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From the 1848 Treaty of Guadalupe Hidalgo to the 1960s, Mexican American Catholics experienced racism and discrimination within the U.S. Catholic church, as white priests and bishops maintained a racial divide in all areas of the church's ministry. To oppose this religious apartheid and challenge the church to minister fairly to all of its faithful, a group of Chicano priests formed PADRES (Padres Asociados para Derechos Religiosos, Educativos y Sociales, or Priests Associated for Religious, Educational, and Social Rights) in 1969. Over the next twenty years of its existence, PADRES became a powerful force for change within the Catholic church and for social justice within American society.

This book offers the first history of the founding, activism, victories, and defeats of PADRES. At the heart of the book are oral history interviews with the founders of PADRES, who describe how their ministries in poor Mexican American parishes, as well as their own experiences of racism and discrimination within and outside the church, galvanized them into starting and sustaining the movement. Richard Martínez traces the ways in which PADRES was inspired by the Chicano movement and other civil rights struggles of the 1960s and also probes its linkages with liberation theology in Latin America. He uses a combination of social movement theory and organizational theory to explain why the group emerged, flourished, and eventually disbanded in 1989.

"Journalist Mike Greenberg is appalled by what had happened to his home town, San Antonio, Texas. In response, he has written a readable and useful book . . . . which is full of practical suggestions for improving his own and other communities. . . . Planners, architects, and city officials should read this practical and hopeful book." --Planning In this lively and insightful book, Mike Greenberg argues that the purpose of cities and neighborhoods is to foster economic, social, and intellectual exchange, the process that underlies the creation of value. He seeks to show how the detailed geography of the city can either inhibit or encourage such exchanges and thus profoundly affect the lives of the people who live there. Cities filled an important evolutionary niche, historically, because they were the places--in contrast to rural areas or villages--where exchange occurred with greatest efficiency, where value was created most spectacularly, and thus where the wealth was. But it wasn't just the fact of concentration, but the how of it, that made cities efficient producers of value and circulators of wealth. The Poetics of Cities is concerned with the context of contemporary cities and suburban rings, where development dynamics--guided by the needs of the automobile and by reformist planning concepts that went awry--create environments that are increasingly hostile to exchange and thus threaten to inhibit the economic development that made them possible in the first place. The city of late nineteenth- and early twentieth-century America was in some ways a remarkably sophisticated technology for fostering exchange and cementing community. Taking examples mostly from his hometown, San Antonio, Texas, Greenberg examines certain features of those cities--their sidewalk systems, their scale and setbacks, the rhythms of their streetscapes, the structure of their neighborhoods--and shows why they worked so well, and why they cannot be arbitrarily tossed aside without doing damage to the urban economy. He then offers some practical planning strategies and regulatory ideas to help cities retain what is useful from their traditional forms while at the same time accommodating modernity. Engagingly written, The Poetics of Cities will make fascinating reading for architects, urban planner, neighborhood activists, city officials, real estate developers, and anyone interested in the quality of urban life in America. Mike Greenberg is Senior Critic of the San Antonio Express-News. He is the author of Synthesis: Craftsmanship, Architecture, Design and was a John S. Knight Fellow at Stanford University.

Campaign consultants are arguably now as famous in the United States as the politicians themselves. During the past decade, those who know the names Bill Clinton, George Bush, Newt Gingrich, and Christine Todd Whitman also recognize the names James Carville, Mary Matalin, Frank Luntz, and Ed Rollins. Professional consultants, once part of the privileged inner circle of presidential and gubernatorial candidates, are increasingly found at all levels of politics. Indeed, more than half of congressional candidates hire campaign consultants. These professional have become as important to a candidate's success as money. In this innovative study, Stephen K. Medvic explores all aspects of political consultancy and develops an empirically based theory that ensures the impact consultants have on elections.

