304 books match the query 'Death' and 24 start with s

cover of Seed: A Novel

Seed

A Novel

Stanley Crawford

University of Alabama Press, 2015

Seed is the story of Bill Starr’s final days. Childless but with a lifetime’s worth of possessions and a nearly infinite web of extended family, Bill endeavors to empty his house completely before he dies by summoning distant relatives to claim their inheritance. Many of his letters go unanswered, but those who do appear show up only to find that their reward is often much less valuable than they might expect.
 
What they get instead are Bill’s memories, made vivid by each item from the past, memories that are more exotic and curious than the lives currently lived by his young relatives.
 
Accompanied by his housekeeper, Ramona, and his young gardener, Jonathan, Bill is a somewhat cantankerous, wildly intelligent, and often forgetful man who recalls and speaks to his passed wife, often thinking that she's not dead. His unwillingness to recognize what has happened to her and to give away his only possession of any value, a 1937 Pierce-Arrow automobile that they bought together, becomes the measure of his grief and of his love in this profoundly funny novel that faces death and love sincerely.
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cover of Sex and Death on the Western Emigrant Trail: The Biology of Three American Tragedies

Sex and Death on the Western Emigrant Trail

The Biology of Three American Tragedies

Donald K. Grayson

University of Utah Press, 2018

During the winter of 1846–1847, members of the Donner Party found themselves stuck in the snows of the Sierra Nevada on their journey to California, losing many in their group to severe cold and starvation. Those who survived did so by cannibalizing their dead comrades. Today the Donner Party may be the most famous of American overland emigrant groups, but it was not the only one to face extreme conditions. Ten years after the Donner Party, two groups sponsored by the Mormon Church, the Willie and Martin handcart companies ran into similar difficulties. Unlike the Donner Party, however, these people were following a well-traveled path, but they were doing it in a novel way—pushing and pulling their goods and children in handcarts some 1,300 miles from Iowa to Utah. Caught in early winter storms in Wyoming, 200 members of these two companies died along the trail.

The plights of these emigrant groups have been addressed by different historians in different ways; this book is the first to examine the tragedies in terms of biology. Grayson shows that who lived or died can largely be explained by age, sex, and family ties. His investigation reveals what happens when our cultural mechanisms for dealing with famine and extreme cold are reduced to only what our bodies can provide within structured social contexts. His results are surprising and not always intuitive as he investigates who survived in these life threatening situations. 
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cover of Sex and Death: An Introduction to Philosophy of Biology

Sex and Death

An Introduction to Philosophy of Biology

Kim Sterelny and Paul E. Griffiths

University of Chicago Press, 1999

Is the history of life a series of accidents or a drama scripted by selfish genes? Is there an "essential" human nature, determined at birth or in a distant evolutionary past? What should we conserve—species, ecosystems, or something else?

Informed answers to questions like these, critical to our understanding of ourselves and the world around us, require both a knowledge of biology and a philosophical framework within which to make sense of its findings. In this accessible introduction to philosophy of biology, Kim Sterelny and Paul E. Griffiths present both the science and the philosophical context necessary for a critical understanding of the most exciting debates shaping biology today. The authors, both of whom have published extensively in this field, describe the range of competing views—including their own—on these fascinating topics.

With its clear explanations of both biological and philosophical concepts, Sex and Death will appeal not only to undergraduates, but also to the many general readers eager to think critically about the science of life.
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cover of Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks

Sex, Death, and Minuets

Anna Magdalena Bach and Her Musical Notebooks

David Yearsley

University of Chicago Press, 2019

At one time a star in her own right as a singer, Anna Magdalena (1701–60) would go on to become, through her marriage to the older Johann Sebastian Bach, history’s most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music—long associated with the sound of children practicing and mothers listening—has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity.
            Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject—at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow—and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks’ more idiosyncratic entries—like its charming ditties on illicit love and searching ruminations on mortality—against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion—for living and for dying.
 
