Results by title

The masochist, the voyeur, the sadist, the sodomite, the fetishist, the pedophile, and the necrophiliac all expose hidden but essential elements of the social relation. Arguing that the concept of perversion, usually stigmatized, ought rather to be understood as a necessary stage in the development of all non-psychotic subjects, the essays in Perversion and the Social Relation consider the usefulness of the category of the perverse for exploring how social relations are formed, maintained, and transformed.

By focusing on perversion as a psychic structure rather than as aberrant behavior, the contributors provide an alternative to models of social interpretation based on classical Oedipal models of maturation and desire. At the same time, they critique claims that the perverse is necessarily subversive or liberating. In their lucid introduction, the editors explain that while fixation at the stage of the perverse can result in considerable suffering for the individual and others, perversion motivates social relations by providing pleasure and fulfilling the psychological need to put something in the place of the Father. The contributors draw on a variety of psychoanalytic perspectives—Freudian and Lacanian—as well as anthropology, history, literature, and film. From Slavoj Žižek's meditation on “the politics of masochism” in David Fincher's movie Fight Club through readings of works including William Styron's The Confessions of Nat Turner, Don DeLillo’s White Noise, and William Burroughs's Cities of the Red Night, the essays collected here illuminate perversion's necessary role in social relations.

Contributors. Michael P. Bibler, Dennis A. Foster, Bruce Fink, Octave Mannoni, E. L. McCallum, James Penney, Molly Anne Rothenberg, Nina Schwartz, Slavoj Žižek

Post-Fascist Fantasies examines the cultural function of the novels of communist authors in East Germany from a psychoanalytic angle. Various critics have argued that these socialist realist fictions were monolithic attempts to translate Communist dogma into the realm of aesthetics. Julia Hell argues to the contrary that they were in fact complex fictions sharing the theme of antifascism, the founding discourse of the German Democratic Republic. Employing an approach informed by Slavoj Zizek’s work on the Communist’s sublime body and by British psychoanalytic feminism’s concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR’s most prominent author, in the GDR’s effort to reconstruct symbolic power after the Nazi period.
By focusing on the unconscious fantasies about post-fascist body and post-fascist voice that suffuse the texts of Wolf and others, Hell radically reconceptualizes the notion of the author’s subjective authenticity. Since this notion occupies a key position in previous literary-historical accounts of East German culture, Hell’s psychoanalytic approach problematizes the established literary model of an "authentic feminine voice" that gradually liberates itself from the GDR’s dominant ideological narrative. Far from operating solely on a narrowly political level, the novels of Wolf and others were intricate family sagas portraying psychic structures linked in complex ways to the GDR’s social dynamics. Hell traces this link through East German literatrure’s dominant narrative, a paternal narrative organized around the figure of the Communist father as antifascist hero.

"[This book has] a wealth of clinical and technical detail. As a primer on psychotherapeutic technique this book will. . .bring knowledge and stimulation to the most advanced technician"—Karl A. Menninger

"One is continuously aware that here is a truly human being at work, human in the sense of exquisite awareness, on a profoundly intuitive level, of the workings of the human totality. . . . Because of this she can bridge the vast divide that separates us from the psychotic . . . thereby gaining access to the process of recalling the patient to his lost domain."—Louise E. DeRosis, M.D., American Journal of Psychoanalysis

Pills replaced the couch; neuroscience took the place of talk therapy; and as psychoanalysis faded from the scene, so did the castrating mothers and hysteric spinsters of Freudian theory. Or so the story goes. In Prozac on the Couch, psychiatrist Jonathan Michel Metzl boldly challenges recent psychiatric history, showing that there’s a lot of Dr. Freud encapsulated in late-twentieth-century psychotropic medications. Providing a cultural history of treatments for depression, anxiety, and other mental illnesses through a look at the professional and popular reception of three “wonder drugs”—Miltown, Valium, and Prozac—Metzl explains the surprising ways Freudian gender categories and popular gender roles have shaped understandings of these drugs.

Prozac on the Couch traces the notion of “pills for everyday worries” from the 1950s to the early twenty-first century, through psychiatric and medical journals, popular magazine articles, pharmaceutical advertisements, and popular autobiographical "Prozac narratives.” Metzl shows how clinical and popular talk about these medications often reproduces all the cultural and social baggage associated with psychoanalytic paradigms—whether in a 1956 Cosmopolitan article about research into tranquilizers to “cure” frigid women; a 1970s American Journal of Psychiatry ad introducing Jan, a lesbian who “needs” Valium to find a man; or Peter Kramer’s description of how his patient “Mrs. Prozac” meets her husband after beginning treatment.

