808 books match the query 'Civilization' and 16 start with o

cover of Observing America: The Commentary of British Visitors to the United States, 1890–1950

Observing America

The Commentary of British Visitors to the United States, 1890–1950

Robert Frankel

University of Wisconsin Press, 2006

Beginning with Alexis de Tocqueville and Frances Trollope, visitors to America have written some of the most penetrating and, occasionally, scathing commentaries on U.S. politics and culture. Observing America focuses on four of the most insightful British commentators on America between 1890 and 1950. The colorful journalist W. T. Stead championed Anglo-American unity while plunging into reform efforts in Chicago. The versatile writer H. G. Wells fiercely criticized capitalist America but found reason for hope in the administrations of Theodore Roosevelt and Franklin Roosevelt. G. K. Chesterton, one of England’s great men of letters, urged Americans to preserve the vestiges of Jeffersonian democracy that he still discerned in the small towns of the heartland. And the influential political theorist and activist Harold Laski assailed the business ethos that he believed dominated the nation, especially after Franklin Roosevelt’s death. 
    
Robert Frankel examines the New World experiences of these commentators and the books they wrote about America. He also probes similar writings by other prominent observers from the British Isles, including Beatrice Webb, Rudyard Kipling, and George Bernard Shaw. The result is a book that offers keen insights into America’s national identity in a time of vast political and cultural change.
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cover of Of Wonders and Wise Men: Religion and Popular Cultures in Southeast Mexico, 1800-1876

Of Wonders and Wise Men

Religion and Popular Cultures in Southeast Mexico, 1800-1876

By Terry Rugeley

University of Texas Press, 2001

2004 – Harvey L. Johnson Award – Southwest Council of Latin American Studies

In the tumultuous decades following Mexico's independence from Spain, religion provided a unifying force among the Mexican people, who otherwise varied greatly in ethnicity and socioeconomic status. Accordingly, religion and the popular cultures surrounding it form the lens through which Terry Rugeley focuses this cultural history of southeast Mexico from independence (1821) to the rise of the dictator Porfirio Díaz in 1876.

Drawing on a wealth of previously unused archival material, Rugeley vividly reconstructs the folklore, beliefs, attitudes, and cultural practices of the Maya and Hispanic peoples of the Yucatán. In engagingly written chapters, he explores folklore and folk wisdom, urban piety, iconography, and anticlericalism. Interspersed among the chapters are detailed portraits of individual people, places, and institutions, that, with the archival evidence, offer a full and fascinating history of the outlooks, entertainments, and daily lives of the inhabitants of southeast Mexico in the nineteenth century. Rugeley also links this rich local history with larger events to show how macro changes in Mexico affected ordinary people.

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cover of On Civilization, Power, and Knowledge: Selected Writings

On Civilization, Power, and Knowledge

Selected Writings

Norbert Elias

University of Chicago Press, 1997

Nobert Elias (1897-1990) is among the great sociologists of the twentieth century. Born in Germany, Elias earned a doctorate in philosophy and then turned to sociology, working with Max Weber's younger brother, Alfred Weber, and with Karl Mannheim. He later fled the Nazi regime in 1935 and spent most of his life in Britain. He is best known for his book, The Civilizing Process, wherein he traces the subtle changes in manners among the European upper classes since the Middle Ages, and shows how those seemingly innocuous changes in etiquette reflected profound transformations of power relations in society. He later applied these insights to a wide range of subjects, from art and culture to the control of violence, the sociology of sports, the development of knowledge and the sciences, and the methodology of sociology.

This volume is a carefully chosen collection of Elias's most important writings and includes many of his most brilliant ideas. The development of Elias's thinking during the course of his long career is traced along with a discussion of how his work relates to other major sociologists and how the various selections are interconnected. The result is a consistent and stimulating look at one of sociology's founding thinkers.
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cover of On the Plaza: The Politics of Public Space and Culture

On the Plaza

The Politics of Public Space and Culture

By Setha M. Low

University of Texas Press, 2000

Robert B. Textor Prize for Excellence in Anticipatory Anthropology, American Anthropological Association, 2000
Honorable Mention, Victor Turner Award, Society for Humanistic Anthropology, 2001
Leeds Prize, Society of Urban, National, and Transnational/Global Anthropology, 2001

Friendly gossip, political rallies, outdoor concerts, drugs, shoeshines, and sex-for-sale—almost every aspect of Latin American life has its place and time in the public plaza. In this wide-ranging, multi-disciplinary study, Setha M. Low explores the interplay of space and culture in the plaza, showing how culture acts to shape public spaces and how the physical form of the plaza encodes the social and economic relations within its city.