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cover of Sex, Death, and Sacrifice in Moche Religion and Visual Culture

Sex, Death, and Sacrifice in Moche Religion and Visual Culture

By Steve Bourget

University of Texas Press, 2006

The Moche people who inhabited the north coast of Peru between approximately 100 and 800 AD were perhaps the first ancient Andean society to attain state-level social complexity. Although they had no written language, the Moche created the most elaborate system of iconographic representation of any ancient Peruvian culture. Amazingly realistic figures of humans, animals, and beings with supernatural attributes adorn Moche pottery, metal and wooden objects, textiles, and murals. These actors, which may have represented both living individuals and mythological beings, appear in scenes depicting ritual warfare, human sacrifice, the partaking of human blood, funerary rites, and explicit sexual activities.

In this pathfinding book, Steve Bourget raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice. He begins by drawing connections between the scenes and individuals depicted on Moche pottery and other objects and the archaeological remains of human sacrifice and burial rituals. He then builds a convincing case for Moche iconography recording both actual ritual activities and Moche religious beliefs regarding the worlds of the living, the dead, and the afterlife. Offering a pioneering interpretation of the Moche worldview, Bourget argues that the use of symbolic dualities linking life and death, humans and beings with supernatural attributes, and fertility and social reproduction allowed the Moche to create a complex system of reciprocity between the world of the living and the afterworld. He concludes with an innovative model of how Moche cosmological beliefs played out in the realms of rulership and political authority.

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cover of Shadows in the Valley: A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Shadows in the Valley

A Cultural History of Illness, Death, and Loss in New England, 1840-1916

Alan Swedlund

University of Massachusetts Press, 2010

How does the experience of sickness, death, and loss change over time? We know that the incidence and virulence of particular diseases have varied from one period to another, as has their medical treatment. But what was it like for the individuals who suffered and died from those illnesses, for the health practitioners and institutions that attended to them, and for the families who buried and mourned them?

In Shadows in the Valley, Alan Swedlund addresses these questions by closely examining the history of mortality in several small communities in western Massachusetts from the mid-nineteenth to the early twentieth century—from just before the acceptance of the germ theory of disease through the early days of public health reform in the United States. This was a time when most Americans lived in rural areas or small towns rather than large cities. It was also a time when a wide range of healing practices was available to the American public, and when the modern form of Western medicine was striving for dominance and authority. As Swedlund shows, this juncture of competing practices and ideologies provides a rich opportunity for exploring the rise of modern medicine and its impact on the everyday lives of ordinary Americans.

To indicate how individuals in different stages of their lives were exposed to varying assaults on their health, the book is structured in a way that superimposes what the author calls “life-course time” onto chronological time. Thus the early chapters look at issues of infancy and childhood in the 1840s and 1850s and the last chapters at the problems of old age after 1900. The reader becomes familiar with specific individuals and families as they cope with the recurrent loss of children, struggle to understand the causes of new contagions, and seek to find meaning in untimely death. By using a broad time frame and a narrow geographical lens, Swedlund is able to engage with both the particularities and generalities of evolving medical knowledge and changing practice, and to highlight the differences in personal as well as collective responses to illness and loss.

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cover of Shakespeare and the Denial of Death

Shakespeare and the Denial of Death

James Calderwood

University of Massachusetts Press, 1987

James L. Calderwood offers a lively exploration of the ways in which Shakespeare dramatizes the strategies people employ to deal with and transcend the inevitability of death. In keeping with the views of Ernest Becker, Norman O. Brown, and others, Calderwood argues that the denial of death is fundamental to both individuals and their cultures. By drawing on a fascinating range of examples, he suggests how often and how variously Shakespeare dramatizes this desire for symbolic immortality.
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cover of Shakespeare's Dead: Stages of Death in Shakespeare's Playworlds

Shakespeare's Dead

Stages of Death in Shakespeare's Playworlds

Simon Palfrey and Emma Smith

Bodleian Library Publishing, 2016

Four hundred years after Shakespeare’s death, his plays live on in theater and popular culture, given new life through countless innovative approaches to their performance and interpretation. Just as our enthusiasm for seeing the plays performed—and transformed—affirms their continued life, death scenes in Shakespeare’s plays tend to mark not an ending but a transformation of life.

Published to accompany a major exhibition at the Bodleian Library, University of Oxford, Shakespeare’s Dead documents the many ways Shakespeare’s characters meet their demise, from suicide to murder, from death by workaday dagger to the more creative method of being baked and fed to one’s family in a meat pie. Through these examples, Simon Palfrey and Emma Smith show Shakespeare’s mastery at choreographing death as a means of rediscovery. Some characters refuse to go quietly, dying in stages, as in Nick Bottom’s performance as Pyramus killing himself with much flourish in A Midsummer Night’s Dream. Others are remembered in elegies, and still others are resurrected or reappear as ghosts. Shakespeare’s death scenes also often speak to the boundaries between theater and everyday life, with funerals and scenes of mourning that are undercut by their staged inauthenticity.

