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The “other emergencies” experienced by Sarah Freligh’s characters range from mildly disruptive to life-altering. In “All That Water,” a college dropout struggling with addiction forges an unlikely alliance with a bank teller following a botched robbery. In “Aftershocks,” a writer grieving the loss of her support dog is haunted by the memory of what she witnessed on 9/11. In “Happenstance,” two women from different backgrounds form a tenuous connection over the shared experience of their histories. And in “Heaven,” a detective and a high school girl navigate the fraught terrain in the days following a mass shooting in a small town. Ultimately the stories in Other Emergencies revolve around the resilience of people and the capacity for authentic connection in times of great change.

An award-winning exploration of the presence of the dead in the lives of the living

A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead.

Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. 

Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.