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Recasting the Machine Age recounts the history of Henry Ford's efforts to shift the production of Ford cars and trucks from the large-scale factories he had pioneered in the Detroit area to nineteen decentralized, small-scale plants within sixty miles of Ford headquarters in Dearborn. The visionary who had become famous in the early twentieth century for his huge and technologically advanced Highland Park and River Rouge complexes gradually changed his focus beginning in the teens and continuing until his death in 1947. 

Ford may well have been motivated to spend great sums on the village industries in part to prevent the unionization of his company. But these industrial experiments represented much more than “union busting.” They were significant examples of profound social, cultural, and ideological shifts in America between the World Wars as reflected in the thought and practice of one notable industrialist. 

Howard P. Segal recounts the development of the plants, their fate after Ford's death, their recent revival as part of Michigan's renewed appreciation of its industrial heritage, and their connections to contemporary efforts to decentralize high-tech working and living arrangements.

Between the outbreak of civil war in El Salvador in 1979 and its conclusion in 1992, some 1.5 million Salvadorans fled the violence. This book focuses on the displaced Salvadorans who remained in Central America, seeking refuge in Belize, Costa Rica, Guatemala, Honduras, Nicaragua, and Panama. Their story has been almost entirely overshadowed by the greater numbers who fled farther north to the United States; however, as Rachael De La Cruz shows, the Central American history of Salvadoran refugees is rich, complex, and instructive for scholars of refugee studies, international relations, and human rights.

The isthmus nations that received Salvadoran refugees did not react consistently, and the arriving Salvadorans themselves were not passive participants. National mythologies, perceptions of economic contributions and burdens, regional militarization, state violence, and varying capacities for refugee activism, compounded by the fraught and variable circumstances of the Cold War, together shaped the multitude of government attitudes and policies toward the refugee communities within these countries’ borders. Rarely were refugees simply “a problem to solve”; rather, they represented and acted as catalysts for economic, social, and geopolitical change.
 

For most of the past century, urban America was dominated by top-down policies serving the white business and cultural elite, the suburbs, and the automobile. At times these approaches were fiercely challenged by reformers such as Jane Addams and Jane Jacobs. Yet by the 1980s, mainstream policies had resulted in a nation of ravaged central cities, sprawling suburbs, social and economic polarization, and incalculable environmental damage.

In the 1990s, this entrenched model finally yielded to change as local citizens, neighborhood groups, and other stakeholders, empowered by a spate of new laws and policies, began asserting their own needs and priorities. Though hampered by fiscal crises and internal disagreements, these popular initiatives launched what the author terms a new era of “humane urbanism” marked by a determination to make cities and suburbs greener, healthier, safer, more equitable, more efficient, and generally more people-friendly. In the process, the mayors, architects, engineers, and bureaucrats who had previously dominated urban policy found themselves relegated to supporting roles.

As Rutherford H. Platt points out, humane urbanism can take many forms, from affordable housing and networks of bike paths to refurbished waterfronts and urban farms. Often spontaneous, low-tech, and self-sustaining programs, their shared goal is to connect people to one another and to bring nature back into the city. Reclaiming American Cities examines both sides of this historic transformation: the long struggle against patricians and technocrats of earlier decades and the recent sprouting of grassroots efforts to make metropolitan America more humane and sustainable.

Winner of the 2024 Annual Book Award from the Society for Latin American and Caribbean Anthropology (SLACA)

Co-winner of the Isis Duarte Book Prize from the Latin American Studies Association 

Haiti was once a beacon of Black liberatory futures, but now it is often depicted as a place with no future where emigration is the only way out for most of its population. But Reclaiming Haiti's Futures tells a different story. It is a story about two generations of Haitian scholars who returned home after particular crises to partake in social change. The first generation, called jenerasyon 86, were intellectuals who fled Haiti during the Duvalier dictatorship (1957–1986). They returned after the regime fell to participate in the democratic transition through their political leadership and activism. The younger generation, dubbed the jenn doktè, returned after the 2010 earthquake to partake in national reconstruction through public higher education reform. An ethnography of the future, the book explores how these returned scholars resisted coloniality's fractures and displacements by working toward and creating inhabitability or future-oriented places of belonging through improvisation, rasanblaj (assembly), and radical imagination. By centering on Haiti and the Caribbean, the book offers insights not just into the Haitian experience but also into how fractures have come to typify more aspects of life globally and what we might do about it.

