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Conceived by General Sir Robert Baden-Powell as a way to reduce class tensions in Edwardian Britain, scouting evolved into an international youth movement. It offered a vision of romantic outdoor life as a cure for disruption caused by industrialization and urbanization. Scouting’s global spread was due to its success in attaching itself to institutions of authority. As a result, scouting has become embroiled in controversies in the civil rights struggle in the American South, in nationalist resistance movements in India, and in the contemporary American debate over gay rights.

In Race, Resistance, and the Boy Scout Movement in British Colonial Africa, Timothy Parsons uses scouting as an analytical tool to explore the tensions in colonial society. Introduced by British officials to strengthen their rule, the movement targeted the students, juvenile delinquents, and urban migrants who threatened the social stability of the regime. Yet Africans themselves used scouting to claim the rights of full imperial citizenship. They invoked the Fourth Scout Law, which declared that a scout was a brother to every other scout, to challenge racial discrimination.

Parsons shows that African scouting was both an instrument of colonial authority and a subversive challenge to the legitimacy of the British Empire. His study of African scouting demonstrates the implications and far-reaching consequences of colonial authority in all its guises.

The book traces the legacy of racism across three continents, from its origins to the present day. With a wide-ranging yet closely-argued style, it brings a sophisticated neo-Marxist analysis to bear on controversial political issues.
 
Mike Cole tackles three countries in-depth: the United Kingdom, the United States and Australia. In the United Kingdom, he focuses on the effects of colonialism as well as looking at non-colour-coded racism, such as anti-Gipsy, Roma, and Traveller racism and xeno-racism directed at Eastern Europeans. Turning to the United States, Cole charts the dual legacies of indigenous genocide and slavery, as well as exploring anti-Latina/o and anti-Asian racism. Finally, in Australia, he interrogates the idea of "Terra Nullius" and its ongoing impact on the indigenous peoples, as well as other forms of racism, such as that experienced by South Sea Islanders, anti-Asian racism, and that which targets migrants. The Pauline Hanson phenomenon is also addressed. Islamophobia, antisemitism and anti-Irish racism are also dealt with in the book, as is that aimed at asylum-seekers.
 
Cole demonstrates that racism is both endemic and multifaceted. This book will undoubtedly establish itself as required reading for students and other critical readers looking for a comprehensive, critical overview of the study of racism in Anglophone countries.

Can plants move? Can they think? Can they act? In Radical Science, Mary Bowden shows that debates about plants’ capabilities are not new but can be traced to the nineteenth century, where they moved from scientific inquiries to popular articles and literary fiction. Examining the work of nineteenth-century physiological botanists, Bowden expands beyond Charles Darwin’s work in the field to uncover the full story of these debates and the impacts they had on literature, culture, and people. While many have interpreted the frequent comparisons between plants and people in nineteenth-century literature to be exemplary of aesthetic values or sexual symbolism, Bowden maintains that comparisons between plants and women, members of the working class, and people of color reiterate botanical debates about how to recognize agency in beings that are assumed to be passive. Studying the scientific texts of Darwin and Maria Elizabetha Jacson alongside social problem novels by Elizabeth Gaskell and Charles Kingsley and early science fiction by H. G. Wells, Radical Science foregrounds the connection between science and literature and ultimately suggests that we look to the propositions of nineteenth-century physiological botany to find more sustaining models of social and environmental relationship.

A thematic analysis of the career of Bronterre O’Brien, one of the most influential leaders of Chartism, this book relates his activities—and the Chartist movement—to broader themes in the history of Britain, Europe, and America during the nineteenth century. O’Brien (1804–64) came to be known as the “schoolmaster” of Chartism because of his efforts to describe and explain its intellectual foundations. The campaign for the People’s Charter (with its promise of political democratization) was a highpoint in O’Brien’s career as writer and orator, but he was already well known before the campaign began, and during the 1840s he distanced himself from other Chartist leaders and from several important Chartist initiatives. This book examines the personal, tactical, and ideological reasons for O’Brien’s departure, as well as his development of a social and economic agenda to accompany “constitutional” Chartism, in line with the evolution of radical thought after the Great Reform Act of 1832. It also evaluates O’Brien’s reputation, among his contemporaries and among modern historians, in order better to understand his contribution to radicalism in Britain and beyond.
 

