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This book demonstrates  the importance of the study of fetishes and fetishism in the study of popular culture. Some of the essays cover rather "conventional" manifestations in the world today; others demonstrate the fetishistic qualities of some unusual items. But all illustrate without any doubt that, like the icon, the ritual, and many other items in society, fetishes, fetishism and fetishists must be studied and understood before we can begin to understand the complexity of present-day society.

Beards—they’re all the rage these days. Take a look around: from hip urbanites to rustic outdoorsmen, well-groomed metrosexuals to post-season hockey players, facial hair is everywhere. The New York Times traces this hairy trend to Big Apple hipsters circa 2005 and reports that today some New Yorkers pay thousands of dollars for facial hair transplants to disguise patchy, juvenile beards. And in 2014, blogger Nicki Daniels excoriated bearded hipsters for turning a symbol of manliness and power into a flimsy fashion statement. The beard, she said, has turned into the padded bra of masculinity.

Of Beards and Men makes the case that today’s bearded renaissance is part of a centuries-long cycle in which facial hairstyles have varied in response to changing ideals of masculinity. Christopher Oldstone-Moore explains that the clean-shaven face has been the default style throughout Western history—see Alexander the Great’s beardless face, for example, as the Greek heroic ideal. But the primacy of razors has been challenged over the years by four great bearded movements, beginning with Hadrian in the second century and stretching to today’s bristled resurgence. The clean-shaven face today, Oldstone-Moore says, has come to signify a virtuous and sociable man, whereas the beard marks someone as self-reliant and unconventional. History, then, has established specific meanings for facial hair, which both inspire and constrain a man’s choices in how he presents himself to the world.

This fascinating and erudite history of facial hair cracks the masculine hair code, shedding light on the choices men make as they shape the hair on their faces. Oldstone-Moore adeptly lays to rest common misperceptions about beards and vividly illustrates the connection between grooming, identity, culture, and masculinity. To a surprising degree, we find, the history of men is written on their faces.

The Chilean coup d'état of 1973 was a watershed event in the history of Chile. It was also a defining moment in the life of writer Marjorie Agosín.

This collection of prose vignettes and free verse draws upon her experiences as a child in Chile, an expatriate abroad, and a minority Jew—even in the land she calls home—to create a striking portrait of a life of exile. The tone of the book varies as it lyrically explores the geography of Chile and weaves into it the themes of exile and oppression. At times the words become hymns to the physical beauty of her country, evoking the grandeur of this land extending to the southernmost tip of the world. At times they are intimate and melancholy, exploring personal and familial history through miniature portraits that reveal the pain of being different. Finally the tone becomes angry as she denounces the injustices committed against her friends and against the families of the disappeared during the seventeen-year dictatorship of Augusto Pinochet.

Combining themes of memory, childhood, minority issues, Judaism, and political oppression, this collection contains some of Agosín’s strongest work. Of Earth and Sea is a poetic autobiography that explores the world of Chile with eyes that see both despair and hope.

Based on interviews and life histories collected over more than twenty-five years of study on the Pine Ridge reservation in South Dakota, Marla N. Powers conveys what it means to be an Oglala woman. Despite the myth of the Euramerican that sees Oglala women as inferior to men, and the Lakota myth that seems them as superior, in reality, Powers argues, the roles of male and female emerge as complementary. In fact, she claims, Oglala women have been better able to adapt to the dominant white culture and provide much of the stability and continuity of modern tribal life. This rich ethnographic portrait considers the complete context of Oglala life—religion, economics, medicine, politics, old age—and is enhanced by numerous modern and historical photographs.


"It is a happy event when a fine scholarly work is rendered accessible to the general reader, especially so when none of the complexity of the subject matter is sacrificed. Oglala Women is a long overdue revisionary ethnography of Native American culture."—Penny Skillman, San Francisco Chronicle Review

"Marla N. Powers's fine study introduced me to Oglala women 'portrayed from the perspectives of Indians,' to women who did not pity themselves and want no pity from others. . . . A brave, thorough, and stimulating book."—Melody Graulich, Women's Review of Books

"Powers's new book is an intricate weaving . . . and her synthesis brings all of these pieces into a well-integrated and insightful whole, one which sheds new light on the importance of women and how they have adapted to the circumstances of the last century."—Elizabeth S. Grobsmith, Nebraska History

In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination.

