662 books match the query 'China' and 30 start with r

cover of Rational Empires: Institutional Incentives and Imperial Expansion

Rational Empires

Institutional Incentives and Imperial Expansion

Leo J. Blanken

University of Chicago Press, 2012

The nineteenth century marked the high point of imperialism, when tsarist Russia expanded to the Pacific and the sun was said never to set on the British Empire. Imperialism remains a perennial issue in international relations today, and nowhere is this more evident than in the intensifying competition for global resources.          

Leo J. Blanken explains imperialism through an analysis of the institutions of both the expanding state and its targets of conquest. While democratic states favoring free trade generally resort to imperialism only to preempt aggressive rivals—or when they have reason to believe another state’s political institutions will not hold up when making bargains—authoritarian states tend toward imperialism because they don’t stand to benefit from free trade. The result is three distinct strategies toward imperialism: actors fighting over territory, actors peaceably dividing territory among themselves, and actors refraining from seizing territory altogether. Blanken examines these dynamics through three case studies: the scramble for Africa, the unequal treaties imposed on Qing Dynasty China, and the evolution of Britain’s imperial policy in India. By separating out the different types of imperialism, Blanken provides insight into its sources, as well as the potential implications of increased competition in the current international arena.

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cover of Re-enchanting Modernity: Ritual Economy and Society in Wenzhou, China

Re-enchanting Modernity

Ritual Economy and Society in Wenzhou, China

Mayfair Yang

Duke University Press, 2020

In Re-enchanting Modernity Mayfair Yang examines the resurgence of religious and ritual life after decades of enforced secularization in the coastal area of Wenzhou, China. Drawing on twenty-five years of ethnographic fieldwork, Yang shows how the local practices of popular religion, Daoism, and Buddhism are based in community-oriented grassroots organizations that create spaces for relative local autonomy and self-governance. Central to Wenzhou's religious civil society is what Yang calls a "ritual economy," in which an ethos of generosity is expressed through donations to temples, clerics, ritual events, and charities in exchange for spiritual gain. With these investments in transcendent realms, Yang adopts Georges Bataille's notion of "ritual expenditures" to challenge the idea that rural Wenzhou's economic development can be described in terms of Max Weber's notion of a "Protestant Ethic". Instead, Yang suggests that Wenzhou's ritual economy forges an alternate path to capitalist modernity.
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cover of Red Chamber, World Dream: Actors, Audience, and Agendas in Chinese Foreign Policy and Beyond

Red Chamber, World Dream

Actors, Audience, and Agendas in Chinese Foreign Policy and Beyond

Jing Sun

University of Michigan Press, 2021

Chinese president Xi Jinping is most famously associated with his “Chinese Dream” campaign, envisioning a great rejuvenation of the nation. Many observers, though, view China’s pursuit of this dream as alarming. They see a global power ready to abandon its low-profile diplomacy and eager to throw its weight around.
 
Red Chamber, World Dream represents an interdisciplinary effort of deciphering the Chinese Dream and its global impact. Jing Sun employs methods from political science and journalism and concepts from literature, sociology, psychology and drama studies, to offer a multilevel analysis of various actors’ roles in Chinese foreign policy making: the leaders, the bureaucrats, and its increasingly diversified public. This book rejects a simple dichotomy of an omnipotent, authoritarian state versus a suppressed society. Instead, it examines how Chinese foreign policy is constantly being forged and contested by interactions among its leaders, bureaucrats, and people. The competition for shaping China’s foreign policy also happens on multiple arenas: intraparty fighting, inter-ministerial feuding, social media, TV dramas and movies, among others. This book presents vast amounts of historical detail, many unearthed the first time in the English language. Meanwhile, it also examines China’s diplomatic responses to ongoing issues like the Covid-19 crisis. The result is a study multidisciplinary in nature, rich in historical nuance, and timely in contemporary significance.

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cover of Red Creative: Culture and Modernity in China

Red Creative

Culture and Modernity in China

Justin O'Connor and Xin Gu

Intellect Books, 2020

Red Creative is an exploration of China’s cultural economy over the last twenty years, particularly through the lens of its creative hub of Shanghai. The research presented here raises questions about the nature of contemporary ‘creative’ capitalism and the universal claims of Western modernity, offering new ways of thinking about cultural policy in China.

