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Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema

 

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery.

How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsī) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zār, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery.

Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination.

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More than a quarter-century after the passage of civil rights legislation in the United States and decades since the last European colonies attained their independence, race continues to play a central role in cultural, political, and economic life, both in the United States and around the globe. Race divides societies and individuals, shapes social policies of the most diverse sort, and organizes basic ideas about human identity and difference. Why?

Winner of the 2025 American Journalism Historians Association Book of the Year Award

Winner of the 2025 Association for Education in Journalism and Mass Communication (AEJMC)'s Tankard Book Award and the AEJMC's History Division Book Award

When the civil rights movement began to challenge Jim Crow laws, the white southern press reframed the coverage of racism and segregation as a debate over journalism standards. Many white southern editors, for instance, designated Black Americans as “Negro” in news stories, claiming it was necessary for accuracy and “objectivity,” even as white subjects went unlabeled. These news professionals disparaged media outlets that did not adhere to these norms, such as the Black press. In this way, the southern white press weaponized journalism standards—and particularly the idea of objectivity—to counter and discredit reporting that challenged white supremacy.

Through deep engagement with letters and other materials in numerous archives from editors, journalists, and leaders of newswire services, Racializing Objectivity interrogates and exposes how the white southern press used journalism standards as a professional rationalization for white supremacy and a political strategy to resist desegregation. Gwyneth Mellinger argues that white skin privilege gave these news professionals a stake in the racial status quo and was thus a conflict of interest as they defended Jim Crow. Her study includes an examination of the Southern Education Reporting Service, an objectivity project whose impartiality, she contends, instead affirmed systemic racism. In a pointed counternarrative, Mellinger highlights Black editors and academics who long criticized the supposed objectivity of the press and were consequently marginalized and often dismissed as illegitimate, fanciful, and even paranoid.

Elegant and incisive, Racializing Objectivity unequivocally demonstrates that a full telling of twentieth-century press history must reckon with the white southern press’s cooptation of objectivity and other professional standards to skew racial narratives about Black Americans, the freedom struggle, and democracy itself.

A robust ethnography of Islamic Relief explores difficult questions about the extensive reach of white supremacy

An ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West, Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman’s study on the organization’s projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism.

Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR’s mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR’s approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change.

Through her engagement with IR and other organizations, Rahman paints a frank, nuanced portrait of the constraints Islamic aid entities face in the effort to disentangle themselves from neocolonialism and Western hegemony. Yet she also locates the possibility of escape from the all-encompassing dictates of racial capitalism in alternative visions of doing good—ones that are grounded in Islam as the foundation of a revolutionary praxis.

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The candid, inspiring story of a woman’s experience with a chronic, unpredictable neurological condition

When twenty-nine-year-old reporter Stacia Kalinoski regained consciousness on a couch at the  TV station where she worked, she assumed that she’d had another seizure. But the electrical storm that had just torn through her brain was more destructive than she could have imagined, and the broadcast journalism career she loved swiftly came to an end. Forced to confront the reality of her medical condition, Kalinoski made the risky decision to undergo brain surgery, targeting the epilepsy that was ravaging her life.

In Racing Uphill, Kalinoski describes the seizures that occurred while she was running, which led to her pursuit of an uncertain cure. Rallying the grit she developed as an athlete and engaging the research and reporting skills she acquired as a journalist, she gives us a rare inside look at the ways epilepsy can change a life. Moving beyond her own personal experience, Kalinoski interviews prominent epileptologists to understand how seizures can spread, steal memories, and create strange behaviors and mood disorders. She seamlessly joins what she learned from her research with her own story, offering valuable insight into the experience of grappling with a relentless neurological disease.

The vivid auras that preceded seizures and the damage that followed; the toll of her epilepsy on her family and loved ones; the extraordinary determination her reckoning required—these are all part of Kalinoski’s story of adversity, denial, acceptance, and resilience. In sharing the remarkable opportunity that epilepsy presented for her courage and growth, Stacia Kalinoski speaks to anyone facing an uphill battle and offers inspiration for taking control of one’s own health.

Finalist: 2023 Theatre Library Association George Freedley Memorial Award 

The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic writing—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism--theater artists of color have used O’Neill’s texts to raze barriers in American and transatlantic theater.

Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie N. Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater.  In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because of the way these works stimulated traffic between Broadway and Harlem—and between white and Black America. These investigations of O’Neill and Broadway productions are enriched by the vibrant transnational exchange found in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic. 

Intercollegiate sport has historically been a source of frustration for and discrimination against African American athletes, coaches, and athletic administrators, and yet is a place of courage and achievement for those who have been given the opportunity to play, coach, and administer college sports. However, for full opportunity and equality to be achieved for African Americans in college sports, a number of issues must still be resolved.

In the fourth edition of Racism in College Athletics, editors Dana Brooks and Ronald Althouse, along with a collection of expert chapter authors, add to the conversation on topics of race, gender, identity, culture, social class, and support services. This updated edition explores historical and contemporary issues and predicts a future direction for African American student-athletes that includes strategies for addressing social injustices not just in college sports, but of student-athlete development in all phases of life, including outcomes and post-collegiate career opportunities.

In Racism in a Racial Democracy, France Winddance Twine asks why Brazilians, particularly Afro-Brazilians, continue to have faith in Brazil's "racial democracy" in the face of pervasive racism in all spheres of Brazilian life. Through a detailed ethnography, Twine provides a cultural analysis of the everyday discursive and material practices that sustain and naturalize white supremacy.

