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A personal guide to the transformations, hard truths, profound pleasures, and infinite possibilities of aging

One May morning shortly before her seventy-fifth birthday, Andrea Gilats awoke to a startling, sudden spike in consciousness that she was about to leap from older to old. Radical Endurance is the story of the reckoning that followed, a candid, clear-eyed journey of discovery through the pitfalls and possibilities of aging. Facing the realities of her age, Gilats explores her fears of failing health and loss of independence while navigating the terrain of an ageist culture. But among such troubling uncertainties, she also encounters the singular pleasures of “growing up again,” of finding fresh and unexpected ways of understanding herself and making meaning during this new era of her life.

Reflecting on moments in midlife, from the painful adjustments of widowhood to life-altering medical diagnoses, Gilats arrives at a valuable insight: the journey toward old age begins sooner and lasts longer than we might imagine. Yet from any moment in this process, old age is the future, brimming with potential. In her account, Gilats combines personal and professional experience, offering firsthand knowledge of a stage of life that we each meet in our own time, in our own way. She also contributes the learning and wisdom of her heroes and mentors, including feminist author Barbara Ehrenreich, poet May Sarton, singer and activist Joan Baez, psychiatrist Gene Cohen, archaeologist Arthur C. Parker, physician Jane Hodgson, and Nobel literature laureate Isaac Bashevis Singer.

Enlightening and deeply moving, alive to the sadness and joy of time passing, Radical Endurance is a guide and a companion through the experience of growing old as well as an unconventional coming-of-age story, celebrating a new stage of life when we need it most.

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“A fascinating insider’s view of a vital and dangerous profession.” —The Wall Street Journal
“An instant classic of labor and transportation history.” —Library Journal, starred review

The New York City subway system is one of the largest and oldest in the world, still carrying traces of the transport systems that came before it. Some of its elevated tracks are remnants of steam railroads, and some tunnels run where canoes served as ferries. For passengers, riding the subway can feel like stepping into another world, dark and dank and sometimes dangerous. Now just imagine what it’s like to work there every day.

One of the few subway workers who went on to earn a PhD from Harvard, historian Fred Naiden gives readers a firsthand look at what it was like to work as a subway porter, a motorman, and a locomotive engineer during the 1980s. He recounts the labor activism of his fellow MTA employees, who advocated for better conditions, higher pay, and less institutional racism. He also shares wild stories about the riders he encountered, from a homeless former realtor who worked as a mob frontman to an angry passenger who pulled a gun on him while the train was stuck at a stop signal. Above all, Railroaded will answer many questions about the New York subway system, including how it could be improved.

A father’s memoir of preparing a dual-language household for a stint living abroad—and all of the ensuing challenges and rewards

After living in Modena, Italy, for three years, Eric Dregni and his wife, Katy, dreamed of returning one day—future children in tow—to give their kids the experience of living abroad. When they become parents, they decide to raise their children with a global perspective in a bilingual household: Katy speaking only English to them and Eric speaking only Italian.

Despite their extended family’s confusion about this experiment, they persist through their three kids’ childhoods, sending them to an immersion language camp and preparing them for life abroad. Eventually, the family packs up and moves to Florence, where the bambini can stop to see Michelangelo’s David on the way home from school, indulge in fresh pasta and gelato, and learn how to argue like real Italians. Sooner than anyone would like, three months of la dolce vita comes to an end, and they head back to Minnesota, trying to bring a taste of Italian culture home with them.

A fast-paced memoir/travelogue, Raising Bilingual Bambini is Dregni’s passionate testament to the value of an international perspective, his loving tribute to the family’s time together in Italy, and a bittersweet reflection on what it meant to return to Minnesota (until their trip to Sicily several years later). Writing with his signature humor and sincerity, Eric Dregni offers a heartfelt story about family and finding a home together in a new place.

