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A new globally significant relationship arising after the break-up of the Soviet Union is the main topic of this unparalleled volume – the geopolitical link between Russia, Ukraine and the three bordering ‘Central European’ states, Hungary, Poland and Slovakia. On the Edge is a path-breaking analysis of this triangular relationship with an in-depth focus on economic, political and, more importantly, security issues.

The expansion of NATO up to Ukraine’s borders is likely to leave Ukraine in a delicate position vis-à-vis Russia. On the Edge addresses key questions, such as: how are events in Ukraine affecting the security calculations of the Central European states; Central European relations with Russia and NATO; and relations among Central European states themselves? The volume examines what Central European states can do to solidify Ukraine’s independence and help it avoid international isolation.

On the Edge gives a Central European perspective on all these issues and suggests concrete forms of co-operation.

How did the 1950s become “The Sixties”? This is the question at the heart of Daniel Horowitz's On the Cusp. Part personal memoir, part collective biography, and part cultural history, the book illuminates the dynamics of social and political change through the experiences of a small, and admittedly privileged, generational cohort.

A Jewish “townie” from New Haven when he entered Yale College in fall 1956, Horowitz reconstructs the undergraduate career of the class of 1960 and follows its story into the next decade. He begins by looking at curricular and extracurricular life on the all-male campus, then ranges beyond the confines of Yale to larger contexts, including the local drama of urban renewal, the lingering shadow of McCarthyism, and decolonization movements around the world. He ponders the role of the university in protecting the prerogatives of class while fostering social mobility, and examines the growing significance of race and gender in American politics and culture, spurred by a convergence of the personal and the political. Along the way he traces the political evolution of his classmates, left and right, as Cold War imperatives lose force and public attention shifts to the civil rights movement and the war in Vietnam. 

Throughout Horowitz draws on a broad range of sources, including personal interviews, writings by classmates, reunion books, issues of the Yale Daily News, and other undergraduate publications, as well as his own letters and college papers. The end product is a work consistent with much of Horowitz's previously published scholarship on postwar America, further exposing the undercurrent of discontent and dissent that ran just beneath the surface of the so-called Cold War consensus.

Runner-up, National Council on Public History Book Award, 2008

The 1930s exodus of "Okies" dispossessed by repeated droughts and failed crop prices was a relatively brief interlude in the history of migrant agricultural labor. Yet it attracted wide attention through the publication of John Steinbeck's The Grapes of Wrath (1939) and the images of Farm Security Administration photographers such as Dorothea Lange and Arthur Rothstein. Ironically, their work risked sublimating the subjects—real people and actual experience—into aesthetic artifacts, icons of suffering, deprivation, and despair. Working for the Farm Security Administration in California's migrant labor camps in 1938-39, Sanora Babb, a young journalist and short story writer, together with her sister Dorothy, a gifted amateur photographer, entered the intimacy of the dispossessed farmers' lives as insiders, evidenced in the immediacy and accuracy of their writings and photos. Born in Oklahoma and raised on a dryland farm, the Babb sisters had unparalleled access to the day-by-day harsh reality of field labor and family life.

This book presents a vivid, firsthand account of the Dust Bowl refugees, the migrant labor camps, and the growth of labor activism among Anglo and Mexican farm workers in California's agricultural valleys linked by the "Dirty Plate Trail" (Highway 99). It draws upon the detailed field notes that Sanora Babb wrote while in the camps, as well as on published articles and short stories about the migrant workers and an excerpt from her Dust Bowl novel, Whose Names Are Unknown. Like Sanora's writing, Dorothy's photos reveal an unmediated, personal encounter with the migrants, portraying the social and emotional realities of their actual living and working conditions, together with their efforts to organize and to seek temporary recreation. An authority in working-class literature and history, volume editor Douglas Wixson places the Babb sisters' work in relevant historical and social-political contexts, examining their role in reconfiguring the Dust Bowl exodus as a site of memory in the national consciousness.