This is the first ethnographic study of racism in southeastern Brazil to place the practices of upwardly mobile Afro-Brazilians at the center of analysis. Based on extensive field research and more than fifty life histories with Afro- and Euro-Brazilians, this book analyzes how Brazilians conceptualize and respond to racial disparities. Twine illuminates the obstacles Brazilian activists face when attempting to generate grassroots support for an antiracist movement among the majority of working class Brazilians. Anyone interested in racism and antiracism in Latin America will find this book compelling.

Pinpoints the persuasive strategies that typified Wells’s efforts to shape broader cultural conversations concerning the causes of racial, social, and gender inequity

Born into the brutal reality of slavery, Ida B. Wells rose to become an audacious journalist, teacher, and activist for racial and gender justice. In Radical Advocate, Mary E. Triece examines the rhetorical strategies employed by Wells to challenge deeply rooted systems of oppression, strategies that remain powerful and relevant today.

Triece introduces the concept of “radical embodied advocacy” to give an account of Wells’s unique position as a Black woman whose personal encounters with white violence were palpable, experienced physically and mentally. White men lynched Wells’s friends and threatened her own life, forcing her into exile after destroying the very press on which she wrote and edited. From this perspective, Wells understood lynching as linked to white economic and political control. Through a close analysis of Wells’s speeches, writings, and journalism, Triece reveals how Wells pioneered a form of “intersectional journalism” that centered the voices of those marginalized by race, gender, and class.

By examining Wells’s work through the lens of philosophy, rhetoric, and Black feminism, Triece underscores the epistemic challenges faced by marginalized advocates and the importance of their perspectives in shaping social change. Radical Advocate ultimately positions Wells as a prophetic figure whose insights into the systemic nature of racism remain profoundly relevant in today’s world.

A bold addition to an advancing field, Radical Aesthetics and Modern Black Nationalism rewrites recent black cultural production even as it uncovers unexpected ways of locating black radicalism.

Cartography has a troubled history as a technology of power. The production and distribution of maps, often understood to be ideological representations that support the interests of their developers, have served as tools of colonization, imperialism, and global development, advancing Western notions of space and place at the expense of Indigenous peoples and other marginalized communities. But over the past two decades, these marginalized populations have increasingly turned to participatory mapping practices to develop new, innovative maps that reassert local concepts of place and space, thus harnessing the power of cartography in their struggles for justice.

In twelve essays written by community leaders, activists, and scholars, Radical Cartographies critically explores the ways in which participatory mapping is being used by Indigenous, Afro-descendant, and other traditional groups in Latin America to preserve their territories and cultural identities. Through this pioneering volume, the authors fundamentally rethink the role of maps, with significant lessons for marginalized communities across the globe, and launch a unique dialogue about the radical edge of a new social cartography.

A powerful collection of personal essays from lesbian moms who fought for the right to raise children  

For generations, lesbians across the United States were systematically denied opportunities to raise children and build families, opportunities that were readily available to straight people. Radical Family honors the history-making struggles and triumphs of lesbian families in Madison, Wisconsin, who raised children in the 1980s, ’90s, and early 2000s—a time when lesbian motherhood was widely considered extreme and unnatural. In a collection of nine profoundly personal essays, the contributors recount their diverse paths to parenthood, as well as the hopes and challenges each family experienced. While the stories in Radical Family are unique, they all share a common thread: the mothers’ resilience and the risks they took, both small and sweeping, to defend their family’s right to exist.  

For lesbians, the desire to raise children has historically been met with vilification and legal and social prejudice. Adoption agencies consistently rejected applications from out lesbians. Doctors and clinics refused to provide fertility treatments and other medical options to help them get pregnant. Lesbians who were able to raise children commonly lost custody to estranged spouses or grandparents.  

Trailblazing lesbian mothers—and their children—fought to defy and, ultimately, shift this paradigm. Lesbian parents, like those in Radical Family, created informal networks in their local communities, where they could share survival strategies and find acceptance among other families that looked like theirs. With no rule book to guide them, and few laws to protect them, lesbian mothers created a new—some might even say radical—standard for what it means to be a family.  

Over and over, the stories in Radical Family show how families fought back against hatred and homophobia with love, resilience, commitment, and creativity. Their stories deepen our understanding of what it means to be a mother—while showing how safety, belonging, and acceptance are universal human needs.  

Reimagining transparency and secrecy in the era of digital data

When total data surveillance delimits agency and revelations of political wrongdoing fail to have consequences, is transparency the social panacea liberal democracies purport it to be? This book sets forth the provocative argument that progressive social goals would be better served by a radical form of secrecy, at least while state and corporate forces hold an asymmetrical advantage over the less powerful in data control. Clare Birchall asks: How might transparency actually serve agendas that are far from transparent? Can we imagine a secrecy that could act in the service of, rather than against, a progressive politics? 

To move beyond atomizing calls for privacy and to interrupt the perennial tension between state security and the public’s right to know, Birchall adapts Édouard Glissant’s thinking to propose a digital “right to opacity.” As a crucial element of radical secrecy, she argues, this would eventually give rise to a “postsecret” society, offering an understanding and experience of the political that is free from the false choice between secrecy and transparency. She grounds her arresting story in case studies including the varied presidential styles of George W. Bush, Barack Obama, and Donald Trump; the Snowden revelations; conspiracy theories espoused or endorsed by Trump; WikiLeaks and guerrilla transparency; and the opening of the state through data portals.

Postsecrecy is the necessary condition for imagining, finally, an alternative vision of “the good,” of equality, as neither shaped by neoliberal incarnations of transparency nor undermined by secret state surveillance. Not least, postsecrecy reimagines collective resistance in the era of digital data.