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Drawing on previously unknown or unassimilated sources, Donald C. Hodges here presents an entirely new interpretation of the politics and philosophy of Augusto C. Sandino, the intellectual progenitor of Nicaragua's Sandinista revolution.

The first part of the book investigates the political sources of Sandino's thought in the works of Babeuf, Buonarroti, Blanqui, Proudhon, Bakunin, Most, Malatesta, Kropotkin, Ricardo Flores Magón, and Lenin—a mixed legacy of pre-Marxist and non-Marxist authoritarian and libertarian communists.

The second half of the study scrutinizes the philosophy of nature and history that Sandino made his own. Hodges delves deeply into this philosophy as the supreme and final expression of Sandino's communism and traces its sources in the Gnostic and millenarian occult undergrounds. This results in a rich study of the ways in which Sandino's revolutionary communism and communist spirituality intersect—a spiritual politics that Hodges presents as more realistic than the communism of Karl Marx.

While accepting the current wisdom that Sandino was a Nicaraguan liberal and social reformer, Hodges also makes a persuasive case that Sandino was first and foremost a communist, although neither of the Marxist nor anarchist variety. He argues that Sandino's eclectic communist spirituality was more of an asset than a liability for understanding the human condition, and that his spiritual politics promises to be more relevant than Marxism-Leninism for the twenty-first century. Indeed, Hodges believes that Sandino's holistic communism embraces both deep ecology and feminist spirituality—a finding that is sure to generate lively and productive debate.

Migration journeys are arduous, with migrants tormented by risk, abuse, threats, and xenophobia. Shelters, staffed by humanitarian workers and volunteers, provide safe spaces for those in transit. Shelter on the Journey examines how these sites, often faith-based civil society associations, create solidarity and help politicize migrants, giving them a sense of themselves as an empowered, rights-holding people.

Solano, who volunteered at shelters in Mexico, chronicles the activity in three of the nearly 100 shelters along a unique humanitarian trail that many Central Americans take to reach the United States. She outlines the constraints faced by these sites and their potential to create social transformation and considers how and why migration security is currently framed and managed as both a criminal and humanitarian issue.

Shelter on the Journey explores the politics of the shelters, their social world, and the dynamics of charity and solidarity, as well as the need for humanitarian assistance and advocacy for dignified and free transit migration.

Skywatchers of Ancient Mexico helped establish the field of archaeoastronomy, and it remains the standard introduction to this subject. Combining basic astronomy with archaeological and ethnological data, it presented a readable and entertaining synthesis of all that was known of ancient astronomy in the western hemisphere as of 1980.

In this revised edition, Anthony Aveni draws on his own and others' discoveries of the past twenty years to bring the Skywatchers story up to the present. He offers new data and interpretations in many areas, including:

• The study of Mesoamerican time and calendrical systems and their unprecedented continuity in contemporary Mesoamerican culture
• The connections between Precolumbian religion, astrology, and scientific, quantitative astronomy
• The relationship between Highland Mexico and the world of the Maya and the state of Pan-American scientific practices
• The use of personal computer software for computing astronomical data

With this updated information, Skywatchers will serve a new generation of general and scholarly readers and will be useful in courses on archaeoastronomy, astronomy, history of astronomy, history of science, anthropology, archaeology, and world religions.

How does an artist respond to the horrors of war and the genocide of his or her people? Can art play a role in the fight for justice? These are key questions for understanding the work of Guatemalan photographer Daniel Hernández-Salazar. Since the 1980s, Hernández-Salazar has created both documentary and aesthetic works that confront the state-sponsored terrorism and mass killings of Guatemala's long civil war (1962-1996). His photographic polyptych (4-panel image) "Clarification" became the icon for the Recovery of Historical Memory project of the Archbishopric of Guatemala, as well as a rallying symbol for Guatemalans. Broadening his crusade for justice in the twenty-first century, Hernández-Salazar is now also using the shouting angel of his polyptych (entitled "So That All Shall Know") to challenge the forgetting and/or erasure of painful history in many parts of the world, including Mexico, Japan, the United States, Canada, and Argentina.