Focusing on the material conditions of everyday existence among the Dust Bowl refugees, the words and images of these two perceptive young women clearly show that, contrary to stereotype, the "Okies" were a widely diverse people, including not only Steinbeck's sharecropper "Joads" but also literate, independent farmers who, in the democracy of the FSA camps, found effective ways to rebuild lives and create communities.

Uncovering the Black Power movement’s contributions to theorizing the politics of automation​

 

On the Eve of the Cybercultural Revolution offers a comprehensive look at the Black Power movement’s theoretical work and insights into the entanglement of capitalism, technology, and racism. Drawing upon James and Grace Lee Boggs’s expanded notion of the cybercultural era, Brian Bartell demonstrates how a range of artists, writers, and activists from the 1960s prefigured the wider discourse around automation and made it a central concern of their politics.

Rather than reducing automation to an isolated technical phenomenon, theorists of the Black radical tradition identified its important historical antecedents in colonialism and plantation slavery, emphasizing how the emerging cyberculture joined with issues such as the reorganization of labor, ecological harm, and racial inequality. Examining the work of Martin Luther King Jr., Noah Purifoy, the Black Panthers, and others, On the Eve of the Cybercultural Revolution outlines the new forms of social reproduction conceived outside of the dominant structures of racial capitalism.

Bartell synthesizes a wide range of source texts, including political speeches, literature, and activist archives, to show how the Black Power movement sought to create a postscarcity, more-than-capitalist economy. By shedding light on the movement’s underexplored engagement with theories of technology, he provides a crucial key to understanding the historical dynamics responsible for our technocapitalist present.

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In On the Heartland Road, Cynthia Clampitt continues the story begun in her popular travel guide Destination Heartland. Clampitt’s survey this time around focuses on Midwestern sites, towns, and museums dedicated to events and changes that took place in the post-WW1 twentieth century. Organizing the guide by themes, Clampitt inspires readers to see, hear, touch, and taste a wide range of unheralded and famous historical sites, including: birthplaces, childhood homes, and museums of U.S. Presidents; settings of important technological and scientific innovations; locations connected to noteworthy individuals or groups; important places in music, art, sports, and other parts of American life. A companionable handbook, On the Heartland Road invites readers on an odyssey of entertainment and education across the American Midwest.

Estonia is perhaps the only country in Europe that lacks a comprehensive history of its Jewish minority. Spanning over 150 years of Estonian Jewish history, On the Margins is a truly unique book. Rebuilding a life beyond so-called Pale of Jewish Settlement in the Russian Empire, the Jewish cultural autonomy in interwar Estonia, and the trauma of Soviet occupation of 1940–41 are among the issues addressed in the book but most profoundly, the book wrestles with the subject of the Holocaust and its legacy in Estonia.

Specifically, it examines the quasi-legal system of murder instituted in Nazi-occupied Estonia, confiscation of Jewish property, and Jewish forced labor camps and develops an analysis of the causes of collaboration during the Holocaust. The book also explores the dynamics of war crimes trials in the Soviet Union since the 1960s and so-called denaturalization trials in the United States in the 1980s. The haunting memory of Soviet and Nazi rule, the book concludes, prevents a larger segment of today’s Estonian population from facing up to the Holocaust and the universal message that it carries.E

A walking journey through France’s vast interior becomes a meditation on both personal recovery and the role of history in the present—more than 425,000 copies sold in France

 

After a free-climbing accident lands him in a coma and a hospital for four months, the French writer Sylvain Tesson makes a promise to himself: if he’s ever able to walk again, he will traverse the entire country of France on foot.  