Like fluttering shards of stained glass, butterflies possess a unique power to pierce and stir the human soul. Indeed, the ancient Greeks explicitly equated the two in a single word, psyche, so that from early times butterflies were not only a form of life, but also an idea. Profound and deeply personal, written with both wisdom and wit, Peter Marren’s Rainbow Dust explores this idea of butterflies—the why behind the mysterious power of these insects we do not flee, but rather chase.

At the age of five, Marren had his “Nabokov Moment,” catching his first butterfly and feeling the dust of its colored scales between his fingers. It was a moment that would launch a lifetime’s fascination rivaling that of the famed novelist—a fascination that put both in good company. From the butterfly collecting and rearing craze that consumed North America and Europe for more than two hundred years (a hobby that in some cases bordered on madness), to the potent allure of butterfly iconography in contemporary advertisements and their use in spearheading calls to conserve and restore habitats (even though butterflies are essentially economically worthless), Marren unveils the many ways in which butterflies inspire us as objects of beauty and as symbols both transient and transcendent.

Floating around the globe and through the whole gamut of human thought, from art and literature to religion and science, Rainbow Dust is a cultural history rather than merely a natural one, a tribute to butterflies’ power to surprise, entertain, and obsess us. With a sway that far surpasses their fragile anatomy and gentle beat, butterfly wings draw us into the prismatic wonders of the natural world—and, in the words of Marren, these wonders take flight.

Ramparts of Resistance examines the experience of British and U.S. workers during the last three decades to offer a broad analysis of the need for a new independent politics of trade unionism. Recent years have seen great changes in the trade union movement, from waves of strikes in the 1970s to a battery of employer and state onslaughts, culminating in the anti-union legislation of the 1980s and 1990s. Looking at grassroots labor struggles, Sheila Cohen explores issues of reformism, trade union democracy, and the political meaning of ordinary workplace resistance, and puts forward ideas for change. Ramparts of Resistance examines the failure of the union movement to rise to the neoliberal challenge and calls for a new politics of independent unionism and an explicitly class-based renewal of "workers' power." Coming at a time when union activity and membership involvement continues despite the odds, this book is an inspiring guide to the direction that unionism should take.

The Labour party's first Prime Minister

From the merlin to the golden eagle, the goshawk to the honey buzzard, James Macdonald Lockhart’s stunning debut is a quest of beak, talon, wing, and sky. On its surface, Raptor is a journey across the British Isles in search of fifteen species of birds of prey, but as Lockhart seeks out these elusive predators, his quest becomes so much more: an incomparably elegant elegy on the beauty of the British landscape and, through the birds, a journey toward understanding an awesome power at the heart of the natural world—a power that is majestic and frightening in its strength, but also fragile.

Taking as his guide the nineteenth-century Scottish naturalist and artist William MacGillivray, Lockhart loosely follows the historical trail forged by MacGillivray as he ventured from Aberdeen to London filling his pockets with plants and writing and illustrating the canonical A History of British Birds. Linking his journey to that of his muse, Lockhart shares his own encounters with raptors ranging from the scarce osprey to the successfully reintroduced red kite, a species once protected by medieval royal statute, revealing with poetic immediacy the extraordinary behaviors of these birds and the extreme environments they call home.

Creatures both worshipped and reviled, raptors have a talon-hold on the human heart and imagination. With his book, Lockhart unravels these complicated ties in a work by turns reverent and euphoric—an interweaving of history, travel, and nature writing at its best. A hymn to wanderers, to the land and to the sky, and especially to the birds, Raptor soars.

The nineteenth century marked the high point of imperialism, when tsarist Russia expanded to the Pacific and the sun was said never to set on the British Empire. Imperialism remains a perennial issue in international relations today, and nowhere is this more evident than in the intensifying competition for global resources.          