Political Consultants in U.S. Congressional Elections answers two simple questions: What do professional political consultants do? and How successful are they? Medvic analyzes the way consultants shape political dialogue and uses empirical data to show the benefits—and limits—of a consultant's involvement in a campaign. He focuses on issues as diverse as vote shares, outcomes, and fundraising. Finally, the author demonstrates how the adversarial nature of campaigns fosters the kind of electioneering advocated by most political consultants and argues that this process may not be as harmful for the country as is often suggested.

A Prescription for Adversity makes the revolutionary case that Ambrose Bierce, far from being a bitter misanthrope, was instead both a compassionate and moral author. Berkove, focusing on Bierce's short fiction, establishes the necessity of recognizing the pattern of his intellectual and literary development over the course of his career. The author shows that Bierce, probably the American author with the most extensive experience of the Civil War, turned to classical Stoicism and English and French Enlightenment literature in his postwar search for meaning. Bierce's fiction arose from his ultimately unsatisfying encounters with the philosophies those sources offered, but the moral commitment as well as the literary techniques of heir authors, particularly Jonathan Swift, inspired him. Dating Bierce's fiction, and introducing uncollected journalism, correspondence, and important new literary history and biographical information, Berkove brings new insights to a number of stories, including "A Son of the Gods" and "A Horseman in the Sky," but especially "An Occurrence at Owl Creek Bridge," and presents compelling readings of the Parenticide Club tales and "Moxon's Master." A Prescription for Adversity substantiates how Bierce at his best is one of the few American authors who rises to the level of Mark Twain, and the only one who touches Jonathan Swift.

A work of both biography and literary criticism, this book rescues Ambrose Bierce and his literature from the neglect to which it has been assigned by "ill-founded, obtuse and unproductive approaches based on skewed notions of his personality and forced or facile readings of individual stories."

The United States Supreme Court has numbered nine justices for the past 150 years. But that number is not fixed. With the Democrats controlling the House and Senate during the Biden presidency, they could add justices to the Supreme Court. But would court packing destroy the Court as an apolitical judicial institution? This is the crucial question Stephen Feldman addresses in his provocative book, Pack the Court! He uses a historical, analytical, and political argument to justify court-packing in general and Democratic court-packing more specifically.

Republicans and Democrats alike profess to worry that court-packing will destroy the legitimacy of the Supreme Court as a judicial institution by injecting politics into a purely legal adjudicative process. But as Feldman’s insightful book shows, law and politics are forever connected in judicial interpretation and decision making. Pack the Court! insists that court packing is not the threat to the Supreme Court’s institutional legitimacy that many fear. Given this, Feldman argues that Democrats should pack the Court while they have the opportunity. Doing so might even strengthen the American people’s faith in the Court.

In this important new work, Nicholas Townsend explores what men say about being fathers, and about what fatherhood means to them. He shows how men negotiate the prevailing cultural values about fatherhood, marriage, employment, and home ownership that he conceptualizes as a "package deal." Townsend identifies the conflicts and contradictions within the gendered expectations of men and fathers, and analyzes the social and economic contexts that make emotionally involved fathering an elusive ideal.Drawing on the lives and life stories of a group of men in their late forties who graduated from high school together in the early 1970s, The Package Deal demystifies culture's image of fatherhood in the United States. These men are depicted as neither villains nor victims, but as making their best efforts to achieve successful adult masculinity. This book shows what fathers really think about fatherhood, the division of labor between fathers and mothers, the gendered difference in expectations, and the privileging of the relationship between fathers and sons.These revealing accounts of how fatherhood fits into the rest of men's lives help us better understand what men can and cannot do as fathers. And they clearly illustrate that women are not alone in trying to "have it all" as they strive to combine work and family.

