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Do you trust the liberal media? While the tabloid and right-wing press - the Sun, The Times, the Mail and the Express - are constantly criticised for dangerous bias, outlets like the BBC and the Guardian are trusted by their readers to report in the interests of the public. However, the reality is that all corporate media is systematically filtered by the powerful interests that own, manage and fund it.

Propaganda Blitz shows that the corporate media does not just 'spin' the news - it fundamentally distorts everything it touches, hiding the real issues from public view, and often completely reversing the truth. This book uncovers a storm of top-down campaigns behind war reporting from Iraq, Syria and Palestine, as well as the destruction of the credibility of figures on the left, including Jeremy Corbyn and Hugo Chavez.

Exposing propagandists at the top levels of the BBC, as well as their reporting on the Scottish independence referendum, the dismantling of the NHS and looming climate chaos, Propaganda Blitz explains the real meaning of 'objective' journalism, exposes the fake news about 'fake news' and outlines a model for anti-business media activism.

Protecting the Empire’s Frontier tells stories of the roughly eighty officers who served in the 18th (Royal Irish) Regiment of Foot, which served British interests in America during the crucial period from 1767 through 1776. The Royal Irish was one of the most wide-ranging regiments in America, with companies serving on the Illinois frontier, at Fort Pitt, and in Boston, New York, and Philadelphia, with some companies taken as far afield as Florida, Spanish Louisiana, and present-day Maine. When the regiment was returned to England in 1776, some of the officers remained in America on staff assignments. Others joined provincial regiments, and a few joined the American revolutionary army, taking up arms against their king and former colleagues.

Using a wide range of archival resources previously untapped by scholars, the text goes beyond just these officers’ service in the regiment and tells the story of the men who included governors, a college president, land speculators, physicians, and officers in many other British regular and provincial regiments. Included in these ranks were an Irishman who would serve in the U.S. Congress and as an American general at Yorktown; a landed aristocrat who represented Bath as a member of Parliament; and a naval surgeon on the ship transporting Benjamin Franklin to France. This is the history of the American Revolutionary period from a most gripping and everyday perspective.

An epilogue covers the Royal Irish’s history after returning to England and its part in defending against both the Franco-Spanish invasion attempt and the Gordon Rioters. With an essay on sources and a complete bibliography, this is a treat for professional and amateur historians alike.

Between the 1890s and the 1920s, mass consumer culture and modernism grew up together, by most accounts as mutual antagonists. This provocative work of cultural history tells a different story.  By delving deeply into the publishing and promotional practices of the modernists in Britain and America, however, Mark Morrisson reveals that their engagements with the commercial mass market were in fact extensive and diverse.
    The phenomenal successes of new advertising agencies and mass market publishers did elicit what Morrisson calls a "crisis of publicity" for some modernists and for many concerned citizens in both countries. But, as Morrisson demonstrates, the vast influence of these industries on consumers also had a profound and largely overlooked effect upon many modernist authors, artists, and others. By exploring the publicity and audience reception of several of the most important modernist magazines of the period, The Public Face of Modernism shows how modernists, far from lamenting the destruction of meaningful art and public culture by the new mass market, actually displayed optimism about the power of mass-market technologies and strategies to transform and rejuvenate contemporary culture—and, above all, to restore a public function to art.
    This reconstruction of the "public face of modernism" offers surprising new perceptions about the class, gender, racial, and even generational tensions within the public culture of the early part of the century, and provides a rare insight into the actual audiences for modernist magazines of the period.  Moreover, in new readings of works by James Joyce, George Bernard Shaw, Wyndham Lewis, Ford Madox Ford, T. S. Eliot, William Carlos Williams, and many others, Morrisson shows that these contexts also had an impact on the techniques and concerns of the literature itself.

Public and Private was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This groundbreaking work examines the emergent and fluctuating relationship between the public and private social spheres of the late eighteenth and nineteenth centuries. By assessing novels such as Mary Shelley's Frankenstein and Jane Austen's Emma through the lens of the social theories of Jürgen Habermas and Michel Foucault, Patricia McKee presents a fresh and highly original contribution to literary studies.

McKee explores the themes of production and consumption as they relate to gender and class throughout the works of many of the most influential novels of the age including Tobias Smollett's Humphry Clinker, Horace Walpole's The Castle of Otranto, Emma, Frankenstein, Anthony Trollope's Barchester Towers, Charles Dickens's Little Dorrit and The Old Curiosity Shop, Mrs. Henry Wood's East Lynne, and Thomas Hardy's The Return of the Native.

McKee analyzes portrayals of a society in which abstract idealism belonged to knowledgeable, productive men and the realm of ignorance was left to emotional, consuming women and the uneducated. She traces the various ways British literature of the eighteenth and nineteenth centuries worked to reform this social experience. Topics include Dickens's attack on the bureaucratic use of knowledge to maintain the status quo; the function of antiprogressive depictions of knowledge in Trollope, Shelley, and Hardy; and Austen's characterization of the protagonist Emma as an exception in a society that denied women's productive use of knowledge.

Offering a sharp challenge to theorists who have charted a linear division of public and private experience, McKee highlights the unexpected configurations of the emergence of the public and private spheres and the effect of knowledge distribution across class and gender lines.

Patricia McKee is professor of English at Dartmouth College. She is the author of Heroic Commitment in Richardson, Eliot, and James (1986).

William Hyde Wollaston made an astonishing number of discoveries in an astonishingly varied number of fields: platinum metallurgy, the existence of ultraviolet radiation, the chemical elements palladium and rhodium, the amino acid cystine, and the physiology of binocular vision, among others. Along with his colleagues Humphry Davy and Thomas Young, he was widely recognized during his life as one of Britain’s leading scientific practitioners in the first part of the nineteenth century, and the  deaths of all three within a six-month span, between 1828 and 1829, were seen by many as the end of a glorious period of British scientific supremacy. Unlike Davy and Young, however, Wollaston was not the subject of a contemporary biography, and his many impressive achievements have fallen into obscurity as a result.

Pure Intelligence is the first book-length study of Wollaston, his science, and the environment in which he thrived. Drawing on previously-unstudied laboratory records as well as historical reconstructions of chemical experiments and discoveries, and written in a highly accessible style, Pure Intelligence will help to reinstate Wollaston in the history of science, and the pantheon of its great innovators.

In Puritanism and Modernist Novels: From Moral Character to the Ethical Self, Lynne W. Hinojosa complicates traditional interpretations of the novel and literary modernism as secular developments of modernity by arguing that the British novel tradition is fundamentally shaped by Puritan hermeneutics and Bible-reading practices. This tradition, however, simultaneously works to dismantle the categories associated with social morality and moral character, helping to form “Puritanism” into a fictional stereotype. Hinojosa demonstrates that the novel thus perpetuates a narrative that associates Puritanism with moral and religious confinement, on the one hand, and modern longing with escape, on the other—even as it remains tied to Puritan views of history and the self.
 
Puritanism and Modernist Novels offers new formal and contextual readings of early modernist novels by Oscar Wilde, E. M. Forster, James Joyce, and Ford Madox Ford. Hinojosa demonstrates that, while they long for escape, these authors still question the value of the novelistic narrative of confinement and escape. Bridging modernist and novel studies, Puritanism and Modernist Novels contributes to conversations about secularization and religion in both fields, highlighting the limitations created by the secularization narrative of modernity.