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Performing the Victorian: John Ruskin and Identity in Theater, Science, and Education by Sharon Aronofsky Weltman is the first book to examine Ruskin’s writing on theater.

            In works as celebrated as Modern Painters and obscure as Love’s Meinie, Ruskin uses his voracious attendance at the theater to illustrate points about social justice, aesthetic practice, and epistemology. Opera, Shakespeare, pantomime, French comedies, juggling acts, and dance prompt his fascination with performed identities that cross boundaries of gender, race, nation, and species. These theatrical examples also reveal the primacy of performance to his understanding of science and education.

            In addition to Ruskin on theater, Performing the Victorian interprets recent theater portraying Ruskin (The Invention of Love, The Countess, the opera Modern Painters) as merely a Victorian prude or pedophile against which contemporary culture defines itself. These theatrical depictions may be compared to concurrent plays about Ruskin’s friend and student Oscar Wilde (Gross Indecency: The Three Trials of Oscar Wilde, The Judas Kiss). Like Ruskin, Wilde is misrepresented on the fin-de-millennial stage, in his case anachronistically as an icon of homosexual identity. These recent characterizations offer a set of static identity labels that constrain contemporary audiences more rigidly than the mercurial selves conjured in the prose of either Ruskin or Wilde.

The Chinese Exclusion Act of 1882 made the Chinese the first immigrant group officially excluded from the United States. In Paper Families, Estelle T. Lau demonstrates how exclusion affected Chinese American communities and initiated the development of restrictive U.S. immigration policies and practices. Through the enforcement of the Exclusion Act and subsequent legislation, the U.S. immigration service developed new forms of record keeping and identification practices. Meanwhile, Chinese Americans took advantage of the system’s loophole: children of U.S. citizens were granted automatic eligibility for immigration. The result was an elaborate system of “paper families,” in which U.S. citizens of Chinese descent claimed fictive, or “paper,” children who could then use their kinship status as a basis for entry into the United States. This subterfuge necessitated the creation of “crib sheets” outlining genealogies and providing village maps and other information that could be used during immigration processing.

Drawing on these documents as well as immigration case files, legislative materials, and transcripts of interviews and court proceedings, Lau reveals immigration as an interactive process. Chinese immigrants and their U.S. families were subject to regulation and surveillance, but they also manipulated and thwarted those regulations, forcing the U.S. government to adapt its practices and policies. Lau points out that the Exclusion Acts and the pseudo-familial structures that emerged in response have had lasting effects on Chinese American identity. She concludes with a look at exclusion’s legacy, including the Confession Program of the 1960s that coerced people into divulging the names of paper family members and efforts made by Chinese American communities to recover their lost family histories.

Incorporated in 1886 by midwestern settlers known as the Indiana Colony, the City of Pasadena has grown into a world-famous tourist destination recognized for the beauty of its Tournament of Roses Parade, the excitement of the annual Rose Bowl, and the charm of the Old Town District.

But what existed before the roses? Before it was Pasadena, this land was Hahamog’na, the ancestral lands of the Tongva people. Later, it comprised the heart of the San Gabriel Mission lands, and in the Mexican period, it became Rancho San Pascual. The 1771 Spanish conquest of this land set in motion several colonial processes that would continue into the twentieth century and beyond.

In Pasadena Before the Roses, historian Yvette J. Saavedra examines a period of 120 years to illustrate the interconnectedness of power, ideas of land use, and the negotiation of identity within multiple colonial moments. By centering the San Gabriel Mission lands as the region’s economic, social, and cultural foundation, she shows how Indigenous, Spanish, Mexican, and American groups each have redefined the meanings of land use to build their homes and their lives. These visions have resulted in competing colonialisms that framed the racial, ethnic, gender, and class hierarchies of their respective societies.

Weimar Germany (1919–33) was an era of equal rights for women and minorities, but also of growing antisemitism and hostility toward the Jewish population. This led some Jews to want to pass or be perceived as non-Jews; yet there were still occasions when it was beneficial to be openly Jewish. Being visible as a Jew often involved appearing simultaneously non-Jewish and Jewish. Passing Illusions examines the constructs of German-Jewish visibility during the Weimar Republic and explores the controversial aspects of this identity—and the complex reasons many decided to conceal or reveal themselves as Jewish. Focusing on racial stereotypes, Kerry Wallach outlines the key elements of visibility, invisibility, and the ways Jewishness was detected and presented through a broad selection of historical sources including periodicals, personal memoirs, and archival documents, as well as cultural texts including works of fiction, anecdotes, images, advertisements, performances, and films. Twenty black-and-white illustrations (photographs, works of art, cartoons, advertisements, film stills) complement the book’s analysis of visual culture.

