149 books match the query 'Russia (Federation)' and 4 start with o
Margarita M. Balmaceda
Central European University Press, 2001
A new globally significant relationship arising after the break-up of the Soviet Union is the main topic of this unparalleled volume – the geopolitical link between Russia, Ukraine and the three bordering ‘Central European’ states, Hungary, Poland and Slovakia. On the Edge is a path-breaking analysis of this triangular relationship with an in-depth focus on economic, political and, more importantly, security issues.
The expansion of NATO up to Ukraine’s borders is likely to leave Ukraine in a delicate position vis-à-vis Russia. On the Edge addresses key questions, such as: how are events in Ukraine affecting the security calculations of the Central European states; Central European relations with Russia and NATO; and relations among Central European states themselves? The volume examines what Central European states can do to solidify Ukraine’s independence and help it avoid international isolation.
On the Edge gives a Central European perspective on all these issues and suggests concrete forms of co-operation.
Rane Willerslev
University of Minnesota Press, 2012
If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.
The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.
Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.
Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.
Susan Alexandra Crate
University of Arizona Press, 2021
Anastasia Gordienko
University of Wisconsin Press, 2023
The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.