Extensively illustrated with contemporary drawings and images from stage history, Shakespeare’s Dead takes readers through the playwright’s great death scenes and tragic figures, exploring in them the theme of life in death and delineating the cultural, religious, and social contexts.
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cover of Shakespeare's Reformation: Christian Humanism and the Death of God

Shakespeare's Reformation

Christian Humanism and the Death of God

Nalin Ranasinghe

St. Augustine's Press, 2022

This is a posthumously published collection of Nalin Ranasinghe's sharp analyses of Shakespeare's five heavy dramas: Hamlet, King John, Julius Caesar, King Lear, and Antony and Cleopatra. True to form, Ranasinghe serves up philosophical and literary genius for the reader's benefit and delight.

"I will try to claim that Shakespeare offers an esoteric vindication of the human soul itself, not merely poetry, against the looming backdrop of the Counter-Reformation in Europe and the Puritan perversion of English Anglicanism. Neither the Scholasticism of the former nor the fundamentalism of the latter had any sympathy for the claims of men like Bottom or the Bastard to see beyond the confines of scripture and sacred social structures. While poetry could indulge in metaphysical fantasy, it could not take on the status quo without the assistance of more learned allies; this Shakespeare seems to do by his re-telling of Classical and English history. As disingenuous as Bottom (or Erasmus) in this artful use of ignorance and folly to conceal his serious goals, Shakespeare is thus tying poetry to history and giving us an alternate, if playful, account of Western Civilization."
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cover of Sick to Death: An Andy Hayes Mystery

Sick to Death

An Andy Hayes Mystery

Andrew Welsh-Huggins

Ohio University Press, 2024

After years of personal and professional turmoil, things are finally looking up for Columbus, Ohio, private eye Andy Hayes. As Sick to Death opens, Andy is relishing his new gig: a drama-free, family-friendly stint as a guard at the Columbus Museum of Art. What could be better than regular hours, a steady paycheck, and an attractive coworker who may be just as interested in him as he is in her? Right on schedule, Andy’s newfound equilibrium comes crashing down when he interrupts the theft of a painting by famed Ashcan school realist George Bellows—and is promptly fired for breaking museum protocols. Helping him thwart the robbers is a young woman whom Andy has caught staring at him several times at the museum. To his shock, she reveals she’s an adult daughter he never knew he had, the result of a one-night stand during his misspent youth a quarter century earlier. But Alex Rutledge, about to enter the Columbus Police Academy, isn’t looking for family time. She wants to hire her newly discovered father to find the driver who killed her mother, Kate, five months earlier in a still unsolved hit-skip accident. Even as Andy reels from this personal development, he uncovers troubling details about Kate’s death that increasingly point toward murder and an angry anti-vax sentiment roiling below the surface at the hospital where she worked. Complicating Andy’s case, he finds himself in the crosshairs of an FBI investigation into the attempted art theft. With time running out and his and Alex’s lives on the line, Andy rushes to defend his reputation as a private eye and find Kate’s killer.
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cover of Singing Mother Home: A Psychologist's Journey through Anticipatory Grief

Singing Mother Home

A Psychologist's Journey through Anticipatory Grief

Donna S. Davenport

University of North Texas Press, 2002

What happens when an expert on grief is faced with the slow decline of her beloved mother? Like A Grief Observed by C. S. Lewis, Singing Mother Home offers the reader an inside look at the struggles of someone who is an “expert” in coping with loss. Donna S. Davenport was forced to rethink the traditional academic approach to the process, which implied that the goal of grief resolution was to end the attachment to the loved one. Instead, she embarked on a personal exploration of her own anticipatory grief.

