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Finalist: Waterloo Centre for German Studies Book Prize | December 10, 2024

This book brings together an exciting new archive of queer and trans voices from the history of sexual sciences in the German-speaking world. A new language to express possibilities of gender and sexuality emerged at the turn of the twentieth century, from Sigmund Freud’s theories of homosexuality in Vienna to Magnus Hirschfeld’s “third sex” in Berlin. Together, they provided a language of sex and sexuality that is still recognizable today. Queer Livability: German Sexual Sciences and Life Writing shows that individual voices of trans and queer writers had a significant impact on the production of knowledge about gender and sexuality during this time and introduces lesser known texts to a new readership. It shows the remarkable power of queer life writing in imagining and creating the possibilities of a livable life in the face of restrictive legal, medical, and social frameworks.

Queer Livability: German Sexual Sciences and Life Writing will be of interest to anyone who wants to learn more about LGBTQ+ history and literature. It also provides a fascinating insight into the historical roots for our thinking about gender and sexuality today. The book will be of relevance to an academic readership of students and faculty in German studies, literary studies, European history, and the interdisciplinary fields of gender and sexuality studies, medical humanities, and the history of sexuality.

An intimate portrayal of the college experiences of queer and non-binary millennials and what they tell us about the shifting shape of desires and identities in the twenty-first century. 

College has long been considered a distinct place for self-discovery. This is particularly true when it comes to gender and sexual identities. In Queer Millennials on Campus, Leila J. Rupp draws on a host of remarkably open and honest interviews with queer women and nonbinary assigned-female-at-birth students at the University of California, Santa Barbara. The accessible narrative wends its way through their lives, from their first experiences of queer desires, through their intimacies and relationships, negotiating their identities, and coming out (or not) to friends and family members. Rupp sheds new light on the Millennial generation, who played a pivotal role in popularizing and embracing the concept of sexual fluidity, helping to challenge older notions of stable sexual and gender identities. 

Ultimately, the voices in the book argue that self-awareness about one’s desires, intimate relationships, and identities should be acknowledged and celebrated. Written with deep empathy and understanding, Queer Millennials on Campus honors queer sexual awareness and joy.

The mass shooting at a queer Latin Night in Orlando in July 2016 sparked a public conversation about access to pleasure and selfhood within conditions of colonization, violence, and negation. Queer Nightlife joins this conversation by centering queer and trans people of color who apprehend the risky medium of the night to explore, know, and stage their bodies, genders, and sexualities in the face of systemic and social negation. The book focuses on house parties, nightclubs, and bars that offer improvisatory conditions and possibilities for “stranger intimacies,” and that privilege music, dance, and sexual/gender expressions. Queer Nightlife extends the breadth of research on “everynight life” through twenty-five essays and interviews by leading scholars and artists. The book’s four sections move temporally from preparing for the night (how do DJs source their sounds, what does it take to travel there, who promotes nightlife, what do people wear?); to the socialities of nightclubs (how are social dance practices introduced and taught, how is the price for sex negotiated, what styles do people adopt to feel and present as desirable?); to the staging and spectacle of the night (how do drag artists confound and celebrate gender, how are spaces designed to create the sensation of spectacularity, whose bodies become a spectacle already?); and finally, how the night continues beyond the club and after sunrise (what kinds of intimacies and gestures remain, how do we go back to the club after Orlando?).

The first-ever monograph on the history of queer biblical interpretation of a controversial biblical passage

Since the 1950s, homoerotic readings of the pericope in which Jesus heals a Roman centurion’s slave have been built upon three of the account’s features: the specific Greek word pais, which can refer to youth, slave, or the junior partner in a sexual relationship between two men; Luke’s characterization of the young man as “dear” (entimos) to the centurion; and commonplace homoeroticism in the Roman army. Rather than affirming or denying the historical reality of a sexual relationship between the centurion and the young man, Christopher B. Zeichmann instead traces the shifting patterns of queer readings of the text and the influences of the sexual, political, and theological discourses of late twentieth- and early twenty-first-century Europe, the United States, and Australia. Readers will see how distinct political contexts have led interpreters to find very different meanings about the sexual subtexts of this story.

2026 Dance Studies Association de la Torre Bueno First Book Award Shortlist Finalist

In 2015, Mexico City declared itself a “gay-friendly” city and followed up with a gay tourist guide and new laws permitting changes to gender markers on legal documents, sanctioning same-sex marriage, and allowing joint adoption of children. At the same time, patterns of violence and discrimination against women, trans, and queer people have continued throughout the country. In Queer Relajo, David Tenorio argues that while Mexico City aims to bring visibility to queer sociality, the benefits of legitimizing queer space remain unclear. 

Combining readings of film, digital media, and performance with drag autoethnography, Queer Relajo quite literally plays with how relajo (or playfulness) structures the spaces of queer nightlife in urban contexts by revealing how nighttime intimacy can minimize the paralyzing effects of violence and precarity in a neoliberal Mexico. Considering the political implications of when a queer/trans person is present at night, Tenorio argues that queer feelings of play are not only essential to sexual liberation, but also resist neoliberal commodification and heteronormative extraction. 

Championing the liberatory potential of silence to address the fraught disability politics of queerness

In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words.

Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation.

Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability performance art, Smilges argues for silence’s critical role in serving the needs of queers who are never named as such. Queer Silence urges queer activists and queer studies scholars to reconcile with their own ableism by acknowledging the liberatory potential of silence, a mode of engagement that disattached queers use every day for resistance, sociality, and survival.

