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95 books match the query 'Australia' and 3 start with p

cover of Painting Culture: The Making of an Aboriginal High Art

Painting Culture

The Making of an Aboriginal High Art

Fred R. Myers

Duke University Press, 2002

Painting Culture tells the complex story of how, over the past three decades, the acrylic "dot" paintings of central Australia were transformed into objects of international high art, eagerly sought by upscale galleries and collectors. Since the early 1970s, Fred R. Myers has studied—often as a participant-observer—the Pintupi, one of several Aboriginal groups who paint the famous acrylic works. Describing their paintings and the complicated cultural issues they raise, Myers looks at how the paintings represent Aboriginal people and their culture and how their heritage is translated into exchangeable values. He tracks the way these paintings become high art as they move outward from indigenous communities through and among other social institutions—the world of dealers, museums, and critics. At the same time, he shows how this change in the status of the acrylic paintings is directly related to the initiative of the painters themselves and their hopes for greater levels of recognition.

Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique local art history, a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works’ inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society’s 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne.

With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies.

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cover of Peter Weir: A Creative Journey from Australia to Hollywood

Peter Weir

A Creative Journey from Australia to Hollywood

Serena Formica

Intellect Books, 2012

Peter Weir has been directing Hollywood films since his successful US debut, Witness, in 1985. But does this make him a Hollywood director? Or should he still be considered an Australian filmmaker as many scholars argue?  
 
For the first time, Weir’s entire three-decade creative journey from Australia to Hollywood is considered in light of the recent theories on transnational cinema and through a close examination of four key films: Picnic at Hanging Rock, The Year of Living Dangerously, Witness, and The Truman Show The films’ analyses integrate original interviews with Weir and his closest collaborators, including Russell Boyd. The book concludes that Weir is both an Australian and a Hollywood filmmaker—and would be better seen as a transnational filmmaker whose success in the United States reflects the fact that he was already a “Hollywood” director by the time he relocated.
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cover of Platypus Matters: The Extraordinary Story of Australian Mammals

Platypus Matters

The Extraordinary Story of Australian Mammals

Jack Ashby

University of Chicago Press, 2022

Scientifically informed and funny, a firsthand account of Australia’s wonderfully unique mammals—and how our perceptions impact their future.

Think of a platypus: They lay eggs (that hatch into so-called platypups), produce milk without nipples and venom without fangs, and can detect electricity. Or a wombat: Their teeth never stop growing, they poop cubes, and they defend themselves with reinforced rears. And what about antechinuses—tiny marsupial carnivores whose males don’t see their first birthday, as their frenzied sex lives take so much energy that their immune systems fail? Platypuses, possums, wombats, echidnas, devils, kangaroos, quolls, dibblers, dunnarts, kowaris: Australia has some truly astonishing mammals, with incredible, unfamiliar features. But how does the world regard these creatures? And what does that mean for their conservation?

In Platypus Matters, naturalist Jack Ashby shares his love for these often-misunderstood animals. Informed by his own experiences meeting living marsupials and egg-laying mammals during fieldwork in Tasmania and mainland Australia, as well as his work with thousands of zoological specimens collected for museums over the last two-hundred-plus years, Ashby’s tale not only explains historical mysteries and debunks myths (especially about the platypus), but also reveals the toll these myths can take. Ashby makes clear that calling these animals “weird” or “primitive”—or incorrectly implying that Australia is an “evolutionary backwater,” a perception that can be traced back to the country’s colonial history—has undermined conservation: Australia now has the worst mammal extinction rate of any place on Earth. Important, timely, and written with humor and wisdom by a scientist and self-described platypus nerd, this celebration of Australian wildlife will open eyes and change minds about how we contemplate and interact with the natural world—everywhere.
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