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Fanny Dolansky’s Roman Family Festivals explores the vital role religious ritual played in domestic life for Roman families from 200 BCE to 200 CE. Seven festivals, from the Parentalia in February to the Saturnalia in December, are reconstructed and analyzed from varied perspectives, including those of men, women, and children who were free, enslaved, or formerly enslaved. The festivals addressed key concerns for families such as relations between freeborn and enslaved members of the household, spouses, adults and children, and the living and the dead, and played an important role in the ongoing processes of socialization and enculturation of  Roman identity. Integrating literary, epigraphic, papyrological, archaeological, and art historical sources, the study pays careful attention to the critical categories of age, gender, and juridical status to understand better who celebrated the festivals and how, and what their participation meant to them individually and to the collective. Roman Family Festivals demonstrates the longevity of family festivals and their continued relevance in late antiquity, despite a rapidly changing religious and cultural landscape.

Rome was the law-giver for much of the modern world. She was also the greatest military power of antiquity, operating her military organization with remarkable efficiency and effectiveness throughout most of the then-known world. In view of the importance of both the legal and military aspects of the Roman Empire, an account of their combination in a system of disciplinary control for the Roman armies is of considerable significance to historians in both fields—and, in fact, to scholars in general. In Roman Military Law, C. E. Brand describes this system of control.

Since a characterization of such a system can be made most meaningful only against a background of Roman constitutional government and in the light of ideologies current at the time, Brand follows his initial “Note on Sources” with a sketch of the contemporary Roman scene. This first section includes a discussion of the Roman constitution and an examination of Roman criminal law.

The history of Rome, as a republic, principate, and empire, extended over a period of a thousand years, so any attempt to represent a generalized picture must be essentially a matter of extraction and condensation from the voluminous literature of the whole era. Nevertheless, from the fantastic evolution that is the history of Rome, Brand has been able to construct a more or less static historical mosaic that may be considered typically “Roman.” This comes into sharpest focus during the period of the Punic Wars, when the city and its people were most intensely Roman. The picture of the Roman armies is set into this basic framework, in chapters dealing with military organization, disciplinary organization, religion and discipline, and offenses and punishments.

The final section of the book considers briefly the vast changes in Roman institutions that came about under the armies of the Empire, and then concludes with the Latin text and an English translation of the only known code of Roman military justice, promulgated sometime during the later Empire, preserved in Byzantine literature, and handed down to medieval times in Latin translations of Byzantine Greek law, which it has heretofore been confused.

Roman siege warfare had its own structure and customs, and expectations both by the besieged and by the attacking army. Sieges are typically sorted by the techniques and technologies that attackers used, but the more fruitful approach offered in Roman Siege Warfare examines the way a siege follows or diverges from typical narrative and operational plotlines. Author Josh Levithan emphasizes the human elements—morale and motivation—rather than the engineering, and he recaptures the sense of a siege as an event in progress that offers numerous attitudes, methods, and outcomes. Sieges involved a concentration of violent effort in space and the practical challenge posed by a high wall: unlike field battles they were sharply defined in time, in space, and in operational terms.

Chapters examine motivation and behavior during a siege and focus on examples from both the Roman Republic and the Empire: Polybius, Livy, Julius Caesar, Flavius Josephus, and Ammianus Marcellinus. Levithan examines the “gadgetary turn,” during which writers began to lavish attention on artillery and wall-damaging techniques, fetishizing technology and obscuring the centrality of the assault and of human behavior.

This volume speaks to classicists and historians of all stripes. All passages are translated, and references are accessible to nonspecialists. Military historians will also find much of interest in the volume, in its treatment both of Roman military conduct and of wider military practice.

Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage.

Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete.

Romances of the White Man's Burden takes on works in American literature in which the proverbial "old plantation" is made to seem not a relic but a harbinger, a sign that the South had arrived at a multiracial modernity and harmony before the rest of the United States. Focusing on writers such as Joel Chandler Harris, Thomas Nelson Page, Henry W. Grady, Thomas Dixon, and William Faulkner, Jeremy Wells reveals their shared fixation on the figure of the white southern man as specially burdened by history. Each of these writers, in his own way, presented the plantation South as an emblem, not an aberration, of America.

During Mexico's first century of independence, European and American explorers rediscovered its pre-Hispanic past. Finding the jungle-covered ruins of lost cities and artifacts inscribed with unintelligible hieroglyphs—and having no idea of the age, authorship, or purpose of these antiquities—amateur archaeologists, artists, photographers, and religious writers set about claiming Mexico's pre-Hispanic patrimony as a rightful part of the United States' cultural heritage.