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Cover alt text: Background detail of a painting on canvas shows a partial view of the upper body and face of a figure, bearded and naked; title in painted script.

John Leo and Dana Heller Award for Best Single Work, Anthology, Multi-Authored or Edited Book in LGBTQ Studies, Popular Culture Association (PCA), 2020

In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema. Potter sees the emergence of lesbian figures as only the most visible but belated outcome of multiple sexuality effects. Early cinema reconfigured older erotic modalities, articulated new--though incoherent--sexual categories, and generated novel forms of queer feeling and affiliation.

Potter draws on queer theory, silent film historiography, feminist film analysis, and archival research to provide an original and innovative analysis. Taking a conceptually oriented approach, she articulates the processes of filmic representation and spectatorship that reshaped, marginalized, or suppressed women's same-sex desires and identities. As she pursues a sense of "timing," Potter stages scenes of the erotic and intellectual encounters shared by historical spectators, on-screen figures, and present-day scholars. The result is a daring revision of feminist and queer perspectives that foregrounds the centrality of women's same-sex desire to cinematic discourses of both homo- and heterosexuality.

A pioneering look at the queer history, politics, and spaces of the Twin Cities

The Twin Cities is home to one of the largest and most vital GLBT populations in the nation—and one of the highest percentages of gay residents in the country. Drawn from the pioneering work of the Twin Cities GLBT Oral History Project—a collective organization of students, scholars, and activists devoted to documenting and interpreting the lives of GLBT people in Minneapolis and St. Paul—Queer Twin Cities is a uniquely critical collection of essays on Minnesota’s vibrant queer communities, past and present.

If a creative individual identifies as queer or trans, does that fact belong solely to the realm of biography, or does it pertain to their artistic achievement? In Queer and Trans Aesthetics, Lloyd Whitesell discusses literature, visual culture, audio-visual media, music, and performance from the 19th to the 21st century. Through this analysis, Whitesell develops a systematic framework to enrich our understanding of LGBTQ aesthetics and cultural production. He traces the history of queer aesthetic inquiry, develops a justification for a synthetic approach, identifies a fund of expressive strategies motivated by queer subjectivity, and highlights how such strategies create affinity across differences of gender, race, local context, and artistic media.

Rooted in a gender-inclusive theory of queer/trans subjectivity, the book draws on testimony from people of diverse backgrounds, genders, and races. Whitesell engages with debates in the existing scholarly literature while making connections between a wide range of artists: some from mainstream canons, some established subcultural figures, and others only now emerging as notable contributors to queer culture. The book explores five expressive archetypes or poses which have had profound significance in queer art traditions: the Monster, the Victim, the Trickster, the Dandy, and the Dreamer. Each offers a repertoire of creative responses to social oppression and configures queer subjective experience in a unique way. With its unique systematic approach, Queer and Trans Aesthetics enhances our knowledge of queer aesthetic traditions across genres and time.

Contrasting works by queer Chicano writers against the legal landscape of sexuality and migration to interrogate the “lawful fiction” that denies queer migrants citizenship and community.

Activists for immigrants and queer people under assault by US authorities focus overwhelmingly on protections presumed to be afforded by citizenship through narratives that have rarely had a place for queer immigrants, who have consistently faced special obstacles to legal entry and citizenship that only recently are being applied more widely. Queer in a Legal Sense studies literary works by gay Chicanx writers alongside instruments of law, showing through this juxtaposition how racialized queer people have been imagined as nonviable from the standpoint of citizenship. In stories by John Rechy, Arturo Islas, Rigoberto González, Michael Nava, and Jaime Cortez, José de la Garza Valenzuela finds what has gone missing in the migrant movement’s pursuit of gendered avenues to civic participation. Further, these works illuminate the production of fictions in canons of law, like those announced by the Florida legislature’s “Purple Pamphlet” and by the US Supreme Court in Boutilier v. INS and Bowers v. Hardwick. Queer in a Legal Sense argues that, through selective ommissions and inclusions, legal fictions place queerness outside the boundaries of citizenship and powerfully undermine queer representation in pro-migrant advocacy.

Queer Under Siege reveals that collective repression is not only a global system, but also a moral process that shapes how people tolerate (and even justify) exclusion and oppression. Baris Cayli Messina probes the question of what kind of society sustains its morality by expelling those who are already most vulnerable? and interrogates why societies continually generate the conditions that produce repression, requiring the unyielding struggle of queer people to survive.

Cayli Messina draws on archives, court records, suicide letters, and activist testimony from the around the world to develop a conceptual framework to trace this process through three interlocking forms and mechanisms: moral eviction, which defines moral repression; punitive hypervisibility, which animates political repression; and sanctioned oblivion, which consolidates epistemic repression.

Queer Under Siege shows that the criminalization of queer life is not a misfire, but an intentional and systematic action that makes disparate societies perceive social order as safe. Arguing that survival is a political act across borders and generations, Cayli Messina traces effective methods of queer activism.

How were indigenous social practices deemed queer and aberrant by colonial forces?

In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa’s KwaZulu-Natal provinceto show how settler regimes “queered” indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools. 

Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal’s white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims. 

Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group’s claim to authority. 

A fascinating exploration of hidden Indígena histories and silences, Queering Mesoamerican Diasporas blends scholarship with spirit practices to reimagine the root work, dis/connection to land, and the political decolonization of Xicana/x peoples.