At the age of fourteen, a young man in Waveland, Indiana, had taken over the family farm after the death of his father. Now responsible for taking care of his widowed mother and supporting his four brothers, he took up the reins on the plow to begin preparing the field for planting. Family legend has it that the young farmer, Theodore Clement Steele, tied “colored ribbons to the handles of the plow so that he could watch the ribbons in the wind and the effect that they had on the [surrounding] colors.” Recognizing Steele’s passion for art, his mother supported his choice to make his living as an artist. T. C. Steele, the eighth volume in the Indiana Historical Society Press’s youth biography series, traces the path of Steele’s career as an artist from his early studies in Germany to his determination to paint what he knew best, the Indiana landscape. Steele, along with fellow artists William Forsyth, Otto Stark, Richard Gruelle, and J. Ottis Adams, became a member of the renowned Hoosier Group and became a leader in the development of Midwestern art.

The unique and powerful voice of an extraordinary nineteenth-century woman poet

Sarah Morgan Bryan Piatt (1836-1919) now ranks as the strongest American woman poet of the nineteenth century after Emily Dickinson. Published heavily in all the period's most prestigious journals, Piatt was widely celebrated by her peers as a gifted stylist in the genteel tradition. This selected edition reveals Piatt's other side, a side that contemporary critics found more problematic: ironic, experimental, pushing the limits of Victorian language and the sentimental female persona.

Spanning more than half a century, this collection reveals the "borderland temper" of Piatt's mind and art. As an expatriate southerner, Piatt voices guilt at her own past as the daughter of slave-holders and raw anguish at the waste of war; as an eleven-year "exile" in Ireland, she expresses her dismay at the indifference of the wealthy to the daily suffering of the poor. Her poetry, whether speaking of children, motherhood, marriage, or illicit love affairs, uses conventional language and forms but in ways that greatly broadened the range of what women's poetry could say. Going beyond and even contradicting the genteel aesthetic, Piatt's poetry moves toward an innovative kind of dramatic realism built on dialogue, an approach more familiar to modern readers, acquainted with Faulknerian polyvocal texts, than to her contemporaries, who were as ill at ease with complexity as they were with irony. 

This astutely edited selection of Piatt's mature work--much of it never before collected--explains why her "deviant poetics" caused her peers such discomfort and why they offer such fertile ground for study today. Illustrated with engravings from Harper's Weekly and Harper's Bazaar, both periodicals in which Piatt's work appeared, Palace-Burner marks the reemergence of one of the most interesting writers in American literary history.

The Panama Canal Treaties of 1977 were the most significant foreign policy achievement of the Carter administration. Most Latin American nations had regarded the 1903 treaty and its later minor modifications as vestiges of "American colonialism" and obstacles to any long-term, stable relationship with the United States. Hence, at a time when conflicts were mushrooming in Central America, the significance of the new Panama treaties cannot be overestimated.

Former Ambassador to Panama William J. Jorden has provided the definitive account of the long and often contentious negotiations that produced those treaties. It is a vividly written reconstruction of the complicated process that began in 1964 and ended with ratification of the new pacts in 1978. Based on his personal involvement behind the scenes in the White House (1972–1974) and in the United States Embassy in Panama (1974–1978), Jorden has produced a unique living history. Access to documents and the personalities of both governments and, equally important, Jorden's personal recollections of participants on both sides make this historical study an incomparable document of U. S. foreign relations.

Beyond the singular story of the treaties themselves—and how diplomats negotiate in the modern world—is the rare description of how the United States deals with a major foreign policy problem. How does a superpower cope with a tiny nation that happens to occupy a strategically critical position? And how does the U. S. Senate face up to its constitutionally assigned power to "advise and consent"? Once treaties are approved, does the House of Representatives help or hinder? Panama Odyssey also deals with another crucial element in the shaping of policy—public opinion: how is it informed or led astray?

In sum, this is a history, a handbook on diplomacy, a course in government, and a revelation of foreign policy in action, all based on a fascinating and controversial episode in the U. S. experience.