Taking a long-term historical perspective, Justin O’Connor and Xin Gu analyze the ongoing development of China’s cultural industries, examining the institutions, regulations, interests, and markets that underpin the Chinese cultural economy and the strategic position of Shanghai within it. Further, the authors explore cultural policy reforms in post-colonial China and articulate Shanghai’s significance in paving China’s path to modernity and entry to global capitalism. In-depth and illuminating, Red Creative carefully situates China’s contemporary cultural economy in its larger global and historical context, revealing the limits of Western thought in understanding Chinese history, culture, and society.

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cover of Red Lights: The Lives of Sex Workers in Postsocialist China

Red Lights

The Lives of Sex Workers in Postsocialist China

Tiantian Zheng

University of Minnesota Press, 2009

In China today, sex work cannot be untangled from the phenomenon of rural-urban migration, the entertainment industry, and state power. In Red Lights, Tiantian Zheng highlights the urban karaoke bar as the locus at which these three factors intersect and provides a rich account of the lives of karaoke hostesses—a career whose name disguises the sex work and minimizes the surprising influence these women often have as power brokers.

Zheng embarked on two years of intensely embedded ethnographic fieldwork in her birthplace, Dalian, a large northeastern Chinese seaport of over six million people. During this time, Zheng lived and worked with a group of hostesses in a karaoke bar, facing many of the same dangers that they did and forming strong, intimate bonds with them. The result is an especially engaging, moving story of young, rural women struggling to find meaning, develop a modern and autonomous identity, and, ultimately, survive within an oppressively patriarchal state system.

Moving from her case studies to broader theories of sex, gender, and power, Zheng connects a growth in capitalist entrepreneurialism to the emergence of an urban sex industry, brilliantly illuminating the ways in which hostesses, their clients, and the state are mutually created in postsocialist China.
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cover of Red Revolution, Green Revolution: Scientific Farming in Socialist China

Red Revolution, Green Revolution

Scientific Farming in Socialist China

Sigrid Schmalzer

University of Chicago Press, 2016

In 1968, the director of USAID coined the term “green revolution” to celebrate the new technological solutions that promised to ease hunger around the world—and forestall the spread of more “red,” or socialist, revolutions. Yet in China, where modernization and scientific progress could not be divorced from politics, green and red revolutions proceeded side by side.
           
In Red Revolution, Green Revolution, Sigrid Schmalzer explores the intersection of politics and agriculture in socialist China through the diverse experiences of scientists, peasants, state agents, and “educated youth.” The environmental costs of chemical-intensive agriculture and the human costs of emphasizing increasing production over equitable distribution of food and labor have been felt as strongly in China as anywhere—and yet, as Schmalzer shows, Mao-era challenges to technocracy laid important groundwork for today’s sustainability and food justice movements. This history of “scientific farming” in China offers us a unique opportunity not only to explore the consequences of modern agricultural technologies but also to engage in a necessary rethinking of fundamental assumptions about science and society.
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cover of Redefining History: Ghosts, Spirits, and Human Society in P'u Sung-ling's World, 1640-1715

