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      Americans have persistently expressed fascination with the nation's most
        famous battlefields through patriotic rhetoric, monument building, physical
        preservation, and battle reenactment. But each site is also a place where
        different groups of Americans come to compete for ownership of cherished
        national stories and to argue about the meaning of war, the importance
        of martial sacrifice, and the significance of preserving the nation's
        patriotic landscape.
      From the anniversary speeches at Lexington and Concord that shaped the
        image of the minuteman to Alamo Day speeches invoking the Texas "freedom
        fighters" of 1836 in support of the contras in Nicaragua; from passionate
        arguments over the placement of Confederate monuments at Gettysburg to
        confrontations between militant American Indian Movement and "Custer
        loyalists" during the Little Bighorn centennial in 1976; from the
        treatment of the USS Arizona at Pearl Harbor to continuing attempts
        to maintain the purity of these places in the face of commercialization---Sacred
        Ground details the ongoing struggles to define, control, and subvert
        patriotic faith as expressed at these ceremonial sites.
     
 

In 1961, as President John F. Kennedy proclaimed the beginning of a "Decade of Development," the United States embarked on its first coherent "Africa" policy. Guided by the precepts of modernization theory, American policymakers, diplomats, academics, and Peace Corps volunteers were dispatched to promote economic growth and nation-building among the newly independent countries of sub-Saharan Africa. At the outset, Larry Grubbs shows, many of these" secular missionaries" were no less sanguine about their prospects for success than were their Christian predecessors a century earlier. But before long their optimism gave way to disillusionment, as rosy forecasts of sustained development collided with African political realities and colonial economies based on single-commodity exports subject to global price fluctuations. In this book, Grubbs presents a cultural history of this ill-fated American campaign to modernize Africa during its first decade of independence. Drawing on government documents and contemporary press accounts as well as an extensive body of scholarship on U.S.-Africa relations, he exposes the contradictions at the core of a self-serving idealism that promised to "win" the continent of Africa for the West in the context of the Cold War. While many Americans working in Africa considered themselves opponents of ethnocentrism, the modernization goals they served carried an ingrained, if unacknowledged, cultural and ideological sense of superiority and faith in American exceptionalism. Similarly, persistent myths about African backwardness and primitiveness continued to afflict U.S. policy, despite official pronouncements of confidence in the transformative power of Western expertise and can-do pragmatism in bringing African societies into the modern world. If the assumptions underlying U.S. policy toward Africa during the 1960s were simply relics of outmoded Cold War orthodoxies, that would be one thing. Unfortunately, Grubbs concludes, many of the same ideas imbue contemporary discussions of the ongoing "crisis" in Africa, from the campaigns to "Save Darfur" and stop the spread of AIDS to efforts to eliminate "blood diamonds" and forgive African debts.

“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”

Seduction of the Minotaur is the fifth and final volume of Anaïs Nin’s continuous novel known as Cities of the Interior. First published by Swallow Press in 1961, the story follows the travels of the protagonist Lillian through the tropics to a Mexican city loosely based on Acapulco, which Nin herself visited in 1947 and described in the fifth volume of her Diary. As Lillian seeks the warmth and sensuality of this lush and intriguing city, she travels inward as well, learning that to free herself she must free the “monster” that has been confined in a labyrinth of her subconscious.

This new Swallow Press edition includes an introduction by Anita Jarczok, author of Inventing Anaïs Nin: Celebrity Authorship and the Creation of an Icon.

Swallow Press publishes all five volumes that make up Cities of the Interior: Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, and Seduction of the Minotaur.

For centuries, France has cast an extraordinary spell on travelers. Harvey Levenstein's Seductive Journey explains why so many Americans have visited it, and tells, in colorful detail, what they did when they got there. The result is a highly entertaining examination of the transformation of American attitudes toward French food, sex, and culture, as well as an absorbing exploration of changing notions of class, gender, race, and nationality.

Levenstein begins in 1786, when Thomas Jefferson instructed young upper-class American men to travel overseas for self-improvement rather than debauchery. Inspired by these sentiments, many men crossed the Atlantic to develop "taste" and refinement. However, the introduction of the transatlantic steamship in the mid-nineteenth century opened France to people further down the class ladder. As the upper class distanced themselves from the lower-class travelers, tourism in search of culture gave way to the tourism of "conspicuous leisure," sex, and sensuality. Cultural tourism became identified with social-climbing upper-middle-class women. In the 1920s, prohibition in America and a new middle class intent on "having fun" helped make drunken sprees in Paris more enticing than trudging through the Louvre. Bitter outbursts of French anti-Americanism failed to jolt the American ideal of a sensual, happy-go-lucky France, full of joie de vivre. It remained Americans' favorite overseas destination.

From Fragonard to foie gras, the delicious details of this story of how American visitors to France responded to changing notions of leisure and blazed the trail for modern mass tourism makes for delightful, thought-provoking reading.

"...a thoroughly readable and highly likable book."—Deirdre Blair, New York Times Book Review

Setting the Lawn on Fire, the first novel by critically acclaimed writer Mack Friedman, trails its narrator through his obsessions with sex, drugs, art, and poison. Ivan, a young Jewish boy from Milwaukee, embarks on a journey of sexual discovery that leads him from Wisconsin to Alaska, Philadelphia, and Mexico through stints as a fishery worker, artist, and finally a hustler who learns to provide the blank canvas for other people’s dreams. The result is a new kind of coming-of-age story that sees passion from every angle because its protagonist is every kind of lover: the seducer and the seduced, the pornographer and the model, the hunter and the prey, the trick and the john. In the end, Setting the Lawn on Fire is also something rare—a fully realized, contemporary romance that illuminates the power of desire and the rituals of the body, the brain, and the heart that attempt to contain our passions.