496 books match the query 'Ethnic identity' and 11 start with o

cover of Obsidian: Geology and Archaeology in the North American Southwest

Obsidian

Geology and Archaeology in the North American Southwest

M. Steven Shackley

University of Arizona Press, 2005

Obsidian was long valued by ancient peoples as a raw material for producing stone tools, and archaeologists have increasingly come to view obsidian studies as a crucial aid in understanding the past. Steven Shackley now shows how the geochemical and contextual analyses of archaeological obsidian can be applied to the interpretation of social and economic organization in the ancient Southwest. This book, the capstone of decades of investigation, integrates a wealth of obsidian research in one volume. It covers advances in analytical chemistry and field petrology that have enhanced our understanding of obsidian source heterogeneity, presents the most recent data on and interpretations of archaeological obsidian sources in the Southwest, and explores the ethnohistorical and contemporary background for obsidian use in indigenous societies. Shackley provides a thorough examination of the geological origin of obsidian in the region and the methods used to collect raw material and determine its chemical composition, and descriptions of obsidian sources throughout the Southwest. He then describes the occurrence of obsidian artifacts and shows how their geochemical fingerprints allow archaeologists to make conclusions regarding the procurement of obsidian. The book presents three groundbreaking applications of obsidian source studies. It first discusses an application to early Preceramic groups, showing how obsidian sources can reflect the range they inhabited over time as well as their social relationships during the Archaic period. It then offers an examination of the Late Classic Salado in Arizona’s Tonto Basin, where obsidian data, along with ceramic and architectural evidence, suggest that Mogollon migrants lived in economic and social harmony with the Hohokam, all the while maintaining relationships with their homeland. Finally, it provides an intensive look at social identity and gender differences in the Preclassic Hohokam of central Arizona, where obsidian source provenance and projectile point styles suggest that male Hohokam sought to create a stylistically defined identity in at least three areas of the Hohokam core area. These male “sodalities” were organized quite differently from female ceramic production groups. Today, obsidian research in the American Southwest enjoys an equal standing with ceramic, faunal, and floral studies as a method of revealing social process and change in prehistory. Shackley’s book discusses the ways in which archaeologists should approach obsidian research, no matter what the region, offering a thorough survey of archaeological obsidian studies that will have methodological and theoretical applications worldwide. The volume includes an extensive glossary created specifically for archaeologists.
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cover of Of Orphans and Warriors: Inventing Chinese American Culture and Identity

Of Orphans and Warriors

Inventing Chinese American Culture and Identity

Chun, Gloria Heyung

Rutgers University Press, 1999

"We were as American as can be," states Jadin Wong in recalling the days when she used to dance at a San Francisco nightclub during the 1940s. Wong belonged to an all-Chinese chorus line at a time when all East Asians were called "Orientals." In this context, then, what did it mean for Wong, an American-born Chinese, to say that she thought of herself as an "American"? Of Orphans and Warriors explores the social and cultural history of largely urban, American-born Chinese from the 1930s through the 1990s, focusing primarily on those living in California. Chun thus opens a window onto the ways in which these Americans born of Chinese ancestry negotiated their identity over a half century.

Past scholarship has portrayed these individuals as desiring to assimilate into mainstream American culture, but being prevented from doing so by the immigrant parent generation. Taking a new approach, Chun uses memoirs, autobiographies, and fictional writings to unravel complex issues of ethnic identity as both culturally defined and individually negotiated. She concludes that, while indeed many Chinese Americans were caught between the lures of mainstream American culture and their parents' old-world values, this liminal position offered them unprecedented opportunities to carve out new identities for themselves from a position of strength.

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cover of Oktoberfest in Brazil: Domestic Tourism, Sensescapes, and German Brazilian Identity

Oktoberfest in Brazil

Domestic Tourism, Sensescapes, and German Brazilian Identity

Audrey Ricke

University of Alabama Press, 2023

An immersive ethnography uncovering how sensory experience, tourism, and heritage performance shape German Brazilian identity across local, national, and transnational landscapes.

Oktoberfest in Brazil: Domestic Tourism, Sensescapes, and German Brazilian Identity is one of the first ethnographies to analyze the tourism industry based on German cultural heritage in southern Brazil. Southern Brazil’s booming domestic tourism industry draws more than 500,000 people to events such as the Oktoberfest in Blumenau. Ricke investigates domestic tourism as sensescapes, focusing on the multiple and layered meanings associated with tourism’s sensory experiences and interactions. The author also introduces the “economy of aesthetics” as a new framework to capture how the sensescapes associated with domestic tourism are intertwined in the negotiation of ethnic, national, and transnational identities. These sensescapes also intersect with discourses on class and race, which are examined as well.

Oktoberfest in Brazil leads readers on a tour through German Brazilian home gardens, folk dance performances, and the largest Oktoberfest in Brazil. These sensory-rich spaces of interaction provide access to different perspectives and types of identity negotiation at multiple levels from the local to the transnational. Ricke illustrates how the emotions and sensory experiences of these sensescapes associated with German cultural heritage function as a means for German Brazilians to negotiate senses of belonging as Brazilians as well as their ethnic and transnational identities.

