once called “the feminicidio capital of the world.” Who is killing the women of Juárez? Why is this happening? In Not One More! Feminicidio on the Border, Nina Maria Lozano seeks to answer these questions, turning a critical eye to the state structures and legal systems that allow and participate in the violence, rape, and murder propagated against thousands of women in the border town of Juárez.
 
Finding theories of new materialism inadequate to explain the feminicidios, Lozano critiques and extends this approach—advancing instead a new theoretical framework, border materialism, to argue that capitalist systems of neoliberalism and free trade are directly correlated to the killing of women on the US–Mexico border. Through the author’s fifteen-plus years of on-the-ground fieldwork, readers are presented with firsthand accounts, testimonies, and new social movement strategies from family members and activists attempting to stop these gendered crimes.
 
By offering concrete case studies—including analysis of maquiladoras/factories and free trade zones, public monuments and murals memorializing the victims, rastreos/searches by family members for victims’ DNA remains, and testimony from Mothers, family members, and activists—Not One More! lays bare the socioeconomic and geopolitical forces at work in the killing of women in Juárez.
 
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cover of Not at All What One Is Used To: The Life and Times of Isabella Gardner

Not at All What One Is Used To

The Life and Times of Isabella Gardner

Marian Janssen

University of Missouri Press, 2026

 Born in 1915 to one of New England’s elite wealthy families, Isabella Gardner was expected to follow a certain path in life—one that would take her from marriageable debutante to proper society lady. But that plan was derailed when at age eighteen, Isabella caused a drunk-driving accident. Her family, to shield her from disgrace, sent her to Europe for acting studies, not foreseeing how life abroad would fan the romantic longings and artistic impulses that would define the rest of Isabella’s years. In Not at All What One Is Used To, author Marian Janssen tells the story of this passionate, troubled woman, whose career as a poet was in constant compromise with her wayward love life and her impulsive and reckless character.

Life took Gardner from the theater world of the 1930s and ’40s to the poetry scene of the ’50s and ’60s to the wild, bohemian art life of New York’s Hotel Chelsea in the ’70s. She often followed where romance, rather than career, led her. At nineteen, she had an affair with a future president of Ireland, then married and divorced three famous American husbands in succession. Turning from acting to poetry, Gardner became associate editor of Chicago’s Poetry magazine and earned success with her best-received collection, Birthdays from the Ocean, in 1955. Soon after, her life took a turn when she met the southern poet Allen Tate. He was married to Caroline Gordon but left her to wed Gardner, who moved to Minneapolis and gave up writing to please him, but after a few short years, Tate fell for a young nun and abandoned her.
In the liveliest of places at the right times, Gardner associated with many of the most significant cultural figures of her age, including her cousin Robert Lowell, T.S. Eliot, Ludwig Mies van der Rohe, Virgil Thomson, Tennessee Williams, and Robert Penn Warren. But famous connections could never save Isabella from herself. Having abandoned her work, she suffered through alcoholism, endured more failed relationships, and watched the lives of her children unravel fatally. Toward the end of her life, though, she took her pen back up for the poems in her final volume. Redeemed by her writing, Gardner died alone in 1981, just after being named the first poet laureate of New York State.
Through interviews with many Gardner intimates and extensive archival research, author Marian Janssen delves deep into the life of a woman whose poetry, according to one friend, “probably saved her sanity.” Much more than a biography, Not at All What One Is Used To is the story of a woman whose tumultuous life was emblematic of the cultural unrest at the height of the twentieth century.
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cover of Notable Men and Women of Spanish Texas

Notable Men and Women of Spanish Texas

By Donald E. Chipman and Harriett Denise Joseph

University of Texas Press, 1999

Winner, Presidio La Bahia Award, Sons of the Republic of Texas, 2000
Texas Old Missions and Forts Restoration Association Book Award, the Texas Old Missions and Fort Restoration Association and the Texas Catholic Historical Society, 2001

The Spanish colonial era in Texas (1528-1821) continues to emerge from the shadowy past with every new archaeological and historical discovery. In this book, years of archival sleuthing by Donald E. Chipman and Harriett Denise Joseph now reveal the real human beings behind the legendary figures who discovered, explored, and settled Spanish Texas.

By combining dramatic, real-life incidents, biographical sketches, and historical background, the authors bring to life these famous (and sometimes infamous) men of Spanish Texas:

  • Alvar Núñez Cabeza de Vaca
  • Alonso de León
  • Francisco Hidalgo
  • Louis Juchereau de St. Denis
  • Antonio Margil
  • The Marqués de Aguayo
  • Pedro de Rivera
  • Felipe de Rábago
  • José de Escandón
  • Athanase de Mézières
  • The Marqués de Rubí
  • Antonio Gil Ibarvo
  • Domingo Cabello
  • José Bernardo Gutiérrez de Lara
  • Joaquín de Arredondo

The authors also devote a chapter to the women of Spanish Texas, drawing on scarce historical clues to tell the stories of both well-known and previously unknown Tejana, Indian, and African women.

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cover of Notable Women of Arkansas: From Hattie to Hillary, 100 Names to Know

Notable Women of Arkansas

From Hattie to Hillary, 100 Names to Know

Nancy Hendricks

Butler Center for Arkansas Studies, 2016

The one hundred Arkansas women profiled in Notable Women of Arkansas have glittered in the national spotlight. They have blazed trails in athletics, civil rights, literature, politics, science, show business, and the arts. They have been outlaws and outcasts. Some were born in poverty, while others came from unimaginable wealth. They have faced off against the publishing world, political foes, and the Creature from the Black Lagoon.