Low centers her study on two plazas in San José, Costa Rica, with comparisons to public plazas in the United States, Europe, and elsewhere. She interweaves ethnography, history, literature, and personal narrative to capture the ambiance and meaning of the plaza. She also uncovers the contradictory ethnohistories of the European and indigenous origins of the Latin American plaza and explains why the plaza is often a politically contested space.

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cover of On the Semicivilized: Coloniality, Finance, and Embodied Sovereignty in Cairo

On the Semicivilized

Coloniality, Finance, and Embodied Sovereignty in Cairo

Julia Elyachar

Duke University Press, 2025

On the Semicivilized by Julia Elyachar is a sweeping analysis of the coloniality that shaped—and blocked—sovereign futures for those dubbed barbarian and semicivilized in the former Ottoman Empire. Drawing on thirty years of ethnographic research in Cairo, family archives from Palestine and Egypt, and research on Ottoman debt and finance to rethink catastrophe and potentiality in Cairo and the world today, Elyachar theorizes a global condition of the “semicivilized” marked by nonsovereign futures, crippling debts, and the constant specter of violence exercised by those who call themselves civilized. Originally used to describe the Ottoman Empire, whose perceived “civilizational differences” rendered it incompatible with a Western-dominated global order, semicivilized came to denote lands where unitary territorial sovereignty was stymied at the end of WWI. Elyachar’s theorizing offers a new analytic vocabulary for thinking beyond territoriality, postcolonialism, and the “civilized"/"primitive” divide. Looking at the world from the perspective of the semicivilized, Elyachar argues, allows us to shift attention to embodied infrastructures, collective lives, and practices of moving and acting in common that bypass lingering assumptions of territorialism and unitary sovereign rule.
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cover of One Way: BERNARD DADIE OBSERVES AMERICA

One Way

BERNARD DADIE OBSERVES AMERICA

Bernard Binlin Dadié

University of Illinois Press, 1994

In 1959, when Un Negre a Paris first appeared, the French still held West Africa under colonial rule. Dadie's observations and subtle parodies of Parisian manners and morals are entertaining and poignant, charming yet profound.
 
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cover of Oratorical Culture in Nineteenth-Century America: Transformations in the Theory and Practice of Rhetoric

Oratorical Culture in Nineteenth-Century America

Transformations in the Theory and Practice of Rhetoric

Gregory Clark and S. Michael Halloran

Southern Illinois University Press, 1993

Gregory Clark and S. Michael Halloran bring together nine essays that explore change in both the theory and the practice of rhetoric in the nineteenth-century United States.

In their introductory essay, Clark and Halloran argue that at the beginning of the nineteenth century, rhetoric encompassed a neoclassical oratorical culture in which speakers articulated common values to establish consensual moral authority that directed community thought and action. As the century progressed, however, moral authority shifted from the civic realm to the professional, thus expanding participation in the community as it fragmented the community itself. Clark and Halloran argue that this shift was a transformation in which rhetoric was reconceived to meet changing cultural needs.

Part I examines the theories and practices of rhetoric that dominated at the beginning of the century. The essays in this section include "Edward Everett and Neoclassical Oratory in Genteel America" by Ronald F. Reid, "The Oratorical Poetic of Timothy Dwight" by Gregory Clark, "The Sermon as Public Discourse: Austin Phelps and the Conservative Homiletic Tradition in Nineteenth-Century America" by Russel Hirst, and "A Rhetoric of Citizenship in Nineteenth-Century America" by P. Joy Rouse.

Part 2 examines rhetorical changes in the culture that developed during that century. The essays include "The Popularization of Nineteenth-Century Rhetoric: Elocution and the Private Learner" by Nan Johnson, "Rhetorical Power in the Victorian Parlor: Godey’s Lady’s Book and the Gendering of Nineteenth-Century Rhetoric" by Nicole Tonkovich, "Jane Addams and the Social Rhetoric of Democracy" by Catherine Peaden, "The Divergence of Purpose and Practice on the Chatauqua: Keith Vawter’s Self-Defense" by Frederick J.Antczak and Edith Siemers, and "The Rhetoric of Picturesque Scenery: A Nineteenth-Century Epideictic" by S. Michael Halloran.

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cover of Order and History, Volume 2 (CW15): The World of the Polis

Order and History, Volume 2 (CW15)

The World of the Polis

Eric Voegelin. Edited & Intro by Athanasios Moulakis

University of Missouri Press, 2000

This second volume of Voegelin's magisterial Order and History, The World of the Polis, explores the ancient Greek symbolization of human reality. Taking us from the origins of Greek culture in the Pre-Homeric Cretan civilizations, through the Iliad and Odyssey, Hesiod, and the rise of philosophy with the Pre-Socratics Parmenides and Heraclitus, this masterful work concludes with the historians of the classical period.