Part literary adventure, part philosophical reflection on our contemporary consumer culture, On the Wandering Paths takes us deep into the heart of what Tesson terms France’s “hyperrural” zones. Tracing the obscure paths peasants once followed throughout the countryside, Tesson embarks on a three-month journey of solitude and personal contemplation as he walks along vast stretches of mountain ranges and rivers, encountering ancient Roman stone bridges and walkways, the French Foreign Legion, pagan prayer sites, Provençal villages, and the majestic Mont-Saint-Michel. Connecting deeply with the places he visits, his experiences inspire reflection on the essential need to disengage from the digital and immerse oneself in natural beauty.

Rich with humor, historical insight, and literary power, On the Wandering Paths is both a meditation on the act of recovery and a potent recognition of the traces of our past in the present. Asking us to reassess our values and our relationship to the land, Tesson’s exquisite chronicle through landscapes that continue to resist urbanization and technology is a thoughtful—and thought-provoking—glimpse into a poet’s adventurous life. Les Chemins de Pierre, a film based on the book starring Jean Dujardin, is due to release in 2022.

Sophisticated and innovative, On the Waves of Empire reveals how maritime labor and shipping capital stitched together, tore apart, and re-stitched the seams of empire.

Once upon a time in Texas...there were liberal activists of various stripes who sought to make the state more tolerant and more tolerable. David Richards was one of them. In this fast-paced, often humorous memoir, he remembers the players, the strategy sessions, the legal and political battles, and the wins and losses that brought significant gains in civil rights, voter rights, labor law, and civil liberties to the people of Texas from the 1950s to the 1990s.

In his work as a lawyer, Richards was involved in cases covering voters' rights, school finance reform, and a myriad of civil liberties and free speech cases. In telling these stories, he vividly evokes the "glory days" of Austin liberalism, when a who's who of Texas activists plotted strategy at watering holes such as Scholz Garden and the Armadillo World Headquarters. Likewise, he offers vivid portraits of liberal politicians from Ralph Yarborough to Ann Richards (his former wife), progressive journalists such as Molly Ivins and the Texas Observer staff, and the hippies, hellraisers, and musicians who all challenged Texas's conservative status quo.

One Kind of Everything elucidates the uses of autobiography and constructions of personhood in American poetry since World War II, with helpful reference to American literature in general since Emerson. Taking on one of the most crucial issues in American poetry of the last fifty years, celebrated poet Dan Chiasson explores what is lost or gained when real-life experiences are made part of the subject matter and source material for poetry. In five extended, scholarly essays—on Robert Lowell, Elizabeth Bishop, Frank Bidart, Frank O’Hara, and Louise Glück—Chiasson looks specifically to bridge the chasm between formal and experimental poetry in the United States. Regardless of form, Chiasson argues that recent American poetry is most thoughtful when it engages most forcefully with autobiographical material, either in an effort to embrace it or denounce it.

In 1955 the United States and the Soviet Union were matching steps in a race to develop missiles tipped with thermonuclear weapons. American officials were frustrated and alarmed by their inability to learn the scale and progress of the Soviet program, which directly threatened the security of the United States, and they were convinced that serious arms control measures required reliable means for mutual inspection. The result: President Dwight D. Eisenhower's dramatic Open Skies proposal, advanced—and rejected—at the Geneva summit of 1955.

Vetoed by Nikita Khrushchev, Eisenhower's proposal to allow mutual aerial inspection between the United States and the U.S.S.R. was accepted as policy only after satellite photography became feasible. But at the time of the 1955 summit, it was a stunning, if transient, psychological and political victory for the United States and its president.

W. W. Rostow was an active participant in this important episode in American history, and his is the first authoritative account of how Eisenhower's Open Skies proposal came to be. His insider's knowledge, combined with data from hitherto unexploited documentary sources, vividly brings to life the discussions and events that preceded the president's proposal.