The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption.

Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.

Old Alabama Town is a visual and historical chronicle of one of the South's important architectural landmarks—four blocks of 19th-century buildings restored to their original condition, collectively forming an educational village that preserves and displays life as it was lived in Alabama from the 1830s through the 1890s. A creation of the Landmarks Foundation of Montgomery, a nonprofit organization developed in 1967, Old Alabama Town displays the lifestyles and environment of the time period through architecture, decorative arts, and living history. The "town" has been made available for students, secondary school educators for field trips, and to tourists for entertainment and family excursions.

More than 50 historic structures, all formerly in danger of demolition, have been transported from around central Alabama and restored on site. The Living Block of the village allows visitors to explore a log cabin, dogtrot house, carriage house, "shotgun" house, pole barn, schoolhouse, tavern, grange hall, and grocery. The Working Block allows patrons to visit a blacksmith's shop, drugstore, grist mill, cotton gin, woodcarver's shop, print shop, and cookhouse. Additional regions of the village present some of the most significant historic homes to be preserved in the state: the Cram-Lakin House, Thompson Mansion, and the Ordeman-Mitchell-Shaw House, among others.

Designed in full color, this paperback guide is introduced by the author's historical, sociological, and cultural overview of Montgomery. The 45 individual entries detail the history and features of each structure and are supplemented by a map, archival photographs of the buildings, and 60 contempo-rary color photographs. This book will be useful to tourists, preservationists, students and scholars of Alabama history and architecture, and all those interested in an interpretive museum of southern life.

In Old Blue’s Road, historian James Whiteside shares accounts of his motorcycle adventures across the American West. He details the places he has seen, the people he has met, and the personal musings those encounters prompted on his unique journeys of discovery.
 
In 2005, Whiteside bought a Harley Davidson Heritage Softail, christened it “Old Blue,” and set off on a series of far-reaching motorcycle adventures. Over six years he traveled more than 15,000 miles. Part travelogue and part historical tour, this book takes the reader along for the ride.  Whiteside’s travels to the Pacific Northwest, Yellowstone, Dodge City, Santa Fe, Wounded Knee, and many other locales prompt consideration of myriad topics—the ongoing struggle between Indian and mainstream American culture, the meaning of community, the sustainability of the West's hydraulic society, the creation of the national parks system, the Mormon experience in Utah, the internment of Japanese Americans during World War II, and more.

Delightfully funny and insightful, Old Blue’s Road links the colorful history and vibrant present from Whiteside’s unique vantage point, recognizing and reflecting on the processes of change that made the West what it is today. The book will interest the general reader and western historian alike, leading to new appreciation for the complex ways in which the American West's past and present come together.

In these ten varied and keenly rendered tales, Susan Dodd explores the levels of the human heart by leading us through a gallery of feelings, insights, characters, and emotions. Whether writing about a 100-year-old woman in South America, a teenage suicide in Winnetka, a divorced couple meeting by chance, or a pair of lovers listening to the family on the other side of their apartment wall, Dodd places us in a world full of subdued conflict where bonds between loved ones and strangers are tested, broken, and sometimes renewed. Her themes range beyond the regional or contemporary, embracing those moments of loneliness and self-knowledge that confront us all. As the characters meet and separate, wonder and react, we travel with them, exploring the forms of our existence, and the substance of our hearts.

"Everyone was moving to Denver, which was mushrooming all over the prairie and giving every evidence of becoming a metropolis of real proportion" - so recalls Elizabeth Young of her childhood on Colfax Avenue. Her youth ran parallel to that of her hometown: she grew up in the 1890s in the midst of Denver's rapid metamorphosis from frontier town to modern city. Young's memoir provides vivid glimpses of the people and events of this heady era, along with the adventuresome spirit that animated them. On Colfax Avenue captures the sense of joyful self-discovery that comes with childhood - both the author's and Denver's.