 

Passing refers to the process whereby a person of one race, gender, nationality, or sexual orientation adopts the guise of another. Historically, this has often involved black slaves passing as white in order to gain their freedom. More generally, it has served as a way for women and people of color to access male or white privilege. In their examination of this practice of crossing boundaries, the contributors to this volume offer a unique perspective for studying the construction and meaning of personal and cultural identities.

These essays consider a wide range of texts and moments from colonial times to the present that raise significant questions about the political motivations inherent in the origins and maintenance of identity categories and boundaries. Through discussions of such literary works as Running a Thousand Miles for Freedom, The Autobiography of an Ex–Coloured Man, Uncle Tom’s Cabin, The Hidden Hand, Black Like Me, and Giovanni’s Room, the authors examine issues of power and privilege and ways in which passing might challenge the often rigid structures of identity politics. Their interrogation of the semiotics of behavior, dress, language, and the body itself contributes significantly to an understanding of national, racial, gender, and sexual identity in American literature and culture.
Contextualizing and building on the theoretical work of such scholars as Judith Butler, Diana Fuss, Marjorie Garber, and Henry Louis Gates Jr., Passing and the Fictions of Identity will be of value to students and scholars working in the areas of race, gender, and identity theory, as well as U.S. history and literature.

Contributors. Martha Cutter, Katharine Nicholson Ings, Samira Kawash, Adrian Piper, Valerie Rohy, Marion Rust, Julia Stern, Gayle Wald, Ellen M. Weinauer, Elizabeth Young

Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervantes, linking the use of disguise to the broader historical and social context of Counter-Reformation Spain and the religious and political dynamics of the Mediterranean Basin.
 
In five lucid and engaging chapters, Fuchs examines what passes in Cervantes’s fiction: gender and race in Don Quijote and “Las dos doncellas”; religion in “El amante liberal” and La gran sultana; national identity in the Persiles and “La española inglesa.” She argues that Cervantes represents cross-cultural impersonation -- or characters who pass for another gender, nationality, or religion -- as challenges to the state’s attempts to assign identities and categories to proper Spanish subjects.
 
Fuchs demonstrates the larger implications of this challenge by bringing a wide range of literary and political texts to bear on Cervantes’s representations. Impeccably researched, Passing for Spain examines how the fluidity of individual identity in early modern Spain undermined a national identity based on exclusion and difference.
 

What does it mean to be a gay man living in the suburbs? Do you identify primarily as gay, or suburban, or some combination of the two? For that matter, how does anyone decide what his or her identity is?

In this first-ever ethnography of American gay suburbanites, Wayne H. Brekhus demonstrates that who one is depends at least in part on where and when one is. For many urban gay men, being homosexual is key to their identity because they live, work, and socialize in almost exclusively gay circles. Brekhus calls such men "lifestylers" or peacocks. Chameleons or "commuters," on the other hand, live and work in conventional suburban settings, but lead intense gay social and sexual lives outside the suburbs. Centaurs, meanwhile, or "integrators," mix typical suburban jobs and homes with low-key gay social and sexual activities. In other words, lifestylers see homosexuality as something you are, commuters as something you do, and integrators as part of yourself.

Ultimately, Brekhus shows that lifestyling, commuting, and integrating embody competing identity strategies that occur not only among gay men but across a broad range of social categories. What results, then, is an innovative work that will interest sociologists, psychologists, anthropologists, and students of gay culture.

Peer Power seeks to explode existing myths about children's friendships, power and popularity, and the gender chasm between elementary school boys and girls. Based on eight years of intensive insider participant observation in their own children's community, Peter and Patti Adler discuss the vital components of the lives of preadolescents, popularity, friendships, cliques, social status, social isolation, loyalty, bullying, boy-girl relationships, and afterschool activities. They describe how friendships shift and change, how people are drawn into groups and excluded from them, how clique leaders maintain their power and popularity, and how individuals' social experiences and feelings about themselves differ from the top of the pecking order to the bottom. In so doing, the Adlers focus their attention on the peer culture of the children themselves and the way this culture extracts and modifies elements from adult culture. Children's peer culture, as it is nourished in those spaces where grown ups cannot penetrate, stands between individual children and the larger adult society. As such, it is a mediator and shaper, influencing the way children collectively interpret their surroundings and deal with the common problems they face.