Prozac on the Couch locates the origins of psychiatry’s “biological revolution” not in the Valiumania of the 1970s but in American popular culture of the 1950s. It was in the 1950s, Metzl points out, that traditional psychoanalysis had the most sway over the American imagination. As the number of Miltown prescriptions soared (reaching 35 million, or nearly one per second, in 1957), advertisements featuring uncertain brides and unfaithful wives miraculously cured by the “new” psychiatric medicines filled popular magazines. Metzl writes without nostalgia for the bygone days of Freudian psychoanalysis and without contempt for psychotropic drugs, which he himself regularly prescribes to his patients. What he urges is an increased self-awareness within the psychiatric community of the ways that Freudian ideas about gender are entangled in Prozac and each new generation of wonder drugs. He encourages, too, an understanding of how ideas about psychotropic medications have suffused popular culture and profoundly altered the relationship between doctors and patients.

This special issue of South Atlantic Quarterly examines the recent theoretical convergence of psychoanalysis and Marxism by posing anew the question of the relationship between these two master discourses in the era of late capitalism. Beginning with Zizek’s “Psychoanalysis in Post-Marxism,” which both dramatizes and analyzes the discursive antinomies of psycho-Marxism, this volume comes full circle with Robert Miklitsch’s “Going through the Fantasy,” which seeks the “traumatic kernel” at the core of Zizekian theory. In other essays, psycho-Marxism is submitted to Foucault’s analytics of power/knowledge, Derrida’s spectral letter, the postcolonial theory of Homi Bhabha and Gayatri Spivak, and the performative politics/poetics of Jean Genet. The theoretical perspectives of Laura Mulvey and Gayle Rubin are crosscut and spliced to take women out of commodity traffic and put feminist automobility up on the big screen. Imperialism, Nazi psychoanalytic techno-fetishism, and the strange alliance between (anti)queer Marxism and gay conservatism provide other useful lenses through which the Marxist/psychoanalytic bond is viewed.

Contributors. Elizabeth Jane Bellamy, Teresa Brennan, Rosaria Champagne, Stathis Gourgouris, Catherine Liu, Kathleen McHugh, Robert Miklitsch, Abdul-Karim Mustapha, Laurence A. Rickels, Eugene Victor Wolfenstein, Slavoj Zizek

Provides an introductory analysis of attempts to combine cycle analytical and social theory. Starting from a discussion of the work of Freud, the book goes on to look at more recent attempts to combine the two in the work of members of the Frankfurt school and others such as Christopher Badcock, Christopher Lasch, Talcott Parsons and Eric Erickson. The analysis also covers modern feminist approaches to Freud, notably through the writings of Nancy Chodorow and Juliet Mitchell. The author argues that there is no simple way of combining psychoanalytical and social theory, and that both approaches are limited in scope.

Marshall Edelson identifies the core theory of psychoanalysis and shows how free association and the case study method can provide rational grounds for believing its clinical inferences about the causal role of unconscious sexual fantasies. "Dr. Edelson has committed himself with gusto, persistence and intelligence [to] a spirited defense of psychoanalysis as science—not necessarily as it is, but as it can be in the best of hands as it should be. . . . It is a defense that I hope can resonate strongly in psychoanalytic ranks. It is also a message that I hope would receive a warm reception in that wider intellectual world where ideas matter and where enlightened social policy and cultural cachet are fostered."—Robert Wallerstein, New York Times Book Review

Anthony Elliott presents a comprehensive introduction to psychoanalytic theory and its applications in the social sciences and humanities in this new and fully revised second edition of Psychoanalytic Theory. Elliott provides lucid interpretations of key psychoanalytic theorists such as Freud, Klein, Winnicott, Lacan, Deleuze, Kristeva, and Zizek. This revised edition has much new material, including a survey of psychoanalytic approaches to race and postcolonialism from Fanon to Homi Bhabha, as well as a look at the reframing of sexuality studies by such feminist theorists as Judith Butler, Helene Cixous, and Luce Irigaray.

The book follows major themes, highlighting the similarities and differences among influential thinkers and schools of thought. At the same time, Psychoanalytic Theory is structured so that the chapters can be read in any order. Each one includes an introductory overview and summary, as well as biographical and historical material for each theorist discussed. This book is an essential starting point for any exploration of the contribution of psychoanalysis to contemporary theory.

Psychodynamics and Cognition outlines ways that methods and ideas from cognitive and information science can be used to reformulate psychoanalytic concepts and to test them outside the psychoanalytic situation. Based on a 1984 conference sponsored by the Health Program of the John D. and Catherine T. MacArthur Foundation, this book presents a series of papers by distinguished scholars in psychoanalysis, cognitive psychology, neuroscience, and linguistics.