Meet one Arkansas woman who was nominated for the Pulitzer Prize, Tony Award, and three Grammys. Learn about a female presidential candidate whose initials are not HRC. See beauty queens on the runway and a runaway beauty queen. Meet the trailblazing black actress who, if she had been born thirty years later, might have had a career like Halle Berry’s.

They are all Arkansas women, each with their own family, childhood, loves, losses, dreams, fears, hopes for the future, and ghosts from the past. These notable women—profiled together in one volume—have left an impressive legacy.
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cover of Nothing to Do but Stay: My Pioneer Mother

Nothing to Do but Stay

My Pioneer Mother

Carrie Young

University of Iowa Press, 1991

Carrine Gafkjen was, as her daughter remembers, at once the most liberated and unliberated of women. If she had considered the subject at all she would have thought it a waste of time. She firmly believed in destiny; what fate planned for her she dealt with head-on.

In the early 1900s the twenty-five-year-old Gafkjen boarded a train from Minneapolis to claim a homestead for herself on the western North Dakota prairies. She lived alone in her claim shack, barred her door at night against the coyotes, existed on potatoes and salt, and walked five miles to the nearest creek to wash her clothes. A decade later she had, by her own ingenuity, doubled her landholdings and became a secure women of property. Then, at an age when most other women would have been declared spinsters, Carrine Gafkjen married Sever Berg and had six children.

Nothing to Do but Stay tells the story of this uncommon woman with warmth and good humor. It gives testimony to the lasting spirit of our pioneer heritage and, in these uncertain times, to the staying power of family and tradition. This book will appeal to all those with an interest in the settlement of the West, the history of the Great Plains, women's studies, and the perseverance of the early-twentieth-century farmers.

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cover of Nuns Behaving Badly: Tales of Music, Magic, Art, and Arson in the Convents of Italy

Nuns Behaving Badly

Tales of Music, Magic, Art, and Arson in the Convents of Italy

Craig A. Monson

University of Chicago Press, 2010

Witchcraft. Arson. Going AWOL. Some nuns in sixteenth- and seventeenth-century Italy strayed far from the paradigms of monastic life. Cloistered in convents, subjected to stifling hierarchy, repressed, and occasionally persecuted by their male superiors, these women circumvented authority in sometimes extraordinary ways. But tales of their transgressions have long been buried in the Vatican Secret Archive. That is, until now.

In Nuns Behaving Badly, Craig A. Monson resurrects forgotten tales and restores to life the long-silent voices of these cloistered heroines. Here we meet nuns who dared speak out about physical assault and sexual impropriety (some real, some imagined). Others were only guilty of misjudgment or defacing valuable artwork that offended their sensibilities. But what unites the women and their stories is the challenges they faced: these were women trying to find their way within the Catholicism of their day and through the strict limits it imposed on them. Monson introduces us to women who were occasionally desperate to flee cloistered life, as when an entire community conspired to torch their convent and be set free. But more often, he shows us nuns just trying to live their lives. When they were crossed—by powerful priests who claimed to know what was best for them—bad behavior could escalate from mere troublemaking to open confrontation.

In resurrecting these long-forgotten tales and trials, Monson also draws attention to the predicament of modern religious women, whose “misbehavior”—seeking ordination as priests or refusing to give up their endowments to pay for priestly wrongdoing in their own archdioceses—continues even today. The nuns of early modern Italy, Monson shows, set the standard for religious transgression in their own age—and beyond.

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cover of Nursing Civil Rights: Gender and Race in the Army Nurse Corps

Nursing Civil Rights

Gender and Race in the Army Nurse Corps

Charissa J. Threat

University of Illinois Press, 2015

In Nursing Civil Rights, Charissa J. Threat investigates the parallel battles against occupational segregation by African American women and white men in the U.S. Army.

As Threat reveals, both groups viewed their circumstances with the Army Nurse Corps as a civil rights matter. Each conducted separate integration campaigns to end the discrimination they suffered. Yet their stories defy the narrative that civil rights struggles inevitably arced toward social justice. Threat tells how progressive elements in the campaigns did indeed break down barriers in both military and civilian nursing. At the same time, she follows conservative threads to portray how some of the women who succeeded as agents of change became defenders of exclusionary practices when men sought military nursing careers. The ironic result was a struggle that simultaneously confronted and reaffirmed the social hierarchies that nurtured discrimination.

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cover of Nursing Wounds: Nurse Practitioners, Doctors, Women Patients, and the Negotiation of Meaning

Nursing Wounds

Nurse Practitioners, Doctors, Women Patients, and the Negotiation of Meaning

Fisher, Sue

Rutgers University Press, 1995

The rise of the nurse practitioner as a new kind of health care professional has blurred the traditional distinction between physicians and nurses. Nurse practitioners argue that they combine both the traditionally male health care delivery of the M.D. and the traditionally female caring attention of the R.N. In her previous work Sue Fisher has analyzed the difficulties that women patients have in getting doctors to listen to their medical concerns. Now she asks whether women fare any better with nurse practitioners. 

Nursing Wounds takes us into the examining rooms of nurse practitioners and doctors to listen to how health care professionals and women patients communicate. The nurse practitioners, unlike the doctors, go beyond the medical problem to ask about the social context of the patients' lives. In these exchanges the doctors insist on reinforcing both their professional status and dominant cultural assumptions about women. While the nurse practitioners sometimes do this, they also distance themselves from their professional identities, respond to their patients woman to woman, and undermine traditional understandings about gender arrangements.These differences have important consequences for the delivery of health care.       

This compelling and complex analysis employs a range of theoretical perspectives–-from sociolinguistic to postmodern and materialist. Fisher concludes by urging a health care policy that capitalizes on the special strengths of nurse practitioners as providers of primary care who pay real attention to what their patients are saying and who support an alternative, even oppositional, understanding of women's lives.

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