Leo J. Blanken explains imperialism through an analysis of the institutions of both the expanding state and its targets of conquest. While democratic states favoring free trade generally resort to imperialism only to preempt aggressive rivals—or when they have reason to believe another state’s political institutions will not hold up when making bargains—authoritarian states tend toward imperialism because they don’t stand to benefit from free trade. The result is three distinct strategies toward imperialism: actors fighting over territory, actors peaceably dividing territory among themselves, and actors refraining from seizing territory altogether. Blanken examines these dynamics through three case studies: the scramble for Africa, the unequal treaties imposed on Qing Dynasty China, and the evolution of Britain’s imperial policy in India. By separating out the different types of imperialism, Blanken provides insight into its sources, as well as the potential implications of increased competition in the current international arena.

Raw Material analyzes how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrializing England’s relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, Erin O’Connor explores “the industrial logic of disease,” the dynamic that coupled pathology and production in Victorian thinking about cultural processes in general, and about disease in particular.
O’Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body’s intolerance to urban life, O'Connor turns to men’s bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O’Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.
Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.

Reading Holinshed's Chronicles is the first major study of the greatest of the Elizabethan chronicles. Holinshed's Chronicles—a massive history of England, Scotland, and Ireland—has been traditionally read as the source material for many of Shakespeare's plays or as an archaic form of history-writing. Annabel Patterson insists that the Chronicles be read in their own right as an important and inventive cultural history.

Although we know it by the name of Raphael Holinshed, editor and major compiler of the 1577 edition, the Chronicles was the work of a group, a collaboration between antiquarians, clergymen, members of parliament, poets, publishers, and booksellers. Through a detailed reading, Patterson argues that the Chronicles convey rich insights into the way the Elizabethan middle class understood their society. Responding to the crisis of disunity which resulted from the Reformation, the authors of the Chronicles embodied and encouraged an ideal of justice, what we would now call liberalism, that extended beyond the writing of history into the realms of politics, law, economics, citizenship, class, and gender. Also, since the second edition of 1587 was called in by the Privy Council and revised under supervision, the work constitutes an important test case for the history of early modern censorship.

An essential book for all students of Tudor history and literature, Reading Holinshed's Chronicles brings into full view a long misunderstood masterpiece of sixteenth-century English culture.

Winner of the 2013 Sonya Rudikoff Award for best first book in Victorian Studies
Short-listed for the 2013 British Society for Literature and Science Book Prize.

Reading Victorian Deafness is the first book to address the crucial role that deaf people, and their unique language of signs, played in Victorian culture. Drawing on a range of works, from fiction by Charles Dickens and Wilkie Collins, to poetry by deaf poets and life writing by deaf memoirists Harriet Martineau and John Kitto, to scientific treatises by Alexander Graham Bell and Francis Galton, Reading Victorian Deafness argues that deaf people’s language use was a public, influential, and contentious issue in Victorian Britain.

The Victorians understood signed languages in multiple, and often contradictory, ways: they were objects of fascination and revulsion, were of scientific import and literary interest, and were considered both a unique mode of human communication and a vestige of a bestial heritage. Over the course of the nineteenth century, deaf people were increasingly stripped of their linguistic and cultural rights by a widespread pedagogical and cultural movement known as “oralism,” comprising mainly hearing educators, physicians, and parents.

Engaging with a group of human beings who used signs instead of speech challenged the Victorian understanding of humans as “the speaking animal” and the widespread understanding of “language” as a product of the voice. It is here that Reading Victorian Deafness offers substantial contributions to the fields of Victorian studies and disability studies. This book expands current scholarly conversations around orality, textuality, and sound while demonstrating how understandings of disability contributed to Victorian constructions of normalcy. Reading Victorian Deafness argues that deaf people were used as material test subjects for the Victorian process of understanding human language and, by extension, the definition of the human.

