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A fresh take on the group of artists known as the Pictures Generation, reinterpreting their work as haunted by the history of fascism, the threat of its return, and the effects of its recurring representation in postwar American culture.

The artists of the Pictures Generation, converging on New York City in the late 1970s, indelibly changed the shape of American art. Rebelling against abstraction, they borrowed liberally from the aesthetics of mass media and sometimes the work of other artists. It has long been thought that the group’s main contribution was to upend received conceptions of authorial originality. In Pictures and the Past, however, art critic and historian Alexander Bigman shows that there is more to this moment than just the advent of appropriation art. He presents us with a bold new interpretation of the Pictures group’s most significant work, in particular its recurring evocations of fascist iconography.

In the wake of the original Pictures show, curated by Douglas Crimp in 1977, artists such as Sarah Charlesworth, Jack Goldstein, Troy Brauntuch, Robert Longo, and Gretchen Bender raised pressing questions about what it means to perceive the world historically in a society saturated by images. Bigman argues that their references to past cataclysms—to the violence wrought by authoritarianism and totalitarianism—represent not only a coded form of political commentary about the 1980s but also a piercing reflection on the nature of collective memory. Throughout, Bigman situates their work within a larger cultural context including parallel trends in music, fashion, cinema, and literature. Pictures and the Past probes the shifting relationships between art, popular culture, memory, and politics in the 1970s and ’80s, examining how the specter of fascism loomed for artists then—and the ways it still looms for us today.

Place-Making in Indigenous Communities in Mesoamerica and the US Southwest explores shared Indigenous place-making concepts and practices across culturally diverse regions of Mesoamerica and the US Southwest from both historical and contemporary perspectives. Drawing on multidisciplinary research approaches, the volume demonstrates how Indigenous communities create and maintain deep connections to landscapes through stories, rituals, and reciprocal relationships, stressing the dynamic nature of the place-making process.

Contributors emphasize themes that crosscut Mesoamerican and Southwestern Indigenous cultures, including place-making through the (re)activation of primordial time, how people and spiritual energies embodied in geographical features of the land co-define time and space, the role of nonlocal materials and beings in establishing new—and often prestigious—place-based connections, and the impact of colonialism and neocolonialism on place-making and identity. Integrating archaeological evidence with contemporary ethnographic work, contributors explore the significance of places like Chichen Itzá's Balankanche cave as manifestations of primordial emergence sites. They also examine Hopi pilgrimages to ancestral shrines and how places such as Mirador Mountain in Chiapas, Cerro Danush in Oaxaca, and Black Mesa near San Ildefonso Pueblo continue to serve as focal points for ritual processions and community belonging.

Organized into sections emphasizing deep-time perspectives and contemporary heritage issues, Place-Making in Indigenous Communities in Mesoamerica and the US Southwest advocates for collaborative research approaches that center Indigenous voices and knowledge systems. By highlighting the deep connections between Indigenous communities and their sacred landscapes, this work brings a new perspective to ongoing conversations centered on land—one that urges engagement with Indigenous communities in a spirit of openness, collaboration, and respect.

This is an auto-narrated audiobook edition of this book.

Popularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history.
 
What’s the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historians—Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner—who, in the decades after World War II, published widely read books of national history.
 
Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how these authors’ efforts could not have succeeded without a publishing industry and a reading public hungry to engage with the cutting-edge ideas then emerging from American universities. As Witham’s book makes clear, before we can properly understand the heated controversies about American history so prominent in today’s political culture, we must first understand the postwar effort to popularize the past.

A Minnesota canoe enthusiast retraces the routes of the voyageurs.

The wilderness of the Boundary Waters is as rich in history as it is in natural beauty. Almost three hundred years ago, French Canadian voyageurs traveled through this area, which straddles the border of the United States and Canada, paddling birch-bark canoes along the St. Lawrence-Superior route to northwestern Canada. In this work of travel and adventure, Bolz recounts a journey he took in 1958, retracing the voyageurs’ route from Grand Portage on Lake Superior through the Quetico-Superior country to Rainy Lake. His canoe and paddle served as a time machine as he re-created a trip first taken centuries ago.

The Predator Effect concerns predatory publishing — it is the first to chart both the rise and impact of deceptive publishing. The author — a scientific communications expert with 20 years’ experience — looks at how predatory journals had become an accepted part of scholarly publishing, reviewing in turn the history, development and impact of predatory journals. The book also puts their rise in context of wider issues such as Open Access and publication ethics. Other issues it addresses include: defining predatory journals, the history of predatory publishing practices, Beall’s List, authors’ motivations and the future of predatory publishing practices.