So That All Shall Know is a powerful, comprehensive overview of the work of Daniel Hernández-Salazar on recent Guatemalan history. Portfolios of images present his early photojournalistic work documenting the Guatemalan genocide; his Eros + Thanatos series that responds aesthetically to the destruction of war; and his Street Angel project, which uses his image "So That All Shall Know" to protest against injustice and historical forgetting around the world. Accompanying the images are bilingual English-Spanish essays by four scholars who discuss the development of Hernández-Salazar's art in the context of contemporary photography, the social and political conditions that inspire his work, and the broader questions that arise when artists engage in social struggle.

Introduced by Nobel Peace Laureate Rigoberta Menchú Tum, So That All Shall Know is a moving testament to the horrors of genocide and the power of art to give voice to the silenced and presence to the disappeared.

Approaching sorcery as highly rational and rooted in significant social and cultural values, Sorcery in Mesoamerica examines and reconstructs the original indigenous logic behind it, analyzing manifestations from the Classic Maya to the ethnographic present. While the topic of sorcery and witchcraft in anthropology is well developed in other areas of the world, it has received little academic attention in Mexico and Central America until now.
 
In each chapter, preeminent scholars of ritual and belief ask very different questions about what exactly sorcery is in Mesoamerica. Contributors consider linguistic and visual aspects of sorcery and witchcraft, such as the terminology in Aztec semantics and dictionaries of the Kaqchiquel and K’iche’ Maya. Others explore the practice of sorcery and witchcraft, including the incorporation by indigenous sorcerers in the Mexican highlands of European perspectives and practices into their belief system. Contributors also examine specific deities, entities, and phenomena, such as the pantheistic Nahua spirit entities called forth to assist healers and rain makers, the categorization of Classic Maya Wahy (“co-essence”) beings, the cult of the Aztec goddess Cihuacoatl, and the recurring relationship between female genitalia and the magical conjuring of a centipede throughout Mesoamerica.
 
Placing the Mesoamerican people in a human context—as engaged in a rational and logical system of behavior—Sorcery inMesoamerica is the first comprehensive study of the subject and an invaluable resource for students and scholars of Mesoamerican culture and religion.
 
 
Contributors:
Lilián González Chévez, John F. Chuchiak IV, Jeremy D. Coltman, Roberto Martínez González, Oswaldo Chinchilla Mazariegos, Cecelia F. Klein, Timothy J. Knab, John Monaghan, Jesper Nielsen, John M. D. Pohl, Alan R. Sandstrom, Pamela Effrein Sandstrom, David Stuart

Southeastern Mesoamerica highlights the diversity and dynamism of the Indigenous groups that inhabited and continue to inhabit the borders of Southeastern Mesoamerica, an area that includes parts of present-day Honduras, Guatemala, and El Salvador. Chapters combine archaeological, ethnohistoric, and historic data and approaches to better understand the long-term sociopolitical and cultural changes that occurred throughout the entirety of human occupation of this area.
 
Drawing on archaeological evidence ranging back to the late Pleistocene as well as extensive documentation from the historic period, contributors show how Southeastern Mesoamericans created unique identities, strategically incorporating cosmopolitan influences from cultures to the north and south with their own long-lived traditions. These populations developed autochthonous forms of monumental architecture and routes and methods of exchange and had distinct social, cultural, political, and economic traits. They also established unique long-term human-environment relations that were the result of internal creativity and inspiration influenced by local social and natural trajectories.
 
Southeastern Mesoamerica calls upon archaeologists, anthropologists, historians, ethnohistorians, and others working in Mesoamerica, Central America, and other cultural boundaries around the world to reexamine the role Indigenous resilience and agency play in these areas and in the cultural developments and interactions that occur within them.
 
Contributors: Edy Barrios, Christopher Begley, Walter Burgos, Mauricio Díaz García, William R. Fowler, Rosemary A. Joyce, Gloria Lara-Pinto, Eva L. Martínez, William J. McFarlane, Cameron L. McNeil, Lorena D. Mihok, Pastor Rodolfo Gómez Zúñiga, Timothy Scheffler, Edward Schortman, Russell Sheptak, Miranda Suri, Patricia Urban, Antolín Velásquez, E. Christian Wells
 

The seventeenth century has been characterized as "Latin America's forgotten century." This landmark work, originally published in 1973, attempted to fill the vacuum in knowledge by providing an account of the first great colonial cycle in Spanish Central America. The colonial Spanish society of the sixteenth century was very different from that described in the eighteenth century. What happened in the Latin American colonies between the first conquests, the seizure of long-accumulated Indian wealth, the first silver booms, and the period of modern raw material supply? How did Latin America move from one stage to the other? What were these intermediate economic stages, and what effect did they have on the peoples living in Latin America? These questions continue to resonate in Latin American studies today, making this updated edition of Murdo J. MacLeod's original work more relevant than ever.

