324 books match the query 'Comparative literature' and 10 start with r

cover of Race and the Rhetoric of Resistance

Race and the Rhetoric of Resistance

Jeffrey B. Ferguson

Rutgers University Press, 2021

Jeffrey B. Ferguson is remembered as an Amherst College professor of mythical charisma and for his long-standing engagement with George Schuyler, culminating in his paradigm changing book The Sage of Sugar Hill. Continuing in the vein of his ever questioning the conventions of “race melodrama” through the lens of which so much American cultural history and storytelling has been filtered, Ferguson’s final work is brought together here in Race and the Rhetoric of Resistance.
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cover of Race to Infinity: Early Modern Distinctions Between Literature and Science

Race to Infinity

Early Modern Distinctions Between Literature and Science

David L. Sedley

Northwestern University Press, 2027

Studying the early modern split between science and literature and the aftermath of their division

The conception of computers as thinking machines and literature as a social field stems from the early modern phenomenon of competing over the infinite as an object not just of contemplation but of appropriation in a race toward virtual control. The rediscovery of this origin undoes a collective forgetting of what technology and texts have in common, what they don’t, and what they can and ought to be in the future. David L. Sedley offers a new history of literature and science’s disciplinary divide—its origin and significance—tracing a series of points along the emerging frontier between these two fields. At each point there are two objects in play and two authors who push the objects in opposite directions: on the one hand, mechanical arts and the essay, probability theory and the novel, and geometry and epic; on the other, Montaigne and Bacon, Pascal and Lafayette, and Hobbes and Milton. Each of these authors, Sedley shows, tried to render an object either algorithmic or infinite to oppose the other’s efforts. Ultimately, Race to Infinity: Early Modern Distinctions Between Literature and Science illuminates the fortunes of the literary in the digital revolution and beyond.

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cover of Reading Embodied Citizenship: Disability, Narrative, and the Body Politic

Reading Embodied Citizenship

Disability, Narrative, and the Body Politic

Russell, Emily

Rutgers University Press, 2011

Liberal individualism, a foundational concept of American politics, assumes an essentially homogeneous population of independent citizens. When confronted with physical disability and the contradiction of seemingly unruly bodies, however, the public searches for a story that can make sense of the difference. The narrative that ensues makes "abnormality" an important part of the dialogue about what a genuine citizen is, though its role is concealed as an exception to the rule of individuality rather than a defining difference. Reading Embodied Citizenship brings disability to the forefront, illuminating its role in constituting what counts as U.S. citizenship.

Drawing from major figures in American literature, including Mark Twain, Flannery O'Connor, Carson McCullers, and David Foster Wallace, as well as introducing texts from the emerging canon of disability studies, Emily Russell demonstrates the place of disability at the core of American ideals. The narratives prompted by the encounter between physical difference and the body politic require a new understanding of embodiment as a necessary conjunction of physical, textual, and social bodies. Russell examines literature to explore and unsettle long-held assumptions about American citizenship.

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cover of Reading Hegel: Irony, Recollection, Critique

Reading Hegel

Irony, Recollection, Critique

Robert Lucas Scott

University of Chicago Press, 2025

Retrieves Hegelian speculative experience for literary theory.

The relationship between Hegel and literary theory has for a long time been both contested and paradoxical. On the one hand, “theory” is often skeptical of all that Hegel ostensibly stood for: idealism, systematicity, and identity at the expense of difference. Yet, in spite of itself, literary theory is taken to owe a profound debt to Hegel’s philosophy. Robert Lucas Scott’s book complicates this account and argues that literary theory has made the mistake of abstracting Hegel’s thought from its more dynamic presentation in Hegel’s writings, reducing “Hegel” to a series of propositions or positions. Literary theory, Scott argues, misses what is perhaps the greatest innovation of Hegel’s philosophy: a presentation of experience that begins precisely by setting aside all preconceptions or prior assumptions. It is on this point that Hegel’s philosophy itself approaches literature: its content cannot be simply abstracted from the singular experience of reading it. Only through a mode of reading alive to speculative experience can literary theory become truly Hegelian. Scott’s exposition of Hegel offers a model of reading with relevance beyond philosophy: one that is critical without pretensions of mastery and detachment and that honors the singularity of the reading experience without succumbing to the subjectivism of the “postcritical.”

The book also includes engagements with the work of Luther, Kant, Marx, Gillian Rose, Fredric Jameson, Robert Brandom, Catherine Malabou, and more in its recovery of Hegel’s thought for a critical understanding of our time.
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cover of Readings: The Poetics of Blanchot, Joyce, Kakfa, Kleist, Lispector, and Tsvetayeva

Readings

The Poetics of Blanchot, Joyce, Kakfa, Kleist, Lispector, and Tsvetayeva

Helene Cixous

University of Minnesota Press, 1991

Readings: The Poetics of Blanchot, Joyce, Kafka, Kleist, Lispector, and Tsvetayeva offers striking and novel textual studies of major literary figures and emergent authors. Selected from Cixous’s seminars taught between 1980 and 1986 at the Universite de Paris VII (Saint-Denis) and at the College International de Philosophie, the texts chronicle the French intellectual scene with its shifting tastes over the decade following May 1986.

