935 books match the query 'Ancient' and 19 start with o

cover of Obligations in Roman Law: Past, Present, and Future

Obligations in Roman Law

Past, Present, and Future

Edited by Thomas A. J. McGinn

University of Michigan Press, 2013

Long a major element of classical studies, the examination of the laws of the ancient Romans has gained momentum in recent years as interdisciplinary work in legal studies has spread. Two resulting issues have arisen, on one hand concerning Roman laws as intellectual achievements and historical artifacts, and on the other about how we should consequently conceptualize Roman law.

Drawn from a conference convened by the volume's editor at the American Academy in Rome addressing these concerns and others, this volume investigates in detail the Roman law of obligations—a subset of private law—together with its subordinate fields, contracts and delicts (torts). A centuries-old and highly influential discipline, Roman law has traditionally been studied in the context of law schools, rather than humanities faculties. This book opens a window on that world.

Roman law, despite intense interest in the United States and elsewhere in the English-speaking world, remains largely a continental European enterprise in terms of scholarly publications and access to such publications. This volume offers a collection of specialist essays by leading scholars Nikolaus Benke, Cosimo Cascione, Maria Floriana Cursi, Paul du Plessis, Roberto Fiori, Dennis Kehoe, Carla Masi Doria, Ernest Metzger, Federico Procchi, J. Michael Rainer, Salvo Randazzo, and Bernard Stolte, many of whom have not published before in English, as well as opening and concluding chapters by editor Thomas A. J. McGinn.

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cover of Oedipus at Colonus

Oedipus at Colonus

Sophocles, A verse translation by David Mulroy, with introduction and notes

University of Wisconsin Press, 2014

Oedipus at Colonus is the third in Sophocles' trilogy of plays about the famous king of Thebes and his unhappy family. It dramatizes the mysterious death of Oedipus, by which he is transformed into an immortal hero protecting Athens. This was Sophocles' final play, written in his mid-eighties and produced posthumously. Translator David Mulroy's introduction and notes deepen the reader's understanding of Oedipus' character and the real political tumult that was shaking Athens at the time that Sophocles wrote the play. Oedipus at Colonus is at once a complex study of a tragic character, an indictment of Athenian democracy, and a subtle endorsement of hope for personal immortality.
            As in his previous translations of Oedipus Rex and Antigone, Mulroy combines scrupulous scholarship and textual accuracy with a fresh poetic style. He uses iambic pentameter for spoken passages and short rhymed stanzas for choral songs, resulting in a text that is accessible and fun to read and perform.
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cover of Of God and Gods: Egypt, Israel, and the Rise of Monotheism

Of God and Gods

Egypt, Israel, and the Rise of Monotheism

Jan Assmann

University of Wisconsin Press, 2008

For thousands of years, our world has been shaped by biblical monotheism. But its hallmark—a distinction between one true God and many false gods—was once a new and radical idea. Of God and Gods explores the revolutionary newness of biblical theology against a background of the polytheism that was once so commonplace.
    Jan Assmann, one of the most distinguished scholars of ancient Egypt working today, traces the concept of a true religion back to its earliest beginnings in Egypt and describes how this new idea took shape in the context of the older polytheistic world that it rejected. He offers readers a deepened understanding of Egyptian polytheism and elaborates on his concept of the “Mosaic distinction,” which conceives an exclusive and emphatic Truth that sets religion apart from beliefs shunned as superstition, paganism, or heresy.
    Without a theory of polytheism, Assmann contends, any adequate understanding of monotheism is impossible.

Best Books for General Audiences, selected by the American Association of School Librarians, and Best Books for Special Interests, selected by the Public Library Association

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cover of Off Limits: New Writings on Fear and Sin

Off Limits

New Writings on Fear and Sin

Nawal El Saadawi

Gingko, 2018

Nawal El Saadawi is a significant and broadly influential feminist writer, activist, physician, and psychiatrist. Born in 1931 in Egypt, her writings focus on women in Islam. Well beyond the Arab world, from Woman at Point Zero to The Fall of the Imam and her prison memoirs, El Saadawi’s fiction and nonfiction works have earned her a reputation as an author who has provided a powerful voice in feminist debates centering on the Middle East.