While some scholars would argue that there was no “Iraq” before King Faysal’s coronation in 1921, Iraqi history spans fourteen centuries of tribal communities that endured continual occupation in their historic homeland, including Mongol invasions in the thirteenth century and subsequent Ottoman and British invasions. An Iraqi identity was established long before the League of Nations defined the nation-state of Iraq in 1932. Drawing on neglected primary sources and other crucial accounts, including memoirs and correspondence, Reclaiming Iraq puts the 1920 revolt against British occupation in a new light—one that emphasizes the role of rural fighters between June and November of that year.

While most accounts of the revolution have been shaped by the British administration and successive Iraqi governments, Abbas Kadhim sets out to explore the reality that the intelligentsia of Baghdad and other cities in the region played an ideological role but did not join in the fighting. His history depicts a situation we see even today in conflicts in the Middle East, where most military engagement is undertaken by rural tribes that have no central base of power. In the study of the modern Iraqi state, Kadhim argues, Faysal’s coronation has detracted from the more significant, earlier achievements of local attempts at self-rule. With clarity and insight, this work offers an alternative perspective on the dawn of modern Iraq.

Larry Bennett explores the complexities of nostalgia with considerations of the historic preservation of brutalist architecture, specifically Bertrand Goldberg’s Prentice Women’s Hospital in Chicago; the memoirs and recollections of early and mid-twentieth-century Brooklyn and Detroit; and the turntable’s rebirth as a musical instrument alongside the vinyl LP’s resurgence as a prized way of consuming music. Bennett tracks modernity as expressed through ideas, artistic products, and widespread social practices. His consideration of nostalgia focuses on our inclination to rediscover value in people, places, and social habits diminished by the passage of time.

Provocative and multidisciplinary, Reclaiming Modernity delves into the paradox of how we feel nostalgia for ideas and times that emerged from an impulse to shun nostalgia.

Showing how twenty-first-century Black theater and media arts challenge dominant conceptualizations of time

Reclaiming Time: Race, Temporality, and Black Expressive Culture examines works by contemporary Black artists in multiple media—drama, film, performance art, and photography—that trouble dominant conceptualizations and normative configurations of time in relation to race in the twenty-first century. Isaiah Matthew Wooden explores the ways in which an intentional and sometimes ludic engagement with time and temporality has enabled these artists to probe urgent questions and themes concerning the conditions of contemporary Black life.

Wooden surveys a diverse array of performance-based and visual texts to explore the rich practices of contemporary Black expressive culture: dramatic works by playwrights Eisa Davis, Tarell Alvin McCraney, and Robert O’Hara; performance art and photography by visual artists Jefferson Pinder and LaToya Ruby Frazier; and feature-length cinema by director-producer Tanya Hamilton. These works expose normative time as specious and evidence the transformative potential in honing practices of Black temporal experimentation and intervention. By putting this cross-disciplinary set of texts in conversation with each other, Wooden sheds new light on the shrewd ways that they each reflect an investment in unbinding time from the exigencies of normativity and teleology, as well as on their shared commitments to reclaiming time to reimagine and represent Blackness in all its multiplicities.

The looting of the Iraqi National Museum in April of 2003 provoked a world outcry at the loss of artifacts regarded as part of humanity's shared cultural patrimony. But though the losses were unprecedented in scale, the museum looting was hardly the first time that Iraqi heirlooms had been plundered or put to political uses. From the beginning of archaeology as a modern science in the nineteenth century, Europeans excavated and appropriated Iraqi antiquities as relics of the birth of Western civilization. Since Iraq was created in 1921, the modern state has used archaeology to forge a connection to the ancient civilizations of Mesopotamia and/or Islamic empires and so build a sense of nationhood among Iraqis of differing religious traditions and ethnicities.

