5550 books match the query 'Biography & Autobiography' and 348 start with s

Philip Boobbyer
Ohio University Press, 1995
“There are many reasons for writing a biography of Semyon Frank. Quite apart from his philosophy, he lived a remarkable life. Born in Moscow in 1877, he was exiled from Soviet Russia in 1922 and died in London in 1950. The son of a Jewish doctor, he became a revolutionary Social Democrat in his teens and finished his life as a Neoplatonist Christian. One of the Russian revisionist Marxists, he was then involved in the Kadet Party during the 1905 revolution before breaking with active political activity and turning to philosophy. He lived in Petrograd through the First World War until September 1917, after which he went to Saratov, where he experienced the chaos of the Russian Civil War. Living in Germany after his exile, he witnessed the rise of Hitler in Berlin, left for France in a hurry in 1937, and spent part of the war hiding from the Gestapo in the Grenoble mountains. It was a life that encompassed a lot of history.
”Yet along with this, Frank was arguably Russia’s greatest twentieth-century philosopher. Indeed, V.V. Zen‘kovskii, the historian of Russian philosophy, considered Frank ’in strength of philosophic vision … the most outstanding among Russian philosophers generally — not merely among those who share his ideas.‘ For its lucidity, conciseness, systematic character, and unity, Zen’kovskii considered Frank’s system ‘ the highest achievement … of Russian philosophy.’ Doubtless, Zen‘kovskii’s assessment is disputable, but his remarks emphasize Frank’s stature in the Russian tradition. In the style of German idealism, Frank constructed a comprehensive philosophical system, which he believed offered a coherent alternative to materialism. He was deeply worried by the implications of epistemological relativism and constructed a system of metaphysics designed to link epistemology and ontology, to bridge the gulf between thought and being. In addition, he attempted to express the idea of a personal God in philosophical language. His system also embraced social philosophy, anthropology, and ethics.“
— from the Introduction by the author
Nick Salvatore
University of Illinois Press, 2000
Thomas A. Middleton
University Press of New England, 2010
Timuel D. Black Jr., as told to Susan Klonsky, edited by Bart Schultz
Northwestern University Press, 2019
Laurence L. Bongie
University of Chicago Press, 1998
Scott Christensen
Utah State University Press, 1999
The Northwestern Shoshone knew as home the northern Great Salt Lake, Bear River, Cache, and Bear Lake valleys of northern Utah. Sagwitch was born at a time when his people traded with the mountain men. In the late 1850s, wagons brought Mormon farmers to settle in Cache Valley, the Northwestern Shoshone heartland. Emigrants and settlers reduced Shoshone access to traditional village sites and food resources. Relationships with the Mormons were mostly good but often strained, and the Shoshone treatment of migrants, who now traveled north and south as well as west and east through the area, was increasingly opportunistic. It only took a few violent incidents for a zealous army colonel to seek severe punishment of the Northwestern Shoshone on a winter morning in 1863. The Bear River Massacre was among the bloodiest engagements of America's Indian wars. Hundreds of Shoshone, including Sagwitch's wife and two sons, died; Sagwitch was wounded but escaped. The band was shattered, other chiefs dead.
The following years were very hard for the survivors. The federal government negotiated a treaty with them but failed to get Sagwitch's signature when, en route to the sessions, he was arrested and then wounded by a white assassin. With the world around him changed, Sagwitch sought accommodation with the most immediate threat to his people's traditional way of survival—the Mormons occupying the Shoshone's valleys.
This, then, is also the story of the conversion of Sagwitch and his band to the Mormon Church. Though not without problems, that conversion was long lasting and thorough. Sagwitch and other Shoshone would demonstrate in important ways their new religious devotion. With the assistance of Mormon leaders, they established the Washakie community in northern Utah. Though efforts to secure a land base had an uneven history, they partly succeeded, and the story of these Shoshone's attempts at rural farming diverged significantly from what happened on government reservations. When Sagwitch died, his death went almost unnoticed outside of Washakie, but his children and grandchildren continued to be important voices among a people who, after experiencing near annihilation, survived in the new world into which Sagwitch led them.
Alex Capus
Haus Publishing, 2011
Pamela Sisman Bitterman
University of Wisconsin Press, 2004
Lawrence D. Sheely
University of Alabama Press, 1993
In the winter of 1917, with most of the world at war, twenty-three-year-old Irving Edward Sheely of Albany, New York, enlisted in Naval Aviation and began his training at Pensacola Naval Air Station. When Congress declared ware on Germany on April 6, 1917, the combined strength of aviation within the Navy and Marine Corps was 48 officers, 239 enlisted men, 54 airplanes, one airship, and one air station.