This book also provides historical and contemporary insights into the politics of citizenship associated with cultural heritage. As politics become more polarized, the need to analyze different ways of communicating through sensory experiences increases. The unique contribution of the economy of aesthetics framework is its ability to capture the influential power of sensory experience in the negotiation of identity and senses of belonging and citizenship more broadly. It provides new insights into how and why some sensory experiences within domestic tourism foster belonging and identity while other experiences reinforce social distinctions and national divisions.
 

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cover of Once Were Pacific: Maori Connections to Oceania

Once Were Pacific

Maori Connections to Oceania

Alice Te Punga Somerville

University of Minnesota Press, 2012

Native identity is usually associated with a particular place. But what if that place is the ocean? Once Were Pacific explores this question as it considers how Māori and other Pacific peoples frame their connection to the ocean, to New Zealand, and to each other through various creative works. Māori scholar Alice Te Punga Somerville shows how and when Māori and other Pacific peoples articulate their ancestral history as migratory seafarers, drawing their identity not only from land but also from water.

Although Māori are ethnically Polynesian, and Aotearoa New Zealand is clearly a part of the Pacific region, in New Zealand the terms “Māori” and “Pacific” are colloquially applied to two distinct communities: Māori are Indigenous, and “Pacific” refers to migrant communities from elsewhere in the region. Asking how this distinction might blur historical and contemporary connections, Te Punga Somerville interrogates the relationship between indigeneity, migration, and diaspora, focusing on texts: poetry, fiction, theater, film, and music, viewed alongside historical instances of performance, journalism, and scholarship.

In this sustained treatment of the Māori diaspora, Te Punga Somerville provides the first critical analysis of relationships between Indigenous and migrant communities in New Zealand.

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cover of Ono Ono Girl's Hula

Ono Ono Girl's Hula

Carolyn Lei-lanilau

University of Wisconsin Press, 1997

Both playful and serious, this audacious riff on ethnic and sexual identity by Hawaiian-Hakka Chinese-American writer Carolyn Lei-lanilau revolves around the persona she calls “Ono Ono Girl,” an icon that interweaves and transcends Lucille Ball, Little Lulu, Tina Turner, and Spottie Dottie. Challenging assumptions about genre and gender, and acting out the notion that language is a function of the body, these essays are transforming soundbytes of Ono Ono Girl inventing herself.

“Just when you thought American literature was canonized and commodified beyond saving, Carolyn Lei-lanilau’s intertextual, irreverent work, Ono Ono Girl’s Hula, brings language and philosophy back to the table. Her book is a miracle delivery: a rebirth of poetry, Third World Spam, and love wrapped around the hybrid vigor of Hawaiian, Hakka, French, Latin, and English. Soulful, powerful, and wise.”—Russell Leong, editor of Amerasia Journal

“A book enjoyable equally for its fun as for its profundity, Carolyn Lei-lanilau’s Ono Ono Girl’s Hula is irresistible must reading for feminists, anthropologists, contemporary culture buffs, and anyone who wants a refreshing take on some of our more vexing current disputes. Down-to-earth and poetic, serious and hilarious at once, her unconventional voice invites the reader to understand the paradoxes of identity—sexual and ethnic—in new ways.”—Robin Lakoff, author of Talking Power

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cover of Other Chinas: The Yao and the Politics of National Belonging

Other Chinas

The Yao and the Politics of National Belonging

Ralph A. Litzinger

Duke University Press, 2000

In Other Chinas Ralph A. Litzinger investigates the politics of ethnic identity in postsocialist China. By combining innovative research with extensive fieldwork conducted during the late 1980s and early 1990s in south-central and southwestern China, Litzinger provides a detailed ethnography of the region’s Yao population in order to question how minority groups are represented in China. In particular, he focuses on how elite members of this minority population have represented their own culture, history, and identity to a range of Chinese and Western observers.
Litzinger begins by describing how during the Republican period the Yao were considered a dangerous people who preferred to consort with beasts and goblins rather than join in the making of a modern nation. He then compares this to the communist revolutionaries’ view of the Yao as impressive rebels and positive examples of subaltern agency. Litzinger shows how scholars, government workers, communist party officials, and Taoist ritual specialists have influenced the varied depictions of the Yao and, in doing so, he advances a new understanding of both the Yao and the effects of official discourse, written histories, state policy, and practices of minority empowerment. In addition to analyzing issues of ritual practice, social order, morality, and the governance of ethnic populations, Litzinger considers the Yao’s role in the cultural reforms of the 1980s. By distancing his study from romanticized depictions of minorities Litzinger is able to focus on how minority representation, struggle, and agency have influenced the history of the People’s Republic, cultural debates within contemporary Chinese society, and China’s rapidly changing role in the global order.
This book will be of interest to Asianists in both anthropology and cultural studies and should appeal more generally to scholars invested in issues of ethnic identity, minority politics, and transnationalism.
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cover of Otherwise Worlds: Against Settler Colonialism and Anti-Blackness

Otherwise Worlds

Against Settler Colonialism and Anti-Blackness

Tiffany Lethabo King, Jenell Navarro, and Andrea Smith, editors

Duke University Press, 2020

The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.