Redefining History

Ghosts, Spirits, and Human Society in P'u Sung-ling's World, 1640-1715

Chun-shu Chang and Shelley Hsueh-lun Chang

University of Michigan Press, 1998

This fascinating new book by Chun-shu Chang and Shelley Hsueh-lun Chang follows the career, times, and ideas of P'u Sung-ling (1640-1715) and focuses its discussion on his magnum opus, Liao-chai chih- i, or Tales of the Unusual from the Studio of Deliberation and Musing. P'u lived through the turbulent period of Ming-Ch'ing dynastic transition in the seventeenth century and he aspired, as did millions of young men of his time, to pass the Imperial Civil Service Examinations necessary for securing a government position.
While P'u did not attain his goal of becoming a statesman, having failed exam after exam for fifty years, he was not impeded in his intellectual and literary pursuits. When he died in 1715, he left a body of work including over 500 essays, 1,295 poems, 119 lyrics, 18 encyclopedias and handbooks, 20 operas, 100 folk songs, and 500 short stories. He went on to become one of the most well-known scholar-writers and the best known short-story author in Chinese history. The 500 stories in Liao-chai chih-i, which P'u composed in his self-styled capacity as historian, had the most lasting influence of any single work on the shaping of popular consciousness in China.
Following the life and literature of one man, this study sets out to detail the history of the Ming-Ch'ing dynastic transition in the East Shantung region. It is based on an exhaustive exploration of contemporary Chinese historical and literary sources, including local histories, clan and family records, autobiographical and biographical materials, folklore, essays, poems, and plays: in short, the entire range of literary sources. Using a comprehensive historical approach, the authors cover a broad array of issues relevant to the topic at hand.
Redefining History is an important source for the study of Chinese history and literature and comparative historical studies. It will also appeal to people interested in the relation between history and literature, issues of gender and class, race relations, biographical studies, and popular culture movements.
Chun-shu Chang is Professor of History, University of Michigan, and Honorary Professor of Chinese History, China. Shelley Hsueh-lun Chang is Visiting Associate Professor of History and Research Associate, Center for Chinese Studies, University of Michigan.
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cover of Reinventing Chinese Tradition: The Cultural Politics of Late Socialism

Reinventing Chinese Tradition

The Cultural Politics of Late Socialism

Ka-ming Wu

University of Illinois Press, 2015

The final destination of the Long March and center of the Chinese Communist Party's red bases, Yan'an acquired mythical status during the Maoist era. Though the city's significance as an emblem of revolutionary heroism has faded, today's Chinese still glorify Yan'an as a sanctuary for ancient cultural traditions.

Ka-ming Wu's ethnographic account of contemporary Yan'an documents how people have reworked the revival of three rural practices--paper-cutting, folk storytelling, and spirit cults--within (and beyond) the socialist legacy. Moving beyond dominant views of Yan'an folk culture as a tool of revolution or object of market reform, Wu reveals how cultural traditions become battlegrounds where conflicts among the state, market forces, and intellectuals in search of an authentic China play out. At the same time, she shows these emerging new dynamics in the light of the ways rural residents make sense of rapid social change.

Alive with details, Reinventing Chinese Tradition is an in-depth, eye-opening study of an evolving culture and society within contemporary China.

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cover of Rejuvenating Communism: Youth Organizations and Elite Renewal in Post-Mao China

Rejuvenating Communism

Youth Organizations and Elite Renewal in Post-Mao China

Jérôme Doyon

University of Michigan Press, 2023

Working for the administration remains one of the most coveted career paths for young Chinese. Rejuvenating Communism: Youth Organizations and Elite Renewal in Post-Mao China seeks to understand what motivates young and educated Chinese to commit to a long-term career in the party-state and how this question is central to the Chinese regime’s ability to maintain its cohesion and survive. Jérôme Doyon draws upon extensive fieldwork and statistical analysis in order to illuminate the undogmatic commitment recruitment techniques and other methods the state has taken to develop a diffuse allegiance to the party-state in the post-Mao era. He then analyzes recruitment and political professionalization in the Communist Party’s youth organizations and shows how experiences in the Chinese Communist Youth League transform recruits and feed their political commitment as they are gradually inducted into the world of officials. As the first in-depth study of the Communist Youth League’s role in recruitment, this book challenges the assumption that merit is the main criteria for advancement within the party-state, an argument with deep implications for understanding Chinese politics today.
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cover of Religion in China and Its Modern Fate

Religion in China and Its Modern Fate

Paul R. Katz

Brandeis University Press, 2014

Paul R. Katz has composed a fascinating account of the fate of Chinese religions during the modern era by assessing mutations of communal religious life, innovative forms of religious publishing, and the religious practices of modern Chinese elites traditionally considered models of secular modernity. The author offers a rare look at the monumental changes that have affected modern Chinese religions, from the first all-out assault on them during the 1898 reforms to the eve of the Communist takeover of the mainland. Tracing the ways in which the vast religious resources (texts, expertise, symbolic capital, material wealth, etc.) that circulated throughout Chinese society during the late imperial period were reconfigured during this later era, Katz sheds new light on modern Chinese religious life and the understudied nexus between religion and modern political culture. Religion in China and Its Modern Fate will appeal to a broad audience of religionists and historians of modern China.
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cover of Religious Change in Post-Mao China: Toward a New Sociology of Religion

Religious Change in Post-Mao China

Toward a New Sociology of Religion

Yanfei Sun

University of Chicago Press, 2026

A sweeping examination of how the religious landscape has changed in post-Mao China.
 