Jean-Paul Sartre
University of Minnesota Press, 2012
Saint Genet is Jean-Paul Sartre’s classic biography of Jean Genet—thief, convict, and great artist—a character of almost legendary proportions whose influence grows stronger with time. Bringing together two of the century’s greatest minds and artists, Saint Genet is at once a compelling psychological portrait, masterpiece of literary criticism, and one of Sartre’s most personal and inspired philosophical creations.
Cordelia Frances Biddle
Westholme Publishing, 2015
Jean-Pierre Torrell
Catholic University of America Press, 1996
Jo Ann McNamara, John E. Halborg, and Gordon Whatley, eds.
Duke University Press, 1992
Leonard J Arrington
Signature Books, 1981
Edwin Haviland Miller
University of Iowa Press, 1992
In one of his public disavowals of autobiography, Nathaniel Hawthorne informed his readers that external traits "hide the man, instead of displaying him," directing them instead to "look through the whole range of his fictitious characters, good and evil, in order to detect any of his essential traits." In this multidimensional biography of America's first great storyteller, Edwin Haviland Miller answers Hawthorne's challenge and reveals the inner landscapes of this modest, magnetic man who hid himself in his fiction. Thomas Woodson hails Miller's account as "the best biography of this most elusive of American authors."
Eric Midwinter
Haus Publishing, 2006
Whit Gibbons
University of Alabama Press, 2023
WINNER OF THE SOUTH CAROLINA OUTDOOR PRESS ASSOCIATION'S EXCELLENCE IN CRAFT FOR THE BEST OUTDOOR BOOK AWARD
Adventures and misadventures exploring nature on a patch of “worthless” abandoned farmland
Following his retirement from academic life, renowned naturalist and writer Whit Gibbons and his family purchased a tract of abandoned farmland where the South Carolina piedmont meets the coastal plain. Described as backcountry scrubland, it was originally envisioned as a family retreat, but soon the property became Gibbons’s outdoor learning laboratory where he was often aided by his four grandchildren, along with a host of enthusiastic visitors.
Inspired by nature’s power to excite, educate, and provide a sense of place in the world, Gibbons invites readers to learn about their surrounding environments by describing his latest adventures and sharing expert advice for exploring the world in which we live. Peppered throughout with colorful personal anecdotes and told with Gibbons’s affable style and wit, Salleyland: Wildlife Adventures in Swamps, Sandhills, and Forests is more than a personal memoir or a record of place. Rather, it is an exercise in learning about a patch of nature, thereby reminding us to open our eyes to the complexity and wonder of the natural world.
Starting with the simple advice of following your own curiosity, Gibbons discusses different opportunities and methods for exploring one’s surroundings, introduces key ecological concepts, offers advice for cultivating habitat, explains the value of and different approaches to keeping lists and field journals, and celebrates the advances that cell phone photography and wildlife cameras offer naturalists of all levels. With Gibbons’s guidance and encouragement, readers will learn to embrace their inner scientists, equipped with the knowledge and encouragement to venture beyond their own front doors, ready to discover the secrets of their habitat, regardless of where they live.
Kay Norton
University of Illinois Press, 2026
Catherine Fowler
University of Illinois Press, 2008
This survey of Sally Potter’s work explores her cinematic development from the feminist reworking of La Bohème in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual.
Potter has relentlessly struggled against predictability and safe options. Again and again, her works grapple with the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potter’s films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, and traveling and interacting with people. At the heart of Potter’s work is a concern with the ways narrative circumscribes women's ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, clichés, and images. By contrast, later films like Orlando and The Tango Lesson create new and original narratives that place female acts, voices, looks, desires, and thoughts at their center.
Fowler’s analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director.
Virginia Kerns
University of Utah Press, 2021
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young’s family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a “wild” woman made “tame” who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from obscurity and reconstructs her complex life before, during, and after captivity. This true story from the American past resonates deeply in the current moment, attentive as it is to killing epidemics and racial injustices. In telling Sally’s story, Kerns presents a new narrative of the American West.
William Towner Morgan
University of Iowa Press, 1997

Victor Figueroa Clark
Pluto Press, 2013
This is a political biography of one of the 20th century’s most emblematic left-wing figures - Salvador Allende, who was president of Chile until he was ousted by General Pinochet in a US-supported coup in 1973.
Victor Figueroa Clark guides us through Allende's life and political project, answering some of the most frequently asked questions. Was he a revolutionary or a reformist? A bureaucrat or inspirational democrat? Clark argues that Allende and the Popular Unity Party created a unique fusion which was both revolutionary and democratic.
The process led by Allende was a symbol of hope for the left during his short time in power. Forty years on, and with left governments back in power across Latin America, this book looks back at the man and the process in order to draw vital lessons for the left in Latin America and around the world today.