Contributors. Maile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se’mana Thompson, Frank B. Wilderson
 
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cover of Our Caribbean Kin: Race and Nation in the Neoliberal Antilles

Our Caribbean Kin

Race and Nation in the Neoliberal Antilles

Reyes-Santos, Alaí

Rutgers University Press, 2015

Beset by the forces of European colonialism, US imperialism, and neoliberalism, the people of the Antilles have had good reasons to band together politically and economically, yet not all Dominicans, Haitians, and Puerto Ricans have heeded the calls for collective action. So what has determined whether Antillean solidarity movements fail or succeed? In this comprehensive new study, Alaí Reyes-Santos argues that the crucial factor has been the extent to which Dominicans, Haitians, and Puerto Ricans imagine each other as kin. 

Our Caribbean Kin considers three key moments in the region’s history: the nineteenth century, when the antillanismo movement sought to throw off the yoke of colonial occupation; the 1930s, at the height of the region’s struggles with US imperialism; and the past thirty years, as neoliberal economic and social policies have encroached upon the islands. At each moment, the book demonstrates, specific tropes of brotherhood, marriage, and lineage have been mobilized to construct political kinship among Antilleans, while racist and xenophobic discourses have made it difficult for them to imagine themselves as part of one big family. 
 
Recognizing the wide array of contexts in which Antilleans learn to affirm or deny kinship, Reyes-Santos draws from a vast archive of media, including everything from canonical novels to political tracts, historical newspapers to online forums, sociological texts to local jokes. Along the way, she uncovers the conflicts, secrets, and internal hierarchies that characterize kin relations among Antilleans, but she also discovers how they have used notions of kinship to create cohesion across differences.
 
 
 
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cover of Our Elders Teach Us: Maya-Kaqchikel Historical Perspectives

Our Elders Teach Us

Maya-Kaqchikel Historical Perspectives

David Anthony Carey, Jr. with a preface by Allan Burns

University of Alabama Press, 2001

Where Maya voices reclaim their history and reshape our understanding of the past.

Combining the methodologies of anthropology and history, Carey uses both oral interviews and meticulous archival research to construct a history of the last 130 years in Guatemala from the perspective of present-day Mayan people. His research took place over five years, including intensive language study, four summers of fieldwork, and a year-long residence in Comalapa, during which he conducted most of the 414 interviews. By casting a wide net for his interviews—from tiny hamlets to bustling Guatemala City—Carey gained insight into more than a single community or a single group of Maya.

The Maya-Kaqchikel record their history through oral tradition; thus, few written accounts exist. Comparing the Kaqchikel point of view to that of the western scholars and Ladinos who have written most of the history texts, Carey reveals the people and events important to the Maya, which have been virtually written out of the national history.

A motto of the Guatemalan organization Maya Decinio para el Pueblo Indigena (Maya Decade for the Indigenous People) is that people who do not know their past cannot build a future. By elucidating what the Kaqchikel think of their own past, Carey also illuminates the value of non-Western theoretical and methodological approaches that can be applied to the history of other peoples. Valuable to historians, anthropologists, archaeologists, or anyone interested in Mayan and Latin American studies, this book will inform as well as enchant.



 


 

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cover of Our Sacred Maíz Is Our Mother: Indigeneity and Belonging in the Americas

Our Sacred Maíz Is Our Mother

Indigeneity and Belonging in the Americas

Roberto Cintli Rodríguez

University of Arizona Press, 2014

“If you want to know who you are and where you come from, follow the maíz.” That was the advice given to author Roberto Cintli Rodriguez when he was investigating the origins and migrations of Mexican peoples in the Four Corners region of the United States.

Follow it he did, and his book Our Sacred Maíz Is Our Mother changes the way we look at Mexican Americans. Not so much peoples created as a result of war or invasion, they are people of the corn, connected through a seven-thousand-year old maíz culture to other Indigenous inhabitants of the continent. Using corn as the framework for discussing broader issues of knowledge production and history of belonging, the author looks at how corn was included in codices and Mayan texts, how it was discussed by elders, and how it is represented in theater and stories as a way of illustrating that Mexicans and Mexican Americans share a common culture.

Rodriguez brings together scholarly and traditional (elder) knowledge about the long history of maíz/corn cultivation and culture, its roots in Mesoamerica, and its living relationship to Indigenous peoples throughout the continent, including Mexicans and Central Americans now living in the United States. The author argues that, given the restrictive immigration policies and popular resentment toward migrants, a continued connection to maíz culture challenges the social exclusion and discrimination that frames migrants as outsiders and gives them a sense of belonging not encapsulated in the idea of citizenship. The “hidden transcripts” of corn in everyday culture—art, song, stories, dance, and cuisine (maíz-based foods like the tortilla)—have nurtured, even across centuries of colonialism, the living maíz culture of ancient knowledge.
 
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cover of Out Of The Frying Pan

Out Of The Frying Pan

Bill Hosokawa

University Press of Colorado, 1998

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