448 books match the query 'Interviews' and 16 start with o

Marta Meana
University of Nevada Press, 2008
Marta Meana
University of Nevada Press, 2008
Anne T. Lawrence
West Virginia University Press, 2021
In 1972 Anne Lawrence came to West Virginia at the invitation of the Miners for Democracy movement to conduct interviews with participants in, and observers of, the Battle of Blair Mountain and other Appalachian mine wars of the 1920s and ’30s. The set of oral histories she collected—the only document of its kind—circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections from it appear here for the first time as a published book, supplemented with introductory material, maps, and photographs. The volume’s vivid, conversational mode invites readers into miners’ lived experiences and helps us understand why they took up arms to fight anti-union forces in some of the nation’s largest labor uprisings.
Published to coincide with the celebration of the Blair Mountain centennial in 2021, On Dark and Bloody Ground includes a preface by public historian Catherine Venable Moore and an afterword by Cecil E. Roberts of the United Mine Workers of America.
Austin Film Festival
University of Texas Press, 2013
Austin Film Festival (AFF) is the first organization of its kind to focus on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films.
This book distills the advice of renowned, award-winning screenwriters who have appeared on On Story, including John Lee Hancock, Peter Hedges, Lawrence Kasdan, Whit Stillman, Robin Swicord, and Randall Wallace. In their own lively words and stories transcribed from interviews and panel discussions, they cover the entire development of a screenplay, from inspiration, story, process, structure, characters, and dialogue to rewriting and collaboration. Their advice is fresh, practical, and proven—these writers know how to tell a story on screen. Enjoy this collection of ideas and use it to jumpstart your own screenwriting career.
Austin Film Festival, Edited by Barbara Morgan and Maya Perez
University of Texas Press, 2016
“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”
—Kenneth Turan, film critic for the Los Angeles Times
Austin Film Festival (AFF) is the first organization focused on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films.
On Story—Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one’s life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.
Edited by Maya Perez and Barbara Morgan; foreword by Noah Hawley
University of Texas Press, 2018
“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”
—Kenneth Turan, film critic for the Los Angeles Times
Austin Film Festival (AFF) is the first organization to focus on writers’ creative contributions to film and television. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as reinvigorate veterans with new ideas. To extend the Festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own work.
On Story—The Golden Ages of Television explores the transformation of television’s narrative content over the past several decades through interviews with some of TV’s best creators and writers, including Garry Shandling (The Larry Sanders Show), Carl Reiner (The Dick Van Dyke Show), Issa Rae (Insecure), Vince Gilligan (Breaking Bad), Greg Daniels (The Office), Paula Pell (Saturday Night Live), Noah Hawley (Fargo), Liz Meriwether (New Girl), David Chase (The Sopranos), Alan Yang (Master of None), Marta Kauffman (Friends), Jenji Kohan (Orange Is the New Black), and many more. Their insights, behind-the-scenes looks at the creative process, production tales, responses to audiences’ reactions, and observations on how both TV narratives and the industry have changed make this book ideal for TV lovers, pop culture fans, students taking screenwriting courses, and filmmakers and writers seeking information and inspiration.

Noam Chomsky and Andre Vltchek
Pluto Press, 2017
Mike Hilleary
University of Massachusetts Press, 2020
Eduardo R. del Rio
University of Arizona Press, 2008
István Hargittai
Central European University Press, 2023
André Goodfriend was Deputy Chief of Mission from 2013 to 2015 at the US Embassy in Budapest. In the absence of an ambassador, most of the time he was Chargé d’Affaires. Goodfriend represented his country, and for that matter, liberal democracy, in the early period of the increasingly autocratic Orbán regime. This tenure was distinguished by an unusually high public visibility and broad-based popularity. This book contains the distilled essence of conversations recorded in the fall of 2015 and in the years after his departure.
Aside from Goodfriend’s reflections on his personal history, the main focus of the deliberations is on open government: its characteristics, preconditions, benefits, and its relation to modern diplomacy. The mindset of a democracy-rooted diplomat with a working experience in an increasingly autocratic regime lends a particular perspective to the topics discussed. These topics include the fight against corruption, the protection of civil society, crisis prevention, education, economy, international relations, applied humanities, and the use of the social and traditional media to achieve policy goals.
This book presents modern, “people-friendly” diplomacy in an era in which public officials are increasingly expected to be transparent and engaged.
Edited by Jessie L. Embry
University of Arizona Press, 2013
Edited by Matthew Hofer and Gary Scharnhorst
University of Illinois Press, 2013
Christopher Hennessy; Foreword by Christopher Bram
University of Wisconsin Press, 2013
Rebecca M. Webster
Michigan State University Press, 2023
Hillary L. Chute
University of Chicago Press, 2014
Christopher Hennessy, Editor
University of Michigan Press, 2005