Howard Pollack
University of Illinois Press, 2023
Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti.
Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.
By Louise Horton
University of Texas Press, 1974
Samuel Bell Maxey was an important political figure in nineteenth-century Texas, but no previous book-length study of his life and career has been published. Louise Horton has utilized his private papers as well as numerous other sources in preparing this biography, which includes many of Maxey's own comments on his contemporaries. The letters also provide new information on the development of railroads across the Southwest.
An emigrant from Kentucky, Samuel Bell Maxey practiced law in North Texas, raised a regiment at the beginning of the Civil War, returned to Texas to defend the Indian Territory during 1863-1865, and was elected on his first candidacy to be the first Democratic senator from Texas after the Civil War. After two years in office he became Texas's senior senator and held that position until defeated by John H. Reagan in 1887. Maxey's term of office spanned the turbulent period immediately following Reconstruction, and a great deal of his influence derived from his moderation. He was concerned that the breach caused by the Civil War be healed. He was influential among Republican congressmen from the North and aided substanially in Texas's regaining its status in the Union. Louise Horton's biography of Maxey emphasizes the contribution he made to the state and the nation and fills a gap in the history of the post-Civil War period.
Michael R. Marrus
Brandeis University Press, 1991
Margaret E. Armbrester
University of Alabama Press, 2009
Diane C. Fujino
University of Minnesota Press, 2012
An iconic figure of the Asian American movement, Richard Aoki (1938–2009) was also, as the most prominent non-Black member of the Black Panther Party, a key architect of Afro-Asian solidarity in the 1960s and ’70s. His life story exposes the personal side of political activism as it illuminates the history of ethnic nationalism and radical internationalism in America.
A reflection of this interconnection, Samurai among Panthers weaves together two narratives: Aoki’s dramatic first-person chronicle and an interpretive history by a leading scholar of the Asian American movement, Diane C. Fujino. Aoki’s candid account of himself takes us from his early years in Japanese American internment camps to his political education on the streets of Oakland, to his emergence in the Black Panther Party. As his story unfolds, we see how his parents’ separation inside the camps and his father’s illegal activities shaped the development of Aoki’s politics. Fujino situates his life within the context of twentieth-century history—World War II, the Cold War, and the protests of the 1960s. She demonstrates how activism is both an accidental and an intentional endeavor and how a militant activist practice can also promote participatory democracy and social service.
The result of these parallel voices and analysis in Samurai among Panthers is a complex—and sometimes contradictory—portrait of a singularly extraordinary activist and an expansion and deepening of our understanding of the history he lived.
Charles R. Townsend; Discography and filmusicography by Bob Pinson
University of Illinois Press, 1976
"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored.
Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.
Edgardo Rodriguez Julia; Translated by Peter Grandbois
University of Wisconsin Press, 2007
Dave Peters
Wisconsin Historical Society Press, 2023
Silver winner of the 2023 Midwest Book Award for History
Ralph A. Bagnold
University of Arizona Press, 1990
Matilde Zimmermann
Duke University Press, 2000
Sandinista is the first English-language biography of Carlos Fonseca Amador, the legendary leader of the Sandinista National Liberation Front of Nicaragua (the FSLN) and the most important and influential figure of the post–1959 revolutionary generation in Latin America. Fonseca, killed in battle in 1976, was the undisputed intellectual and strategic leader of the FSLN. In a groundbreaking and fast-paced narrative that draws on a rich archive of previously unpublished Fonseca writings, Matilde Zimmermann sheds new light on central themes in his ideology as well as on internal disputes, ideological shifts, and personalities of the FSLN.
The first researcher ever to be allowed access to Fonseca’s unpublished writings (collected by the Institute for the Study of Sandinism in the early 1980s and now in the hands of the Nicaraguan Army), Zimmermann also obtained personal interviews with Fonseca’s friends, family members, fellow combatants, and political enemies. Unlike previous scholars, Zimmermann sees the Cuban revolution as the crucial turning point in Fonseca’s political evolution. Furthermore, while others have argued that he rejected Marxism in favor of a more pragmatic nationalism, Zimmermann shows how Fonseca’s political writings remained committed to both socialist revolution and national liberation from U.S. imperialism and followed the ideas of both Che Guevara and the earlier Nicaraguan leader Augusto César Sandino. She further argues that his philosophy embracing the experiences of the nation’s workers and peasants was central to the FSLN’s initial platform and charismatic appeal.
Sakine Cansiz
Pluto Press, 2019
Giles Hudson
Bodleian Library Publishing, 2012
Sarah Angelina Acland (1849–1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects—among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin—were visitors to her family’s Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium.