Off Limits presents a selection of El Saadawi’s most recent recollections and reflections in which she considers the role of women in Egyptian and wider Islamic society, the inextricability of imperialism from patriarchy, and the meeting points of East and West. These thoughtful and wide-reaching pieces leave no stone unturned and no view unchallenged, and the essays collected here offer further insight into this profound author’s ideas about women, society, religion, and national identity.
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cover of Oikonomia: Ancient Greek Philosophers on the Meaning of Economic Life

Oikonomia

Ancient Greek Philosophers on the Meaning of Economic Life

Étienne Helmer

University of Chicago Press, 2024

A detailed analysis of oikonomia, an underexplored branch of knowledge in ancient Greek philosophy.
 
In this book, Étienne Helmer offers a comprehensive analysis of oikonomia in ancient Greek philosophy. Despite its similarity to the word “economy,” for the ancients, oikonomia named a branch of knowledge—the science of management—that was aimed at studying the practices we engage in to satisfy our needs. This began with the domestic sphere, but it radiated outward from the oikos (house) to encompass broader issues in the polis (city) as well. Helmer explores topics such as gender roles and marriage, property and the household, the acquisition and preservation of material goods, and how Greek philosophers addressed the issue of slavery in the ancient world. Even if we are not likely to share many of ancient thinkers’ beliefs today, Helmer shows that there was once a way of thinking of “economic life” that went beyond the mere accumulation of wealth, representing a key point of departure for understanding how to inhabit the world with others.
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cover of On Benefits

On Benefits

Lucius Annaeus Seneca

University of Chicago Press, 2011

Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in seven accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.

On Benefits, written between 56 and 64 CE, is a treatise addressed to Seneca’s close friend Aebutius Liberalis. The longest of Seneca’s works dealing with a single subject—how to give and receive benefits and how to express gratitude appropriately—On Benefits is the only complete work on what we now call “gift exchange” to survive from antiquity. Benefits were of great personal significance to Seneca, who remarked in one of his later letters that philosophy teaches, above all else, to owe and repay benefits well.

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cover of On the Street of the Hidden Shops: One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome

On the Street of the Hidden Shops

One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome

Elizabeth Rodini

University of Chicago Press, 2026

Delve into Rome’s lost history through the stories of a single city block.

Cutting through the heart of Rome is Via delle Botteghe Oscure, a time-worn street named for the mysterious “shops” said to run beneath it. History lies thick here, a museum atop a convent atop ancient ruins; layered in are traces of artisans and poets, pilgrims and saints, a Fascist deportation, a communist coffee bar, a political assassination, and shopkeepers, too. These stories all rest upon a single city block, the same place where, in 13 BCE, the triumphal Roman general Lucius Cornelius Balbus built a monumental theater complex in his own honor.

Elizabeth Rodini’s On the Street of the Hidden Shops digs deep into this corner of the city, uncovering a set of surprising, often poignant narratives that range across two thousand years. For as the walls of Balbus’s compound decayed and the neighborhood was rebuilt, this block would come to shelter Romans from all walks of life: the daughters of local prostitutes, an earnest young man in search of a bride, an entrepreneur determined to preserve the city’s colorful dialect, a Jewish family recently liberated from the nearby Ghetto, and a band of idealistic archaeologists unearthing a long-forgotten past, as well as a gifted baker, a medieval donkey, and a Renaissance ghost. Their stories survive in archives and artifacts but also in the enduring power of rumor and legend.

On the Street of the Hidden Shops invites us on a captivating journey to one place across many centuries. Its tight urban focus reveals a Rome most visitors miss, while uncovering some of the many Romes that have been largely lost to history.

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cover of On the Street of the Hidden Shops: One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome

On the Street of the Hidden Shops

One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome

Elizabeth Rodini

University of Chicago Press, 2026

Delve into Rome’s lost history through the stories of a single city block.

Cutting through the heart of Rome is Via delle Botteghe Oscure, a time-worn street named for the mysterious “shops” said to run beneath it. History lies thick here, a museum atop a convent atop ancient ruins; layered in are traces of artisans and poets, pilgrims and saints, a Fascist deportation, a communist coffee bar, a political assassination, and shopkeepers, too. These stories all rest upon a single city block, the same place where, in 13 BCE, the triumphal Roman general Lucius Cornelius Balbus built a monumental theater complex in his own honor.

Elizabeth Rodini’s On the Street of the Hidden Shops digs deep into this corner of the city, uncovering a set of surprising, often poignant narratives that range across two thousand years. For as the walls of Balbus’s compound decayed and the neighborhood was rebuilt, this block would come to shelter Romans from all walks of life: the daughters of local prostitutes, an earnest young man in search of a bride, an entrepreneur determined to preserve the city’s colorful dialect, a Jewish family recently liberated from the nearby Ghetto, and a band of idealistic archaeologists unearthing a long-forgotten past, as well as a gifted baker, a medieval donkey, and a Renaissance ghost. Their stories survive in archives and artifacts but also in the enduring power of rumor and legend.

