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A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel

When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized “indisputable evidence” of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel’s methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel’s place in the history of twentieth-century American culture and film history.

Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel’s coverage of Charles Lindbergh’s transatlantic flight and the Sino–Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship.

In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public’s relationship with the news in the 1930s—a history that can help us to better understand the transformations happening today.

News on the American Dream traces the development of the Portuguese­-American press from its beginnings in the late nineteenth century to the present, taking readers from the East Coast to Hawaii, with strategic stops in places with large Portuguese communities, including New Bedford, Massachusetts; Oakland, California; and Newark, New Jersey. Alberto Pena Rodríguez's nuanced analysis of the political, economic, social, and cultural roles played by these publications proves how important they were for the Portuguese-­American community and the history of the ethnic press in the United States. Fascinating narratives about the founders, editors, and owners of these publications—and their challenges, squabbles, and successes—round out this engaging study.

The story of a journalist’s coming of age in Duluth during the boom days of print

Laurie Hertzel wasn't yet a teenager in Duluth, Minnesota, when she started her first newspaper, which she appropriately christened Newspaper. Complete with the most sensational headlines of the day-MARGO FLUEGEL HAS ANOTHER BIRTHDAY!-and with healthy competition from her little brothers and their rival publication, Magapaper (a magazine and a newspaper), this venture would become Hertzel's first step toward realizing what her heart was already set on: journalism as her future.

News to Me is the adventurous story of Hertzel's journey into the bustling world of print journalism in the mid-1970s, a time when copy was still banged out on typewriters by chain-smoking men in fedoras and everybody read the paper. A coming-of-age tale in more ways than one, Hertzel's eighteen-year career at the Duluth News Tribune began when journalism was a predominantly male profession. And while the newspaper trade was booming, Duluth had fallen on difficult times as factories closed and more and more people moved away. Hertzel describes her climb up the ranks of the paper against the backdrop of a Midwestern city during a time of extraordinary change. She was there during major events like the Congdon murders, the establishment of the BWCA, and the rise of Indian treaty rights, and eventually follows the biggest story of her life to Soviet Russia-and completely blows her deadline.

Written with the insight and humor of someone who makes a living telling stories, News to Me is the chronicle of a small-city newspaper on the cusp of transformation, an affectionate portrait of Duluth and its people, and the account of a talented, persistent journalist who witnessed it all and was changing right along with it-whether she wanted to or not.

(Oh, Newspaper doggedly outlasted the full-color Magapaper).

Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.

Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.

Winner, 2024 Missouri Literary Award
First Place, 2024 Missouri Professional Communicators Communications Contest
Finalist, Society of Midland Authors Book Award

For each era, Chavez reveals the ways Nicaraguan popular culture adapted and interpreted the new political order, shaping, critiquing, or amplifying the regime's message of stability and prosperity for the people. These tactics of interpretation, otherwise known as meaning-making, became all-important for the Nicaraguan people, as they opposed the autocracy of Somocismo, or complemented the Sandinistas, or struggled to find their place in the Neoliberal era. In every case, Chavez shows the reflective nature of cultural production and its pursuit of utopian idealism.

An essential interdisciplinary study of culture, history, and identity on Nicaragua’s Caribbean frontier.

Separated from Nicaragua’s Pacific plain by mountains, the Atlantic coastal plain extends between 70 and 100 miles into the interior. Early Spanish settlers were ousted by the British, who engaged in the mahogany trade, and who also hoped for trade with Americans seeking a short route to California. In 1850, with the signing of the Clayton-Bulwer Treaty, the U.S. and Britain agreed that neither country would seek to acquire exclusive control over a Nicaraguan canal. Plans for the development of a Nicaraguan canal had a marked influence on the region for the next 100 years.

During the second half of the 19th century both rubber and bananas were produced commercially in eastern Nicaragua, and the Standard Fruit Company of New Orleans became the larges single commercial influence in the region. The first over American intervention in eastern Nicaragua occurred in 1912, when a contingent of Marines was dispatched to protect American commercial interests. The Marines remained for thirteen years.

Dozier develops the history of the current political troubles in Nicaragua, which had their origin in the early 1930s and which center about the control of the rich area inhabited by the Mosquitos. His book presents the historical background for the tragic events that are taking place in that region.

