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While Scarlett O'Hara may resemble a drag queen, and Mardi Gras inspires more camp than a gay pride parade, the American South also boasts a rich, authentic and transgressive gay and lesbian history. In this chatty, free-ranging cultural survey, Sears (Growing Up Gay in the South) presents a vivid kaleidoscope of the mores and political activities of many gay Southerners following the 1969 Stonewall riots and leading up to the 1979 march on Washington. Sears unspools this history through portraits of activists and community organizers including Merril Mushroom, Jack Nichols, Lige Clark, Vicki Gabriner, Minnie Bruce Pratt and Sgt. Leonard Matlovitch who helped shape the social and political climate below the Mason Dixon line and often in the rest of the country. While giving a nod to historic events like Anita Bryant's Save Our Children campaign, Sears focuses more closely on obscure but important local political events, like the founding of the lesbian journal Sinister Wisdom, the emergence of the Atlanta Lesbian Feminist Alliance and community response to a deadly firebombing that killed 31 patrons in a New Orleans bar in the mid-1970s. Sears's multifaceted approach pays off when he sketches such relatively unknown players as comedian Ray Bourbon and radical fairy Faygele ben Miriam, and he conveys well the complexity and intensity of the political activity of the decade. While not as historically conclusive or theoretically astute as John Howard's masterful Men Like That (2000), Sears provides a panoply of emotionally riveting snapshots that aptly portray Southern gay experience in the 1970s. B&w photos.

In a world in which religion and homosexuality are often by definition incompatible, it is crucial to hear from gay men and women about how they perceive themselves to be religious or spiritual people. Eliciting powerful, frank, and sometimes troubling responses, David Shallenberger interviewed gay men and women who grew up in families that belonged to traditional religions-Jewish, Roman Catholic, and Protestant-that rejected homosexuality as an unacceptable life-style. When these children grew into adulthood and "came out," many rejected the religion of their childhood as they sought out a more accepting gay community. But once they became comfortable with their new gay identity, they began to experience a spiritual hunger and a desire to be part of a religious community. Some sought to return to the traditions from which they came; others desired membership in new religious communities.

The quest for an integration of homosexuality and spirituality is the focus of Reclaiming the Spirit. Shallenberger asks how individuals can balance both a gay and a religious identity, whether coming out is a spiritual experience, and how coming out affects an individual's relationship to a traditional religious community. Divided into chapters that correspond to the common stages of spiritual integration, Reclaiming the Spirit is immensely readable and introduces an important group of voices into the hotly contested debates surrounding religion and gay participation.

In 2006 comic book dealer John Sherkston has decided to break up with his physicist boyfriend, Taylor Esgard, on the very day Taylor announces he’s finally perfected a time machine for the U.S government. John travels back to 1986, where he encounters “Junior,” his younger, more innocent self. When Junior starts to flirt, John wonders how to reveal his identity: “I’m you, only with less hair and problems you can’t imagine.” He also meets up with the younger Taylor, and this unlikely trio teams up to plot a course around their future relationship troubles, prevent John’s sister from making a tragic decision, and stop George W. Bush from becoming president.

In this wickedly comic, cross-country, time-bending journey, John confronts his own—and the nation’s—blunders, learning that a second chance at changing things for the better also brings new opportunities to screw them up. Through edgy humor, time travel, and droll one-liners, Bob Smith examines family dysfunction, suicide, New York City, and recent American history while effortlessly blending domestic comedy with science fiction. Part acidic political satire, part wild comedy, and part poignant social scrutiny, Remembrance of Things I Forgot is an uproarious adventure filled with sharp observations about our recent past.