On the Street of the Hidden Shops invites us on a captivating journey to one place across many centuries. Its tight urban focus reveals a Rome most visitors miss, while uncovering some of the many Romes that have been largely lost to history.

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cover of Open Data in Ancient and Byzantine Studies

Open Data in Ancient and Byzantine Studies

Edited by Valeria Vitale and Gabriel Bodard

University of London Press, 2026

Exploring the impact of open-access and openly licensed data and code in classical and Byzantine studies. 

Open Data in Ancient and Byzantine Studies shows how openness supports transparency, collaboration, the identification of biases, and new interpretive and data‑driven approaches to ancient sources. Through practical case studies, the book demonstrates how methods such as epigraphic transcription, textual criticism, and archaeological modeling have advanced open data standards and practices.

This book highlights the potential of interoperability, documentation, and open workflows for broader approaches to the ancient world. Bringing together work from classics, Byzantine studies, archaeology, linguistics, and digital humanities, it presents open scholarship as a transformative model for academic knowledge production.

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cover of Orphism and Tragedy: Myth Transfigured

Orphism and Tragedy

Myth Transfigured

Gianni Carchia

Seagull Books, 2026

A reimagining of the ancient Greek mystical movement Orphism. 

What does it mean to step outside the civic order through poetry? Ever since it first emerged in Greece around the sixth century BC, Orphic doctrine has marked a powerful rupture with the ancient world. Its salvific practices, closely tied to a belief in the soul’s immortality, its resolute rejection of sacrificial ritual and embrace of vegetarianism, and its distinctive conception of time and memory all defined a way of life, the bios orphikos, that was at once poetic and political.

In this brief yet densely layered text, Gianni Carchia returns to Orphism in all its implications. It becomes clear that, for Carchia, Orphism is not merely a historiographical concern, but an aesthetic and political one. If tragedy constitutes one of the central pillars around which the polis was formed, Orphism represents a radically different path—an alternative to the polis itself—by placing the poetic word, in all its autonomous power, at its core. And if the relationship between philosophy and tragedy has long been a central theme in the history of Western thought, Carchia’s reflections here ask a different question: Is the Orphic path still accessible to us today?

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cover of Ostraka and Other Inscribed Material from Bir Shawish, Small Oasis: Excavation Seasons 2005 and 2007

Ostraka and Other Inscribed Material from Bir Shawish, Small Oasis

Excavation Seasons 2005 and 2007

Marek Dospel

University of Michigan Press, 2020

Informal documents and remains of material culture, when analyzed properly, offer a unique window into the daily lives and workings of ancient civilizations. Published here in their archaeological context and with any relevant artifacts, the documents and inscriptions excavated recently in Egypt’s Western Desert represent a valuable addition to our meager documentation of the Bahriya Oasis in the first centuries CE.

This is the first comprehensive treatment of an archaeological dataset from the archaeological exploration of Bīr Shawīsh. Dating to around 400 CE, these primary historical sources include documentary texts written on ostraka, informal inscriptions on various ceramic objects, plus a group of incised lids. The core of the volume consists of an annotated edition and analytical indices. This is prefaced by the historical and archaeological context and is followed by a synthesis of selected issues inherent to the published material. The book includes appendices and pictures of all published objects. Doubling the number of texts and inscriptions published to date from the Small Oasis, this new corpus furthers our understanding of the economic, administrative, and social history of Late Antique Egypt.

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cover of Ottoman Explorations of the Nile: Evliya Çelebi’s Map of the Nile and The Nile Journeys in the Book of Travels (Seyahatname)

Ottoman Explorations of the Nile

Evliya Çelebi’s Map of the Nile and The Nile Journeys in the Book of Travels (Seyahatname)

Robert Dankoff, Nuran Tezcan, and Michael D. Sheridan

Gingko, 2018

Before the time of Napoleon, the most ambitious effort to explore and map the Nile was undertaken by the Ottomans, as attested by two monumental documents: an elaborate map, with 475 rubrics, and a lengthy travel account. Both were achieved at about the same time—c. 1685—and both by the same man.