The Adlers explore some of the patterns that develop in this social space, noting both the differences in boys' and girls' gendered cultures and the overlap in many social dynamics, afterschool activities, role behaviour, romantic inclinations and social stratification. For example, children's participation in adult-organized afterschool activities - a now-prominent feature of many American children's social experience - has profound implications for their socialization and development, moving them away from the negotiated, spontaneous character of play into the formal systems of adult norms and values at ever-younger ages. When they retreat from adults, however, they still display distinctive peer group dynamics, forging strong ingroup/outgroup differentiation, loyalty and identification. Peer culture thus contains informal social mechanisms through which children create their social order, determine their place and identity, and develop positive and negative feelings about themselves. Studying children's peer culture is thus valuable as it reveals not only how this subculture parallels the adult world but also how it differs from it.

A field-shaping anthology by top cultural critics and practitioners representing a wide range of disciplines and art forms, Performing Brazil is the first book to bring together studies of the many and varied manifestations of Brazilian performance in and beyond their country of origin. Arguing that diverse forms of performance are best understood when presented in tandem, it offers new takes on better-known forms, such as carnival and capoeira, as well as those studied less often, including gender acts, curatorial practice, political protest, and the performance of Brazil in the United States.
            The contributors to the volume are Maria José Somerlate Barbosa, Eric A. Galm, Annie McNeill Gibson, Ana Paula Höfling, Benjamin Legg, Bryan McCann, Simone Osthoff, Fernando de Sousa Rocha, Cristina F. Rosa, Alessandra Santos, and Lidia Santos.

The Nestucca Valley is a small watershed, tucked away in one corner of a county in far western Oregon. There are no incorporated towns, and cows outnumber humans. It has long been a place without a written history, yet its past offers many surprising twists on received wisdom about rural economies. In crisp prose and succinct chapters, Persistent Callings carries readers from aboriginal times to the present, illustrating the wisdom of seasonal labor, the complex relationships between work and identity, and the resilience of rural economics across more than a century of almost continual change.

Life in this watershed, known to locals as “South County,” has always been demanding. Farming, fishing, and logging were difficult occupations, but work had deeper meanings. Challenges arrived in many forms, including climate shifts, market crashes, regulatory changes, and industry consolidations. Residents’ ability to innovate was their greatest resource, and their persistence helps us to recognize the callings they pursued.

During the late twentieth and early twenty-first centuries, disruptions came more quickly, and they coincided with infusions of capital that dramatically altered the structure of employment, with devastating results for the valley’s hardest working residents. Unemployment and poverty skyrocketed while health and life expectancy dropped to alarming levels. Moreover, the arrival of retirees and rise of environmental amenities actually exacerbated some ecological problems. Little in this history plays out as expected, and much of it will make readers reconsider how they think about the social, economic, and environmental contours of rural life in the American West.

The world's population negotiates a multiplicity of naming systems. Some are compatible with the "normative" system of the world of passports and identity cards but a great many are not. This is particularly true in Asia, a region with some of the most sophisticated naming devices found anywhere in the world, including nicknames and teknonyms, religious and corporation names, honor and death names, pseudonyms and retirement names, house names and clan names, local and foreign names, official and private names. People across the continent carry multiple names meaningful to different audiences. Some are used only in family relations while others locate individuals in terms of gender, ethnicity, religion, caste, class, and nation. The centrality of names to many of the crucial debates and preoccupations of the modern world – identity, hybridity, migration, nationalism, multi-culturalism, globalization – makes it particularly surprising that there has been little systematic comparative exploration of Asian names and naming systems. This path-breaking volume classifies and theorizes the systems underlying naming practices in Asia, especially in Southeast Asia where systems are abundant and fluid. Using historical and socio-anthropological perspectives, the authors of this exceptionally close collaborative effort show the intricate connections between naming systems, notions of personhood and the prevailing ethos of interpersonal relations. They also show how the peoples of Asia are fashioning new types of naming and different ways of identifying themselves to suit the demands of a changing world.