Rostow explores the diplomatic forces that led to Eisenhower's reluctant acceptance of a summit with the Soviets. He tracks the origins of the Open Skies concept to an obscure meeting organized at Quantico Marine Corps Base by presidential adviser Nelson Rockefeller. He describes the tensions between Rockefeller and Secretary of State John Foster Dulles that complicated Eisenhower's task in mounting the initiative for Open Skies and explains the differences between Eisenhower himself and Rockefeller over postsummit policy that provoked the latter's resignation. He examines Soviet motives and objectives at Geneva. Finally, Rostow reflects on the meaning of this fascinating episode in American history, in particular its importance to later arms control negotiations.

This volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914–2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori’s work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies.

Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striving to create a strong empathetic connection between the audience and Holocaust victims, or featured an unembellished documentary style. Tabori staked out a third position, beyond realism and documentation. The volume brings together the voices of international scholars to provide a comprehensive introduction to Tabori’s theater as well as in-depth analyses of his work, discussing all of his major plays. Individual essays address Tabori’s postdramatic theater in relation to sacrificial ritual, performance studies, and post-humanist approaches to the contemporary stage, as well as performance aspects of his productions, questions of ethics and aesthetics raised by his theater, and his plays’ relation to Holocaust representation in popular culture.

The story of how a university, a city, and a movement opened the door to change in the American South.

Opening the Doors is a wide-ranging account of the University of Alabama’s 1956 and 1963 desegregation attempts, as well as the little-known story of Tuscaloosa, Alabama’s, own civil rights movement. While E. Culpepper Clark’s The Schoolhouse Door remains the standard history of the University of Alabama’s desegregation, in Opening the Doors B. J. Hollars focuses on Tuscaloosa’s purposeful divide between “town” and “gown,” providing a new contextual framework for this landmark period in civil rights history. 

The image of George Wallace’s stand in the schoolhouse door has long burned in American consciousness; however, just as interesting are the circumstances that led him there in the first place, a process that proved successful due to the concerted efforts of dedicated student leaders, a progressive university president, a steadfast administration, and secret negotiations between the U.S. Justice Department, the White House, and Alabama’s stubborn governor. 

In the months directly following Governor Wallace’s infamous stand, Tuscaloosa became home to a leader of a very different kind: twenty-eight-year-old African American reverend T. Y. Rogers, an up-and-comer in the civil rights movement, as well as the protégé of Martin Luther King Jr. After taking a post at Tuscaloosa’s First African Baptist Church, Rogers began laying the groundwork for the city’s own civil rights movement. In the summer of 1964, the struggle for equality in Tuscaloosa resulted in the integration of the city’s public facilities, a march on the county courthouse, a bloody battle between police and protesters, confrontations with the Grand Wizard of the Ku Klux Klan, a bus boycott, and the near-accidental-lynching of movie star Jack Palance. 

Relying heavily on new firsthand accounts and personal interviews, newspapers, previously classified documents, and archival research, Hollars’s in-depth reporting reveals the courage and conviction of a town, its university, and the people who call it home.

Macedonian raw opium was a highly sought-after pharmaceutical raw material. This book focuses on its cultivation and production, and the trafficking of opium-based narcotics. Vladan Jovanović offers fresh insight into a neglected and marginalized subject, tracing and contextualizing both the licit and the illicit processing and trade of opium alkaloids from the Western Balkans through Turkey, and on to the rest of the world between the two World Wars. 

His approach is to explore the subject both from the top down, involving the League of Nations and politicians and diplomats, as well as from the bottom up, through the analysis of the activities of smugglers, police, and ordinary people who participated in the production and distribution of opium. The author describes the process of relocating the illegal processing industry from Turkey and Bulgaria to Yugoslavia. He insightfully shows the implicit continuity of relations between the former Ottoman Empire and the newly constituted Yugoslav state in the form of bilateral political agreements.

He pays special attention to the illegal activities within the legal pharmaceutical industry and also exposes the role of criminal networks, which he situates in the appropriate political and social context. The exploration of this sensitive historical subject extends to other Balkan countries, along with Turkey, Western Europe, and the United States.