In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading practices that emerge around the concept of health. By shifting attention to the ways that prevention of illness and the preservation of well-being operate in fiction, both thematically and structurally, Wright offers a new approach to reading character and voice, order and temporality, setting and metaphor. As Wright reveals, while canonical works by Austen, Brontë, Dickens, Martineau, and Gaskell register the pervasiveness of a conventional “therapeutic” form of action and mode of reading, they demonstrate as well an equally powerful investment in the achievement and maintenance of “health”—what Wright refers to as a “hygienic” narrative—both in personal and domestic conduct and in social interaction of the individual within the community.

"There is so much that is inspirational in this book, whether the struggles of Jewish tailors in Spitalfields, bakers across the city (who were obliged to work 16-hour shifts in poorly ventilated basements), or the battles against fascism in Cable Street." ― Guardian
 
If you visit London, and you’ve only experienced Buckingham Palace, The Tower of London, and The Millennium Wheel, you’ve missed the true essence of London, and its politically-charged, rebellious history. A truly radical response to conservative heritage tours and banal day trips, Rebel Footprints brings to life the history of social movements in England's capital by providing lively commentary, maps, and walking tours you will not find anywhere else.
 
David Rosenberg transports readers from well-known landmarks to history-making hidden corners, while telling the story of protest and struggle in London from the early nineteenth to the mid-twentieth century.
 
From the suffragettes to the socialists, from the chartists to the trade unionists: Rosenberg invites us to step into the footprints of a diverse cast of dedicated fighters for social justice. Individual chapters highlight particular struggles and their participants, from famous faces to lesser-known luminaries. Chapters include:
 
*Writers and Rioters in the Fleet Street Precinct
*Trailblazers for Democracy in Clerkenwell Green
*The Spark of Rebellion in Bow
*Coming in from the Cold: Immigrant Agitators and Radicals in Spitalfields
*No Gods, No Masters: Radical Bloomsbury
*Life on the Boundary: Fighting for Housing in Bethnal Green and Shoreditch
*Stirrings from the South: The Battersea Four
*peaking Truth to Power: Suffragettes and Westminster
*Not Afraid of the Prison Walls: Rebel Women and Men of Poplar
*People's Power in Bermondsey
 
Rebel Footprints sets London's radical campaigners against the backdrop of the city's multi-faceted development. Self-directed walks pair with narratives that seamlessly blend history, politics, and geography, while specially commissioned maps and illustrations immerse the reader in the story of the city.            
 
Whether you're visiting London for the first time, or born and raised there, Rosenberg invites you to see London as you never have before—the radical center of the English-speaking world.     

With the rise of women's suffrage, challenges to marriage and divorce laws, and expanding opportunities for education and employment for women, the early years of the twentieth century were a time of social revolution. Examining British novels written in 1890-1914, Jane Eldridge Miller demonstrates how these social, legal, and economic changes rendered the traditional narratives of romantic desire and marital closure inadequate, forcing Edwardian novelists to counter the limitations and ideological implications of those narratives with innovative strategies. The original and provocative novels that resulted depict the experiences of modern women with unprecedented variety, specificity, and frankness. Rebel Women is a major re-evaluation of Edwardian fiction and a significant contribution to literary history and criticism.

"Miller's is the best account we have, not only of Edwardian women novelists, but of early 20th-century women novelists; the measure of her achievement is that the distinction no longer seems workable." —David Trotter, The London Review of Books

Across early modern Europe, men and women from all ranks gathered medical, culinary, and food preservation recipes from family and friends, experts and practitioners, and a wide array of printed materials. Recipes were tested, assessed, and modified by teams of householders, including masters and servants, husbands and wives, mothers and daughters, and fathers and sons. This much-sought know-how was written into notebooks of various shapes and sizes forming “treasuries for health,” each personalized to suit the whims and needs of individual communities.
 
In Recipes and Everyday Knowledge, Elaine Leong situates recipe knowledge and practices among larger questions of gender and cultural history, the history of the printed word, and the history of science, medicine, and technology. The production of recipes and recipe books, she argues, were at the heart of quotidian investigations of the natural world or “household science”. She shows how English homes acted as vibrant spaces for knowledge making and transmission, and explores how recipe trials allowed householders to gain deeper understandings of sickness and health, of the human body, and of natural and human-built processes. By recovering this story, Leong extends the parameters of natural inquiry and productively widens the cast of historical characters participating in and contributing to early modern science.

