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Between 1880 and 1920, Muslim Sufi orders became pillars of the colonial regimes and economies of Senegal and Mauritania. In Paths of Accommodation, David Robinson examines the ways in which the leaders of the orders negotiated relations with the Federation of French West Africa in order to preserve autonomy within the religious, social, and economic realms while abandoning the political sphere to their non-Muslim rulers.

This was a striking development because the local inhabitants had a strong sense of belonging to the Dar al-Islam, the “world of Islam” in which Muslims ruled themselves.

Drawing from a wide variety of archival, oral, and Arabic sources, Robinson describes the important roles played by Muslim merchants and the mulatto community of St. Louis, Senegal. He also examines the impact of the electoral institutions established by the Third Republic, and the French effort to develop a reputation as a “Muslim power”—a European imperial nation with a capacity for ruling over Islamic subjects.

By charting the similarities and differences of the trajectories followed by leading groups within the region as they responded to the colonial regimes, Robinson provides an understanding of the relationship between knowledge and power, the concepts of civil society and hegemony, and the transferability of symbolic, economic, and social capital.

Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques.

But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren.

Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.

This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices—as well as in resisting and complicating them.
Informed by the varied perspectives of postcolonial theory, Tobin explores through close readings of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others. These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations produced by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonizers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonized’s response to imperial authority. By focusing on the paintings’ cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project.
Pointing to the complexity, variety, and contradiction within colonial art, Picturing Imperial Power contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies.

Politics, Economy, and Society in Bourbon Central America, 1759-1821 examines how the Spanish policies known broadly as the Bourbon Reforms affected Central American social, economic, and political institutions. Although historians have devoted significant attention to the purpose and impact of these reforms in Spain and some of Spain's other New World colonies, this book is the first to explore their impact on Central America.

These reforms profoundly changed aspects of Central America's politics and society; however, these essays reveal that changes in the region were shaped both internally and externally and that they weakened the region's ties to metropolitan Spain as often as they reinforced them. Contributors focus on specific policy changes and their consequences as well as transformations throughout the region for which no direct Bourbon inspiration appears to be responsible. Together they demonstrate that whether or not the Crown achieved its primary goals of centralization and control, its policies nevertheless provided opportunities for evident, often subtle, and occasionally unintentional shifts in the colonial government's relationship to its constituent populations. Contributors include Christophe Belaubre, Michel Bertrand, Jordana Dym, Jorge H. González, Timothy Hawkins, Sajid Alfredo Herrera, Gustavo Palma, Eugenia Rodriguez, Doug Tompson, and Stephen Webre.

Portugal was the first European nation to assert itself aggressively in African affairs. David Birmingham’s Portugal and Africa, a collection of uniquely accessible historical essays, surveys this colonial encounter from its earliest roots. The Portuguese established sugar plantations on Africa’s offshore islands and built factories on the beaches in the fifteenth century, but Professor Birmingham explains that their focus shifted to regions where medieval African miners had discovered deep seams of gold ore. Later, when even richer mines and more fertile lands were captured from the native peoples of the Americas, Portuguese ships became the great “slave bridge” that spanned the Atlantic and ferried captive black workers to the colonies of the New World. Portugal lost its major mining claims in Africa to the British, but it left a legacy of a new pattern of white settler colonization based on American-style plantations. The blending of European and African cultures and races led to the emergence of elite communities, from the Kongo princes of the seventeenth century to the creolized generals of today. Portugal and Africa focuses extensively on Angola to cast new light on the final years of the colonial experience and its traumatic legacies. After 1950, Portuguese Angola became one of the most dynamic of Africa’s colonies and the largest white colony outside of Algeria or South Africa. Angola’s eventual collapse in a series of wars had devastating results. Birmingham brings the terror and devastation to life in a series of powerful chapters that are a model of disciplined scholarship and informed passion.

Can Western modernity be analyzed and critiqued through the lens of enslavement and colonial history? As this volume reveals, such analysis is not only possible, it is essential to our understanding of contemporary race relations and society generally. Drawing from the fields of  postcolonial, decolonial, and black studies, this book assembles contributions from renowned scholars that offer timely and critical perspectives from a variety of disciplines, including history, sociology, political science, gender studies, cultural and literary studies, and philosophy.

In his now classic volume Prospero and Caliban, Octave Mannoni gives his firsthand account of a 1948 revolt in Madagascar that led to one of the bloodiest episodes of colonial repression on the African continent. It is in Prospero and Caliban that Mannoni constructs the notion of the “dependency complex,” for which his book has since been remembered and widely discussed in both psychoanalytical and anthropological writing. Prospero and Caliban was one of the first books to challenge traditional approaches to the study of native American societies by Western colonizers and anthropologists; and Mannoni is recognized today for his close association with and influence on the French psychoanalyst Lacan.
 
Noted anthropologist Maurice Bloch has written a powerful and critical new foreword to the English translation, which allows the reader to view Mannoni’s unique work in its historical and intellectual context.
 

Pueblo people reacted to Spanish colonialism in many different ways. While some resisted change and struggled to keep to their long-standing traditions, others reworked old practices or even adopted Spanish ones. Pueblo Indians and Spanish Colonial Authority in Eighteenth-Century New Mexico examines the multiple approaches Pueblo individuals and villages adopted to mitigate and manage the demands that Spanish colonial authorities made upon them. In doing so, author Tracy L. Brown counters the prevailing argument that Pueblo individuals and communities’ only response to Spanish colonialism was to compartmentalize—and thus freeze in time and space—their traditions behind a cultural “iron curtain.”
 
Brown addresses an understudied period of Pueblo Indian/Spanish colonial history of New Mexico with a work that paints a portrait of pre-contact times through the colonial period with a special emphasis on the eighteenth century. The Pueblo communities that the Spaniards encountered were divided by language, religion,and  political and kinship organization. Brown highlights the changes to, but also the maintenance of, social practices and beliefs in the economic, political, spiritual and familial and intimate realms of life that resulted from Pueblo attempts to negotiate Spanish colonial power.
 
The author combines an analysis of eighteenth century Spanish documentation with archaeological findings concerning Pueblo beliefs and practices that spans the pre-contact period to the eighteenth century in the Southwest. Brown presents a nonlinear view of Pueblo life that examines politics, economics, ritual, and personal relationships. The book paints a portrait of the Pueblo peoples and their complex responses to Spanish colonialism by making sense of little-researched archival documents and archaeological findings that cast light on the daily life of Pueblo peoples.