In The World of the Polis, Voegelin traces the emergence of the forms of the city-state and of philosophy from the ancient symbolism of myth. He maintains that the limits and ultimate goals of human nature are constant and that the central problem of every society is the same—"to create an order that will endow the fact of its existence with meaning in terms of ends divine and human." Thus, Voegelin shows how "the meaning of existence" achieved concrete expression in the typical political, social, and religious institutions of Greece and in the productions of its poets and thinkers. He deals with more than fifty Greek writers in the course of his analysis of the rise of myth and its representation of the divine order of the cosmos as the first great symbolic form of order, one later supplanted by the leap in being reflected in the emergence of philosophy.

The book is a tour de force, a virtuoso performance by a scholar and philosopher of great power, learning, and imagination that places its subject matter in a new light. The editor's critical introduction places The World of the Polis in the broader context of Voegelin's philosophy of history. Scholars and students of political science, philosophy, and the history of ideas will find this work invaluable.

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cover of Order and History, Volume 5 (CW18): In Search of Order

Order and History, Volume 5 (CW18)

In Search of Order

Eric Voegelin, Edited & Intro by Ellis Sandoz

University of Missouri Press, 2000

In Search of Order brings to a conclusion Eric Voegelin's masterwork, Order and History. Voegelin conceived Order and History as "a philosophical inquiry concerning the principal types of order of human existence in society and history as well as the corresponding symbolic forms." In previous volumes, Voegelin discussed the imperial organizations of the ancient Near East and their existence in the form of the cosmological myth; the revelatory form of existence in history, developed by Moses and the prophets of the Chosen People; the polis, the Hellenic myth, and the development of philosophy as the symbolism of order; and the evolution of the great religions, especially Christianity.

This final volume of Order and History is devoted to the elucidation of the experience of transcendence that Voegelin discussed in earlier volumes. He aspires to show in a theoretically acute manner the exact nature of transcendental experiences. Voegelin's philosophical inquiry unfolds in the historical context of the great symbolic enterprise of restating man's humanity under the horizon of the modern sciences and in resistance to the manifold forces of our age that deform human existence. His stature as one of the major philosophical forces of the twentieth century clearly emerges from these concluding pages. In Search of Order deepens and clarifies the meditative movement that Voegelin, now in reflective distance to his own work, sees as having been operative throughout his search.

Because of Voegelin's death, on January 19, 1985, In Search of Order is briefer than it otherwise might have been; however, the theoretical presentation that he had set for himself is essentially completed here. Just as this volume serves Voegelin well in his striking analyses of Hegel, Hesiod, and Plato, it will serve as a model for the reader's own efforts in search of order.

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cover of Oriental Shadows: The Presence of the East in Early American Literature

Oriental Shadows

The Presence of the East in Early American Literature

Jim Egan

The Ohio State University Press, 2011

Through the use of several iconic early American authors (Anne Bradstreet, James Kirkpatrick, Benjamin Franklin, and Edgar Allan Poe), Jim Egan’s Oriental Shadows: The Presence of the East in Early American Literature explores the presence of “the East” in American writing.

The specter of the East haunted the literature of colonial British America and the new United States, from the earliest promotional pamphlets to the most aesthetically sophisticated works of art of the American Renaissance. Figures of Persia, China, Arabia, and other Oriental people, places, and things played crucial roles in many British American literary works, serving as key images in early American writers’ efforts to demonstrate that early American culture could match—and perhaps even surpass—European standards of refinement. These writers offered the East as a solution to America’s perceived inferior civilized status by suggesting that America become more civilized not by becoming more European but instead by adopting aesthetic styles and standards long associated with an East cast as superior aesthetically to both America and Europe.

In bringing to light this largely overlooked archive of images within the American literary canon, Oriental Shadows suggests that the East played a key role in the emergence of a distinctively American literary tradition and, further, that early American identity was born as much from figures of the East as it was from the colonists’ encounters with the frontier.
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cover of Otaku: Japan's Database Animals

Otaku

Japan's Database Animals

Hiroki Azuma

University of Minnesota Press, 2009

 In Japan, obsessive adult fans and collectors of manga and anime are known as otaku. When the underground otaku subculture first emerged in the 1970s, participants were looked down on within mainstream Japanese society as strange, antisocial loners. Today otaku have had a huge impact on popular culture not only in Japan but also throughout Asia, Europe, and the United States.

Hiroki Azuma’s Otaku offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture. For Azuma, one of Japan’s leading public intellectuals, otaku culture mirrors the transformations of postwar Japanese society and the nature of human behavior in the postmodern era. He traces otaku’s ascendancy to the distorted conditions created in Japan by the country’s phenomenal postwar modernization, its inability to come to terms with its defeat in the Second World War, and America’s subsequent cultural invasion. More broadly, Azuma argues that the consumption behavior of otaku is representative of the postmodern consumption of culture in general, which sacrifices the search for greater significance to almost animalistic instant gratification. In this context, culture becomes simply a database of plots and characters and its consumers mere “database animals.” 

