170 books match the query 'Death, Grief, Loss' and 6 start with p

cover of Parallax

Parallax

Julia Kolchinsky

University of Arkansas Press, 2025

Finalist, 2025 Miller Williams Poetry Prize

Julia Kolchinsky’s Parallax offers a lyrical narrative of parenting a neurodiverse child under the shadow of the ongoing war in Ukraine, the poet’s birthplace. As her child expresses a fascination with death and violence, Kolchinsky struggles to process the war unfolding far away, on the same soil where so many of her ancestors perished during the Holocaust.

Anchored by a series of poems that look to the moon, this collection explores displaced perspectives and turns to the celestial to offer meditations on how elements formed in distant stars account for so much of our human DNA. In these poems, writes series editor Patricia Smith, Kolchinsky “clutches at a feeling of home that is both unfamiliar and deeply treasured, longs for all that was left behind, struggles to come to terms with the rampant violence devastating a landscape that still, in so many encouraging and heartbreaking ways, belongs to her.”

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cover of Paraíso: Poems by

Paraíso

Poems by

Jacob Shores-Argüello

University of Arkansas Press, 2017

Winner, 2017 CantoMundo Poetry Prize

Paraíso, the first book in the new CantoMundo Poetry Series, which celebrates the work of Latino/a poets writing in English, is a pilgrimage against sorrow. Erupting from a mother’s death, the poems follow the speaker as he tries to survive his grief. Catholicism, family, good rum . . . these help, but the real medicine happens when the speaker pushes into the cloud forest alone.

In a Costa Rica far away from touristy beaches, we encounter bus trips over the cold mountains of the dead, drug dealers with beautiful dogs, and witches with cell phones. Science fuses with religion, witchcraft is joined with technology, and eventually grief transforms into belief.

Throughout, Paraíso defies categorization, mixing its beautiful sonnets with playful games and magic cures for the reader. In the process, moments of pure life mingle with the aftermath of a death.
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cover of Phantom Number: An Abecedarium for April

Phantom Number

An Abecedarium for April

Spring Ulmer

Tupelo Press, 2025

Poems that ask an urgent question:  how might a white friend write in protest of intimate Black death without becoming complicit in the commodification of Black trauma? 

Phantom Number listens for an absent voice. To survive and answer to her best friend and fellow poet April Freely’s death, Spring Ulmer rips meaning apart in her poems, then repairs it, only to rip it up again. Words bend, meaning shifts—abstraction a tool Ulmer wields to better get at the question at the heart of Phantom Number: How might a white friend write in protest of intimate Black death at a time when the push is to write Black joy as antidote to the commodification of Black trauma? Ulmer understands her position is suspect yet cannot shirk her love or rage. Ulmer asks the reader to do the work or else. Her abstracted poems vibrate, emotion emerging from a poem made rag. Ulmer’s abecedarium long form holds these fragments, inviting lines into an order of alliteration and words into an otherwise coherence, a belonging that has nothing to do with their origin. Phantom Number finds in abstraction a radical wail.
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cover of Please Bury Me in This

Please Bury Me in This

Allison Benis White

Four Way Books, 2017

The speaker in Please Bury Me in This grieves the death of her father and the loss of several women to suicide while contemplating her own death and the nature of language as a means of human connection that transcends our temporal lives. This book is also concerned with the intergenerational trauma of the children of Holocaust survivors.
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cover of Previously Owned

Previously Owned

Nathan McClain

Four Way Books, 2022

In his daring sophomore collection, Nathan McClain interrogates his speaker's American heritage, history, and responsibility. Investigating myth, popular culture, governance, and more, Previously Owned connects a villanelle cataloging Sisyphus's circular workflow to a Die Hard persona poem critiquing police brutality and joins complex pastorals to the stunning sequence entitled "They said I was an alternate," which recounts the author's experience serving on jury duty. Though McClain's muscular lyric explores a wide range of topics, the intensity of his attention and the profundity of his care remain constant-the final page describes a young girl in a diner, ringing the bell at the host stand, "just to hear it sing, the same / song, the only song // it knows." Insofar as this collection scrutinizes one's own culpability and responsibility in this country, interested in the natural world and beauty, as well as what beauty distracts us from, it does so in the hopes of reimagining inheritance, of leaving our children a different song.
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cover of Protection Spell: Poems

Protection Spell

Poems

Jennifer Givhan

University of Arkansas Press, 2017

Finalist, 2017 Miller Williams Poetry Prize, edited by Billy Collins

“A poet of great heart and brave directness.”

—Billy Collins

In Protection Spell Jennifer Givhan explores the guilt, sadness, and freedom of relationships: the sticky love that keeps us hanging on for no reason other than love, the inky place that asks us to continue revising and reimagining, tying ourselves to this life and to each other despite the pain (or perhaps because of it). These poems reassemble safe spaces from the fissures cleaving the speaker’s own biracial home and act as witnesses speaking to the racial iniquity of our broader social landscape as well as to the precarious standpoint of a mother-woman of color whose body lies vulnerable to trauma and abuse. From insistent moments of bravery, a collection of poems arises that asks the impossible, like the childhood chant that palliates suffering by demanding nothing less than magical healing: sana sana colita de rana, si no sanas hoy, sanas mañana (the frog who loses his tail is commanded to grow another). In the end, Givhan’s verse offers a place where healing may begin.

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