This intimate narrative forms the core of her book. It is emotionally wrenching, but it also provides hope for those going through similar experiences. Just as Davenport used her family's tradition of singing to comfort her mother, readers will be encouraged to find their own sources of comfort in family and legacy. The book concludes with two chapters describing psychological approaches to grief and recommending further reading.
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cover of Skin for Skin: Death and Life for Inuit and Innu

Skin for Skin

Death and Life for Inuit and Innu

Gerald M. Sider

Duke University Press, 2014

Since the 1960s, the Native peoples of northeastern Canada, both Inuit and Innu, have experienced epidemics of substance abuse, domestic violence, and youth suicide. Seeking to understand these transformations in the capacities of Native communities to resist cultural, economic, and political domination, Gerald M. Sider offers an ethnographic analysis of aboriginal Canadians' changing experiences of historical violence. He relates acts of communal self-destruction to colonial and postcolonial policies and practices, as well as to the end of the fur and sealskin trades. Autonomy and dignity within Native communities have eroded as individuals have been deprived of their livelihoods and treated by the state and corporations as if they were disposable. Yet Native peoples' possession of valuable resources provides them with some income and power to negotiate with state and business interests. Sider's assessment of the health of Native communities in the Canadian province of Labrador is filled with potentially useful findings for Native peoples there and elsewhere. While harrowing, his account also suggests hope, which he finds in the expressiveness and power of Native peoples to struggle for a better tomorrow within and against domination.
 
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cover of Small: Life and Death on the Front Lines of Pediatric Surgery

Small

Life and Death on the Front Lines of Pediatric Surgery

Catherine Musemeche

Dartmouth College Press, 2014

As a pediatric surgeon, Catherine Musemeche operates on the smallest of human beings, manipulates organs the size of walnuts, and uses sutures as thin as hairs to resolve matters of life or death. Working in the small space of a premature infant’s chest or abdomen allows no margin for error. It is a world rife with emotion and risk. Small takes readers inside this rarefied world of pediatric medicine, where children and newborns undergo surgery to resolve congenital defects or correct the damages caused by accidents and disease. It is an incredibly high-stakes endeavor, nerve-wracking and fascinating. Small: Life and Death on the Front Lines of Pediatric Surgery is a gripping story about a still little-known frontier. In writing about patients and their families, Musemeche recounts the history of the developing field of pediatric surgery—so like adult medicine in many ways, but at the same time utterly different. This is a field guide to the state of the art and science of operating on the smallest human beings, the hurts and maladies that afflict them, and the changing nature of medicine in America today, told by an exceptionally gifted surgeon and writer.
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cover of So Long! Walt Whitman's Poetry of Death

So Long! Walt Whitman's Poetry of Death

Harold Aspiz

University of Alabama Press, 2005

Explores Whitman's intimate and lifelong concern with mortality and his troubled speculations about the afterlife

Walt Whitman is unquestionably a great poet of the joys of living. But as Harold Aspiz demonstrates in this study, concerns with death and dying define Whitman’s career as a thinker, a poet, and a person. Through a close reading of Leaves of Grass, its constituent poems, particularly “Song of Myself,” and Whitman’s prose and letters, Aspiz charts how the poet’s exuberant celebration of life—the cascade of sounds, sights, and smells that erupt in his verse—is a consequence of his central concern: the ever-presence of death and the prospect of an afterlife.

Until now no one has studied as systematically the degree to which mortality informs Whitman’s entire enterprise as a poet. So Long! devotes particular attention to Whitman’s language and rich artistry in the context of the poet’s social and intellectual milieus. We see Whitman (and his many personae) as a folk prophet announcing a gospel of democracy and immortality; pondering death in alternating moods of acceptance and terror; fantasizing his own dying and his postmortem selfhood; yearning for mates and lovers while conscious of fallible flesh; agonizing over the omnipresence of death in wartime; patiently awaiting death; and launching imaginary journeys toward immortality and godhood.

So Long! is valuable for American literature collections, students and scholars of Whitman and 19th-century literature, and general readers interested in Whitman and poetry. By exploring Whitman's faith in death as a meaningful experience, we may understand better how the poet—whether personified as representative man, victim, hero, lover, or visionary—lived so completely on the edge of life.
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cover of So We Died: A Memoir of Life and Death in the Ghetto of Šiauliai, Lithuania

So We Died

A Memoir of Life and Death in the Ghetto of Šiauliai, Lithuania

Levi Shalit, translated and edited by Veronica Belling, Ellen Cassedy, and Andrew Cassel, introduction by Veronica Belling, afterword by Justin Cammy

University of Alabama Press, 2025

In the shadow of death, Levi Shalit wrote to remember—so we would never forget.