A vital non-Western intervention in postmodern culture and theory, Otaku is also an appealing and perceptive account of Japanese popular culture.
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cover of Ottoman Eurasia in Early Modern German Literature: Cultural Translations (Francisci, Happel, Speer)

Ottoman Eurasia in Early Modern German Literature

Cultural Translations (Francisci, Happel, Speer)

Gerhild Scholz Williams

University of Michigan Press, 2021

Even a casual perusal of seventeenth-century European print production makes clear that the Turk was on everyone’s mind. Europe’s confrontation of and interaction with the Ottoman Empire in the face of what appeared to be a relentless Ottoman expansion spurred news delivery and literary production in multiple genres, from novels and sermons to calendars and artistic representations. The trans-European conversation stimulated by these media, most importantly the regularly delivered news reports, not only kept the public informed but provided the basis for literary conversations among many seventeenth-century writers, three of whom form the center of this inquiry: Daniel Speer (1636-1707), Eberhard Werner Happel (1647-1690), and Erasmus Francisci (1626-1694). The expansion of the Ottoman Empire during the sixteenth and seventeenth centuries offers the opportunity to view these writers' texts in the context of Europe and from a more narrowly defined Ottoman Eurasian perspective.

Ottoman Eurasia in Early Modern German Literature: Cultural Translations (Francisci, Happel, Speer) explores the variety of cultural and commercial conversations between Europe and Ottoman Eurasia as they negotiated their competing economic and hegemonic interests. Brought about by travel, trade, diplomacy, and wars, these conversations were, by definition, “cross-cultural” and diverse. They eroded the antagonism of “us and them,” the notion of the European center and the Ottoman periphery that has historically shaped the view of European-Ottoman interactions.

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cover of Our America: Nativism, Modernism, and Pluralism

Our America

Nativism, Modernism, and Pluralism

Walter Benn Michaels

Duke University Press, 1997

Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism.
“We have a great desire to be supremely American,” Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America’s cultural and collective identity—ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism.
Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity—linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos—something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels’s sustained rereading of the texts of the period—the canonical, the popular, and the less familiar—exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.
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cover of Our Common Country: Mutual Good Will in America

Our Common Country

Mutual Good Will in America

Warren G. Harding, Edited by Warren G. Harding, III, & Intro by Robert H. Ferrell

University of Missouri Press, 2003

Our Common Country is a collection of informal addresses, eighteen in all, given by Warren G. Harding as president-elect that defined his vision for the United States. What makes these addresses as relevant today as they were in 1921 is the unsettled mood of the country. Even though World War I is now a distant memory, today’s Americans have suffered through similar conflicts.
In 1917 when Americans went off to war, the red, white, and blue flew everywhere. Two million American soldiers went to France and fifty thousand of them died; the battle of the Meuse-Argonne was one of the costliest in American history. With the announcement by America’s allies that the United States’s contributions to the war were insignificant compared to their own, President Wilson’s leadership began to collapse. Also, the domestic economy’s boom was turning to a bust and the national debt was expanding. The general consensus of Americans was that “things had gone to hell in a handbasket.”
            In an effort to ease the minds of troubled and confused Americans, President Harding tried to provide them with inspiration. Addressing different groups of the population—mothers, veterans, patriots, farmers, businessmen, the press—he sought to send a consistent personal message of reassurance. During his administration, he would bring a formal end to the war by signing the Treaty of Berlin and would limit strategic armaments through the treaties of the Washington Conference. He would also establish the Bureau of the Budget, thereby bringing order to the departmental and bureaucratic requests that had disgraced budget making for decades. He planted the seeds for a department of health, education, and welfare, which was finally realized thirty years later. Although the former president was much maligned after his death, his good works during his term of office speak for themselves and show concern for his fellow Americans. His warmth, strength of character, and intelligence are demonstrated throughout these addresses. Harding spoke to his own time, yet these addresses speak to our own confusing times as well.
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cover of Out of due time: Wilfrid Ward and the Dublin review

Out of due time

Wilfrid Ward and the Dublin review

Paschal Scotti

Catholic University of America Press, 2006

Following the tradition of the great literary quarterlies, the journal discussed every aspect of human endeavor, and Out of Due Time offers a fine opportunity to view the best of the Catholic mind in an extraordinary period.
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cover of Outside the Gates of Eden: The Dream of America from Hiroshima to Now

Outside the Gates of Eden

The Dream of America from Hiroshima to Now

Peter Bacon Hales

University of Chicago Press, 2014

Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age.
           
Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as a new generation began to make its mark on the world it was inheriting.
           
Full of richly drawn set-pieces and countless stories of unforgettable moments, Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.
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