455 books match the query 'Feminism' and 16 start with r
Michael V. Metz
University of Illinois Press, 2019
Positioning the events in the context of their time, Michael V. Metz delves into the lives and actions of activists at the center of the drama. A participant himself, Metz draws on interviews, archives, and newspaper records to show a movement born in demands for free speech, inspired by a movement for civil rights, and driven to the edge by a seemingly never-ending war. If the sudden burst of irrational violence baffled parents, administrators, and legislators, it seemed inevitable to students after years of official intransigence and disregard. Metz portrays campus protesters not as angry, militant extremists but as youthful citizens deeply engaged with grave moral issues, embodying the idealism, naiveté, and courage of a minority of a generation.
Jane Eldridge Miller
University of Chicago Press, 1996
Rothman, Barbara Katz
Rutgers University Press, 2000
Selling “genetically gifted” human eggs on the free market for a hefty price. In vitro fertilization. Fetal rights. Prenatal diagnosis. Surrogacy. All are instances of biomedical and social “advancements” with which we have become familiar in recent years. Yet these issues are often regarded as distinct or only loosely related under the rubric of reproduction.
Barbara Katz Rothman demonstrates how they form a complex whole that demands of us in response a woman-centered, class-sensitive way of understanding motherhood. We need a social policy for dealing with mothers and motherhood that is consistent with feminist politics and feminist theory. Her book show how we as a society must first recognize that the real needs of mother, father, and children have been swept aside in an attempt to reduce the complex process of human reproduction to a clinical event that can be controlled by medical technology. Rothman suggests ways to accomplish social and legal change that would allow technological advances to affirm motherhood and the mother-child relationship without cost to women’s identity.
This new edition of Recreating Motherhood contains exciting updates. Rothman shows how this material is key in understanding the family, not just motherhood. And a new chapter, “Reflections on a Decade,” explores how new reproductive technologies combine with new marketing and new genetics to pose troubling social questions.
Wendy Sarvasy
Temple University Press, 2024
Daniel Ìgbín’bí Coleman
The Ohio State University Press, 2024
Susan Sage Heinzelman and Zipporah Batshaw Wiseman, eds.
Duke University Press, 1994
Contributors. Kathryn Abrams, Linda Brodkey, Rita Copeland, Elizabeth Butler Cullingford, Margaret Anne Doody, Susan B. Estrich, Michelle Fine, Anne B. Goldstein, Angela P. Harris, Susan Sage Heinzelman, Christine L. Krueger, Martha Minow, Carol Sanger, Judy Scales-Trent
Nima Naghibi
University of Minnesota Press, 2007
Western women’s involvement in Persia dates from the mid-nineteenth century, when female adventurers and missionaries first encountered their veiled Muslim “sisters.” Twentieth-century Western and state-sponsored Iranian feminists continued to use the image of the veiled woman as the embodiment of backwardness. Yet, following the 1979 revolution, indigenous Iranian feminists became more vocal in their resistance to this characterization.
In Rethinking Global Sisterhood, Nima Naghibi makes powerful connections among feminism, imperialism, and the discourses of global sisterhood. Naghibi investigates topics including the state-sponsored Women’s Organization of Iran and the involvement of feminists such as Betty Friedan and Gloria Steinem in the Iranian feminism movement before and during the 1979 revolution. With a potent analysis of cinema, she examines the veiled woman in the films of Tahmineh Milani, Ziba Mir-Hosseini and Kim Longinotto, and Mahnaz Afzali.
At a time when Western relations with the Muslim world are in crisis, Rethinking Global Sisterhood provides much-needed insights and explores the limitations and possibilities of cross-cultural feminist social and political interventions.
Nima Naghibi is assistant professor of English at Ryerson University in Toronto.
Edited by Barbara Laslett, Johanna Brenner, and Yesim Arat
University of Chicago Press, 1995
Jean Bessette
Southern Illinois University Press, 2018
Lingzhen Wang
Duke University Press, 2021
Michael Knapp, Ercan Ayboga, and Anja Flach
Pluto Press, 2016
Barbara Winslow
Duke University Press, 2023
Jocelyn Olcott
Duke University Press, 2005
Olcott demonstrates an extraordinary grasp of the complexity of postrevolutionary Mexican politics, exploring the goals and outcomes of women’s organizing in Mexico City and the port city of Acapulco as well as in three rural locations: the southeastern state of Yucatán, the central state of Michoacán, and the northern region of the Comarca Lagunera. Combining the strengths of national and regional approaches, this comparative perspective sets in relief the specificities of citizenship as a lived experience.
Hannah Dudley-Shotwell
Rutgers University Press, 2020
April R. Haynes
University of Chicago Press, 2015
Susan Gubar
University of Illinois Press, 2006
With a little help from Virginia Woolf, Susan Gubar contemplates startling transformations produced by the women's movement in recent decades. What advances have women made and what still needs to be done? Taking Woolf's classic A Room of One's Own as her guide, Gubar engages these questions by recounting one year in the life of an English professor.
A meditation on the teaching of literature and on the state of the humanities today, her chapters also provide a crash course on the challenges and changes in feminist intellectual history over the past several decades: the influence of post-structuralism and of critical race, postcolonial, and cultural studies scholarship; the stakes of queer theory and the institutionalization of women's studies; and the effects of globalism and bioengineering on conversations about gender, sex, and sexuality. Yet Rooms of Our Own eschews a scholarly approach. Instead, through narrative criticism it enlists a thoroughly contemporary cast of characters who tell us as much about the comedies and tragedies of campus life today as they do about the sometimes contentious but invariably liberating feminisms of our future.