From the turn of the twentieth century in interior Alaska, dog team mail carriers were charged with maintaining the trail systems and carrying the mail until they were replaced in the late 1930s and ’40s by airplane mail service. With the advent and widespread adoption of aviation, many of the trails were abandoned, and a generation of rural Alaskans has now grown up with few ties to the overland trail system that supported their grandparents and inspired modern traditions such as the world-famous Iditarod Race.

In addition to chronicling the history of this unique postal service, On Time Delivery pays tribute to the men who carried the mail and the families who supported them, and considers the changing nature of how people experience the country where they live—and how this is affected by the systems of communication and transportation upon which they depend. 

      People of lower caste live throughout the villages of Nepal but have
        been noticeably absent from ethnographic accounts of the Himalayan region.
        Starting from the perspective of lower-caste Hindu women, Mary M. Cameron
        offers a long-overdue study of artisans and farmers in western Nepal.
      On the Edge of the Auspicious skillfully shows the connections
        between caste hierarchy and gender relations leading to domestic, economic,
        and religious power of lower-caste women. Situating her study in the history
        of land ownership and contemporary family and work relations, Cameron
        explains how and why patriarchal ideology associated with high-caste families
        in Nepal does not apply to women of lower caste. Drawing on data from
        work, family, and religious domains, this ethnography goes further than
        other current studies of caste hierarchy in South Asia to show the everyday
        material and ideological dimensions of domination and lower-caste people's
        resistance to them..
 

In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars?

Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.

If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.

The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.

Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.

Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.

This book reconstructs the life of Mehetabel Chandler Coit (1673–1758), the author of what may be the earliest surviving diary by an American woman. A native of Roxbury, Massachusetts, who later moved to Connecticut, she began her diary at the age of fifteen and kept it intermittently until she was well into her seventies. A previously overlooked resource, the diary contains entries on a broad range of topics as well as poems, recipes, folk and herbal medical remedies, religious meditations, and financial accounts. An extensive collection of letters by Coit and her female relatives has also survived, shedding further light on her experiences.

Michelle Marchetti Coughlin combs through these writings to create a vivid portrait of a colonial American woman and the world she inhabited. Coughlin documents the activities of daily life as well as dramas occasioned by war, epidemics, and political upheaval. Though Coit's opportunities were circumscribed by gender norms of the day, she led a rich and varied life, not only running a household and raising a family, but reading, writing, traveling, transacting business, and maintaining a widespread network of social and commercial connections. She also took a lively interest in the world around her and played an active role in her community.

Coit's long life covered an eventful period in American history, and this book explores the numerous—and sometimes surprising—ways in which her personal history was linked to broader social and political developments. It also provides insight into the lives of countless other colonial American women whose history remains largely untold.

In this award-winning debut collection, Molly McNett couples laugh-out-loud dialogue and wry observation reminiscent of Flannery O’Connor with disquieting strains of dashed hope, troubled sexuality, and disillusionment.

The adults in these stories can seem as hapless and helpless as the younger characters. Two neglected daughters use the language of clothes to cope with their parents’ divorce and their father’s mail-order bride. A young girl’s bizarre sexual fantasies help her gain control over the chaos of her family life. A gang of teenagers accuse a farmer of bestiality. A divorced father tries to create a pony-filled world that might appeal to his daughters. In the title story, Mr. Bob, the minister’s housesitter, loses a dog but finds someone to believe in. And in “Helping,” the darkest story in this amazing collection, Ruthie’s anger conquers her religious faith when she takes care of a severely disabled child.

We meet McNett’s endearing, often foolish characters at a point when their minds are open to manipulation by the people and events around them, and the conclusions they draw are heartbreaking: I am not allowed weakness; life treats people unequally; perhaps there is no God. Yet throughout they find quiet moments of possibility, courage, and a return to faith and comfort.