Unmasks the long-forgotten story of how a flying, superhuman vigilante played a pivotal role in the founding of the American labor movement.

On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Matthew Warner Osborn reveals, this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities. 

The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage.

A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique. 

American forces entered World War I combat in October 1917, but it was not until July 1918 that they went on the offensive for the first time. Among the units selected for this operation was the 42nd Division, or the “Rainbow Division” as it was known popularly. This division, which was composed of National Guard units from twenty-six states, including Joyce Kilmer’s 69th New York Infantry, would spend 164 days in combat, a number exceeded by only two other American divisions. However, it was the nine days from July 25 to August 2, 1918 that were the most terrible and heroic in the division’s history. General of the Army Douglas MacArthur, who served as the division’s chief of staff, later said of the Rainbow Division’s fighting during those pivotal days, “There was neither rest nor mercy.” During those nine days, the Rainbow Division would spearhead the Allied attack in the Aisne-Marne region, the final phase of the Second Battle of the Marne, which saw the last major German offensive on the Western Front defeated. Unfortunately, American leadership proved to be completely unprepared for a dynamic war of maneuver. Basing decisions on wildly inaccurate information about the Germans, senior commanders ordered the men of the Rainbow Division to make ill-advised assaults again and again with little support. Facing an enemy who was determined to hold itspositions, these National Guardsmen fought with courage and determination to gain what was often only yards of ground, and did so at a deadly cost. 

The book opens with key themes that will help students and scholars understand the century, such as the civilization and barbarism binary, urbanism, the divide between conservatives and liberals, and transculturation. In the chapters that follow, Conway weaves transnational trends together with brief case studies and compelling snapshots that help us understand the period. How much did books and photographs cost in the nineteenth century? What was the dominant style in painting? What kinds of ballroom dancing were popular? Richly illustrated with striking photographs and lithographs, this is a book that invites the reader to rediscover a past age that is not quite past, still resonating into the present.

Nineteenth-Century Women’s Movements and the Bible examines politically motivated women’s movements in the nineteenth century, including the legal, cultural, and ecclesiastical contexts of women. Focusing on the period beginning with the French Revolution in 1789 through the end of World War I in 1918, contributors explore the many ways that women’s lives were limited in both the public and domestic spheres. Essays consider the social, political, biblical, and theological factors that resulted in a multinational raising of awareness and emancipation for women in the nineteenth century and the strengthening of their international networks. The contributors include Angela Berlis, Kristin Kobes Du Mez, Ute Gerhard, Christiana de Groot, Arnfriður Guðmundsdóttir, Izaak J. de Hulster, Elisabeth Joris, Christine Lienemann-Perrin, Amanda Russell-Jones, Claudia Setzer, Aud V. Tønnessen, Adriana Valerio, and Royce M. Victor.

A candid, courageous portrait of the South as told by a writer unafraid to confront its heat, its history, and its humanity.

Clarence Cason belonged to that restless generation of southern intellectuals who, between the world wars, questioned the South's stubborn traditionalism, even as they tried to explain and defend its distinctiveness. From his professorial perch at The University of Alabama, Cason wrote polished essays for leading national publications while contributing weekly editorials for newspaper readers. As a journalist in academia, he cultivated a broad audience for his eloquent though tentative observations about the "character" of a region that seemed to be a separate province of the nation.

In 1935, Cason collected his thoughts in a small book of essays titled 90° in the Shade. In it, he declared that climate and the relaxation afforded by field and stream had given southerners excellent reasons for their notoriously slow pace of life. Still, he wrote, "there is much work that ought to be done below the Potomac." Cason captured the pathos of race relations and other persistent problems and declared that the abominable practice of lynching would end when the best people of the South risked their personal and commercial standing to denounce it. Just days before the book's publication, however, Cason shot himself in his campus office. He left no explanation, but apparently he feared angry reaction from fellow citizens to his mild criticisms and gentle suggestions for change.

The University of Alabama Press brought the book back into print in 1983. This new edition of Cason's classic features an introduction by journalist and UA professor H. Bailey Thomson, allowing yet another generation the enjoyment of Cason's perceptive writing, not so much for any remedy he proposed but rather for the open-minded and loving way in which he addressed the region's tragic experience.

This second reprint edition of a classic work on southern culture will allow a new generation of readers to enjoy Cason's observant, graceful writing.