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61 books match the query 'American West' and 6 start with s

cover of Shooting Polaris: A Personal Survey in the American West

Shooting Polaris

A Personal Survey in the American West

John Hales

University of Missouri Press, 2005

Shooting Polaris is John Hales’s fascinating and far-reaching account of working as a government surveyor in the southern Utah desert. In it, he describes his search for a place in the natural world, beginning with an afternoon spent tracking down a lost crew member who cracked up on the job and concluding with his supervising a group of at-risk teenagers on a backpacking trip in the Escalante wilderness. In between, he depicts a range of experiences in and outside nature, including hostile barroom encounters between surveyors and tourists, weekends spent climbing Navajo Mountain and floating what remains of Glen Canyon, and late-night arguments concerning the meaning and purpose of nature with the eccentric polygamist who ran the town in which the surveyors parked their bunk trailers.
Although this work is autobiographical, Shooting Polaris is so much more. It is a reflection on man’s relationship to nature and work, American history and the movement into the West, the desire to impose order and the contrary impulse for unmediated experience, the idealistic legacy of the sixties, the influence of the Mormon Church, and the often-antagonistic relationship of American capitalism to sound ecological management. Along the way, Hales introduces engaging characters and reveals the art, science, and history of surveying, an endeavor that turns out to be surprisingly profound.
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cover of Skidoo: A Journey through the Ghost Towns of the American West

Skidoo

A Journey through the Ghost Towns of the American West

Alex Capus

Haus Publishing, 2013

Decades after westward expansion swept over it, settled it, and domesticated it, the Wild West remains a potent source of American myth and mystery. But the actual history, and the traces of it that remain, are at least as interesting as the fiction, and in Skidoo, writer and novelist Alex Capus takes us on a fascinating tour of the skeleton of the American West—the ghost towns and collapsing mines that lie far from interstates and airports, lost in history.

Walking in the footsteps of bank robbers and grave diggers, desperadoes and Native Americans, beer brewers and child brides, Capus uncovers story after story of adventure, violence, and exploration. Near Salt Wells, Nevada, he learns the story of a luckless inventor whose corpse was discovered frozen in the desert, an icicle hanging from its nose. In Skidoo, California, he tells us of a brawling bartender, Hootch Simpson, who was hanged twice—once by a mob, once by the law—before being beheaded during his autopsy. And in Flagstaff, Arizona, Capus traces the long-lost origins of Route 66, as a narrow, isolated trail for Edward Fitzgerald Beale’s Camel Corps.

Packed with period detail, and told with a verve and enthusiasm to rival Pecos Bill, the stories in Skidoo are sure to enchant any lover of Western tales or America’s wild history.
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cover of Spiral Jetta: A Road Trip through the Land Art of the American West

Spiral Jetta

A Road Trip through the Land Art of the American West

Erin Hogan

University of Chicago Press, 2008

Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.

A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.

“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review

“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic

“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times

“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune

“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker

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cover of Spiral Jetta: A Road Trip through the Land Art of the American West

Spiral Jetta

A Road Trip through the Land Art of the American West

Erin Hogan

University of Chicago Press, 2008

Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.

A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.

“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review

“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic

“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times

“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune

“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker

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cover of Staging Migrations toward an American West: From Ida B. Wells to Rhodessa Jones

Staging Migrations toward an American West

From Ida B. Wells to Rhodessa Jones

Marta Effinger-Crichlow

University Press of Colorado, 2014

Staging Migrations toward an American West examines how black women's theatrical and everyday performances of migration toward the American West expose the complexities of their struggles for sociopolitical emancipation. While migration is often viewed as merely a physical process, Effinger-Crichlow expands the concept to include a series of symbolic internal journeys within confined and unconfined spaces.

Four case studies consider how the featured women—activist Ida B. Wells, singer Sissieretta "Black Patti” Jones, World War II black female defense-industry workers, and performance artist Rhodessa Jones—imagined and experienced the American West geographically and symbolically at different historical moments. Dissecting the varied ways they used migration to survive in the world from the viewpoint of theater and performance theory, Effinger-Crichlow reconceptualizes the migration histories of black women in nineteenth- and twentieth-century America.

This interdisciplinary study expands the understanding of the African American struggle for unconstrained movement and full citizenship in the United States and will interest students and scholars of American and African American history, women and gender studies, theater, and performance theory.

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cover of Struggle on the North Santiam: Power and Community on the Margins of the American West

Struggle on the North Santiam

Power and Community on the Margins of the American West

Bob H Reinhardt

Oregon State University Press, 2020

A sixty-mile forested corridor dotted with small towns, stretching from the Willamette Valley to the Cascade mountains, Oregon’s North Santiam Canyon is like many other marginalized places in the American West. Its residents have long sought to exercise limited power in the face of real and exaggerated external forces: global economic systems, cultural power emanating from larger cities, and political forces in the form of state and federal government agencies. Struggle on the North Santiam examines how these Oregonians have responded to, interacted with, and sometimes gotten the better of such external forces.

In this deeply researched account, historian Bob H. Reinhardt connects the North Santiam Canyon’s history to that of the Pacific Northwest and the United States more broadly. Readers will learn about specific events that illuminate themes in the region’s history: railroad development as seen through the failed dreams of the Oregon Pacific Railroad, federal land scams in the Oregon land fraud trials of the early twentieth century, the causes and consequences of mid-century river development projects like Detroit Dam, the post-war booms and busts of the timber industry, the spotted owl/ancient forest debate in the 1980s and 1990s, and the promises and perils of Oregon’s recreational tourism economy.

From nineteenth-century interactions between Native and non-Native peoples to the changing fortunes of the timber industry and questions about economic and environmental sustainability in the twenty-first century, the book offers important insights into power dynamics in small communities and marginal places. Struggle on the North Santiam will be of interest to scholars of the American West and thoughtful readers interested in Oregon and Pacific Northwest history.
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