In Religious Change in Post-Mao China, sociologist Yanfei Sun examines the transformation of major religions and the broader religious ecology in China in the wake of the death of Mao Zedong. Drawing on two decades of research that integrates ethnographic, historical, and comparative methods, this book explores the remarkable rise of Protestantism, the challenges faced by Catholicism, the revival of Chinese popular religion, the complex dynamics of Chinese Buddhism, and the unrealized potential of new religious movements. Why do some religions thrive and others struggle in post-Mao China? Sun describes both the internal institutional factors that allow some religions to flourish and the wider sociopolitical context that supports or discourages religious expansion. She thereby introduces an ambitious theoretical framework—one whose applicability extends beyond China, offering a template for analyzing religious dynamics in other parts of the world.

A must-read for scholars of religious studies, sociology, and China studies, Religious Change in Post-Mao China not only provides critical insights into China’s evolving religious landscape but also offers a powerful lens for examining the forces behind religious change, both past and present.
 
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cover of Remaking Beijing: Tiananmen Square and the Creation of a Political Space

Remaking Beijing

Tiananmen Square and the Creation of a Political Space

Wu Hung

University of Chicago Press, 2005

In 1949, Beijing still retained nearly all of its time-honored character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices.

Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square—the most sacred space in the People's Republic of China. Remaking Beijing considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations.

Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China—as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the sociopolitical system that supports them.

Remaking Beijing will reward anyone interested in modern Chinese history, society, and art, or, more generally, in how urban renewal becomes intertwined with cultural and national politics.
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cover of Remaking Chinese America: Immigration, Family, and Community, 1940-1965

Remaking Chinese America

Immigration, Family, and Community, 1940-1965

Zhao, Xiaojian

Rutgers University Press, 2001

In Remaking Chinese America, Xiaojian Zhao explores the myriad forces that changed and unified Chinese Americans during a key period in American history. Prior to 1940, this immigrant community was predominantly male, but between 1940 and 1965 it was transformed into a family-centered American ethnic community. Zhao pays special attention to forces both inside and outside of the country in order to explain these changing demographics. She scrutinizes the repealed exclusion laws and the immigration laws enacted after 1940. Careful attention is also paid to evolving gender roles, since women constituted the majority of newcomers, significantly changing the sex ratio of the Chinese American population.

As members of a minority sharing a common cultural heritage as well as pressures from the larger society, Chinese Americans networked and struggled to gain equal rights during the cold war period. In defining the political circumstances that brought the Chinese together as a cohesive political body, Zhao also delves into the complexities they faced when questioning their personal national allegiances. Remaking Chinese America uses a wealth of primary sources, including oral histories, newspapers, genealogical documents, and immigration files to illuminate what it was like to be Chinese living in the United States during a period that—until now—has been little studied.

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cover of Remixing Wong Kar-wai: Music, Bricolage, and the Aesthetics of Oblivion

Remixing Wong Kar-wai

Music, Bricolage, and the Aesthetics of Oblivion

Giorgio Biancorosso

Duke University Press, 2025

Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong’s cinema to retheorize musical borrowing, appropriation, and repurposing. Wong’s irrepressible penchant for poaching music from other films—whether old Chinese melodramas, Hollywood blockbusters, or European art films—subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss’s concept of bricolage, Biancorosso contends that Wong’s borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong’s modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond.
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cover of Renunciation and Longing: The Life of a Twentieth-Century Himalayan Buddhist Saint

Renunciation and Longing

The Life of a Twentieth-Century Himalayan Buddhist Saint

Annabella Pitkin

University of Chicago Press, 2022

Through the eventful life of a Himalayan Buddhist teacher, Khunu Lama, this study reimagines cultural continuity beyond the binary of traditional and modern.
 

In the early twentieth century, Khunu Lama journeyed across Tibet and India, meeting Buddhist masters while sometimes living, so his students say, on cold porridge and water. Yet this elusive wandering renunciant became a revered teacher of the Fourteenth Dalai Lama. At Khunu Lama’s death in 1977, he was mourned by Himalayan nuns, Tibetan lamas, and American meditators alike. The many surviving stories about him reveal significant dimensions of Tibetan Buddhism, shedding new light on questions of religious affect and memory that reimagines cultural continuity beyond the binary of traditional and modern.
 