Although much has been written about the vigorous debates over science and religion in the Victorian era, little attention has been paid to their continuing importance in early twentieth-century Britain. Reconciling Science and Religion provides a comprehensive survey of the interplay between British science and religion from the late nineteenth century to World War II.

Peter J. Bowler argues that unlike the United States, where a strong fundamentalist opposition to evolutionism developed in the 1920s (most famously expressed in the Scopes "monkey trial" of 1925), in Britain there was a concerted effort to reconcile science and religion. Intellectually conservative scientists championed the reconciliation and were supported by liberal theologians in the Free Churches and the Church of England, especially the Anglican "Modernists." Popular writers such as Julian Huxley and George Bernard Shaw sought to create a non-Christian religion similar in some respects to the Modernist position. Younger scientists and secularists—including Rationalists such as H. G. Wells and the Marxists—tended to oppose these efforts, as did conservative Christians, who saw the liberal position as a betrayal of the true spirit of their religion. With the increased social tensions of the 1930s, as the churches moved toward a neo-orthodoxy unfriendly to natural theology and biologists adopted the "Modern Synthesis" of genetics and evolutionary theory, the proposed reconciliation fell apart.

Because the tensions between science and religion—and efforts at reconciling the two—are still very much with us today, Bowler's book will be important for everyone interested in these issues.

“The historian,” wrote E. L. Doctorow, “will tell you what happened. The novelist will tell you what it felt like.” This book sees Peter Hennessy and Robert Shepard combine both approaches with the art of the interviewer, a craft at once sensitive and probing.

Reflections collects transcripts of the best interviews from the BBC Radio 4 series Reflections with Peter Hennessy, a show on which the British political elite have spoken candidly about their careers and the moments that came to define their political lives. Supplementing the interviews are short biographies and profiles of the interviewees, allowing readers a fuller picture of each speaker’s background and professional trajectory. This revealing book includes conversations with political heavyweights such as former prime minister John Major; former foreign secretaries Margaret Beckett, David Owen, and Jack Straw; Labour Party leader Neil Kinnock; Liberal Party leader David Steel; and chancellor of exchequer Nigel Lawson. In addition, Reflections presents interviews with leading women, including Shirley Williams and Clare Short, who spent years at the forefront of their parties in Westminster.

The latest volume in the popular Haus Curiosities series, Reflections offers valuable insights from some of today’s most influential political figures.

Accompanying the acclaimed BBC Radio 4 program, Reflections features interviews with twelve of Britain’s most influential political figures from the last twenty years. Presented by Peter Hennessy, one of the UK’s most renowned historians, each interview not only offers an honest and frank assessment of a political career, but also acts as a biography filled with fresh insights and moments of new revelation. From one of the longest-serving Prime Ministers and three of the Conservative leaders who stood against him, to dominant figures of late Thatcherism, stalwarts of successive New Labour cabinets, and leaders of the Liberal Democrats, Hennessy brings his characteristic style to each encounter. The politicians included in this volume are: Tony Blair, Michael Heseltine, Vince Cable, Margaret Hodge, William Hague, Harriet Harman, Michael Howard, Paddy Ashdown, Sayeeda Warsi, David Blunkett, Iain Duncan Smith and Kenneth Baker.  

“The strength of Empire,” wrote Ben Jonson, “is in religion.” In Reforming Empire, Christopher Hodgkins takes Jonson’s dictum as his point of departure, showing how for more than four centuries the Protestant imagination gave the British Empire its main paradigms for dominion and also, ironically, its chief languages of anti-imperial dissent. From Edmund Spenser’s Faerie Queene to Rudyard Kipling’s “The Man Who Would Be King,” English literature about empire has turned with strange constancy to themes of worship and idolatry, atrocity and deliverance, slavery and service, conversion, prophecy, apostasy, and doom.