So We Died: A Memoir of Life and Death in the Ghetto of Šiauliai, Lithuania (Azoy zaynen mir geshtorbn) is a powerful eyewitness account of the Shavl ghetto during the Nazi occupation of Lithuania. Written in Yiddish by Levi Shalit and available now for the first time in English, the work fills a stark void in historical records.

Shalit divided his work into four sections. In the first, he describes the German invasion of Šiauliai, the murder of thousands of Jews in the city and surrounding countryside, and the forced relocation of the surviving Jews into the Shavl ghetto. In the second, he describes daily life in the ghetto in engrossing detail. In the third, titled “The Masada Book,” Shalit describes ghetto residents’ attempt to organize a resistance group of which he himself was a member. In the fourth, he narrates the transformation of the ghetto into a concentration camp and the seizure and deportation of the community’s children.

Few accounts of the Shavl ghetto survived the war. Shalit’s work offers English-language readers a rare insight into a vital chapter of history. The translators artfully reveal Shalit’s literary prowess and the ways he illuminated the Shavl ghetto’s daily struggles, false hopes, and atrocities.

More than an account of a previously overlooked episode in Holocaust history, So We Died is a testament to the enduring power of the human spirit in the face of unspeakable tragedy. It offers keen insight into a time of war, fascism, and resistance. A must-read for anyone seeking understanding and remembrance.

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cover of Songs for Dead Parents: Corpse, Text, and World in Southwest China

Songs for Dead Parents

Corpse, Text, and World in Southwest China

Erik Mueggler

University of Chicago Press, 2017

In a society that has seen epochal change over a few generations, what remains to hold people together and offer them a sense of continuity and meaning? In Songs for Dead Parents, Erik Mueggler shows how in contemporary China death and the practices surrounding it have become central to maintaining a connection with the world of ancestors, ghosts, and spirits that socialism explicitly disavowed.
 
Drawing on more than twenty years of fieldwork in a mountain community in Yunnan Province, Songs for Dead Parents shows how people view the dead as both material and immaterial, as effigies replace corpses, tombstones replace effigies, and texts eventually replace tombstones in a long process of disentangling the dead from the shared world of matter and memory. It is through these processes that people envision the cosmological underpinnings of the world and assess the social relations that make up their community. Thus, state interventions aimed at reforming death practices have been deeply consequential, and Mueggler traces the transformations they have wrought and their lasting effects.
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cover of Sonnets of Love and Death

Sonnets of Love and Death

Jean De Sponde

Northwestern University Press, 2001

This bilingual edition introduces readers to the sixteenth century poet Jean de Sponde, considered one of the most important poets of the Renaissance period and a precursor to Donne, in his poetry Sponde reflects the tensions–both stylistic and philosophical-of his time. This collection of sonnets, abounding in metaphor, paradox, antithesis, and hyperbole, is a restless personal exploration of the body and the spirit, of the concrete and the abstract, of passion and anguish.
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cover of Soviet Rock on Screen: The Life, Death, and Resurrection of a Film Genre

Soviet Rock on Screen

The Life, Death, and Resurrection of a Film Genre

Rita Safariants

University of Wisconsin Press, 2026

As the Iron Curtain fell and Cold War suspicions thickened in the second half of the twentieth century, the quintessentially American genre of rock and roll, seen as a potent symbol and product of an enemy ideology, quickly became a clandestine import in the USSR. The Soviet underground embraced the forbidden sounds, despite official propaganda that called rock stars social parasites and corrupting sluggards. Contrary to the regime’s desires, the genre grew in popularity until it could no longer be ignored. In the Soviet Union’s last decade, a flailing film industry, controlled by and dependent on an increasingly unstable central government, seized on the rock star as a central figure—and the Soviet rock film was born.