In Renunciation and Longing, Annabella Pitkin explores devotion, renunciation, and the teacher-student lineage relationship as resources for understanding Tibetan Buddhist approaches to modernity. By examining narrative accounts of the life of a remarkable twentieth-century Himalayan Buddhist and focusing on his remembered identity as a renunciant bodhisattva, Pitkin illuminates Tibetan and Himalayan practices of memory, affective connection, and mourning. Refuting long-standing caricatures of Tibetan Buddhist communities as unable to be modern because of their religious commitments, Pitkin shows instead how twentieth- and twenty-first-century Tibetan and Himalayan Buddhist narrators have used themes of renunciation, devotion, and lineage as touchstones for negotiating loss and vitalizing continuity.
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cover of Reportage in the Chinese-Speaking World

Reportage in the Chinese-Speaking World

Edited by Charles A. Laughlin and Li Guo

University of Michigan Press, 2026

Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage’s plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences’ empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time.

This work offers new understandings of reportage’s dialectical relationship with its readership by evoking sympathetic identifications with personal contemplations of place, hearth, and senses of belonging. Covering a breadth of media across mainland China, Taiwan, and the Sinophone diaspora in the United States and Japan, this book examines how intermediality cultivates distinctive expressions in reportage, cross-cultural empathy, and ethico-political relationships between the reporter, photographer, filmmaker, and their surroundings.

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cover of Reporting the Chinese Revolution: The Letters of Rayna Prohme

Reporting the Chinese Revolution

The Letters of Rayna Prohme

Gregor Benton and Arthur J. Knodel

Pluto Press, 2007

Rayna and her husband Bill edited the Kuomintang's English-language newspaper in Wuhan. Rayna's account of her intimate involvement in the Chinese Revolution brings to life the eventful Wuhan years of 1926-27, which shaped the revolution's course. Her letters illuminate from a personal angle the battle for China's future and include remarkable portraits of some of the people who shaped the Communist and Nationalist movements of the time.

The book consists of letters Prohme wrote to her closest friend and her husband in the period immediately before, during and after the Wuhan interlude. Her reporting brought her into contact with many major political figures including Madam Sun Yat-sen (a prominent figure in the opposition to Chiang Kai-shek) and Mikhail Borodin (a chief Soviet advisor in China).

This book provides an unusual and often moving insight into a fascinating period in modern Chinese history.
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cover of Rescuing History from the Nation: Questioning Narratives of Modern China

Rescuing History from the Nation

Questioning Narratives of Modern China

Prasenjit Duara

University of Chicago Press, 1995

Prasenjit Duara offers the first systematic account of the relationship between the nation-state, nationalism, and the concept of linear history. Focusing primarily on China and including discussion of India, Duara argues that many historians of postcolonial nation-states have adopted a linear, evolutionary history of the Enlightenment/colonial model. As a result, they have written repressive, exclusionary, and incomplete accounts.

The backlash against such histories has resulted in a tendency to view the past as largely constructed, imagined, or invented. In this book, Duara offers a way out of the impasse between constructionism and the evolving nation; he redefines history as a series of multiple, often conflicting narratives produced simultaneously at national, local, and transnational levels. In a series of closely linked case studies, he considers such examples as the very different histories produced by Chinese nationalist reformers and partisans of popular religions, the conflicting narratives of statist nationalists and of advocates of federalism in early twentieth-century China. He demonstrates the necessity of incorporating contestation, appropriation, repression, and the return of the repressed subject into any account of the past that will be meaningful to the present. Duara demonstrates how to write histories that resist being pressed into the service of the national subject in its progress—or stalled progress—toward modernity.
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cover of Resistance in the Era of Nationalisms: Performing Identities in Taiwan and Hong Kong