Colonial Central America was a large, populous, and always strategically significant stretch of land. With the Yucatán, it was home of the Maya, one of the great pre-Columbian cultures. MacLeod examines the long-term process it underwent of relative prosperity, depression, and then recovery, citing comparative sources on Europe to describe Central America's great economic, demographic, and social cycles. With an updated historiographical and bibliographical introduction, this fascinating study should appeal to historians, anthropologists, and all who are interested in the colonial experience of Latin America.

Specters of War explores mourning practices in postwar Central America, particularly in El Salvador and Guatemala. Ignacio Sarmiento delves into the intricate dynamics of grieving through an interdisciplinary lens, analyzing expressions of mourning in literature, theater, and sites of memory. At the heart of this analysis is the contention over who has the right to mourn, how mourning is performed, and who is included in this process. Sarmiento reveals mourning not as a private affair but as a battleground where different societal factions vie for the possibility of grieving the dead.

Through meticulous research and theoretical nuance, Specters of War sheds light on the politics of mourning in postconflict societies. Sarmiento argues that mourning is not merely a personal experience but a deeply political act intertwined with power struggles and societal divisions. From victims of state terrorism to military elites, various groups engage in a complex dance of grief, revealing the fraught nature of public mourning in postwar Central America. By examining cultural artifacts and memorialization projects, Sarmiento uncovers the multifaceted nature of mourning and its implications for memory, justice, and reconciliation.

This groundbreaking work is essential reading for scholars, students, and professionals interested in Central American history and culture, as well as post-authoritarian societies. Specters of War promises to deepen our understanding of postwar Central America and the legacy of loss in shaping collective identities and narratives of the past.

For centuries scholars have pondered and speculated over the uses of the chipped stone implements uncovered at archaeological sites. Recently a number of researchers have attempted to determine prehistoric tool function through experimentation and through observation of the few remaining human groups who still retain this knowledge. Learning how stone tools were made and used in the past can tell us a great deal about ancient economic systems, exchange networks, and the social and political structure of prehistoric societies.

Suzanne M. Lewenstein used the artifacts from Cerros, an important Late Preclassic (200 BC–AD 200) Mayan site in northern Belize, to study stone tool function. Through a comprehensive program of experimentation with stone tool replicas, she was able not only to infer the tasks performed by individual tool specimens but also to recognize a wide variety of past activities for which stone tools were used.

Unlike previous works that focused on hunter-gatherer groups, Stone Tool Use at Cerros is the first comprehensive experimental study of tool use in an agricultural society. The lithic data are used in an economic interpretation of a lowland Mayan community within a hierarchically complex society.

Apart from its significance to Mayan studies, this innovative work offers the beginnings of a reference collection of identifiable tool functions that may be documented for sedentary, complex society. It will be of major interest to all archaeologists and anthropologists, as well as those interested in economic specialization and artisanry in complex societies.

Chocolate and sugar, alcohol and tobacco, peyote and hallucinogenic mushrooms—these seductive substances have been a nexus of desire for both pleasure and profit in Mesoamerica since colonial times. But how did these substances seduce? And when and how did they come to be desired and then demanded, even by those who had never encountered them before? The contributors to this volume explore these questions across a range of times, places, and peoples to discover how the individual pleasures of consumption were shaped by social, cultural, economic, and political forces.

Focusing on ingestible substances as a group, which has not been done before in the scholarly literature, the chapters in Substance and Seduction trace three key links between colonization and commodification. First, as substances that were taken into the bodies of both colonizers and colonized, these foods and drugs participated in unexpected connections among sites of production and consumption; racial and ethnic categories; and free, forced, and enslaved labor regimes. Second, as commodities developed in the long transition from mercantile to modern capitalism, each substance in some way drew its enduring power from its ability to seduce: to stimulate bodies; to alter minds; to mark class, social, and ethnic boundaries; and to generate wealth. Finally, as objects of scholarly inquiry, each substance rewards interdisciplinary approaches that balance the considerations of pleasure and profit, materiality and morality, and culture and political economy.

