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These fourteen original essays on the politics of literature investigate aspects of our understanding of the political muse, with a focus on American writing since World War II. Essays include: “American Literature, Politics, and the Last Good War,” “The Literary Art of the Hollywood Ten,” “The Plight of the Left-Wing Screenwriter,” and “Amiri Baraka and the Politics of Popular Culture.”

In describing the intensity of political life in ancient Pompeii, Cicero remarks, "at Pompeii it's difficult" (Pompeis difficile est). Drawing on thousands of fragmentary writings--campaign posters, graffiti, inscriptions, and business receipts--recovered in the excavations of lava- and mud-covered Pompeii, James L. Franklin assembles evidence from the eras of emperors Augustus through Vespasian to prove the validity of Cicero's statement.
By collecting, sifting, and cross-referencing these varied documents, Franklin proves it possible to trace the major political alliances of the times, explore the remains of their houses, and find traces of their personalities. A few families, like the powerful Holconii, developers of the region's most famous grape vine, prove to have been steady players throughout Pompeii's history; but most families rose and fell within two generations at most. Chapters examine the men and families most prominent in each imperial period, including an analysis of their houses, and concludes with family trees. The documents themselves, elsewhere difficult to access, are prominently featured and translated in the text, making these discussions available and vivid to all readers.
This book is the first such attempt to cross-reference and animate all kinds of writing found at this legendary site. Outside of the city of Rome itself, this is the largest collection of writing from Roman antiquity, and it has lain mostly unexamined in the course of three centuries of excavations at Pompeii. This volume will interest not only students of Pompeii and classical scholars, but also historians, political scientists, sociologists, and enthusiasts of human behavior of all eras.
James L. Franklin is Professor of Classical Studies, Indiana University.

“Constitutes an important and timely addition to the literature on peasant rebellion; wisely, the editors have been eclectic in drawing from some of the leading historians, anthropologists, political scientists, and sociologists active in the field an analysis of the forms that rural violence has taken through the past three centuries.”—Pacific Affairs

   Covering the eleventh through
        sixteenth centuries, these essays suggest that influence and power may
        have paradoxically been available to women despite, and sometimes precisely
        because of, their subordinate position in society. Striking for its range
        of scholarship, this collection explores the power and independence, relationships
        and influence of medieval queens, holy women, mothers, widows, Jewish
        conversas, and others. Latin and Anglo-Norman hagiography, confessors'
        manuals, coronation rituals, responsa literature, and legal theory
        are represented.
      "An intriguing exploration
        of a basic paradox of medieval society, and an excellent blend of theory
        and gender studies with detailed work relevant for social and political
        history." -- Joel Rosenthal, author of Patriarchy and Families
        of Privilege in Fifteenth-Century England
      JENNIFER CARPENTER
        is a lecturer in history at the University of Otago, Dunedin, New Zealand.
 

The inaugural issue of Labor offers an example of what readers can expect to find on a regular basis—full coverage of new trends in labor history. It features an extensive interview with retired Yale University professor David Montgomery, the acclaimed “dean” of the new labor history since the 1970s. One article plumbs management and labor archives as well as oral histories to reconstruct the patterns of abuse encountered by women on automobile shop floors from 1930 to 1970. Drawing on fieldwork in a southern California domestic service placement agency, a contributor documents the commodification of gender and ethnic stereotypes in the international maid trade. Another essay begins a two-part series on the history of U.S. labor and international solidarity; still another explores the recent desecration of the memorial to victims of the Ludlow Massacre.

Contributors. James R. Barrett, Joshua Brown, Leon Fink, Dana Frank, John French, James Green, Julie Greene, Gregory Kealey, Kristen Hill Maher, Steve Meyer

Public Performances offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—this volume provides rich and comprehensive insight into public performance as an assertion of political power.

Contributors consider how public genres of performance express not only celebration but also dissent, grief, and remembrance; examine the permeability of the boundaries between genres; and analyze the approval or regulation of such events by municipalities and other institutions. Where the particular use of public space is not sanctioned or where that use meets with hostility from institutions or represents a critique of them, performers are effectively reclaiming public space to make public statements on their own terms—an act of popular sovereignty.

Through these concepts, Public Performances distinguishes the sometimes overlapping dimensions of public symbolic display. Carnival, and thus the carnivalesque, is understood to possess tacit social permission for unconventional or even deviant performance, on the grounds that normal social order will resume when the performance concludes. Ritual, and the ritualesque, leverages a deeper symbolic sensibility, one believed—or at least intended—by the participants to effect transformative, longer-term change.

Contributors: Roger D. Abrahams, John Borgonovo, Laurent Sébastien Fournier, Lisa Gilman, Barbara Graham, David Harnish, Samuel Kinser, Scott Magelssen, Elena Martinez, Pamela Moro, Beverly J. Stoeltje, Daniel Wojcik, Dorothy L. Zinn