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The account of one radically new school year for a Teacher of the Year and for his nonbinary, art-obsessed, brilliant child 

Seven-year-old Ollie was researching local advanced school programs—because every second grader does that, right? Ollie, who used to hate weekends because they meant no school, was crying on the way to school almost every day. Sure, there were the slings and arrows of bullies and bad teachers, but, maybe worse, Ollie, a funny, anxious, smart kid with a thing for choir and an eye for graphic art, was gravely underchallenged and also struggling with identity and how to live totally as themselves. Ollie begged to switch to a new school with “kids like me,” where they wouldn’t feel so alone, or so bored, and so they made the change. 

Raising Ollie is dad Tom Rademacher’s story (really, many stories) of that eventful and sometimes painful school year, parenting Ollie and relearning every day what it means to be a father and teacher. As Ollie—who is nonbinary and uses they/them pronouns, and prefers art to athletics, vegetables to cake, and animals to most humans—flourishes in their new school, Rademacher is making an eye-opening adjustment to a new school of his own, one that’s whiter and more suburban than anywhere he has previously taught, with a history of racial tension that he tries to address and navigate. 

While Ollie is learning to code, 3D model, animate, speak Japanese, and finally feel comfortable at school, Rademacher increasingly sees how his own educational struggles, anxieties, and childhood upbringing are reflected in his teaching, writing, and parenting, as well as in Ollie’s experience. And with this story of one anything-but-academic year of inquiry and wonder, doubt and revelation, he shows us how raising a kid changes everything—and how much raising a kid like Ollie can teach us about who we are and what we’re doing in the world.

Coming home to Oregon to reconnect with his aging parents, Daniel Dietz discovers the rhythms and relationships of a changing book world. As the internet pushes bibliophiles away from used bookstores and toward digital commerce, Dietz’s stepfather Michael, now nearing eighty, clings to the precarious trade of scouring thrift stores and library sales for rare books to sell. He explores the stacks, from garage sales in Eugene’s Whiteaker neighborhood to Portland’s Powell’s City of Books, for overlooked first editions and valuable rare books from the past.

With humor and tenderness, Rare and Used introduces us to Michael and to a dedicated and zealous community of book people, each with a grail book that they seek above all others. For Dietz, it’s Beat poet Diane di Prima’s debut collection This Kind of Bird Flies Backward—a book once owned by his stepfather. In his quest for the book, Dietz grapples with larger questions about possession, inheritance, and what we can hold onto. A tribute to books and booksellers as well as to family and place, Rare and Used explores what it means to return home to a community that shaped you.

A reflection on how literature can function as a medium of lived experience rather than intellectual abstraction under conditions of radical constraint. 

Drawing on the experience of teaching at Mt. Tam College at the San Quentin Correctional Facility, literary scholar Alan Tansman traces the extraordinary seriousness with which incarcerated students engage literary works form many times and places; Natsume Soseki's Kokoro, Toni Morrison's The Bluest Eye, Jorge Luis Borges's "Funes the Memorious," and Jean Améry's "On Torture." The heart of the book lies not in these canonical works themselves but in the students' responses—writing and discussion that is spare, precise, and emotionally exacting. These students are not merely powerful witnesses to suffering; they are careful, committed readers. Their interpretations are alert to ethical stakes and formal detail, shaped by firsthand knowledge of trauma, isolation, guilt, and the struggle with living in a painful present looking toward a hard future. What kind of refuge can literature offer from pain, guilt, and the weight of the past? Can that refuge also offer a guide for living behind bars?

Rebel Private Front and Rear is a line soldier’s account of the Civil War without heroics. Private Fletcher tells how at Gettysburg he was overcome by a “bad case of cowardly horror” when an order came on the third day to get ready to charge. “I tried to force manhood to the front, but fright would drive it back with a shudder,” he confessed. The attack of jitters lasted about fifteen minutes, and then he fell asleep while awaiting the order to advance.