This book delves into the ways that archaeology and politics intertwined in Iraq during the British Mandate and the first years of nationhood before World War II. Magnus Bernhardsson begins with the work of British archaeologists who conducted extensive excavations in Iraq and sent their finds to the museums of Europe. He then traces how Iraqis' growing sense of nationhood led them to confront the British over antiquities law and the division of archaeological finds between Iraq and foreign excavators. He shows how Iraq's control over its archaeological patrimony was directly tied to the balance of political power and how it increased as power shifted to the Iraqi government. Finally he examines how Iraqi leaders, including Saddam Hussein, have used archaeology and history to legitimize the state and its political actions.

2023 Outstanding Book Award​, National Association for Ethnic Studies
2024 Finalist, Charles Rufus Morey Book Award, College Art Association
2024 Best Arts Book, Empowering Latino Futures’ International Latino Book Awards
2025 Ewell L. Newman Book Award, American Historical Print Collectors Society
2025 Finalist, Charles C. Eldredge Prize, the Smithsonian American Art Museum
 

How Latinx artists around the US adopted the medium of printmaking to reclaim the lands of the Americas.

Printmakers have conspired, historically, to illustrate the maps created by European colonizers that were used to chart and claim their expanding territories. Over the last three decades, Latinx artists and print studios have reclaimed this printed art form for their own spatial discourse. This book examines the limited editions produced at four art studios around the US that span everything from sly critiques of Manifest Destiny to printed portraits of Dreamers in Texas.

Reclaiming the Americas is the visual history of Latinx printmaking in the US. Tatiana Reinoza employs a pan-ethnic comparative model for this interdisciplinary study of graphic art, drawing on art history, Latinx studies, and geography in her discussions. The book contests printmaking’s historical complicity in the logics of colonization and restores the art form and the lands it once illustrated to the Indigenous, migrant, mestiza/o, and Afro-descendant people of the Americas.

“[These reminiscences] light up for whoever will read the earliest days of early English-speaking Texas.” —J. Frank Dobie, from the foreword

A firsthand account of pioneer life in east Texas.

This book publishes for the first time the complete text of Dring’s handwritten manuscript, a major primary-source document, in which he describes the horrible conditions, treatment by guards, and experiences that he and others endured during captivity. Recollections of Life on the Prison Ship Jersey is a plea not to forget but instead to remember the inhumanity of the captors and the sacrifices of the captives—a message that continues to resonate today. Editor David Swain has provided an introductory essay and extensive notes that contain background information and historical documentation to accompany and illuminate the original manuscript.

San Antonio native, military veteran, merchant, and mayor pro tem José Antonio Menchaca (1800–1879) was one of only a few Tejano leaders to leave behind an extensive manuscript of recollections. Portions of the document were published in 1907, followed by a “corrected” edition in 1937, but the complete work could not be published without painstaking reconstruction. At last available in its entirety, Menchaca’s book of reminiscences captures the social life, people, and events that shaped the history of Texas’s tumultuous transformation during his lifetime. Highlighting not only Menchaca’s acclaimed military service but also his vigorous defense of Tejanos’ rights, dignity, and heritage, Recollections of a Tejano Life charts a remarkable legacy while incorporating scholarly commentary to separate fact from fiction.

Revealing how Tejanos perceived themselves and the revolutionary events that defined them, this wonderfully edited volume presents Menchaca’s remembrances of such diverse figures as Antonio López de Santa Anna, Jim Bowie, Davy Crockett, Sam Houston, General Adrián Woll, Comanche chief “Casamiro,” and Texas Ranger Jack Hays. Menchaca and his fellow Tejanos were actively engaged in local struggles as Mexico won her independence from Spain; later many joined the fight to establish the Republic of Texas, only to see it annexed to the United States nine years after the Battle of San Jacinto. This first-person account corrects important misconceptions and brings previously unspoken truths vividly to life.