Focusing on the work of the Protestant imagination from the Renaissance origins of English overseas colonization through the modern end of England’s colonial enterprise, Hodgkins organizes his study around three kinds of religious binding—unification, subjugation, and self-restraint. He shows how early modern Protestants like Hakluyt and Spenser reformed the Arthurian chronicles and claimed to inherit Rome’s empire from the Caesars: how Ralegh and later Cromwell imagined a counterconquest of Spanish America, and how Milton’s Satan came to resemble Cortés; how Drake and the fictional Crusoe established their status as worthy colonial masters by refusing to be worshiped as gods; and how seventeenth-century preachers, poets, and colonists moved haltingly toward a racist metaphysics—as Virginia began by celebrating the mixed marriage of Pocahontas but soon imposed the draconian separation of the Color Line.

Yet Hodgkins reveals that Tudor-Stuart times also saw the revival of Augustinian anti-expansionism and the genesis of Protestant imperial guilt. From the start, British Protestant colonialism contained its own opposite: a religion of self-restraint. Though this conscience often was co-opted or conscripted to legitimize conquests and pacify the conquered, it frequently found memorable and even fierce literary expression in writers such as Shakespeare, Daniel, Herbert, Swift, Johnson, Burke, Blake, Austen, Browning, Tennyson, Conrad, Forster, and finally the anti-Protestant Waugh. Written in a lively and accessible style, Reforming Empire will be of interest to all scholars and students of English literature.

In Regimens of the Mind, Sorana Corneanu proposes a new approach to the epistemological and methodological doctrines of the leading experimental philosophers of seventeenth-century England, an approach that considers their often overlooked moral, psychological, and theological elements. Corneanu focuses on the views about the pursuit of knowledge in the writings of Robert Boyle and John Locke, as well as in those of several of their influences, including Francis Bacon and the early Royal Society virtuosi. She argues that their experimental programs of inquiry fulfill the role of regimens for curing, ordering, and educating the mind toward an ethical purpose, an idea she tracks back to the ancient tradition of cultura animi. Corneanu traces this idea through its early modern revival and illustrates how it organizes the experimental philosophers’ reflections on the discipline of judgment, the study of nature, and the study of Scripture.  

It is through this lens, the author suggests, that the core features of the early modern English experimental philosophy—including its defense of experience, its epistemic modesty, its communal nature, and its pursuit of “objectivity”—are best understood.

The Covid-19 pandemic has tragically exposed how today’s welfare state cannot properly protect its citizens. Despite the valiant efforts of public sector workers, from under-resourced hospitals to a shortage of housing and affordable social care, the pandemic has tragically shown how decades of neglect has caused hundreds to die. In this bold new book, leading policy analyst Ursula Huws shows how we can create a welfare state that is fair, affordable, and offers security for all.

Huws focuses on some of the key issues of our time – the gig economy, universal, free healthcare, and social care, to criticize the current state of welfare provision. Drawing on a lifetime of research on these topics, she clearly explains why we need to radically rethink how it could change. With positivity and rigor, she proposes new and original policy ideas, including critical discussions of Universal Basic Income and new legislation for universal workers' rights.

She also outlines a 'digital welfare state' for the 21st century. This would involve a repurposing of online platform technologies under public control to modernize and expand public services, and improve accessibility.

Representing Modernist Texts seeks to expose, and then to bridge, the gap between contemporary textual scholarship and the critical and theoretical study of modernist texts. Modernist critics and scholars have for too long consigned textual problems to work from earlier periods and largely ignored them in creating successive waves of avantgarde critical theory designed first to champion, and more recently to challenge, modernist literature itself. And yet, as the controversy around Hans Walter Gabler’s edition of Ulysses has made clear, twentieth-century texts are deeply problematic at the physical as well as the interpretive level.
 
In Representing Modernist Texts, thirteen internationally known scholars provide major explorations of the topic in the work of particular writers. The issues they raise include the construction of a writer’s canon and the effect of newly available “uncanonical” manuscript materials on existing works and orderings; the replacement of the older idea of a fixed, stable text by a more contemporary notion of the text as process; and the interrogation by advanced textual theory of many of the same notions of “author,” “intention,” and “stability of the text” questioned by advanced literary theory.
 