In this insightful work, Tripp Evans explores why nineteenth-century Americans felt entitled to appropriate Mexico's cultural heritage as the United States' own. He focuses in particular on five well-known figures—American writer and amateur archaeologist John Lloyd Stephens, British architect Frederick Catherwood, Joseph Smith, founder of the Church of Jesus Christ of Latter-Day Saints, and the French émigré photographers Désiré Charnay and Augustus Le Plongeon. Setting these figures in historical and cultural context, Evans uncovers their varying motives, including the Manifest Destiny-inspired desire to create a national museum of American antiquities in New York City, the attempt to identify the ancient Maya as part of the Lost Tribes of Israel (and so substantiate the Book of Mormon), and the hope of proving that ancient Mesoamerica was the cradle of North American and even Northern European civilization. Fascinating stories in themselves, these accounts of the first explorers also add an important new chapter to the early history of Mesoamerican archaeology.

Centered on the trajectory of the emancipation of Roma people in Scandinavia, Romani Liberation is a powerful challenge to the stereotype describing Romani as passive and incapable of responsibility and agency. The author also criticizes benevolent but paternalistic attitudes that center on Romani victimhood.

The first part of the book offers a comprehensive overview of the chronological phases of Romani emancipation in Sweden and other countries. Underscoring the significance of Roma activism in this process, Jan Selling profiles sixty Romani activists and protagonists, including numerous original photos. The narrative is followed by an analysis of the concepts of historical justice and of the process of decolonizing Romani Studies. Selling highlights the impact of the historical contexts that have enabled or impeded the success of the struggles against discrimination and for equal rights, emphasizing Romani activism as a precondition for liberation.

The particular Swedish framework is accentuated by a stimulating preface by the international activist Nicoleta Bitu, and afterwords by two prominent Romani advocates, the politician Soraya Post and the singer, author, and elder Hans Caldaras.

Exploring gender and sexuality in the Gilded Age through one sensationalized life

Addie Liona Walker. Leon A. Belmont. Nova McClure Carr. Romantic Sensation tells the full story of this one ordinary person’s singular life. Assigned a female sex at birth, Addie was born in Massachusetts in 1853 and lived as a woman for twenty-five years. After transitioning in 1878, Addie became Leon and lived as a man for twenty-four years before making a second gender transition and living as a woman, Nova, for the rest of her life. Placing these milestones within the historical context of the late nineteenth and early twentieth centuries, Lizzie Ehrenhalt traces Belmont’s life, from child laborer to husband, from outlaw to heartthrob, and from stepfather to single mother.

Belmont was a Gilded Age celebrity: he made national news for breaking an ordinance against dressing as the “opposite” sex in Minneapolis, and he inspired a media frenzy when one of his girlfriends told police that he was a woman. While newspapers labeled Belmont a “curious and romantic sensation,” Ehrenhalt shows that he was not much of a sensation after all. Illuminating what his story can tell us about Americans’ developing understandings of sexuality and gender in the 1850s through the 1920s, she reveals how Belmont’s run-ins with police, doctors, courts, and reporters resonate in the evolution of the LGBTQIA+ identities we recognize today.

An empathetic case study of a figure often denied respect in the telling of his story, Romantic Sensation presents Belmont’s gender transitions not as puzzles in need of solving but as acts grounded in the cultural milieu of the Gilded Age. Traversing the dramatic economic upheavals of the second industrial revolution, the Era of Good Stealings, and the Great Railroad Strike of 1922, and spanning the Cult of Domesticity, the invention of sexology, and the rise of New Womanhood, Ehrenhalt uses Belmont’s example to demonstrate how trans, queer, and intersex histories are inseparable from American history.

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Discover the overlooked years that forged Theodore Roosevelt’s reforming spirit, revealing how bureaucratic battles shaped a future president and transformed American government forever

Roosevelt the Reformer is a compelling scholarly biography that uncovers a neglected chapter of Theodore Roosevelt’s life: his six-year tenure as U.S. Civil Service Commissioner from 1889 to 1895. Rather than focusing on his presidency or battlefield exploits, the book reveals how Roosevelt’s administrative work shaped his reformist zeal, political skills, and enduring impact on American governance. Through vivid narrative and careful analysis, it shows how this “quiet” period contributed directly to the modernization of the federal government and the emergence of the merit-based civil service. 

Structured chronologically, the book traces each year of Roosevelt’s commissionership while weaving together political events, personal life, and broader social context. It draws on rich primary sources—letters, speeches, and contemporary accounts—and includes scholarly features such as notes, bibliography, and index. Richard D. White Jr., a historian of American political development, combines narrative storytelling with rigorous research to illuminate Roosevelt’s battles with patronage politics, his reform strategies, and his growing administrative expertise. 

This book will appeal to historians, political scientists, and general readers interested in the Gilded Age, the Progressive Era, and the origins of modern government. It is especially valuable for readers seeking fresh perspectives on Theodore Roosevelt, public administration, or reform movements, offering both an engaging biography and a nuanced study of how institutions and leaders are transformed.