In their simple and accessible language, the texts can be read as inspiration for Cixous’s fictional and critical practices. They not only introduce readers to emergent texts from Brazil and Russia, such as Clarice Lispector’s “Foreign Legion” and Marina Tsvetayeva’s “Mother and Music,” but also give new, incisive insights into Joyce’s Portrait of the Artist and Kafka’s “Before the Law.” Drawing from philosophy and psychoanalysis, Readings: The Poetics of Blanchot, Joyce, Kafka, Kleist, Lispector, and Tsvetayeva can be read side-by-side with Reading with Clarice Lispector, as an ongoing meditation on ethics and poetics.Also from MinnesotaReading with Clarice LispectorHelene CixousEdited, translated, and introduced by Verena Andermatt ConleyFor Cixous, Lispector’s work represents one of the finest examples of ecriture feminine in that she practices, in writing, what Cixous is searching for in her theoretical practice: the giving, spending, and inscribing of pleasure; an apprenticeship in the lessons of life.Theory and History of Literature, volume 73
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cover of Rediscovering The New World: Inter-American Literature

Rediscovering The New World

Inter-American Literature

Earl E. Fitz

University of Iowa Press, 1991

The concept of "American" literature is not the exclusive province of any one nation. Thanks to the historical circumstances that governed the European conquest and settlement of the Americas, we can and should approach the writings of English and French Canada, the United States, Spanish America, and Brazil as a cohesive group of American literature, worthy of study without constant reference to European texts. Now, Rediscovering the New World makes a timely addition to this expanding field on Inter-American scholarship that should help lead tothe formation of a new canon.

This adventurous and ambitious work begins with an examination of Pre-Columbian literature (and shows that his powerful tradition remains alive and well in the twentieth century), then confronts the narratives of discovery and conquest, the New World epic, identity as the Ur-theme of American literature, miscegenation as another integral theme, and regionalism as a shaping force. Other striking these and juxtapositions include a comparison of Henry James and Machado de Assis as the first two great New World novelists, modernism as both a distinct literary movement and an amorphous body of aesthetic principles, and the conflict between "civilization" and "barbarism."

More in the exploratory spirit of the French Canadian voyageur than in the spirit of the conquistador, Rediscovering the New World is the first scholarly work in English to integrate an international set of American literary cultures. It should inspire other explorers as the field of Inter-American literary relations continues to evolve.

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cover of Retelling the Siege of Jerusalem in Early Modern England

Retelling the Siege of Jerusalem in Early Modern England

Vanita Neelakanta

University of Delaware Press, 2019

This compelling book explores sixteenth- and seventeenth-century English retellings of the Roman siege of Jerusalem and the way they informed and were informed by religious and political developments. The siege featured prominently in many early modern English sermons, ballads, plays, histories, and pamphlets, functioning as a touchstone for writers who sought to locate their own national drama of civil and religious tumult within a larger biblical and post-biblical context. Reformed England identified with besieged Jerusalem, establishing an equivalency between the Protestant church and the ancient Jewish nation but exposing fears that a displeased God could destroy his beloved nation. As print culture grew, secular interpretations of the siege ran alongside once-dominant providentialist narratives and spoke to the political anxieties in England as it was beginning to fashion a conception of itself as a nation.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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cover of Rewriting Crusoe: The Robinsonade across Languages, Cultures, and Media

Rewriting Crusoe

The Robinsonade across Languages, Cultures, and Media

Jakub Lipski

Bucknell University Press, 2020

Published in 1719, Defoe’s Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. German author Johann Gottfried Schnabel—who in 1731 penned his own island narrative—coined the term “Robinsonade” to characterize the genre bred by this classic, and today hundreds of examples can be identified worldwide. This celebratory collection of tercentenary essays testifies to the Robinsonade’s endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context. Contributors trace the Robinsonade’s roots from the eighteenth century to generic affinities in later traditions, including juvenile fiction, science fiction, and apocalyptic fiction, and finally to contemporary adaptations in film, television, theater, and popular culture. Taken together, these essays convince us that the genre’s adapt- ability to changing social and cultural circumstances explains its relevance to this day.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
 
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cover of Rivers in Russian Literature

Rivers in Russian Literature

Margaret Ziolkowski

University of Delaware Press, 2011

Rivers in Russian Literature focuses on the Russian literary and folkloric treatment of five rivers—the Dnieper, Volga, Neva, Don, and Angara. Each chapter traces, within a geographical and historical context, the evolution of the literary representation of one river. Imagination may endow a river with aesthetic or spiritual qualities; ethnic, national, or racial associations; or commercial or agricultural symbolism of many kinds. Russian literary responses to these five rivers have much to tell us about the society that produced them as well as the rivers they treat.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
 
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cover of Robinson Crusoe after 300 Years

Robinson Crusoe after 300 Years

Andreas K. E. Mueller

Bucknell University Press, 2021

There is no shortage of explanations for the longevity of Defoe’s Robinson Crusoe, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe’s original has been reimagined multiple times in legions of Robinsonade or castaway stories, but the Crusoe myth is far from spent. This wideranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.
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