Why is the anniversary of the French Revolution celebrated on July 14, the day the Bastille was stormed, rather than on August 26, the day the Declaration of the Rights of Man was signed? Why don’t the French do as the Americans, who see their revolution epitomized by the signing of the Declaration of Independence? “There is surely something to be learned from contemplating the difference between these two ways of representing a revolution,” writes James Heffernan. In this volume, he and 13 other distinguished scholars consider representations of the French Revolution in literature, historical narratives, and art as central to understanding it. Challenging the idea that history is a body of fact separable from fictions wrought by literature and the visual arts, they show that study of a major historical event inevitably leads to study of representation.

Modernity in interwar Europe frequently took the form of a preoccupation with mechanizing the natural; fears and fantasies revolved around the notion that the boundaries between people and machines were collapsing. Reproduction in particular became a battleground for those debating the merits of the modern world.

 

That debate continues today, and to understand the history of our anxieties about modernity, we can have no better guide than Angus McLaren. In Reproduction by Design, McLaren draws on novels, plays, science fiction, and films of the 1920s and '30s, as well as the work of biologists, psychiatrists, and sexologists, to reveal surprisingly early debates on many of the same questions that shape the conversation today: homosexuality, recreational sex, contraception, abortion, euthanasia, sex change operations, and in vitro fertilization.

 

Here, McLaren brings together the experience and perception of modernity with sexuality, technology, and ecological concerns into a cogent discussion of science’s place in reproduction in British and American cultural history.

Phil Cohen is a founding scholar in the study of British youth subculture and a key figure at the Birmingham Centre for Contemporary Cultural Studies. In Rethinking the Youth Question, essays representing twenty years of Cohen’s work—beginning in 1969—are presented together for the first time. Some of these essays have not previously been published, others have been difficult to locate, and together they provide a precise conceptual history of the development of British cultural studies and a thoughtful contemplation of the significance of the entire cultural studies enterprise.
With a preface that contextualizes Cohen’s essays for an American audience, Rethinking the Youth Question reflects his tenure as a community organizer and activist in inner-city London and includes ethnographic, theoretical, and historical studies of Britain’s urban youth. Cohen offers an enlightening analysis of British educational policy, develops historical and structural accounts of generational and gendered divisions of labor, and discusses such topics as racism and the rise of the New Right. Also exploring broader questions such as the theoretical and sociological significance of youth as a category, this book is a model of useful methodology and engaged cultural reflection.
With empirical research that combines biographical, autobiographical, critical, cultural, and social elements, Rethinking the Youth Question is sure to impact debates surrounding the pedagogical value of cultural studies and the nature and future of this field in both the United States and Britain. This collection will be informative reading for students and scholars of cultural studies, sociologists, and others interested in the category of youth.

Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what “Britishness” meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies. 

A fresh perspective on the enduring relationship between literature, democracy, and dissent

Rhetoric and Resistance explores the transformative role of nineteenth-century literature in shaping modern concepts and practices of democratic dissent. By examining the works of Romantic and Victorian novelists, poets, and journalists, Maeve Adams identifies origins of modern theories and practices of resistance in nineteenth-century literary forms. Offering a literary history of dissent, the book recovers the intertwined development of democracy and aesthetics, revealing how narrative form became a potent tool for challenging authority.

Tracing the lineage of dissent from the radical fiction and journalism of the 1800s to contemporary movements like #MeToo, Adams offers a genealogy that highlights how literary texts experimented with political power, granting new and consequential voices to working-class individuals, women, colonized peoples, and other marginalized groups.

Adams takes an interdisciplinary approach, weaving together close readings of works by Thomas De Quincey, Walter Scott, Elizabeth Gaskell, and H. G. Wells, as well as lesser-known journalists, with insights from modern moral and political philosophy. Drawing on theories of democratic ethics and justice from scholars such as Miranda Fricker, Sharon Krause, Martha Nussbaum, and Philip Pettit, the book bridges literary history and contemporary debates about political agency and expression.