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Commissioned by the Haggerty Museum of Art at Marquette University to create an artwork reflecting on the importance of freshwater, Milwaukee-based photographer Kevin J. Miyazaki embarked on a two-week, 1,800-mile drive around Lake Michigan. He traveled its perimeter, through Wisconsin, Illinois, Indiana, and Michigan, to produce what he calls “a contemporary portrait of Lake Michigan.” Miyazaki set up his portable studio on beaches, in parks, on boat docks, and in backyards, photographing those he met along the way. From residents, environmental scientists, and artists to a Native American water rights advocate, surfers, and commercial fishermen, Lake Michigan holds a powerful place in the life of each. Many shared their thoughts with him on why this body of water is important to all.
 
Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it.

In 1875, after being acquitted for the murder of his wife’s lover, Eadweard Muybridge spent a year photographing along the Central American Pacific Coast, particularly in Guatemala and Panamá. Upon his return to California in 1876, he published a very limited number of albums of the photographs (11 are known), each of which was unique in size and scope. In 2007, photographer Byron Wolfe (born 1967) tracked down and cataloged every known Muybridge Central American photograph. Then, with cultural geographer Scott Brady, he traveled to many of Muybridge’s sites to rephotograph them. Through photographic collage, interpretive rephotography, illustrations and essays, this book examines an exceptionally rare series by Muybridge. Also included is a catalogue of every known Muybridge Central American picture.

With a focus on the settler societies of the United States and Australia, Photography and Landscape is a new critical account of landscape photography created through a unique collaboration between a photography writer and a landscape photographer. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this extensively illustrated volume demonstrates the influence of settler societies on landscape photography, in which skilled photographers captured the fascination with and the appeal of the land and its expanse.

            The latest installment in Intellect’s Critical Photography series, Photography and Landscape is a visually striking introduction to one of the most important modes of photography.

In eight brilliant essays, Fox explores many of the major playas of the American West , examining locations as diverse as Nellis Air Force Base and Frenchman Flat, where the federal government has tested experimental aircraft and atomic weaponry; the Great Salt Lake Desert, where land-speed records have been broken; and the Black Rock Desert of Northern Nevada, site of the colorful Burning Man arts festival. He analyzes the geological and climatological conditions that created the playas and the historical role that playas played in the exploration and settlement of the West. And he offers lucid and keenly perceptive discussions of the ways that artists have responded to the playas, from the ancient makers of geoglyphs to the work of contemporary artists who have found inspiration in these enigmatic spaces, including earthworks builder Michael Heizer, photographer Richard Misrach, and painter Michael Moore. The ensemble is a compelling combination of natural history, philosophy, and art criticism, a thoughtful meditation on humankind's aversion to and fascination with the void.

This distinctive book is the first to address the topic of landscape archaeology in early states from a truly global perspective. It provides an excellent introduction to—and overview of—the discipline today. The volume grew out of the Fifth Biennial Meeting of the Complex Societies Group, whose theme, States and the Landscape, paid tribute to the work of Robert McC. Adams. When Adams began publishing in the 1960s, the interdependence of cities and their countrysides, and the information revealed through the spatial patterning of communities, went largely unrecognized. Today, as this useful collection makes clear, these interpretive insights are fundamental to all archaeologists who investigate the roles of complex polities in their landscapes.

Polities and Power features detailed studies from an intentionally disparate array of regions, including Mesoamerica, Andean South America, southwestern Asia, East Africa, and the Indian subcontinent. Each chapter or pair of chapters is followed by a critical commentary. In concert, these studies strive to infer social, political, and economic meaning from archaeologically discerned landscapes associated with societies that incorporate some expression of state authority. The contributions engage a variety of themes, including the significance of landscapes as they condition and reflect complex polities; the interplay of natural and cultural elements in defining landscapes of state; archaeological landscapes as ever-dynamic entities; and archaeological landscapes as recursive structures, reflected in palimpsests of human activity.

Individually, many of these contributions are provocative, even controversial. Taken together, they reveal the contours of landscape archaeology at this particular evolutionary moment.