Resistance in the Era of Nationalisms

Performing Identities in Taiwan and Hong Kong

Hsin-I Cheng

Michigan State University Press, 2023

The desire of the people of Taiwan and Hong Kong to exercise democratic self-rule, fully embody their local identities, and become global citizens challenges the big-power politics between China and the United States. Occupying a critical stance on the margins, the local perspectives and international relations of these two cosmopolitan and postcolonial societies challenge both narratives centered on China and those focused on the U.S.–China power struggle. Taking a culture-centered approach to the communicative process of “glocalized resistance” in an era of rising nationalisms, the chapters in this volume address topics ranging from the rhetoric of political leaders and the language games of mass protesters on social media to resistant street performance. These chapters showcase the geocultural identity-in-the-making of the Taiwanese and Hong Kong people and offer insights into societies under imminent threat by an aggressive neighbor. 
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cover of Resisting Spirits: Drama Reform and Cultural Transformation in the People's Republic of China

Resisting Spirits

Drama Reform and Cultural Transformation in the People's Republic of China

Maggie Greene

University of Michigan Press, 2019

Resisting Spirits is a reconsideration of the significance and periodization of literary production in the high socialist era, roughly 1953 through 1966, specifically focused on Mao-era culture workers’ experiments with ghosts and ghost plays. Maggie Greene combines rare manuscript materials—such as theatre troupes’ annotated practice scripts—with archival documents, memoirs, newspapers, and films to track key debates over the direction of socialist aesthetics. Through arguments over the role of ghosts in literature, Greene illuminates the ways in which culture workers were able to make space for aesthetic innovation and contestation both despite and because of the constantly shifting political demands of the Mao era. Ghosts were caught up in the broader discourse of superstition, modernization, and China’s social and cultural future. Yet, as Greene demonstrates, the ramifications of those concerns as manifested in the actual craft of writing and performing plays led to further debates in the realm of literature itself: If we remove the ghost from a ghost play, does it remain a ghost play? Does it lose its artistic value, its didactic value, or both? At the heart of Greene’s intervention is “just reading”: the book regards literature first as literature, rather than searching immediately for its political subtext, and the voices of dramatists themselves finally upstage those of Mao’s inner circle. Ironically, this surface reading reveals layers of history that scholars of the Mao era have often ignored, including the ways in which social relations and artistic commitments continued to inform the world of art. Resisting Spirits thus illuminates the origins of more famous literary inquisitions, showing how the arguments surrounding ghost plays and the fates of their authors place the origins of the Cultural Revolution several years earlier, with a radical new shift in the discourse of theatre.
 
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cover of Rethinking Chinese Socialist Theaters of Reform: Performance Practice and Debate in the Mao Era

Rethinking Chinese Socialist Theaters of Reform

Performance Practice and Debate in the Mao Era

Xiaomei Chen, Tarryn Li-Min Chun, and Siyuan Liu, Editors

University of Michigan Press, 2021

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.
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cover of Rethinking Urban Entrepreneurialism: A grounded view from China

Rethinking Urban Entrepreneurialism

A grounded view from China

Edited by Fulong Wu and Fangzhu Zhang

University College London, 2026

Circumventing historical binaries between authoritarianism and entrepreneurialism, this study presents a grounded view of urban governance in China.

China’s urban governance demonstrates perplexing and contradictory features. Despite market-oriented reform, the role of the state remains salient. What is the logic behind governing urban China? Chinese scholars provide a grounded view. Rethinking Urban Entrepreneurialism challenges the conventional understanding of urban entrepreneurialism and argues that Chinese urban governance comprises two interrelated aspects: entrepreneurial governance and innovative statecraft. The first refers to the deployment of market-based approaches to urban development, and the second refers to versatile techniques. Urban entrepreneurialism encompasses both market-oriented approaches and administrative innovations. The state upholds its strategic and extra-economic objectives by deploying and mobilizing the market and society. Urban entrepreneurialism also demonstrates a strong state intentionality rather than following the market logic. The book reveals the challenges to urban entrepreneurialism, the limits of entrepreneurial governance, and multiple managerial practices in China.

By examining entrepreneurial urban development and governance experiments, it paints a comprehensive picture of contemporary urban governance in China. It transcends the binary view of authoritarianism versus urban entrepreneurialism, showcasing a wide spectrum of entrepreneurial and managerial governance features. To rethink urban entrepreneurialism, the book suggests that it extends public-private partnerships into a broader form of statecraft known as “state entrepreneurialism.”