Celebrates and illuminates the legacy of one of America’s most innovative and consequential 20th century novelists

In 2002, following the posthumous publication of William Gaddis’s collected nonfiction and his final novel and Jonathan Franzen’s lengthy attack on him in The New Yorker, a number of partisan articles appeared in support of Gaddis’s legacy. In a review in The London Review of Books, critic Hal Foster suggested a reason for disparate responses to Gaddis’s reputation: Gaddis’s unique hybridity, his ability to “write in the gap between two dispensations—between science and literature, theory and narrative, and—different orders of linguistic imagination.
 
Gaddis (1922-1998) is often cited as the link between literary modernism and postmodernism in the United States. His novels—The Recognitions, JR, Carpenter’s Gothic, and A Frolic of His Own—are notable in the ways that they often restrict themselves to the language and communication systems of the worlds he portrays. Issues of corporate finance, the American legal system, economics, simulation and authenticity, bureaucracy, transportation, and mass communication permeate his narratives in subject, setting, and method. The essays address subjects as diverse as cybernetics theory, the law, media theory, race and class, music, and the perils and benefits of globalization. The collection also contains a memoir by Gaddis’s son, an unpublished interview with Gaddis from just after the publication of JR, and an essay on the Gaddis archive, newly opened at Washington University in St. Louis.
 
The editors acknowledge that we live in an age of heightened global awareness. But as these essays testify, few American writers have illuminated as poignantly or incisively just how much the systemic forces of capitalism and mass communication have impacted individual lives and identity—imparting global dimensions to private pursuits and desires—than William Gaddis.
 

Paper Money Men: Commerce, Manhood, and the Sensational Public Sphere in Antebellum America by David Anthony outlines the emergence of a “sensational public sphere” in antebellum America. It argues that this new representational space reflected and helped shape the intricate relationship between commerce and masculine sensibility in a period of dramatic economic upheaval. Looking at a variety of sensational media—from penny press newspapers and pulpy dime novels to the work of well-known writers such as Irving, Hawthorne, and Melville—this book counters the common critical notion that the period’s sensationalism addressed a primarily working-class audience. Instead, Paper Money Men shows how a wide variety of sensational media was in fact aimed principally at an emergent class of young professional men. “Paper money men” were caught in the transition from an older and more stable mercantilist economy to a panic-prone economic system centered on credit and speculation. And, Anthony argues, they found themselves reflected in the sensational public sphere, a fantasy space in which new models of professional manhood were repeatedly staged and negotiated. Compensatory in nature, these alternative models of manhood rejected fiscal security and property as markers of a stable selfhood, looking instead toward intangible factors such as emotion and race in an effort to forge a secure sense of manhood in an age of intense uncertainty.

Across the globe, states have long aimed to control the movement of people, identify their citizens, and restrict noncitizens' rights through official identification documents. Although states are now less likely to grant permanent legal status, they are increasingly issuing new temporary and provisional legal statuses to migrants. Meanwhile, the need for migrants to apply for frequent renewals subjects them to more intensive state surveillance. The contributors to Paper Trails examine how these new developments change migrants' relationship to state, local, and foreign bureaucracies. The contributors analyze, among other toics, immigration policies in the United Kingdom, the issuing of driver's licenses in Arizona and New Mexico, the Deferred Action for Childhood Arrivals program, and community know-your-rights campaigns. By demonstrating how migrants are inscribed into official bureaucratic systems through the issuance of identification documents, the contributors open up new ways to understand how states exert their power and how migrants must navigate new systems of governance.

Contributors. Bridget Anderson, Deborah A. Boehm, Susan Bibler Coutin, Ruth Gomberg-Muñoz, Sarah B. Horton, Josiah Heyman, Cecilia Menjívar, Juan Thomas Ordóñez, Doris Marie Provine, Nandita Sharma, Monica Varsanyi

During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of “long” eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, “Gabe” initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein’s life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

This is a brief highly readable history of the Catholic experience in British America, which shaped the development of the colonies and the nascent republic in the seventeenth and eighteenth centuries. Historian Robert Emmett Curran begins his account with the English reformation, which helps us to understand the Catholic exodus from England, Ireland, and Scotland that took place over the nearly two centuries that constitute the colonial period. The deeply rooted English understanding of Catholics as enemies of the political and religious values at the heart of British tradition, ironically acted as a catalyst for the emergence of a Catholic republican movement that was a critical factor in the decision of a strong majority of American Catholics in 1775 to support the cause for independence

Tracing paranoia as a defining pattern of modern American literature. 

The recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracy (i.e., Vietnam and the Pentagon Papers, Area 51, Iran-Contra Affair), Samuel Chase Coale reminds us in this book that conspiracy is foundational in American culture—from the apocalyptic Biblical narratives in early Calvinist households to the fear of Mormon, Catholic, Jewish, and immigrant populations in the 19th century. 

Coale argues that contemporary culture—a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust—has fostered a radical skepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.

Conspiracy as embodied in narrative form provides a fertile field for explorations of the anxiety lying at the heart of the postmodern experience. Thomas Pynchon's The Crying of Lot 49, Don DeLillo's Underworld, Toni Morrison's Jazz and Paradise, Joan Didion's Democracy, Tim O'Brien's In the Lake of the Woods, and Paul Auster's New York City Trilogy are some of the texts Coale examines for their representations of isolated individuals at the center of massive, anonymous master plots that lay beyond their control. These narratives remind us that our historical sense of national identity has often been based on the demonizing of others and that American fiction arose and still flourishes with apocalyptic visions.

 

In Paradoxes of Nostalgia Penny M. Von Eschen offers a sweeping examination of the cold war’s afterlife and the lingering shadows it casts over geopolitics, journalism, and popular culture. She shows how myriad forms of nostalgia across the globe—from those that posit a mythic national past to those critical of neoliberalism that remember a time when people believed in the possibility of a collective good—indelibly shape the post-cold war era. When Western triumphalism moved into the global South and former Eastern bloc spaces, many articulated a powerful sense of loss and a longing for stability. Innovatively bringing together diplomatic archives, museums, films, and video games, Von Eschen shows that as the United States continuously sought new enemies for its unipolar world, cold war triumphalism fueled the ascendancy of xenophobic right-wing nationalism and the embrace of authoritarian sensibilities in the United States and beyond. Ultimately, she demonstrates that triumphalist claims that capitalism and military might won the cold war distort the past and disfigure the present, undermining democratic values and institutions.

In the midst of the United States' immense economic growth in the 1850s, Americans worried about whether the booming agricultural, industrial, and commercial expansion came at the price of cherished American values such as honesty, hard work, and dedication to the common good. Was the nation becoming greedy, selfish, vulgar, and cruel? Was there such a thing as too much prosperity?

At the same time, the United States felt the influence of the rise of popular mass-circulation newspapers and magazines and the surge in American book publishing. Concern over living correctly as well as prosperously was commonly discussed by leading authors and journalists, who were now writing for ever-expanding regional and national audiences. Women became more important as authors and editors, giving advice and building huge markets for women readers, with the magazine Godey's Lady's Book and novels by Susan Warner, Maria Cummins, and Harriet Beecher Stowe expressing women's views about the troubled state of society. Best-selling male writers--including novelist George Lippard, historian George Bancroft, and travel writer Bayard Taylor--were among those adding their voices to concerns about prosperity and morality and about America's place in the world. Writers and publishers discovered that a high moral tone could be exceedingly good for business.

The authors of this book examine how popular writers and widely read newspapers, magazines, and books expressed social tensions between prosperity and morality. This study draws on that nationwide conversation through leading mass media, including circulation-leading newspapers, the New York Herald and the New York Tribune, plus prominent newspapers from the South and West, the Richmond Enquirer and the Cincinnati Enquirer. Best-selling magazines aimed at middle-class tastes, Harper's Magazine and the Southern Literary Messenger, added their voices, as did two leading business magazines.