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53 books match the query 'Dwellings' and 6 start with r

cover of Reconsidering Mississippian Communities and Households

Reconsidering Mississippian Communities and Households

Edited by Elizabeth Watts Malouchos and Alleen Betzenhauser

University of Alabama Press, 2021

Advancing the study of Mississippian societies through innovative archaeological theory and method.

Published in 1995, Mississippian Communities and Households, edited by J. Daniel Rogers and Bruce D. Smith, was a foundational text that advanced southeastern archaeology in significant ways and brought household-level archaeology to the forefront of the field. Reconsidering Mississippian Communities and Households revisits and builds on what has been learned in the years since the Rogers and Smith volume, advancing the field further with the diverse perspectives of current social theory and methods and big data as applied to communities in Native America from the AD 900s to 1700s and from northeast Florida to southwest Arkansas.

Watts Malouchos and Betzenhauser bring together scholars researching diverse Mississippian Southeast and Midwest sites to investigate aspects of community and household construction, maintenance, and dissolution. Thirteen original case studies prove that community can be enacted and expressed in various ways, including in feasting, pottery styles, war and conflict, and mortuary treatments.
 

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cover of Reconstruction Fiction: Housing and Realist Literature in Postwar Britain

Reconstruction Fiction

Housing and Realist Literature in Postwar Britain

Paula Derdiger

The Ohio State University Press, 2020

Reconstruction Fiction: Housing and Realist Literature in Postwar Britain by Paula Derdiger assesses the impact of World War II and the welfare state on literary fiction by focusing on one of the defining issues of the postwar period: housing. Through compelling close readings and lively historical and cultural analysis, Derdiger argues that literary realism was a necessary, generative response to the war and welfare state since they impacted the built environment and landscape. Wartime decimation of buildings and streets called for reconstruction, and reconstruction called not just for bricks and mortar, architectural drawings, town plans, preservation schemes, and new policies but also for fiction that invited particular ways of inhabiting an environment that had been irrevocably changed. Derdiger argues that fiction, like actual buildings, creates a sheltered space for the mediation between individual subjects and the social and geographical environments that they encounter. Realist fiction, specifically, insists that such mediation is possible and that it is socially valuable. Covering writers spanning various social positions and aesthetic tendencies—including Elizabeth Bowen, Graham Greene, Patrick Hamilton, Doris Lessing, Colin MacInnes, and Elizabeth Taylor—Derdiger shows how these authors responded to the war with realistic technique, investing in external conditions just as much as or more than their characters’ interior lives. In doing so, their reconstruction fiction helped to shape postwar life.
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cover of Religion, History, and Place in the Origin of Settled Life

Religion, History, and Place in the Origin of Settled Life

Ian Hodder

University Press of Colorado, 2018

This volume explores the role of religion and ritual in the origin of settled life in the Middle East, focusing on the repetitive construction of houses or cult buildings in the same place. Prominent archaeologists, anthropologists, and scholars of religion working at several of the region’s most important sites—such as Çatalhöyük, Göbekli Tepe, Körtik Tepe, and Aşıklı Höyük—contend that religious factors significantly affected the timing and stability of settled economic structures.
 
Contributors argue that the long-term social relationships characteristic of delayed-return agricultural systems must be based on historical ties to place and to ancestors. They define different forms of history-making, including nondiscursive routinized practices as well as commemorative memorialization. They consider the timing in the Neolithic of an emerging concern with history-making in place in relation to the adoption of farming and settled life in regional sequences. They explore whether such correlations indicate the causal processes in which history-making, ritual practices, agricultural intensification, population increase, and social competition all played a role.
 
Religion, History, and Place in the Origin of Settled Life takes a major step forward in understanding the adoption of farming and a settled way of life in the Middle East by foregrounding the roles of history-making and religious ritual. This work is relevant to students and scholars of Near Eastern archaeology, as well as those interested in the origins of agriculture and social complexity or the social role of religion in the past.
 
 
Contributors: Kurt W. Alt, Mark R. Anspach, Marion Benz, Lee Clare, Anna Belfer-Cohen, Morris Cohen, Oliver Dietrich, Güneş Duru, Yilmaz S. Erdal, Nigel Goring-Morris, Ian Hodder, Rosemary A. Joyce, Nicola Lercari, Wendy Matthews, Jens Notroff, Vecihi Özkaya, Feridun S. Şahin, F. Leron Shults, Devrim Sönmez, Christina Tsoraki, Wesley Wildman
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cover of Renovating Value: HGTV and the Spectacle of Gentrification

Renovating Value

HGTV and the Spectacle of Gentrification

Robert Goldman

Temple University Press, 2021

HGTV has perfected stories about creating and capturing value in the housing market. But according to Robert Goldman, this lifestyle network’s beloved flagship programs, Flip or Flop, Property Brothers, and Fixer Upper—where people revitalize modern spaces and reinvent property values—offer “fairy tales” in the wake of the 2008 economic crisis. The cable channel’s seductive, bingeable programs may show how to find and extract value from properties, but, in fact, they insidiously ignore the realities of the real estate and mortgage markets, housing inequality, gentrification, economic insecurity, and even homelessness. In effect, HGTV has turned house flipping into a master narrative about getting ahead in America during an era of otherwise uneasy economic prospects.

HGTV pictures its insular moral economy as an alternative to a crisis-ridden neoliberal finance system that shaped landscapes of foreclosure and financial uncertainty for millions of households. Renovating Value explores the circuitry of consumer credit and debt, and a rent-gap model of gentrification that charts a path to the rehabilitation of Value. Goldman shrewdly critiques the aspirational myth of adding value to a home simply by using imagination, elbow grease, and aesthetic know-how.

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cover of Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Roman Art in the Private Sphere

New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Elaine K. Gazda, Editor

University of Michigan Press, 1991

"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"For all the authors, attention to the ensemble, a sense of the relation between the formal and the iconographic, and the desire to historicize their material contribute to making this anthology unusual in its rigorous and creative attention to the way that art and architecture participate in the construction of the image of the Roman elite."
---Art Bulletin
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century B.C.E. to the fourth century C.E., and from the Italian peninsula to the Eastern Empire and North African provinces.

The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats.

In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth.

Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms.

Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.

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cover of Roman Art in the Private Sphere: New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Roman Art in the Private Sphere

New Perspectives on the Architecture and Decor of the Domus, Villa, and Insula

Elaine K. Gazda, Editor

University of Michigan Press, 2010

"This is a stimulating book and should be compulsory reading for all students of Roman art."
---Classical Review
 
"[A] model exploration into the ways private décor can be used to facilitate a larger understanding of Roman art and society."
---Classical World
 
Roman Art in the Private Sphere presents an impressive case for the social and art historical importance of the paintings, mosaics, and sculptures that filled the private houses of the Roman elite. The six essays in this volume range from the first century BCE to the fourth century CE, and from the Italian peninsula to the Eastern Empire and North African provinces, treating works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats. This new edition includes a fresh contribution by editor Elaine Gazda, tracing the developments in the treatment of private Roman art since the publication of the original edition of Roman Art in the Private Sphere.
 
Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
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