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cover of Revisiting Women's Cinema: Feminism, Socialism, and Mainstream Culture in Modern China

Revisiting Women's Cinema

Feminism, Socialism, and Mainstream Culture in Modern China

Lingzhen Wang

Duke University Press, 2021

In Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, critical interventions, and popular artistic experiments, offering a new conception of socialist and postsocialist feminisms, mainstream culture, and women’s cinema. Wang highlights the films of Wang Ping and Dong Kena in the 1950s and 1960s and Zhang Nuanxin and Huang Shuqin in the 1980s and 1990s to unveil how they have been profoundly misread through extant research paradigms entrenched in Western Cold War ideology, post-second-wave cultural feminism, and post-Mao intellectual discourses. Challenging received interpretations, she elucidates how socialist feminism and culture were conceptualized and practiced in relation to China’s search not only for national independence and economic development but also for social emancipation, proletarian culture, and socialist internationalism. Wang calls for a critical reevaluation of historical materialism, socialist feminism, and popular culture to forge an integrated emancipatory vision for future transnational feminist and cultural practices.
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cover of Revolution and Its Narratives: China's Socialist Literary and Cultural Imaginaries, 1949-1966

Revolution and Its Narratives

China's Socialist Literary and Cultural Imaginaries, 1949-1966

Cai Xiang

Duke University Press, 2016

Published in China in 2010, Revolution and Its Narratives is a historical, literary, and critical account of the cultural production of the narratives of China's socialist revolution. Through theoretical, empirical, and textual analysis of major and minor novels, dramas, short stories, and cinema, Cai Xiang offers a complex study that exceeds the narrow confines of existing views of socialist aesthetics. By engaging with the relationship among culture, history, and politics in the context of the revolutionary transformation of Chinese society and arts, Cai illuminates the utopian promise as well as the ultimate impossibility of socialist cultural production. Translated, annotated, and edited by Rebecca E. Karl and Xueping Zhong, this translation presents Cai's influential work to English-language readers for the first time.
 
 
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cover of Revolutionary Nativism: Fascism and Culture in China, 1925-1937

Revolutionary Nativism

Fascism and Culture in China, 1925-1937

Maggie Clinton

Duke University Press, 2017

In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrial and military capacities, thereby securing national strength in a competitive international arena. Fascists within the GMD deployed modernist aesthetics in their literature and art while justifying their anti-Communist violence with nativist discourse. Showing how the GMD's fascist factions popularized a virulently nationalist rhetoric that linked Confucianism with a specific path of industrial development, Clinton sheds new light on the complex dynamics of Chinese nationalism and modernity.
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cover of Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China

Revolutionary Stagecraft

Theater, Technology, and Politics in Modern China

Tarryn Li-Min Chun

University of Michigan Press, 2024

Co-Winner: 2024 Theatre Library Association George Freedley Memorial Award 

Finalist: American Society for Theatre Research Barnard Hewitt Award for Outstanding Research in Theatre History 

Winner: 2025 Association for Theatre in Higher Education Outstanding Book Award in Innovative Achievement 

Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. 

In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th  century envisioned and enacted their own revolutions through the materiality of the theater apparatus.

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cover of Righteous Revolutionaries: Morality, Mobilization, and Violence in the Making of the Chinese State

Righteous Revolutionaries

Morality, Mobilization, and Violence in the Making of the Chinese State

Jeffrey A. Javed

University of Michigan Press, 2022

Righteous Revolutionaries illustrates how states appeal to popular morality—shared understandings of right and wrong—to forge new group identities and mobilize violence against perceived threats to their authority. Jeffrey A. Javed examines the Chinese Communist Party’s mass mobilization of violence during its land reform campaign in the early 1950s, one of the most violent and successful state-building efforts in history. Using an array of novel archival, documentary, and quantitative historical data, this book illustrates that China’s land reform campaign was not just about economic redistribution but rather part of a larger, brutally violent state-building effort to delegitimize the new party-state’s internal rivals and establish its moral authority.