Evliya Çelebi’s account of his Nile journeys, in the tenth volume of his Book of Travels (Seyahatname), has been known to the scholarly world since 1938, when that volume was first published. The map, held in the Vatican Library, has been studied since at least 1949. Numerous new critical editions of both the map and the text have been published over the years, each expounding upon the last in an attempt to reach a definitive version. The Ottoman Explorations of the Nile provides a more accurate translation of the original travel account. Furthermore, the maps themselves are reproduced in greater detail and vivid color, and there are more cross-references to the text than in any previous edition. This volume gives equal weight and attention to the two parts that make up this extraordinary historical document, allowing readers to study the map or the text independently, while also using each to elucidate and accentuate the details of the other. 
 
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cover of Our Ancient Wars: Rethinking War through the Classics

Our Ancient Wars

Rethinking War through the Classics

Victor Caston and Silke-Maria Weineck, editors

University of Michigan Press, 2016

Many famous texts from classical antiquity—by historians like Thucydides, tragedians like Sophocles and Euripides, the comic poet Aristophanes, the philosopher Plato, and, above all, Homer—present powerful and profound accounts of wartime experience, both on and off the battlefield. They also provide useful ways of thinking about the complexities and consequences of wars throughout history, and the concept of war broadly construed, providing vital new perspectives on conflict in our own era.

Our Ancient Wars features essays by top scholars from across academic disciplines—classicists and historians, philosophers and political theorists, literary scholars, some with firsthand experience of war and some without—engaging with classical texts to understand how differently they were read in other times and places. Contributors articulate difficult but necessary questions about contemporary conceptions of war and conflict.
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cover of Our Elders Teach Us: Maya-Kaqchikel Historical Perspectives

Our Elders Teach Us

Maya-Kaqchikel Historical Perspectives

David Anthony Carey, Jr. with a preface by Allan Burns

University of Alabama Press, 2001

Where Maya voices reclaim their history and reshape our understanding of the past.

Combining the methodologies of anthropology and history, Carey uses both oral interviews and meticulous archival research to construct a history of the last 130 years in Guatemala from the perspective of present-day Mayan people. His research took place over five years, including intensive language study, four summers of fieldwork, and a year-long residence in Comalapa, during which he conducted most of the 414 interviews. By casting a wide net for his interviews—from tiny hamlets to bustling Guatemala City—Carey gained insight into more than a single community or a single group of Maya.

The Maya-Kaqchikel record their history through oral tradition; thus, few written accounts exist. Comparing the Kaqchikel point of view to that of the western scholars and Ladinos who have written most of the history texts, Carey reveals the people and events important to the Maya, which have been virtually written out of the national history.

A motto of the Guatemalan organization Maya Decinio para el Pueblo Indigena (Maya Decade for the Indigenous People) is that people who do not know their past cannot build a future. By elucidating what the Kaqchikel think of their own past, Carey also illuminates the value of non-Western theoretical and methodological approaches that can be applied to the history of other peoples. Valuable to historians, anthropologists, archaeologists, or anyone interested in Mayan and Latin American studies, this book will inform as well as enchant.



 


 

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cover of Ovid before Exile: Art and Punishment in the Metamorphoses

Ovid before Exile

Art and Punishment in the Metamorphoses

Patricia J. Johnson

University of Wisconsin Press, 2007

The epic Metamorphoses, Ovid’s most renowned work, has regained its stature among the masterpieces of great poets such as Vergil, Horace, and Tibullus. Yet its irreverent tone and bold defiance of generic boundaries set the Metamorphoses apart from its contemporaries. Ovid before Exile provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus’ reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression.
    Patricia J. Johnson demonstrates how the production of art—specifically poetry—changed dramatically during the reign of Augustus. By Ovid’s final decade in Rome, the atmosphere for artistic work had transformed, leading to a drop in poetic production of quality. Johnson shows how Ovid, in the episodes of artistic creation that anchor his Metamorphoses, responded to his audience and commented on artistic circumstances in Rome.
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cover of Ovid's "Heroides" and the Augustan Principate

Ovid's "Heroides" and the Augustan Principate

Megan O. Drinkwater

University of Wisconsin Press, 2023

43 BCE, the year after the assassination of Julius Caesar. While the Roman republic had seen many conflicts, it was this civil war, headed by the vengeful triumvirate of Mark Anthony, Marcus Lepidus, and Octavian, that irrevocably transformed Rome with its upheaval. What followed was years of fighting and the eventual ascendancy of Octavian, who from 27 BCE onwards would be best known as Caesar Augustus, founder of the Roman Principate.
 
It was in this era of turmoil and transformation that Ovid, the Roman poet best known for Metamorphoses, was born. The Heroides, one of his earliest and most elusive works, is not written from the first-person perspective that so often characterizes the elegiac poetry of that time but from the personae of tragic heroines of classical mythology.
 
