662 books match the query 'China' and 30 start with r
Leo J. Blanken
University of Chicago Press, 2012
The nineteenth century marked the high point of imperialism, when tsarist Russia expanded to the Pacific and the sun was said never to set on the British Empire. Imperialism remains a perennial issue in international relations today, and nowhere is this more evident than in the intensifying competition for global resources.
Leo J. Blanken explains imperialism through an analysis of the institutions of both the expanding state and its targets of conquest. While democratic states favoring free trade generally resort to imperialism only to preempt aggressive rivals—or when they have reason to believe another state’s political institutions will not hold up when making bargains—authoritarian states tend toward imperialism because they don’t stand to benefit from free trade. The result is three distinct strategies toward imperialism: actors fighting over territory, actors peaceably dividing territory among themselves, and actors refraining from seizing territory altogether. Blanken examines these dynamics through three case studies: the scramble for Africa, the unequal treaties imposed on Qing Dynasty China, and the evolution of Britain’s imperial policy in India. By separating out the different types of imperialism, Blanken provides insight into its sources, as well as the potential implications of increased competition in the current international arena.
Mayfair Yang
Duke University Press, 2020
Jing Sun
University of Michigan Press, 2021
Chinese president Xi Jinping is most famously associated with his “Chinese Dream” campaign, envisioning a great rejuvenation of the nation. Many observers, though, view China’s pursuit of this dream as alarming. They see a global power ready to abandon its low-profile diplomacy and eager to throw its weight around.
Red Chamber, World Dream represents an interdisciplinary effort of deciphering the Chinese Dream and its global impact. Jing Sun employs methods from political science and journalism and concepts from literature, sociology, psychology and drama studies, to offer a multilevel analysis of various actors’ roles in Chinese foreign policy making: the leaders, the bureaucrats, and its increasingly diversified public. This book rejects a simple dichotomy of an omnipotent, authoritarian state versus a suppressed society. Instead, it examines how Chinese foreign policy is constantly being forged and contested by interactions among its leaders, bureaucrats, and people. The competition for shaping China’s foreign policy also happens on multiple arenas: intraparty fighting, inter-ministerial feuding, social media, TV dramas and movies, among others. This book presents vast amounts of historical detail, many unearthed the first time in the English language. Meanwhile, it also examines China’s diplomatic responses to ongoing issues like the Covid-19 crisis. The result is a study multidisciplinary in nature, rich in historical nuance, and timely in contemporary significance.

Justin O'Connor and Xin Gu
Intellect Books, 2020
Red Creative is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.
Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.
Tiantian Zheng
University of Minnesota Press, 2009
Sigrid Schmalzer
University of Chicago Press, 2016
Chun-shu Chang and Shelley Hsueh-lun Chang
University of Michigan Press, 1998
Ka-ming Wu
University of Illinois Press, 2015
Ka-ming Wu's ethnographic account of contemporary Yan'an documents how people have reworked the revival of three rural practices--paper-cutting, folk storytelling, and spirit cults--within (and beyond) the socialist legacy. Moving beyond dominant views of Yan'an folk culture as a tool of revolution or object of market reform, Wu reveals how cultural traditions become battlegrounds where conflicts among the state, market forces, and intellectuals in search of an authentic China play out. At the same time, she shows these emerging new dynamics in the light of the ways rural residents make sense of rapid social change.
Alive with details, Reinventing Chinese Tradition is an in-depth, eye-opening study of an evolving culture and society within contemporary China.
Jérôme Doyon
University of Michigan Press, 2023
Paul R. Katz
Brandeis University Press, 2014
Yanfei Sun
University of Chicago Press, 2026
Wu Hung
University of Chicago Press, 2005
Zhao, Xiaojian
Rutgers University Press, 2001
In Remaking Chinese America, Xiaojian Zhao explores the myriad forces that changed and unified Chinese Americans during a key period in American history. Prior to 1940, this immigrant community was predominantly male, but between 1940 and 1965 it was transformed into a family-centered American ethnic community. Zhao pays special attention to forces both inside and outside of the country in order to explain these changing demographics. She scrutinizes the repealed exclusion laws and the immigration laws enacted after 1940. Careful attention is also paid to evolving gender roles, since women constituted the majority of newcomers, significantly changing the sex ratio of the Chinese American population.
As members of a minority sharing a common cultural heritage as well as pressures from the larger society, Chinese Americans networked and struggled to gain equal rights during the cold war period. In defining the political circumstances that brought the Chinese together as a cohesive political body, Zhao also delves into the complexities they faced when questioning their personal national allegiances. Remaking Chinese America uses a wealth of primary sources, including oral histories, newspapers, genealogical documents, and immigration files to illuminate what it was like to be Chinese living in the United States during a period that—until now—has been little studied.
Giorgio Biancorosso
Duke University Press, 2025
Annabella Pitkin
University of Chicago Press, 2022
Edited by Charles A. Laughlin and Li Guo
University of Michigan Press, 2026
Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time.
This work offers new understandings of reportage’s dialectical relationship with its readership by evoking sympathetic identifications with personal contemplations of place, hearth, and senses of belonging. Covering a breadth of media across mainland China, Taiwan, and the Sinophone diaspora in the United States and Japan, this book examines how intermediality cultivates distinctive expressions in reportage, cross-cultural empathy, and ethico-political relationships between the reporter, photographer, filmmaker, and their surroundings.