From Mickey Mouse to the teddy bear, from the Republican elephant to the use of "jackass" as an all-purpose insult, images of animals play a central role in politics, entertainment, and social interactions. In this penetrating look at how Western culture pictures the beast, Steve Baker examines how such images--sometimes affectionate, sometimes derogatory, always distorting--affect how real animals are perceived and treated.

Baker provides an animated discussion of how animals enter into the iconography of power through wartime depictions of the enemy, political cartoons, and sports symbolism. He examines a phenomenon he calls the "disnification" of animals, meaning a reduction of the animal to the trivial and stupid, and shows how books featuring talking animals underscore human superiority. He also discusses how his findings might inform the strategies of animal rights advocates seeking to call public attention to animal suffering and abuse. Until animals are extricated from the baggage of imposed images, Baker maintains, neither they nor their predicaments can be clearly seen.

For this edition, Baker provides a new introduction, specifically addressing an American audience, that touches on such topics as the Cow Parade, animal imagery in the presidential race, and animatronic animals in recent films.
 
 

A queer, Jewish writer searches for belonging across countries, identities, and histories in a moving collection of essays about orientation and home.

Growing up in places where his family had no past, and met mostly by silence from his Holocaust-refugee grandparents, Michael Lowenthal longed to be from somewhere. Then he realized he was gay and felt displaced from his own displaced family. Place Envy—his first book of essays after five acclaimed books of fiction—chronicles his quest for orientation in the world: as an agnostic Jew, as a queer traveler and lover, and as a writer who can tell or twist the truth. Yearning for a queer lineage, he obsesses about an uncle who perished at Bergen-Belsen but then finds, in his grandmother’s German hometown, a more surprising legacy. He lives with a Pennsylvania Amish family; accompanies blind gay men on a Mexican cruise; plays jazz with Sun Ra, the Afrofuturist who claimed to hail from Saturn; and pursues a clarifying love affair in Brazil. Collectively, these essays recount Lowenthal’s many journeys of dislocation and relocation: to foreign countries and subcultures and to the riskiest shores of family and self.

Twenty-one writers answer the call for literature that addresses who we are by understanding where we are--where, for each of them, being in some way part of academia. In personal essays, they imaginatively delineate and engage the diverse, occasionally unexpected play of place in shaping them, writers and teachers in varied environments, with unique experiences and distinctive world views, and reconfiguring for them conjunctions of identity and setting, here, there, everywhere, and in between.

Contents

I Introduction Writing Place, Jennifer Sinor

II Here
Six Kinds of Rain: Searching for a Place in the Academy, Kathleen Dean Moore and Erin E. Moore
The Work the Landscape Calls Us To, Michael Sowder
Valley Language, Diana Garcia
What I Learned from the Campus Plumber, Charles Bergman
M-I-Crooked Letter-Crooked Letter, Katherine Fischer
On Frogs, Poems, and Teaching at a Rural Community College, Sean W. Henne

III There
Levittown Breeds Anarchists Film at 11:00, Kathryn T. Flannery
Living in a Transformed Desert, Mitsuye Yamada
A More Fortunate Destiny, Jayne Brim Box
Imagined Vietnams, Charles Waugh

IV Everywhere
Teaching on Stolen Ground, Deborah A. Miranda
The Blind Teaching the Blind: The Academic as Naturalist, or Not, Robert Michael Pyle
Where Are You From? Lee Torda

V In Between
Going Away to Think, Scott Slovic
Fronteriza Consciousness: The Site and Language of the Academy and of Life, Norma Elia Cantu
Bones of Summer, Mary Clearman Blew
Singing, Speaking, and Seeing a World, Janice M. Gould
Making Places Work: Felt Sense, Identity, and Teaching, Jeffrey M. Buchanan

VI Coda
Running in Place: The Personal at Work, in Motion, on Campus, and in the Neighborhood, Rona Kaufman

This book examines cosplay from a set of ground-breaking disciplinary approaches, highlighting the latest and emerging discourses around this popular cultural practice. Planet Cosplay is authored by widely-published scholars in this field, examining the central aspects of cosplay ranging from sources and sites to performance and play, from sex and gender to production and consumption. Topics discussed include the rise of cosplay as a cultural phenomenon and its role in personal, cultural, and global identities. Planet Cosplay provides a unique, multifaceted examination of the practice from theoretical bases including popular cultural studies, performance studies, gender studies, and transmedia studies. As the title suggests, the book’s purview is global, encompassing some of the main centers of cosplay throughout the United States Asia  Europe and Australasia. Each of the chapters offers not only a set of entry points into its subject matter, but also a narrative of the development of cosplay and scholarly approaches to it.