In Soviet Rock on Screen, Rita Safariants chronicles the birth, life, death, and resurrection of a genre that rapidly became one of the most readily recognized cultural signifiers of the perestroika era and which continues to reflect and codify Russian culture. During their initial heyday in the 1980s, rock films were influenced by and encouraged the cultural shifts of perestroika and the incipient political storm. Today, Safariants argues, the reemergence and reconfiguration of the genre indicates the extent to which Soviet-era cultural emblems inform Russian national identity and obliquely support the current political repression under Putin.
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cover of Spirit Children: Illness, Poverty, and Infanticide in Northern Ghana

Spirit Children

Illness, Poverty, and Infanticide in Northern Ghana

Aaron R. Denham

University of Wisconsin Press, 2019

In parts of West Africa, some babies and toddlers are considered spirit children—nonhumans sent from the forest to cause misfortune and destroy the family. These are usually deformed or ailing infants, the very young whose births coincide with tragic events, or children who display unusual abilities. In some of these cases, families seek a solution in infanticide. Many others do not.

Refusing to generalize or oversimplify, Aaron R. Denham offers an ethnographic study of the spirit child phenomenon in Northern Ghana that considers medical, economic, religious, and political realities. He examines both the motivations of the families and the structural factors that lead to infanticide, framing these within the context of global public health. At the same time, he turns the lens on Western societies and the misunderstandings that prevail in discourse about this controversial practice. Engaging the complexity of the context, local meanings, and moral worlds of those confronting a spirit child, Denham offers visceral accounts of families' life and death decisions.
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cover of Structures of Indifference: An Indigenous Life and Death in a Canadian City

Structures of Indifference

An Indigenous Life and Death in a Canadian City

Mary Jane Logan McCallum

University of Manitoba Press, 2018

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cover of Subject to Death: Life and Loss in a Buddhist World

Subject to Death

Life and Loss in a Buddhist World

Robert Desjarlais

University of Chicago Press, 2016

If any anthropologist living today can illuminate our dim understanding of death’s enigma, it is Robert Desjarlais. With Subject to Death, Desjarlais provides an intimate, philosophical account of death and mourning practices among Hyolmo Buddhists, an ethnically Tibetan Buddhist people from Nepal. He studies the death preparations of the Hyolmo, their specific rituals of grieving, and the practices they use to heal the psychological trauma of loss. Desjarlais’s research marks a major advance in the ethnographic study of death, dying, and grief, one with broad implications. Ethnologically nuanced, beautifully written, and twenty-five years in the making, Subject to Death is an insightful study of how fundamental aspects of human existence—identity, memory, agency, longing, bodiliness—are enacted and eventually dissolved through social and communicative practices.
 
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cover of Survival under Dictatorships: Life and Death in Nazi and Communist Regimes

Survival under Dictatorships

Life and Death in Nazi and Communist Regimes

László Borhi

Central European University Press, 2024

A complex array of individual responses to the abuse of power by the state is represented in this book in three horrific episodes in the history of East-Central Europe. The three events followed each other within a span of about ten years: the deportation and murder of Hungarian Jews in Nazi death and labor camps; the Arrow Cross terrorist rule in Budapest; and finally the Stalinist terror in Hungary and East-Central Europe. Through the prism of survival, László Borhi explores the relationship between the individual and power, attempting to understand the mechanism of oppression and terror produced by arbitrary, unbridled power through the experience of normal people.

Despite the obvious peculiarities of time and place, the Hungarian cases convey universal lessons about the Holocaust, Nazism, and Stalinism. In the author's conception, the National Socialist and Stalinist experiences are linked on several levels. Both regimes defended their visions of the future against social groups whom they saw as implacable enemies of those visions, and who therefore had to be destroyed for sake of social perfection. Furthermore, the social practices of National Socialism were passed on. And although Stalinism was imposed by a foreign power, some of the survival skills for coping with it were rehearsed under the previous hellish experience.

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cover of Surviving Alex: A Mother’s Story of Love, Loss, and Addiction

Surviving Alex

A Mother’s Story of Love, Loss, and Addiction

Patricia A. Roos

Rutgers University Press, 2024

In 2015, Patricia Roos’s twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex tells her moving story—and outlines the possibilities of a more compassionate and effective approach to addiction treatment.  

Weaving together a personal narrative and a sociological perspective, Surviving Alex movingly describes how even children from “good families” fall prey to addiction, and recounts the hellish toll it takes on families. Drawing from interviews with Alex’s friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. And as she explores how a punitive system failed her son, she calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis.


 
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cover of Swooning Beauty: A Memoir Of Pleasure

Swooning Beauty

A Memoir Of Pleasure

Joanna Frueh

University of Nevada Press, 2006

When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.

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