Gregor Benton and Arthur J. Knodel
Pluto Press, 2007
Prasenjit Duara
University of Chicago Press, 1995
Hsin-I Cheng
Michigan State University Press, 2023
Maggie Greene
University of Michigan Press, 2019
Xiaomei Chen, Tarryn Li-Min Chun, and Siyuan Liu, Editors
University of Michigan Press, 2021

Edited by Fulong Wu and Fangzhu Zhang
University College London, 2026
Circumventing historical binaries between authoritarianism and entrepreneurialism, this study presents a grounded view of urban governance in China.
China’s urban governance demonstrates perplexing and contradictory features. Despite market-oriented reform, the role of the state remains salient. What is the logic behind governing urban China? Chinese scholars provide a grounded view. Rethinking Urban Entrepreneurialism challenges the conventional understanding of urban entrepreneurialism and argues that Chinese urban governance comprises two interrelated aspects: entrepreneurial governance and innovative statecraft. The first refers to the deployment of market-based approaches to urban development, and the second refers to versatile techniques. Urban entrepreneurialism encompasses both market-oriented approaches and administrative innovations. The state upholds its strategic and extra-economic objectives by deploying and mobilizing the market and society. Urban entrepreneurialism also demonstrates a strong state intentionality rather than following the market logic. The book reveals the challenges to urban entrepreneurialism, the limits of entrepreneurial governance, and multiple managerial practices in China.
By examining entrepreneurial urban development and governance experiments, it paints a comprehensive picture of contemporary urban governance in China. It transcends the binary view of authoritarianism versus urban entrepreneurialism, showcasing a wide spectrum of entrepreneurial and managerial governance features. To rethink urban entrepreneurialism, the book suggests that it extends public-private partnerships into a broader form of statecraft known as “state entrepreneurialism.”
Lingzhen Wang
Duke University Press, 2021
Cai Xiang
Duke University Press, 2016
Maggie Clinton
Duke University Press, 2017
Tarryn Li-Min Chun
University of Michigan Press, 2024
Co-Winner: 2024 Theatre Library Association George Freedley Memorial Award
Finalist: American Society for Theatre Research Barnard Hewitt Award for Outstanding Research in Theatre History
Winner: 2025 Association for Theatre in Higher Education Outstanding Book Award in Innovative Achievement
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage.
In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.
Jeffrey A. Javed
University of Michigan Press, 2022
Edited by Henry Gee
University of Chicago Press, 2002
Leslie Holmes
Duke University Press, 2006
Drawing on data including surveys commissioned especially for this study, Holmes examines the causes and consequences of official corruption as well as ways of combating it. He focuses particular attention on the timing of the recent increase in reports of corruption, the relationship between post-communism and corruption, and the interplay between corruption and the delegitimation and weakening of the state. Holmes argues that the global turn toward neoliberalism—with its focus on ends over means, flexibility, and a reduced role for the state—has generated much of the corruption in post-communist states. At the same time, he points out that neoliberalism is perhaps the single most powerful tool for overcoming the communist legacy, which is an even more significant cause of corruption. Among the conclusions that Holmes draws is that a strong democratic state is needed in the early stages of the transition from communism in order to prevent corruption from taking hold.

Hsiao-tung Fei
University of Chicago Press, 1989