Plundered Kitchens, Empty Wombs examines the symbolic language of food, fertility, and infertility in a small, mountainous African kingdom to explore more general notions of gender, modernity, and cultural identity.
In the Cameroon grassfields, an area of high fertility, women hold a paradoxical fear of infertility. By combining symbolic, political-economic, and historical analyses, Pamela Feldman-Savelsberg traces the way reproductive threat is invoked in struggles over gender and ethnic identities. Women's fears of reproductive disorders, she finds, are an important mode of expression for their worries about much larger issues, such as rural poverty, brought about or exacerbated by political and economic changes in this century.
A lively case study of an infertile queen who flees the palace sets the stage for discussions of the ethnographic and historical setting, the symbolism of fertility and infertility, and the development and interaction of cosmopolitan and ethno-gynecologies. The book concludes with an analysis of the links between women's role in human reproduction and the divine king's role in social reproduction, both occurring in the rapidly changing context of a multiethnic African nation.
Plundered Kitchens, Empty Wombs underscores the relevance of medical anthropology to other anthropological specializations, as well as to epidemiologists, population specialists, and development planners. It should reach a broad audience in medical anthropology, public health, and women's studies.
Pamela Feldman-Savelsberg is Assistant Professor of Anthropology, Carleton College.

The heritage industry is big business. From museums and the preservation of old buildings to broader questions of community and identity, heritage is now a political issue. This book explores what heritage means and how it is used to encourage people to identify with particular places and 'traditions'. The authors show how contemporary societies use heritage in the creation and management of collective identities and, most especially, the different ways in which it is involved with the questions of multicultural societies. The resources that are poured into heritage mean that questions of identity are widely discussed at a policy level: what does it mean to be American or British, or a minority in any society? This book shows how heritage is used politically and commercially to shape the ways people represent themselves, and are represented, in diverse and hybrid societies.

Pole/Jew brings together a group of scholars—about half of them Jewish, about half of them ethnic Poles—from the United States, Poland, the United Kingdom, and Canada and enlists their diverse methodological and generational perspectives to push debates over Polish-Jewish relations beyond entrenched and reductive positions. At the core of the volume are the following questions:

–What impact has the Holocaust had on Polish history and Polish literature?

–How has the Holocaust affected Polish-Jewish—and Polish—identity?

–What future is there for relations between Poland’s small Jewish minority and the country’s overwhelming ethnic Polish majority? Between Poland and Israel? Between Jews of the diaspora and ethnic Poles abroad?

–Which research areas have yet to be addressed or revisited and reexamined?

–Are there ways to move beyond the reductive notion of 1989 (i.e., the fall of the communist regime in Poland) as wall and fulcrum?

By addressing these compelling questions, this volume offers fresh perspectives and encourages a nuanced understanding of Polish-Jewish relations.

Contributors:

M. B. B. Biskupski
Robert Blobaum
John J. Bukowczyk
Patrice M. Dabrowski
Halina Filipowicz
Agnieszka Jezyk
Bozena Karwowska
Kamil Kijek
Kate Korycki
Elzbieta Kossewska
Grazyna J. Kozaczka
Stanislaw Krajewski
Adam Lipszyc
Wiktor Marzec
Alina Molisak
Stanislaw Obirek
Benjamin Paloff
Antony Polonsky
Brian Porter-Szucs
Piotr Puchalski
Roma Sendyka
Dariusz Stola
Katarzyna Zechenter
Joshua D. Zimmerman
Geneviève Zubrzycki
Slawomir Zurek

The contributions to this volume represent a diverse array of Mesoamerican archaeological studies that are all theo-retically rooted to larger, global debates concerning issues of power and identity—two logically paired concepts. While social identity has been the focus of more critical analysis in recent years, the concept of power has received far less attention. Most studies focus on large-scale, institutional forms of power and the ruling body. Here, the focus is on relations of power, addressing broader segments of society outside the dominant group, that often are ignored in traditional reconstructions of past societies.