The sixteen-volume Handbook of Middle American Indians, completed in 1976, has been acclaimed the world over as the most valuable resource ever produced for those involved in the study of Mesoamerica. When it was determined in 1978 that the Handbook should be updated periodically, Victoria Reifler Bricker, well-known cultural anthropologist, was selected to be series editor.

This first volume of the Supplement is devoted to the dramatic changes that have taken place in the field of archaeology. The volume editor, Jeremy A. Sabloff, has gathered together detailed reports from the directors of many of the most significant archaeological projects of the mid-twentieth century in Mesoamerica, along with discussions of three topics of general interest (the rise of sedentary life, the evolution of complex culture, and the rise of cities).

The sixteen-volume Handbook of Middle American Indians, completed in 1976, has been acclaimed the world over as the single most valuable resource ever produced for those involved in the study of Mesoamerica. When it was determined in 1978 that the Handbook should be updated periodically, Victoria Reifler Bricker, well-known cultural anthropologist, was elected to be general editor.

This third volume of the Supplement is devoted to the aboriginal literatures of Mesoamerica, a topic receiving little attention in the original Handbook. According to the general editor, "This volume does more than supplement and update the coverage of Middle American Indian literatures in the Handbook. It breaks new ground by defining the parameters of a new interdisciplinary field in Middle American Indian studies."

The aim of the present volume is to consider literature from five Middle American Indian languages: Nahuatl, Yucatecan Maya, Quiche, Tzotzil, and Chorti. The first three literatures are well documented for both the Classical and Modern variants of their languages and are obvious candidates for inclusion in this volume. The literatures of Tzotzil and Chorti, on the other hand, are oral, and heretofore little has been written of their genres and styles.

Taken together, these essays represent a substantial contribution to the Handbook series, with the volume editor's introduction placing in geographic perspective the five literatures chosen as representative of the Middle American literary tradition.

Sustainability and Water Management in the Maya World and Beyond investigates climate change and sustainability through time, exploring how political control of water sources, maintenance of sustainable systems, ideological relationships with water, and fluctuations in water availability have affected and been affected by social change. Contributors focus on and build upon earlier investigations of the global diversity of water management systems and the successes and failures of their employment, while applying a multitude of perspectives on sustainability.
 
The volume focuses primarily on the Precolumbian Maya but offers several analogous case studies outside the ancient Maya world that illustrate the pervasiveness of water’s role in sustainability, including an ethnographic study of the sustainability of small-scale, farmer-managed irrigation systems in contemporary New Mexico and the environmental consequences of Angkor’s growth into the world’s most extensive preindustrial settlement. The archaeological record offers rich data on past politics of climate change, while epigraphic and ethnographic data show how integrated the ideological, political, and environmental worlds of the Maya were.
 
While Sustainability and Water Management in the Maya World and Beyond stresses how lessons from the past offer invaluable insight into current approaches of adaptation, it also advances our understanding of those adaptations by making the inevitable discrepancies between past and present climate change less daunting and emphasizing the sustainable negotiations between humans and their surroundings that have been mediated by the changing climate for millennia. It will appeal to students and scholars interested in climate change, sustainability, and water management in the archaeological record.
 
Contributors: Mary Jane Acuña, Wendy Ashmore, Timothy Beach, Jeffrey Brewer, Christopher Carr, Adrian S. Z. Chase, Arlen F. Chase, Diane Z. Chase, Carlos R. Chiriboga, Jennifer Chmilar, Nicholas Dunning, Maurits W. Ertsen, Roland Fletcher, David Friedel, Robert Griffin, Joel D. Gunn, Armando Anaya Hernández, Christian Isendahl, David Lentz, Sheryl Luzzadder-Beach, Dan Penny, Kathryn Reese-Taylor, Michelle Rich, Cynthia Robin, Sylvia Rodríguez, William Saturno, Vernon Scarborough, Payson Sheets, Liwy Grazioso Sierra, Michael Smyth, Sander van der Leeuw, Andrew Wyatt