Although millions of people in the United States love to ride bicycles for exercise or leisure, statistics show that only 1% of the total U.S. population ride bicycles for transportation—and barely half as many use bikes to commute to work.  In his original and exciting book, One Less Car, Zack Furness examines what it means historically, culturally, socioeconomically, and politically to be a bicycle transportation advocate/activist.

Presenting an underground subculture of bike enthusiasts who aggressively resist car culture, Furness maps out the cultural trajectories between mobility, technology, urban space and everyday life. He connects bicycling to radical politics, public demonstrations, alternative media production (e.g., ‘zines), as well as to the development of community programs throughout the world.

One Less Car also positions the bicycle as an object with which to analyze and critique some of the dominant cultural and political formations in the U.S.—and even breaks down barriers of race, class and gender privilege that are interconnected to mobility. For Furness, bicycles not only liberate people from technology, they also support social and environmental justice. So, he asks, Why aren’t more Americans adopting them for their transportation needs?

With the incisive pen of a newspaperman and the compassionate soul of a poet, Mike Royko was a Chicago institution who became, in Jimmy Breslin's words, "the best journalist of his time." Culled from 7500 columns and spanning four decades, from his early days to his last dispatch, the writings in this collection reflect a radically changing America as seen by a man whose keen sense of justice and humor never faltered. Faithful readers will find their old favorites and develop new ones, while the uninitiated have the enviable good fortune of experiencing this true American voice for the first time.

"A treasure trove lies between these covers. Royko was in a class by himself. He was a true original."—Ann Landers

"The joy of One More Time is Royko in his own words."—Mary Eileen O'Connell, New York Times Book Review

"Reading a collection of Royko's columns is even more of a pleasure than encountering them one by one, and that is a large remark for he rarely wrote a piece that failed to wake you up with his hard-earned moral wit. Three cheers for Royko!"—Norman Mailer

"Powerful, punchy, amazingly contemporary."—Neil A. Grauer, Cleveland Plain Dealer

"This crackling collection of his own favorite columns as well as those beloved by his fans reminds us just how much we miss the gruff, compassionate voice of Mike Royko."—Jane Sumner, Dallas Morning News

"A marvelous road map through four decades of America."—Elizabeth Taylor, Chicago Tribune Books

"Royko was an expert at finding universal truths in parochial situations, as well as in the larger issues—war and peace, justice and injustice, wealth and poverty—he examined. Think of One More Time as one man's pungent commentary on life in these United States over the last few decades."—Booklist

"Royko was one of the most respected and admired people in the business, by readers and colleagues alike. . . . Savor [his sketches] while you can."—Jonathan Yardley, Washington Post Book World

"Book collections of columns aren't presumed to be worth reading. This one is, whether or not you care about newspapering or Chicago."—Neil Morgan, San Diego Union-Tribune

"A treasure house for journalism students, for would-be writers, for students of writing styles, for people who just like to laugh at the absurdity of the human condition or, as Studs Terkel said, for those who will later seek to learn what it was really like in the 20th century."—Georgie Anne Geyer, Washington Times

"Full of astonishments, and the greatest of these is Royko's technical mastery as a writer."—Hendrik Hertzberg, New Yorker

"A great tribute to an American original, a contrarian blessed with a sense of irony and a way with words."—Bob Minzesheimer, USA Today

"In this posthumous collection of his columns, journalist Royko displays the breezy wit that made him so beloved in the Windy City."—People

The river, like a keen memory, carries a record of the past.” David Faldet has spent forty years in the basin of the Upper Iowa River, which winds from the flat farm fields of southern Minnesota through the wooded valleys of northeast Iowa to the Mississippi. In this peaceful and inspiring book, Faldet tells the story of the Upper Iowa as it flows through land and people, holding true to Aldo Leopold’s conception of land as a community in which water, people, and soil play interactive parts.