But Fletcher could be brave to a fault. He was restless and venturesome and during the lulls between fighting would sometimes ask for permission to go on dangerous scouts into enemy territory. Once, just before Fredericksburg, he slipped out to a haystack in the no-man’s-land near the Rappahannock so that he could watch the Yankees build a bridge. And in his last fight at Bentonville he risked his life on a rash and futile impulse to capture a whole squad of Federals. At Second Manassas, Fletcher was struck by a bullet that grazed his bowels and lodged in his hip. His detailed description of his subsequent sensations and experiences is one of the most interesting portions of his narrative. He begged the surgeons to operate, but when they started cutting he howled so profanely that they threatened to abandon him. His reply was: “It don’t hurt as badly when I am cursing.”

Wounded again at Chickamauga, Fletcher was incapacitated for further infantry service and was transferred to Company E, Eighth Texas Cavalry, and served with Terry’s Rangers until the end of the war. In north Georgia he participated in a number of thrilling skirmishes with mounted forces of Sherman’s command, and in one of these encounters he lost his horse. A short time later, in a daring effort to capture a mount from the Yankees, he was taken prisoner. The story of the forming and execution of his plan to escape by jumping from a moving boxcar is full of suspense and excitement.

Rebel Private also reveals Fletcher as something of a philosopher. The narrative is sprinkled with dissertations on unexpected subjects, such as God, justice, and war. He reflects on the rightness and the necessity of “foraging,” in home as well as enemy territory, but he tells with evident relish how he and his “pard” of the occasion “pressed” whiskey, honey, and chickens.

Fletcher set down his experiences some forty years after the close of the Civil War. His story is told with the artlessness of the natural raconteur. Though the style is unpolished, the memoir makes lively reading because of the author’s eye for detail, his straightforward language, and his sense of humor. One of the most frequently cited narratives written by soldiers of Lee’s army, it derives its value as a historical source mainly from Fletcher’s honesty, his close observations, the richness and variety of his experiences, and the sharpness of his memory.

Personal memoires of influential French feminist socialist and radicalist Louise Michel, a participant and observer in the Paris Commune.

Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France’s Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint, "the Red Virgin." These are her memoires.

When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English.

These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women’s rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle.

The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women’s studies.

Growing up is a universal experience, but the particularities of homeland, culture, ethnicity, religion, family, and so on make every childhood unique. To give Western readers insight into what growing up in the Middle East was like in the twentieth century, this book gathers thirty-six original memoirs written by Middle Eastern men and women about their own childhoods.

Elizabeth Warnock Fernea, a well-known writer of books and documentary films about women and the family in the Middle East, has collected stories of childhoods spent in Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Morocco, Palestine, Saudi Arabia, Sudan, Syria, Tunisia, and Turkey. The accounts span the entire twentieth century, a full range of ethnicities and religions, and the social spectrum from aristocracy to peasantry. They are grouped by eras, for which Fernea provides a concise historical sketch, and include a brief biography of each contributor. The introduction by anthropologist Robert A. Fernea sets the memoirs in the larger context of Middle Eastern life and culture.

As a collection, the memoirs offer an unprecedented opportunity to look at the same period in history in the same region of the world from a variety of very different remembered experiences. At times dramatic, humorous, or tragic, and always deeply felt, the memoirs document the diversity and richness of people's lives in the modern Middle East.

Remembering the Power of Words recounts the personal and professional journey of Avel Gordly, the first African-American woman elected to the Oregon State Senate.

The book is a brave and honest telling of Gordly’s life. She shares the challenges and struggles she faced growing up black in Portland in the 1950s and 1960s, as well as her determination to attend college, the dedication to activism that took her from Portland to Africa, and her eventual decision to run for a seat in the state legislature.

That words have power is a constant undercurrent in Gordly’s account and a truth she learned early in life. “Growing up, finding my own voice,” she writes, “was tied up with denying my voice or having it forcefully rejected and in all of that the memory of my father is very strong. To this day—and I am today a very experienced public speaker—preparation to speak takes a great deal of energy.” That this memoir has its origins as an oral history is fitting since Gordly has used her voice, out loud, to teach and inspire others for so many years.

