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In the 1980s, numerous scientific surveys documented both declining bird populations, especially among Neotropical songbirds that winter in the tropics, and the loss of tropical rain forest habitat. Drawing the seemingly obvious conclusion, scientists and environmental activists linked songbird declines to loss of tropical habitats and alerted the world to an impending ecological catastrophe. Their warnings led to the establishment of the Neotropical Migratory Bird Conservation Program, also known as Partners in Flight, the self-proclaimed largest conservation effort in history.

Looking back over more than a decade of efforts to save migrant birds, John Faaborg offers the first serious evaluation of the state of songbird populations today, the effectiveness of conservation programs such as Partners in Flight, and the reliability and completeness of scientific research on migrant birds. Taking neither an alarmist nor a complacent approach, he shows that many factors besides habitat loss affect bird populations and that Neotropical migrants as a group are not declining dramatically, though some species adapt to habitat alteration more successfully than others. Faaborg's state-of-the-art survey thus clarifies the kinds of information we will need and the conservation efforts we should undertake to ensure the long-term survival of Neotropical migrant birds.

Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films.

Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision.

Pete Dunne has been watching birds since he was seven years old. But not just watching-deeply absorbing every nuance of color, markings, shape, flight, and song; all the subtle clues that can identify a bird barely glimpsed among the highest branches in fading twilight. With the same skill, he has been observing and writing about birding and birders for over twenty years, using humor, sentiment, occasional sarcasm, and unashamed passion for his chosen profession to explore why birdwatching is so irresistibly compelling to so many people.

This book brings together thirty-two vintage essays that Dunne originally wrote for publications such as American Birds, Bird Watcher's Digest, Birder's World, Birding, Living Bird, the New Jersey edition of the Sunday New York Times, WildBird, and Wild Bird News. Encounters with birds rare and common is their shared theme, through which Dunne weaves stories of his family and friends, reflections on the cycles of nature, and portraits of unforgettable birders whose paths have crossed his, ranging from Roger Tory Peterson to a life-battered friend who finds solace in birding. A cliff-hanger story of the bird that got away gives this book its title.

In Snow Fleas and Chickadees, Eve Quesnel invites readers to join her on strolls through the forest surrounding her neighborhood in the Sierra Nevada mountains near Lake Tahoe. The book serves as an extended field guide and natural history reference for residents of the region and those visiting and exploring the Sierra. Through her writing, the author shares personal narratives and information gleaned from experts in the field, including biologists, ornithologists, and foresters. Each of the book’s twenty-one essays begins with a detailed black-and-white drawing by illustrator Anne Chadwick that provides a backdrop for the vignettes that follow.

Quesnel embraces the notion that to simply walk in one’s neighborhood is to familiarize oneself with the local flora and fauna, drawing attention to everyday things too often neglected. She argues that we can be complacent with what surrounds us, but with careful observation and research, we become acutely aware—and in awe of—nature’s everyday activities. The black bear’s hibernation techniques and mountain chickadee’s caching methods reveal just two of nature’s wily ways. Quesnel chases other curiosities as well, asking, “How does a spider create an orb web?” or, “How does a boulder the size of a small car end up alone in the woods?” In the introduction, she writes, “It is this ‘un-peeling’ of layers in nature that opens up our world.” 

For anyone interested in nature writing, whether an armchair explorer, outdoor enthusiast, or science aficionado, Snow Fleas and Chickadees provides an entertaining and engaging discovery of the picturesque Sierra Nevada.