Whether profiling the chief of the last hunter-gatherers on the river, an early settler witnessing her first prairie fire and a modern wildlife biologist using fire to manage prairies, the manager of the Granger Farmer’s Co-op Creamery, or a landowner whose bottomlands are continually eaten away by floods, Faldet steadily develops the central idea that people are walking tributaries of the river basin in which they make their homes.

Faldet moves through the history of life along the now-polluted Upper Iowa, always focusing on the ways people depend on the river, the environment, and the resources of the region. He blends contemporary conversations, readings from the historical record, environmental research, and personal experience to show us that the health of the river is best guaranteed by maintaining the biological communities that nurture it. In return, taking care of the Upper Iowa is the best way to take care of our future.

When he discovers that his father worked on missiles for a defense contractor, Jeff Porter is inspired to revisit America’s atomic past and our fallen heroes, in particular J. Robert Oppenheimer, the father of the atomic bomb. The result, Oppenheimer Is Watching Me, takes readers back to the cold war, when men in lab coats toyed with the properties of matter and fears of national security troubled our sleep. With an eye for strange symmetries, Porter traces how one panicky moment shaped the lives of a generation.

Nurses, show girls, housewives, farm workers, casino managers, and government inspectors—together these hard-working members of society contributed to the development of towns across the West. The essays in this volume show how oral history increases understanding of work and community in the twentieth century American West.

In many cases occupations brought people together in myriad ways. The Latino workers who picked lemons together in Southern California report that it was baseball and Cinco de Mayo Queen contests that united them. Mormons in Fort Collins, Colorado, say that building a church together bonded them together. In separate essays, African Americans and women describe how they fostered a sense of community in Las Vegas. Native Americans detail the “Indian economy” in Northern California.

As these essays demonstrate, the history of the American West is the story of small towns and big cities, places both isolated and heavily populated. It includes groups whose history has often been neglected. Sometimes, western history has mirrored the history of the nation; at other times, it has diverged in unique ways. Oral history adds a dimension that has often been missing in writing a comprehensive history of the West. Here an array of oral historians—including folklorists, librarians, and public historians—record what they have learned from people who have, in their own ways, made history.

Siouan peoples who migrated from the Atlantic coastal region and settled in the central portion of the North American continent long before the arrival of Europeans are now known as Osage. Because the Osage did not possess a written language, their myths and cultural traditions were handed down orally through many generations. With time, only those elements deemed vital were preserved in the stories, and many of these became highly stylized. The resulting verbal recitations of the proper life of an Osage—from genesis myths to body decoration, from star songs to child-naming rituals, from war party strategies to medicinal herbs—constitute this comprehensive volume.

Osage myths differ greatly from the myths of Western Civilization, most obviously in the absence of individual names. Instead, “younger brother,” “the messenger,” “Little Old Men,” or a clan name may serve as the allegorical embodiment of the central player. Individual heroic feats are also missing because group life took precedence over individual experience in Osage culture.

Supplementing the work of noted ethnographer Francis La Flesche who devoted most of his professional life to recording detailed descriptions of Osage rituals, Louis Burns’s unique position as a modern Osage—aware of the white culture’s expectations but steeped in the traditions himself is able to write from an insider’s perspective.
 

Sometimes things come to people out of the blue and seemingly for a reason. The Anishinaabe word for this is nigika. The stories contained in this collection reached Howard Webkamigad nearly eighty years after they were recorded, after first being kept in their original copper wire format by the American Philosophical Society and later being converted onto cassettes and held by Dr. James McClurken of Michigan State University. These rich tales, recorded by Anishinaabe people in the Harbor Springs area of Michigan, draw on the legends, fables, trickster stories, parables, and humor of Anishinaabe culture. Reaching back to the distant past but also delving into more recent events, this book contains a broad swath of the history of the Ojibwe/Chippewa, Ottawa, Pottawatomi, Algonkian, Abenaki, Saulteau, Mashkiigowok/Cree, and other groups that make up the broad range of the Anishinaabe-speaking peoples. Provided here are original stories transcribed from Anishinaabe-language recordings alongside Howard Webkamigad’s English translations. These stories not only provide a textured portrait of a complex people but also will help Anishinaabe-language learners see patterns in the language and get a sense of how it flows. Featuring side-by-side Anishinaabe/English translations.

Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.

Our People, Our Journey is a landmark history of the Little River Band of Ottawa Indians, a Michigan tribe that has survived to the present day despite the expansionist and assimilationist policies that nearly robbed it of an identity in the late nineteenth century.
     In his thoroughly researched chronicle, McClurken documents in words and images every major lineage and family of the Little River Ottawas. He describes the Band's struggles to find land to call its own over several centuries, including the hardships that began with European exploration of what is now the upper Midwest. Although the Little River Ottawas were successful at integrating their economic and cultural practices with those of Europeans, they were forced to cede land in the face of American settlements.
     McClurken explains how the Little River Band was forced, in 1858, onto a reservation on the Pere Marquette and Manistee Rivers where they settled with a number of other Ottawa bands. However, the very treaty intended to provide the Grand River Ottawas with a permanent reservation "homeland" eventually allowed non-Indians to acquire title to nearly two-thirds of the land within the reservation by 1880.

Ray and Barbara Bane worked as teachers in Barrow and Wainwright, Alaska, in the early 1960s—but they didn’t simply teach the children of their Iñupiat Eskimo and Koyukon friends and neighbors: they fully embraced their lifestyle. Doing so, they realized how closely intertwined life in the region was with the land, and, specifically, how critical wilderness was to the ancient traditions and wisdom that undergirded the Native way of life. That slow realization came to a head during a 1,200-mile dogsled trip from Hughes to Barrow in 1974—a trip that led them to give up teaching in favor of working, through the National Park Service, to preserve Alaska’s wilderness.

This book tells their story, a tale of dedication and tireless labor in the face of suspicion, resistance, and even violence. At a time when Alaska’s natural bounty remains under threat, Our Perfect Wild shows us an example of the commitment—and love—that will be required to preserve it.

Effie Marquess Carmack (1885-1974) grew up in the tobacco-growing region of southern Kentucky known as the Black Patch. As an adult she moved to Utah, back to Kentucky, to Arizona, and finally to California. Economic necessity primarily motivated Effie and her husband's moves, but her conversion to the Mormon Church in youth also was a factor. Throughout her life, she was committed to preserving the rural, southern folkways she had experienced as a child. She and other members of her family were folk musicians, at times professionally, and she also became a folk poet and artist, teaching herself to paint. In the 1940s she began writing her autobiography and eventually also completed a verse adaptation of it and an unpublished novel about life in the Black Patch.

Out in Culture charts some of the ways in which lesbians, gays, and queers have understood and negotiated the pleasures and affirmations, as well as the disappointments, of mass culture. The essays collected here, combining critical and theoretical works from a cross-section of academics, journalists, and artists, demonstrate a rich variety of gay and lesbian approaches to film, television, popular music, and fashion. This wide-ranging anthology is the first to juxtapose pioneering work in gay and lesbian media criticism with recent essays in contemporary queer cultural studies.
Uniquely accessible, Out in Culture presents such popular writers as B. Ruby Rich, Essex Hemphill, and Michael Musto as well as influential critics such as Richard Dyer, Chris Straayer, and Julia Lesage, on topics ranging from the queer careers of Agnes Moorehead and Pee Wee Herman to the cultural politics of gay drag, lesbian style, the visualization of AIDS, and the black snap! queen experience. Of particular interest are two "dossiers," the first linking essays on the queer content of Alfred Hitchcock’s films, and the second on the production and reception of popular music within gay and lesbian communities. The volume concludes with an extensive bibliography—the most comprehensive currently available—of sources in gay, lesbian, and queer media criticism.
Out in Culture explores the distinctive and original ways in which gays, lesbians, and queers have experienced, appropriated, and resisted the images and artifacts of popular culture. This eclectic anthology will be of interest to a broad audience of general readers and scholars interested in gay and lesbian issues; students of film, media, gender, and cultural studies; and those interested in the emerging field of queer theory.

Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood

A companion volume to Out in the Field, a benchmark examination of lesbian and gay experiences in anthropology, Out in Theory presents lesbian and gay anthropology as a distinct specialization and addresses the theoretical issues that define the emerging field.
This compelling collection of essays details the scholarly and personal factors that affected the emergence of lesbian and gay anthropology and speculates on the directions it will take as it continues to grow and diversify. Seeking to legitimize the field's scholarship and address issues in terminology, the essays also define the lesbian and gay anthropology's scope and subject matter and locate factors that separate it from the wider concerns of the profession.
Specific essays track the emergence of lesbian and gay studies in social and cultural anthropology, linguistics, archaeology, and in various areas of anthropological activism. They also consider how feminist anthropology helped define the field and how transgendered experience, queer theory, and race and class studies are promoting new directions of inquiry within lesbian and gay anthropology.
 

As a source of colonial wealth and a crucible for global culture, Jamaica has had a profound impact on the formation of the modern world system. From the island's economic and military importance to the colonial empires it has hosted and the multitude of ways in which diverse people from varied parts of the world have coexisted in and reacted against systems of inequality, Jamaica has long been a major focus of archaeological studies of the colonial period.

 

This volume assembles for the first time the results of nearly three decades of historical archaeology in Jamaica. Scholars present research on maritime and terrestrial archaeological sites, addressing issues such as: the early Spanish period at Seville la Nueva; the development of the first major British settlement at Port Royal; the complexities of the sugar and coffee plantation system, and the conditions prior to, and following, the abolition of slavery in Jamaica. The everyday life of African Jamaican people is examined by focusing on the development of Jamaica's internal marketing system, consumer behavior among enslaved people, iron-working and ceramic-making traditions, and the development of a sovereign Maroon society at Nanny Town.

 

Out of Many, One People paints a complex and fascinating picture of life in colonial Jamaica, and demonstrates how archaeology has contributed to heritage preservation on the island.

Out of the Girls' Room and into the Night is a spirited, offbeat collection of stories, elongated riffs on that thing we call …love. All manner of love stories: thwarted love stories, imaginary love stories, love stories offhand and obsessive, philosophical love stories, erudite and amusing love stories.

“People don't meet because they both like Burmese food,” says one character, “or because someone's sister has a friend who's single and new in town, or because Billy's nose happened to crook just slightly to the left at an angle that made me want to weep…People don't fall in love with each other …they just fall into love.”

Everyone does it: women of fierce independence, men of thin character, rambling Deadheads, gay teenage girls, despondent Peace Corps volunteers, anorexic Broadway theatre dancers, the eager, the grieving, the uncommunicative. Even the confused do it. And they don't just fall in love with each other—they fall in love with certain moments and familiar places, with things as ephemeral as gestures and as evanescent as sunlight.

Quirky, real, idealistic, deluded, bohemian, and true, these are people who can—and often do—fall in love with a pair of ears, August afternoons, saucers of vitamins, New Age carpenters, and dead bumblebees. And if there's something they can teach us, it's how to conceive of alternative worlds and the terror and the exhilaration of venturing outside the confines of the lives we know and making our way into a dark, glittering unknown.

Meredith Sue Willis’s Out of the Mountains is a collection of thirteen short stories set in contemporary Appalachia. Firmly grounded in place, the stories voyage out into the conflicting cultural identities that native Appalachians experience as they balance mainstream and mountain identities.

Willis’s stories explore the complex negotiations between longtime natives of the region and its newcomers and the rifts that develop within families over current issues such as mountaintop removal and homophobia. Always, however, the situations depicted in these stories are explored in the service of a deeper understanding of the people involved, and of the place. This is not the mythic version of Appalachia, but the Appalachia of the twenty-first century.