Righteous Revolutionaries argues that the Chinese Party-state simultaneously removed perceived threats to its authority at the grassroots and bolstered its legitimacy through a process called moral mobilization. This mobilization process created a moral boundary that designated a virtuous ingroup of “the masses” and a demonized outgroup of “class enemies,” mobilized the masses to participate in violence against this broadly defined outgroup, and strengthened this symbolic boundary by making the masses complicit in state violence. Righteous Revolutionaries shows how we can find traces of moral mobilization in China today under Xi Jinping’s rule. In an era where states and politicians regularly weaponize moral emotions to foment intergroup conflict and violence, understanding the dynamics of violent mobilization and state authority are more relevant than ever before.
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cover of Rise of the Dragon: Readings from Nature on the Chinese Fossil Record

Rise of the Dragon

Readings from Nature on the Chinese Fossil Record

Edited by Henry Gee

University of Chicago Press, 2002

Over the past decade, fossil finds from China have stunned the world, grabbing headlines and changing perceptions with a wealth of new discoveries. Many of these finds were first announced to English speakers in the journal Nature.Rise of the Dragon gathers together sixteen of these original reports, some augmented with commentaries originally published in Nature's "News and Views" section.

Perhaps the best known of these new Chinese fossils are the famous feathered dinosaurs from Liaoning Province, which may help end one of the most intense debates in paleontology—whether birds evolved from dinosaurs. But other finds have been just as spectacular, such as the minutely preserved (to the cellular level) animal embryos of the 670 million-year-old Duoshantuo phosphorites, or the world's oldest known fish, from the Chengjiang formation in southwestern Yunnan Province.

Rise of the Dragon makes descriptions and detailed discussions of these important finds available in one convenient volume for paleontologists and serious fossil fans.
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cover of Rotten States?: Corruption, Post-Communism, and Neoliberalism

Rotten States?

Corruption, Post-Communism, and Neoliberalism

Leslie Holmes

Duke University Press, 2006

Official corruption has become increasingly prevalent around the world since the early 1990s. The situation appears to be particularly acute in the post-communist states. Corruption—be it real or perceived—is a major problem with concrete implications, including a lowered likelihood of foreign investment. In Rotten States? Leslie Holmes analyzes corruption in post-communist countries, paying particular attention to Bulgaria, Hungary, Poland, and Russia, as well as China, which Holmes argues has produced, through its recent economic liberalization, a system similar to post-communism. As he points out, these countries offer useful comparisons: they vary in terms of size, religious orientation, ethnic homogeneity, and their approaches to and economic success with the transition from communism.

Drawing on data including surveys commissioned especially for this study, Holmes examines the causes and consequences of official corruption as well as ways of combating it. He focuses particular attention on the timing of the recent increase in reports of corruption, the relationship between post-communism and corruption, and the interplay between corruption and the delegitimation and weakening of the state. Holmes argues that the global turn toward neoliberalism—with its focus on ends over means, flexibility, and a reduced role for the state—has generated much of the corruption in post-communist states. At the same time, he points out that neoliberalism is perhaps the single most powerful tool for overcoming the communist legacy, which is an even more significant cause of corruption. Among the conclusions that Holmes draws is that a strong democratic state is needed in the early stages of the transition from communism in order to prevent corruption from taking hold.

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cover of Rural Development in China: Prospect and Retrospect

Rural Development in China

Prospect and Retrospect

Hsiao-tung Fei

University of Chicago Press, 1989

This collection of essays written from 1947-1986 by Fei Hsiao-tung, China's most distinguished sociologist and anthropologist, presents a rich and representative sampling of the research that has characterized his long career. In 1936, Fei conducted field work in Kaixian'gong, a village in Jiangsu province in east China. This village became the subject of his now classic study Peasant Life in China, in which he argued that, because of China's huge population and the scarcity of cultivable land, household industries such as production of raw silk were vital to the peasants' economic survival. His conclusions, long rejected by China's policymakers, have recently been embraced by the government under the political leadership of Deng Xiaopeng.

Returning to Kaixian'gong in 1957 and again in the 1980s, Fei examined the changes that had occurred since his initial research. Three essays that resulted from these follow-up studies are included in this collection, providing a rare summary and analysis of developments in the village between 1936 and 1986. Also included here are four articles based on Fei's 1983-84 research in other areas of Jiangsu province. His explorations of the contrast between the wealth of southern Jiangsu and the long-standing poverty of the northern half of the province address key issues of public policy in China today. Useful to students of rural sociology as well as of Chinese history, politics, economics, and anthropology, this collection will provide an overview not only of developments in the small towns of China but also of Fei's thought.
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