Megan O. Drinkwater illustrates how Ovid used innovations of literary form to articulate an expression of the crisis of civic identity in Rome at a time of extreme and permanent political change. The letters are not divorced from the context of their composition but instead elucidate that context for their readers and expose how Ovid engaged in politics throughout his entire career. Their importance is as much historical as literary. Drinkwater makes a compelling case for understanding the Heroides as a testament from one of Rome’s most eloquent writers to the impact that the dramatic shift from republic to empire had on its intellectual elites.
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cover of Ovid's Causes: Cosmogony and Aetiology in the Metamorphoses

Ovid's Causes

Cosmogony and Aetiology in the Metamorphoses

K. Sara Myers

University of Michigan Press, 1994

Ovid’s Causes offers a new reassessment of the poet’s longest and most difficult poem, the Metamorphoses. This poem has long been denied epic stature because of its stylistic and thematic diversity. K. Sara Myers demonstrates that the poem must be understood as the inheritor and interpreter of the Roman tradition of cosmological epic. She situates the poem in the traditions and conventions of Roman poetry and considers the ways in which it both fulfills and overturns the expectations of the epic genre.
 
The first and final chapters of this book examine the scientific and cosmological framework of the poem. Ovid’s juxtaposition of scientific and mythological explanations is an aspect of his sophisticated manipulation of truth and fiction, and of the claims of philosophical poetry and mythological poetry.
 
This illuminating study presents much useful material for students of Roman poetry or of Greek literary influences that profoundly influenced its development. Students and scholars of ancient poetical traditions will likewise find much of interest.
 
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cover of Ovid's Literary Loves: Influence and Innovation in the Amores

Ovid's Literary Loves

Influence and Innovation in the Amores

Barbara Weiden Boyd

University of Michigan Press, 1997

Ovid's poetry has in recent years enjoyed a remarkable renaissance: in particular, there has been a surge of interest in the Heroides, the Fasti, and his exile poetry. Ovid's Literary Loves, by Barbara Weiden Boyd, reopens the Amores for the modern reader. The volume establishes a context for the recent reception of the Amores, and proposes an alternative approach to the collection by discussing recent trends in the discussion of imitation in Roman poetry. A premise basic to most Ovidian studies has been that the Amores are not only imitative, but parodic, both of the elegiac genre writ large and of Propertius in particular. In contrast, Boyd emphasizes the many nonelegiac, non-Propertian features of the collection. Ovid's irony and its consequences are also discussed with special attention to the narrative structure of the three books.
Boyd's thoughtful approach to imitation in Latin poetry brings into prominence the formative role played by Virgil in shaping Ovid's "poetic memory," even in the Amores. The detailed examination of Ovidian extended similes shows how the poet exploits the literary past precisely in order to free himself from generic restraint and to expand the narrow horizons of elegy. Boyd argues that this paradox is the essence of Ovidian poetics.
Ovid's Literary Loves is an imaginative approach to imitation in Latin poetry and makes a significant contribution to current discussions of the subject. This is one of the first contemporary scholarly monographs on the Amores, and it will find a large and welcoming audience of Latinists at all levels of study.
Barbara Weiden Boyd is Associate Professor of Classics, Bowdoin College, Brunswick, Maine.
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cover of Ovid's Women of the Year: Narratives of Roman Identity in the Fasti

Ovid's Women of the Year

Narratives of Roman Identity in the Fasti

Angeline Chiu

University of Michigan Press, 2016

Roman love-poet Ovid, best known for the epic Metamorphoses, offers in his Fasti the self-proclaimed goal of exploring and explicating the Roman calendar. Published in his maturity circa 14 CE, the Fasti presents claims of aetiological, astronomical, and even antiquarian interests, but more importantly the poem highlights an extraordinary prominence of female characters at work, play, and worship in its verses. From flirtatious goddesses to talkative old women, beautiful puellae to stern prophetesses and beyond, Ovid’s “calendar girls” appear in a vast and kaleidoscopic array of guises and narratives, importing and transforming literary genre and expectation alike in a poem that already in shape and purpose is unique in Latin literature. The poet’s long-standing fascination with female figures that had first appeared in his earliest work and then accompanied him throughout his career now resurfaces in a much more complex form.

Of interest to literary scholars, antiquarians, and those studying the social and political roles of ancient women, Ovid’s Women of the Year offers an intriguing view of an Ovidian poem now coming into its own.

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