Important as a biographical account of one significant Oregonian’s story, the book also contributes “broader narratives touching on Black history (and Oregon’s place within it), and most particularly the politics associated with being an African American woman,” according to series editor Melody Rose.

When DJ Lee’s dear friend vanishes in the vast Selway-Bitterroot Wilderness of Idaho and Montana, she travels there to seek answers. The journey unexpectedly brings to an end her fifteen-year quest to uncover the buried history of her family in this remote place. Although Lee doesn’t find all the answers, she comes away with a penetrating memoir that weaves her present-day story with past excursions into the region, wilderness history, and family secrets.

As she grapples with wild animal stand-offs, bush plane flights in dense fog, raging forest fires, and strange characters who have come to the wilderness to seek or hide, Lee learns how she can survive emotionally and how the wilderness survives as an ecosystem. Her growing knowledge of the life cycles of salmon and wolverine, the regenerative role of fire, and Nimíipuu land practices helps her find intimacy in this remote landscape.

Skillfully intertwining history, outdoor adventure, and mystery, Lee’s memoir is an engaging contribution to the growing body of literature on women and wilderness and a lyrical tribute to the spiritual connection between people and the natural world.

The inspiring life story of Minnesota’s first woman lieutenant governor: breaking political ground, navigating patriarchal tradition, and persevering through great personal loss

Marking a milestone for women in state government, Marlene M. Johnson became Minnesota’s first woman lieutenant governor under Rudy Perpich’s gubernatorial administration in January 1983. That same year, she met her husband, Peter, and their deeply loving relationship profoundly sustained her for twenty-seven years. Rise to the Challenge weaves these personal and professional stories together in a courageous portrait of dedication and leadership.

Growing up in rural Minnesota, Johnson began organizing and advocating for change early, beginning with a campaign to introduce foreign languages into her high school curriculum. Pursuing a deeply felt commitment to improving the lives of others, she continued to sharpen her leadership skills throughout her life, participating in activist work in college, cofounding organizations to support women entrepreneurs and politicians, and eventually running an international education nonprofit.

A stalwart supporter, her husband gave Marlene strength and encouragement to face the challenges of the political landscape and its gender biases. Then, in 2010, he suffered a traumatic brain injury that would change both of their lives. Learning how to be a medical advocate and, eventually, facing the sorrow of Peter’s death, Marlene relied on the hard-fought resilience and belief in herself that Peter had helped her to develop.

A story of learning and leadership in politics, business, and public service, Rise to the Challenge is a moving portrayal of spirit, perseverance, and grace in the face of daunting personal challenges, supported by unwavering faith in the public good.

Tina Ontiveros was born into timber on both sides of the family. Her mother spent summers driving logging trucks for her family’s operation, and her father was the son of an itinerant logger, raised in a variety of lumber towns, as Tina herself would be.

A story of growing up in turmoil, rough house recounts a childhood divided between a charming, mercurial, abusive father in the forests of the Pacific Northwest and a mother struggling with small-town poverty. It is also a story of generational trauma, especially for the women—a story of violent men and societal restrictions, of children not always chosen and frequently raised alone.

Ontiveros’s father, Loyd, looms large. Reflecting on his death and long absence from her life, she writes, “I had this ridiculous hope that I would get to enjoy a functional relationship with my father, on my own terms, now that I was an adult.” In searingly honest, straightforward prose, rough house is her attempt to carve out this relationship, to understand her father and her family from an adult perspective.

While some elements of Ontiveros’s story are universal, others are indelibly grounded in the logging camps of the Pacific Northwest at the end of the twentieth century, as the lumber industry shifted and contracted. Tracing her childhood through the working-class towns and forests of Washington and Oregon, Ontiveros explores themes of love and loss, parents and children, and her own journey to a different kind of adulthood.