Harrison-Buck has compiled works that address a common criticism of social theory in the field of anthropological archaeology—the lack of strong case studies and corroborating facts supporting the abstract and often complex social theoretical concepts presented by scholars. Each contributor offers innovative method and theory and provides alternative and varied approaches to understanding power and identity in the archaeological record. They draw from a wide range of related disciplines and theoretical frameworks, including feminism, queer theory, cognitive studies, and postcolonial theory. The provocative case studies and exciting theoretical applications presented here will stimulate lively debate among scholars working both in and outside of Mesoamerica.
 

Bori, in the Mawri society of Niger, are mischievous and invisible beings that populate the bush. Bori is also the practice of taming these wild forces in the context of possession ceremonies. In Prayer Has Spoiled Everything Adeline Masquelier offers an account of how this phenomenon intervenes—sometimes subtly, sometimes dramatically—in human lives, providing a constantly renewed source of meaning for Mawri peasants confronted with cultural contradictions and socio-economic marginalization.
To explore the role of bori possession in local definitions of history, power, and identity, Masquelier spent a total of two years in Niger, focusing on the diverse ways in which spirit mediums share, transform, and contest a rapidly changing reality, threatened by Muslim hegemony and financial hardship. She explains how the spread of Islam has provoked irreversible change in the area and how prayer—a conspicuous element of daily life that has become virtually synonymous with Islamic practice in this region of west Africa—has thus become equated with the loss of tradition. By focusing on some of the creative and complex ways that bori at once competes with and borrows from Islam, Masquelier reveals how possession nonetheless remains deeply embedded in Mawri culture, representing more than simple resistance to Islam, patriarchy, or the state. Despite a widening gap between former ways of life and the contradictions of the present, it maintains its place as a feature of daily life in which villagers participate with varying degrees of enthusiasm and approval.
Specialists in African studies, in the anthropology of religion, and in the historical transformations of colonial and postcolonial societies will welcome this study.

Although primitivism has received renewed attention in recent years, studies linking it with Latin America have been rare. This volume examines primitivism and its implications for contemporary debates on Latin American culture, literature, and arts, showing how Latin American subjects employ a Western construct to "return the gaze" of the outside world and redefine themselves in relation to modernity.

Examining such subjects as Julio Cortázar and Frida Kahlo and such topics as folk art and cinema, the volume brings together for the first time the views of scholars who are currently engaging the task of cultural studies from the standpoint of primitivism. These varied contributions include analyses of Latin American art in relation to social issues, popular culture, and official cultural policy; essays in cultural criticism touching on ethnic identity, racial politics, women's issues, and conflictive modernity; and analytical studies of primitivism's impact on narrative theory and practice, film, theater, and poetry.

This collection contributes offers a new perspective on a variety of significant debates in Latin American cultural studies and shows that the term primitive does not apply to these cultures as much as to our understanding of them.

CONTENTS
Paradise Subverted: The Invention of the Mexican Character / Roger Bartra
Between Sade and the Savage: Octavio Paz’s Aztecs / Amaryll Chanady
Under the Shadow of God: Roots of Primitivism in Early Colonial Mexico / Delia Annunziata Cosentino
Of Alebrijes and Ocumichos: Some Myths about Folk Art and Mexican Identity / Eli Bartra
Primitive Borders: Cultural Identity and Ethnic Cleansing in the Dominican Republic / Fernando Valerio-Holguín
Dialectics of Archaism and Modernity: Technique and Primitivism in Angel Rama’s Transculturación narrativa en América Latina / José Eduardo González
Narrative Primitivism: Theory and Practice in Latin America / Erik Camayd-Freixas
Narrating the Other: Julio Cortázar’s "Axolotl" as Ethnographic Allegory / R. Lane Kauffmann
Jungle Fever: Primitivism in Environmentalism; Rómulo Gallegos’s Canaima and the Romance of the Jungle / Jorge Marcone
Primitivism and Cultural Production: Future’s Memory; Native Peoples’ Voices in Latin American Society / Ivete Lara Camargos Walty
Primitive Bodies in Latin American Cinema: Nicolás Echevarría’s Cabeza de Vaca / Luis Fernando Restrepo
Subliminal Body: Shamanism, Ancient Theater, and Ethnodrama / Gabriel Weisz
Primitivist Construction of Identity in the Work of Frida Kahlo / Wendy B. Faris
Mi andina y dulce Rita: Women, Indigenism, and the Avant-Garde in César Vallejo / Tace Megan Hedrick