An introduction to Acland’s entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers—shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.

Margaret Farrand Thorp
University of Minnesota Press, 1966
Sarah Orne Jewett - American Writers 61 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Martha Moore Davis
University of Iowa Press, 1997
William Price Fox
University of Alabama Press, 2005
Captures the sometimes outrageous, often humorous, and always bigger-than-life spirit of the World's Greatest Pitcher, Leroy Satchel Paige
This book began when the author met "the Satch" for the first time at the Twilight Zone Lounge of the Rhythm Lanes Bowling Alley in Kansas City. What started as a simple interview for Holiday magazine quickly grew into an animated conversation that lasted nearly a week as Paige and Fox moved from bar to club to restaurant to auto repair shop and from one topic to the next. Fox describes, with amazement, the reception the legendary baseball player received at Gates' Place, a famous barbecue restaurant, and The Flamingo, a big dance club. Over the course of the week, Paige shared stories about his start in the Negro leagues, his time with the Kansas City Monarchs, and barnstorming around the country, sleeping on the ground because there were no hotels for blacks. He also tells of his breakthrough to the big leagues when he signed with the Cleveland Indians and later pitched two shutouts against the Chicago White Sox.
In addition to his baseball career, Paige tells Fox about his childhood in Mobile, Alabama, catching fish during the Jubilee, throwing rocks at white boys, hustling bags at the train station, and working in the Depression era medicine shows. In contrast to these humble beginnings, Satchel recounts his later connections with film and music celebrities like Orson Welles, Jelly Roll Morton, Billie Holliday, and Cab Calloway. He also expounds on his friendships with other sports greats, including Goose Tatum, Meadowlark Lemon, and Sugar Ray Robinson.
The ironic intersections between oppression and fame, and between poverty and wealth, that emerge from Paige's narrative memoir exemplify the affliction of talent and genius in an era of racial discrimination and segregation.
Shyam Benegal and Satyajit Ray
Seagull Books, 2025

Earl Rovit
University of Minnesota Press, 1967
Saul Bellow - American Writers 65 was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
By Stephen Prince
University of Texas Press, 1998
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.
Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response.
Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created.
Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Margaret M. Bruchac
University of Arizona Press, 2018
O. Alan Weltzien
University of Nevada Press, 2022
Ramachandra Guha
University of Chicago Press, 1999
James A. Joseph
Duke University Press, 2015
Raymond Goodwin
University of Wisconsin Press, 2010
Ian Zack
University of Chicago Press, 2015
Dennis E. Hoffman
Southern Illinois University Press, 1993
According to the Eliot Ness myth, which has been widely disseminated through books, television shows, and movies, Ness and the Untouchables defeated Al Capone by marshaling superior firepower. In Scarface Al and the Crime Crusaders, Dennis Hoffman presents a fresh new perspective on the downfall of Al Capone. To debunk the Eliot Ness myth, he shows how a handful of private citizens brought Capone to justice by outsmarting him rather than by outgunning him.
Drawing on previously untapped sources, Hoffman dissects what he terms a “private war” against Capone. He traces the behind-the-scenes work of a few prominent Chicago businessmen from their successful lobbying of presidents Coolidge and Hoover on behalf of federal intervention to the trial, sentencing, and punishment of Al Capone. Hoffman also reconstructs in detail a number of privately sponsored citizen initiatives directed at stopping Capone. These private ventures included prosecuting the gangsters responsible for election crimes; establishing a crime lab to assist in gangbusting; underwriting the costs of the investigation of the Jake Lingle murder; stigmatizing Capone; and protecting the star witnesses for the prosecution in Al Capone’s income tax evasion case.
Hoffman suggests that as American society continues to be threatened by illegal drugs, gangs, and widespread violence, it is important to remember that the organized crime and political corruption of Prohibition-era Chicago were checked through the efforts of private citizens.
Dennis E. Hoffman is an associate professor of criminal justice at the University of Nebraska at Omaha.
Susana Chávez-Silverman
University of Wisconsin Press, 2010
Michael Awkward
Duke University Press, 1999
With a recurring focus on how his mother’s tragic weaknesses and her compelling strengths affected his development, Awkward intersperses the chronologically arranged autobiographical sections with ruminations on his own interests in literary and cultural criticism. As a male scholar who has come under fire for describing himself as a feminist critic, he reflects on such issues as identity politics and the politics of academia, affirmative action, and the Million Man March.
By connecting his personal experiences with larger political, cultural, and professional questions, Awkward uses his life as a palette on which to blend equations of race and reading, urbanity and mutilation, alcoholism, pain, gender, learning, sex, literature, and love.
David M. Schneider, as told to Richard Handler
Duke University Press, 1995